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Day 1: Lighting Principles

Dealing with the basic principles of lighting, the day will encourage the individual to think about lighting at the outset of a project rather than as an addition to a
scheme.
There will be studio demonstrations where the different effects can be seen working and an exciting, inspirational lecture will be given showing the different ways
the professional lighting designer achieves these effects.
In addition, a practical studio session will cover the principle types of lamps, fittings and controls available to the designer.

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Psychology Of Light
Basic Principles of Lighting Design
Overview of Lamps (including Colour Temperature and Rendition, Beam Widths and Lamp Life)
Control Your Environment (including Total Home Integration)

Day 2: Lighting Schemes & Plans


This day will examine how to put together a lighting plan, enabling the designer to specify the exact position of each chosen fitting to create the desired effect. The
day will include an exercise to design a lighting scheme for a specific space.

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How to develop a lighting scheme


What fittings to use
Where to place the fittings
Building up the circuits and layering of light
Lighting specification and circuit schedule
Examining specific areas of the house
Group projects include developing a lighting scheme for a clients kitchen & bathroom and studying the end result with the lighting designer involved
General overview of several projects including gardens highlighting all the main points of the two lighting days

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ESSENTIALS OF LIGHT

A good lighting designer is both artist and technician. Sensitivity is required for the perception and
description of light whilst resolve is required for the planning process. This workshop is an introduction to
the human factors in light, its perception and the development of a lighting vocabulary. Essentials of light
is a Master Class conducted by a lighting designer and an architect. It starts with a single ray of light in
the hull of a freight ship and progresses to bright daylight environments. This workshop enables you to
analyse and describe lighting situations both aesthetically and technically. You will not only learn about
the theoretical background, but also experiment with and test your design ideas in mock-ups
HIGH-PERFORMANCE ENERGY BUILDINGS

Sustainable lighting design places human needs at its centre and daylight design is a first step. Not
governed by modern sustainability standards highly sophisticated facades designs complement regional
buildings traditions. A master of sustainable architecture will take you through the stages of integrative
design, placing emphasis on technical and esthetical aspects. The focus is on how local climate
conditions influence the shape and design of buildings. Together with a master lighting designer you will
develop a scheme for the interplay of daylight and artificial light. Renowned experts will teach you the
technical criteria you will need to judge and benchmark your own designs. At the end of the workshop the
focus will shift to modern media facades combining LED technology and controls.
WORKPLACE DESIGN

Google and co have changed the way we think about our workplaces. Todays offices are no longer cube
farms but consist of individual spaces that have both technical and atmospheric lighting. This workshop
combines theory and practice. You will design the lighting for a workplace project starting with signing a
contract. A master interior architecture will guide you through the conceptual stages of workplace design.
It entails the functions of space, the influence of daylight, materials and colours. A master lighting
designer joins the team to translate the design ideas into light and in doing so addresses the project
structure, budgeting and human factors in light. In this workshop you will design a project from scratch to
completion, define a budget, solve technical problems and test your proposal in a mock-up.
HEALTH WELLNESS LIGHT

Hospitality, residential and recreation projects call for specific solutions that create a unique atmosphere
and ensure a balanced interplay of light and material. They require designers not only to deviate from
standard solutions but also to resolve technical challenges, for example found in damp environments.
What makes you feel at home? Starting with this question, a master architect will help you to develop
moods that relate to different functions in spa areas. Together with a master lighting designer your ideas
will be developed into a lighting layout. This Master Class goes through all the stages of a project and
reaches beyond creating atmospheric designs to embracing topics like budget constraints, the process of
design and technical problems. You will design a project from the beginning to completion with the input
from experts and the constant feedback from master teachers.
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Three Basic Lighting Instruments


Three Basic Lighting Instruments

Fresnel

This instrument is best used for general washes because the beam is generally blurry at the edges.
Fresnels have a zoom/spot feature which allows you to change the width of the beam using a knob on the bottom.
Fresnels have barn doors on the outside of the lens which cut off the edges of the beam to reduce spill.

Ellipsoidal Reflector

Good instrument for fixed spots.


Can be focused by moving the lenses closer or further apart in order to sharpen the edges of the beam.
Can use a gobo (light stencil).

Par Cans

Par Cans have bulbs with a parabolic reflector.


These lights are known for being rockn roll lights because they have no focus, no barn doors, but are next to indestructible because theyre
just a car headlight in a can.
The Source Four Par is an inexpensive alternative to a Fresnel, but a better light. It is not like a par can in that the bulb is a regular bulb for a
lighting instrument, not a car head light bulb.

Parts of a lighting Instrument

See attached Appendix A.

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