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Barrios Anniversary Fdition Volume 4 Transcribed from the original recordings by Chris Dumigan Cover design by Nick Erritsos Typesetting by Paul Fowles Special thanks to: S.W. Kim David McKeigue John Wilkinson Notes on the Transcriptions Aires Criollos ... A Mi Madre ... Contemplacion ... Pepita — Vals ... Madrigal — Gavota ..... Milonga . Oro y Plata Vals .. Vals No. 4 . Contents Notes on the Transcriptions Aires Criotios One of several recorded pieces which use traditional material, Aires Criollos contains a number of themes which Barrios later re-worked in Armonias de America (see Vol.5). Recorded tempo: Crotchet = c.72 A Mi Madre An early and more extended version of Invocacion a mi Madre (Vol.5). In the passage starting at bar 94, the lower stave shows what Barrios actually played, including some obvious errors. The main (upper) stave has been reconstructed from the similar passage starting at bar 127. Recorded tempo: Crotchet = c.88 Contemplacion One of Barrios’ most extended tremolo pieces. The recorded version differs in detail from the manuscript source. Recorded tempo: Crotchet = ¢.88 (bar 9 onwards) Pepita - Vals The first chord in bar 11 is completely missed on the recording and has been reconstructed based on the passage starting at bar 15 in which a similar progression is used. A curious feature of the recorded performance is the prolonged accelerando during the final recapitulation. This does not occur in any other Vals and was possibly introduced here due to the limited space on a 78rpm disc Recorded tempo: Crotchet = c.108 (introduction) .132 (bar 23 onwards) Madrigal - Gavota Unlike the similarly-titled piece by Gustavo Sosa Escalada (Vol.3), this is generally accepted as an original Bastios composition. Recorded tempo: Crotchet = c.120 Milonga Unique among the surviving Barrios recordings, Milonga gives the impression of being a free improvisation on a two-chord theme. ‘The numerous efrors on the recorded performance have, in the absence of any written source, been corrected based on the harmonic and rhythmic context in which they appear. The variants Barrios introduces in the repeated passages have not been altered. Recorded tempo: Dotted crotchet = 0.66 Oro y Plata Vals A free transcription in which even the melody differs from the original. The same deviations all recur in the repeats, which suggests that they were intentional, Recorded tempo: Crotchet = c.132 Vals No.4 ‘The recorded version differs from the manuscript in that Barrios doesn’t play the additional bar after 203. This extra bar has not been included in the present transcription, Recorded tempo: Dotted minim = c.80 Aires Criollos ‘Transcribed by Chris Domigan Agustin Berios Mangore Da a ® @ = -y 1 | 11 a ne 7 > 1 sp lo r e - ° Copyright Barrios Anniversary Edition 1994 1 Copyright Batrios Amiversary Edition 1994 2 Te on 2 ‘Copyright Barrios Anniversary Edition 1994 3 4 P A Mi Madre ‘Transcribed by Chris Damigan Agustin Barrios Mangore 2 Oo? bi O=-G O=D alll $l RX cv — , 2 ny — Copyright Barrios Amivesary Edition 1994 4 R 2 q Copyright Bamios Anniversary Edition 1994 5 sul! nav — J-4 2 US TF (Copyright Barrios Ansiversary Edition 1994 6 anexn—, 1200 — ncx — Z A, 2d E be Fos wexy inevin inevin— Copyright Baris Anniversary Elton 1994 7 on eet en ie e 81h a7 mal FMI Copyright Barrios Anniversary Bition 1994 8 (Copyright Barros Anniversary Edition 1994 9 Contemplacion ‘Transcribed by Chris Dumigan ‘Agustin Barrios Mangore cvn 4 Ai] é ax— Tl 4,4 4,18) 12 sf-eslers Copyright Barrios Anniversary Edition 1994 10 Copyright Barrios Anniversary Edition 1994 12 Copyright Barrios Anniversary Edition 1994 13 Copyright Barrios Anniversary Edition 1994 15 Copyright Baitios Anniversary Edition 1994 16 ‘Copyright Barrios Anniversary Edition 1994 7 rerdrrsiceecrllerceepers en et oan ten _— 1c ancy 55 a a 7 inex: oi fas ia Foe Te Se od acaes caccec, lew? Copyright Barrios Anniversary Edivoo 1994 18 Pepita - Vals ‘Transeribed by Chris Dumigan Agustin Barrios Mangore Copyright Berrios Anniversary ition 1994 19 Copyright Barros Anniversary Edition 1994 20 a Se P ai “yi! Copyright Barris Anniversary Edition 1994 Copyright Barrios Anniversary Edition 1994 22 1nacy a 4 2 an a— an Tl aI + ou Copyright Barrios Anniversary Edition 1994 23 J iitls aa, aJift nex — 442g J 82 in, 1 STi: ~y 6 ? P ‘Copyright Baitios Anniversary Edition 1994 24 Ul ‘Copyright Barrios Anniversary Edition 1994 25 f z yo TE SD PT aE Copyright Barrios Anniversary Edition 1994 26 Madrigal - Gavota ‘Transcribed by Chris Dumigan ‘Agustin Barrios Mangore on av — wv — 4 d av cm av cm as , 2p o> pd 2d) 1h le rn A ey eleJesut ge las: | p> 2 nh? *4 4 Fs « q - or nn aio Copyright Barros Anniversary Edition 1994 27 ‘Copyright Barrios Anniversary Edition 1994 28 Copyright Barrios Anniversary Edition 1994 2 Milonga ‘Transcribed by Chris Dumigan Agstin Barrios Mangore pore? cir? af Copyright Barrios Anniversary Edition 1994 31 Copyright Barrios Amiversary Edition 1994 33 ‘Copyright Barrios Anniversary Edition 1994 35 Oro y Plata - Vals Franz Lehar ‘Transcribed by Chris Dunnigan arr. Agustin Barrios Mangore i a a ee Copyright Barios Anniversary Edition 1994 36 tab et —_ = S P r I rTP appr Copyright Barrios Anniversary Edition 1994 37 Copyright Barrios Anniversary Editon 1994 38 (Copyright Barrios Anniversary Edition 1994 Vals No.4 “ranseribed by Chris Dumigan ‘Agen Barrios Mangore ©-D a2 gaa ia ze Copyright Barrios Anaiversary Edition 1994 40 rds. da te 3 wd)! ag, 7 Toe ph od ad ii) yas yt s pPpeP ? 3 yA jet fale ye DO 811 Copyright Barrios Anniversary Edition 1994 yap Oo 3 wii ~ Copyright Barrios Amiversary Edition 1994 42 wacit # iF 7 ip 5 PP Copyright Barrios Anniversary Edition 1994 43 Copyright Batog Anniversary Edition 1998 ms Copyright Barrios Anniversary Edition 1994 45

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