Documentos de Académico
Documentos de Profesional
Documentos de Cultura
Contents
Preface
Chapter 1 History, Traditions, and Beliefs
Chapter 2 Foraging for Materials
Chapter 3 Twigs and Vines, Roots, and Bark
Chapter 4 Pinecones, Acorns, and Seedpods
Chapter 5 Moss and Wildflowers
Chapter 6 Trees, Leaves, and Logs
Chapter 7 Wild Edibles
Chapter 8 Holiday and Seasonal Decorations
Chapter 9 Stone and Faux Bois
Appendixes
Index
OPPOSITE
The dining area
of red cedar posts
and rafters lend
this first floor
room a wonder-
ful aroma. The
walls are black
cherry and the
floor is white pine.
A room-length
sliced tree log
mounted on tree
knots serves as a
shelf for holding
a collection of
woodland finds.
RIGHT
White pine
tree trunks
strategically
placed throughout
the tree house
serve as major
supports.
This rich, green wreath is very easy to make and invites you to add any other natural
materials for creative, colorful accents.
Moss (live or dry) 1. To begin, wrap a good-sized section of moss around a straw
Straw wreath wreath and secure it with floral pins. Keep in mind that live moss
Floral Pins will eventually dry but will maintain its color as long as it is not
Hanging Wire placed in full sun.
Decorative items, such as
2. Add more moss, fitting the pieces together like a puzzle, until the
fruit or flowers
wreath is covered. If you plan to hang the wreath on a door with
glass panes, make sure the back is completely covered as well so
that it is attractive from all sides.
3. Secure a hanging wire to the back of the wreath. Then use floral
pins to attach fresh fruit, a fabulous ribbon, pinecones, or any-
thing else that will complement your décor or appeal to your
personal taste.
LEFT BELOW
Dried dusty blue hydrangea For this variation, I topped
held in place with floral pins the Basic Moss Wreath with
lends a simple but elegant small crab apples and a pear
look to the Basic Moss to add color.
Wreath.
WOODLAND STYLE
Ideas and Projects for Bringing the Beauty of Nature into Your Home.
August
2010
The Author Woodland Style
Marlene Hurley Marshall Full-color; photographs throughout; 160 pages; 9⁄/™ x 11⁄/™
is a painter/collage artist, arts educator, Paper with flaps: $27.50 US / $34.50 CAN
designer, and author of Making Bits and ISBN: 978-1-60342-552-0; No. 62552
Pieces Mosaics (Storey, 1998) and Shell
Chic (Storey, 2002). She frequently lec-
tures and teaches at museums and art
schools. She also designs and consults
Publicity & Promotion
with communities on outdoor mosaic proj-
Publicity Contact: Amy Greeman (413) 346-2113 or
ects for public walkways and parks. She
amy.greeman@storey.com
lives in Hudson, New York.
• Long lead pitch to craft, décor, and women’s magazines
• Online pitches to craft and decorating websites and
The Photographer bloggers
Marshall
Sabine Vollmer von Falken • National review mailing
is a commercial and fine art photog- • Feature pitch to eco-conscious publications and
rapher. Her photographs have been websites
featured in numerous publications, dis-
• NPR pitch
played in galleries, and included in pri-
vate collections. She previously teamed
up with Marlene Hurley Marshall on
Making Bits and Pieces Mosaics.
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