0 calificaciones0% encontró este documento útil (0 votos)
36 vistas4 páginas
272 777 FEDERAL SUPPLEMENT, 2d SERIES is asking this court for leave to amend the subject matter of a pending appeal. A copyright infringement action alleging that the owners of a bar played copyrighted songs from a jukebox without a license. Members of the american society of composers, authors, and Publishers moved for a damages award, attorney fees, and an injunction prohibiting future infringements.
272 777 FEDERAL SUPPLEMENT, 2d SERIES is asking this court for leave to amend the subject matter of a pending appeal. A copyright infringement action alleging that the owners of a bar played copyrighted songs from a jukebox without a license. Members of the american society of composers, authors, and Publishers moved for a damages award, attorney fees, and an injunction prohibiting future infringements.
272 777 FEDERAL SUPPLEMENT, 2d SERIES is asking this court for leave to amend the subject matter of a pending appeal. A copyright infringement action alleging that the owners of a bar played copyrighted songs from a jukebox without a license. Members of the american society of composers, authors, and Publishers moved for a damages award, attorney fees, and an injunction prohibiting future infringements.
is asking this court for leave to amend the subject matter of a pending appeal (unlike Lee, which allowed an extension to correct what, for all practical purposes, was a mis- nomer). 1 This is a sensitive jurisdictional matter that is best committed to the dis- cretion of the Court of Appeals. SO ORDERED. ,
SIXX GUNNER MUSIC, et al., Plaintiffs v. THE QUEST, INC., Defendant. C.A. No. 09cv30071MAP. United States District Court, D. Massachusetts. April 15, 2011. Background: After summary judgment was entered in favor of members of the American Society of Composers, Authors, and Publishers (ASCAP) in a copyright infringement action alleging that the own- ers of a bar played copyrighted songs from a jukebox without a license, members moved for a damages award, attorney fees, and an injunction prohibiting future in- fringements. Holding: The District Court, Ponsor, J., held that statutory damages award of $14,000, approximately twice the amount of unpaid licensing fees, was warranted. Motion granted in part and denied in part. 1. Copyrights and Intellectual Property O87(3.1) Copyright statute governing recovery of statutory damages for infringement not only compels restitution of profit and repa- ration for injury but also is designed to discourage wrongful conduct. 17 U.S.C.A. 504(c)(1). 2. Copyrights and Intellectual Property O87(3.1) Where no proof of actual damage is offered in copyright infringement action, the issue of statutory damages is resolved by the discretionary judgment of the dis- trict court. 17 U.S.C.A. 504(c)(1). 3. Copyrights and Intellectual Property O87(3.1) Among the factors for the court to consider in awarding statutory damages in copyright infringement action are (1) ex- penses saved and profits reaped by the defendant, (2) revenues lost by the plain- tiffs, (3) the deterrent value of the award, and (4) whether the infringement was will- ful or innocent. 17 U.S.C.A. 504(c)(1). 4. Copyrights and Intellectual Property O87(4) Statutory damages award of $14,000, approximately twice the amount of unpaid licensing fees, would have deterrent effect in copyright infringement action alleging owners of bar played copyrighted songs from a jukebox without a license; award of statutory minimum was unrealistic given that it would total less than half the unpaid fees and that owners violations were will- ful, while damages of approximately three times the unpaid license fees would be excessive given that bar was small estab- 1. Moreover, in Lee, plaintiffs were rescued by a timely cross-appeal filed by defendants, which in effect reopened the window for the filing of a notice of appeal. As a result, the plaintiffs not listed in the original plaintiffs notice of appeal have filed a timely notice of appeal and need not justify their conduct un- der the excusable neglect standard of Rule 4(a)(5). Lee, 937 F.2d at 223. Here, Smith has offered nothing that would amount to a satisfactory showing of excusable neglect or good cause. 273 SIXX GUNNER MUSIC v. THE QUEST, INC. Cite as 777 F.Supp.2d 272 (D.Mass. 2011) lishment that had gross bar receipts of $300 on night of infringement and owners had since entered into contract for right to play copyrighted music at bar. 17 U.S.C.A. 504(c)(1). Stephen S. Young, Holland & Knight, LLP, Boston, MA, for Plaintiffs. Timothy J. Ryan, Ryan & Downey, P.C., Springfield, MA, for Defendant. MEMORANDUM AND ORDER RE- GARDING PLAINTIFFS MOTION FOR DAMAGES, PERMANENT IN- JUNCTION, AND ATTORNEYS FEES (Dkt. No. 21) PONSOR, District Judge. I. INTRODUCTION In this copyright infringement action, Plaintiffs, who are members of the Ameri- can Society of Composers, Authors, and Publishers (ASCAP), sued Defendant The Quest, Inc., the owner of a small bar in Agawam, Massachusetts, for playing copyrighted songs from a jukebox without a license. On May 15, 2010, this court granted Plaintiffs Motion for Summary Judgment (Dkt. No. 15), which was unop- posed. Plaintiffs now move for a damages award totaling $22,000, attorneys fees to- taling $18,495, 1 and an injunction prohibit- ing future infringements. (Dkt. No. 21.) For the reasons stated below, Plaintiffs motion will be allowed in part and denied in part. The court will award Plaintiffs $14,000 in damages, $18,495 in attorneys fees, and the requested injunction. II. FACTUAL BACKGROUND The facts are straightforward and undis- puted. Plaintiffs are members of ASCAP and hold copyrights to numerous songs. Defendant is a Massachusetts corporation that owns and operates Michael Anthonys Bar & Grill (Michael Anthonys) in Aga- wam, Massachusetts. Plaintiffs assert that representatives of ASCAP first con- tacted Defendant on April 24, 2002, re- garding the unauthorized use of copyright- ed music, and later contacted Defendant more than forty times, without success. On September 26, 2008, Plaintiffs sent an investigator to Michael Anthonys to take notes on copyrighted songs played by a disc jockey throughout the night. The investigator remained for four hours, not- ing that the disc jockey played forty-nine songs, four of whichWildside, Plush, You Shook Me All Night Long, and Alivewere subject to copyright protec- tion by ASCAP. III. DISCUSSION Defendant has not disputed the allega- tion that the above songs were played and did not oppose summary judgment on the issue of liability. The only remaining issue for this court to decide is the appropriate remedy. [13] Where a finding of infringement is made, the copyright owner is entitled under 17 U.S.C. 504(c)(1) to damages between $750 and $30,000 for each count; under 17 U.S.C. 505 to costs including reasonable attorneys fees; and under 17 U.S.C. 502(a) to an injunction in the copyright owners favor. This statute not only compels restitution of profit and rep- aration for injury but also is designed to discourage wrongful conduct. F.W. 1. Plaintiffs had originally requested $15,960 when they first filed their motion and later supplemented the motion with a request for additional fees in the amount of $2,535 for work performed since the filing of their origi- nal motion. 274 777 FEDERAL SUPPLEMENT, 2d SERIES Woolworth Co. v. Contemporary Arts, Inc., 344 U.S. 228, 233, 73 S.Ct. 222, 97 L.Ed. 276 (1952). Where, as here, no proof of actual damage is offered, the issue of stat- utory damages is resolved by the discre- tionary judgment of the district court. Morley Music Co. v. Dick Staceys Motel, Inc., 725 F.2d 1, 2 (1st Cir.1983). Among the factors for the court to consider in awarding damages are (1) expenses saved and profits reaped by the defendant, (2) revenues lost by the plaintiffs, (3) the de- terrent value of the award, and (4) wheth- er the infringement was willful or inno- cent. Polygram Intl Publishing, Inc. v. Nevada/TIG, Inc., 855 F.Supp. 1314, 1335 (D.Mass.1994). The damages awards in such cases generally range from two to six times the amount saved by the defendant by not paying the license fees. See Sony BMG Music Entertainment v. Tenenb- aum, 721 F.Supp.2d 85, 110 (D.Mass.2010); EMI Mills Music, Inc. v. Empress Hotel, Inc., 470 F.Supp.2d 67, 75 (D.P.R.2006). [4] Here, if Defendant had been prop- erly licensed by ASCAP from April 24, 2002, through December 31, 2009, Defen- dant would have paid license fees totaling $7,213.06. (Dkt. No. 21, Ex. 1, Jones Decl. 8.) In addition, the expense to ASCAP for its investigation on September 26, 2008, amounted to $552.03. (Id. 9.) Plaintiffs seek $5,500 in damages for each of the four counts (i.e., songs), totaling $22,000, or approximately three times the unpaid license fees. Defendant urges the court to award the statutory minimum of $750 per count, totaling $3,000, or less than half the unpaid license fees. An award in the middle ground of $3,500 per violation, totaling $14,000, or approxi- mately twice the unpaid fees, is proper here. Considering that the courts award should be designed to have a deterrent effect, see F.W. Woolworth Co., 344 U.S. at 233, 73 S.Ct. 222, awarding Plaintiffs the statutory minimum is not a realistic option, where, as noted, such an award would total less than half the unpaid fees. Additional- ly, as Plaintiffs point out, Defendant re- ceived multiple notifications that Michael Anthonys was illegally using copyrighted music, which supports an inference that the violations were willful. Nonetheless, several mitigating factors warrant an award at the lower end of the damages spectrum. First, Michael Antho- nys is a small neighborhood bar that can accommodate fewer than one hundred indi- viduals at any given time. On the night in question, according to Plaintiffs own in- vestigator, three patrons were present when he arrived, ten were present when he left, and the crowd swelled to sixteen at the height of the evening. Defendants gross bar receipts totaled less than $300. Certainly, the fact that Defendant reaped minimal benefits from its misconduct com- pels the court to exercise restraint in ar- riving at a damages award. Second, the court is confident that an award of $14,000 will have the requisite deterrent effect. The same punishment may be felt differently by different wrong- doers depending on their size and their metaphorical pain threshold. A $14,000 damages award, compounded by nearly $20,000 in attorneys fees, as well as the cost of Defendants own representation, would be enough to make the owner of even a considerably larger establishment wince. Third, and finally, Defendant has since demonstrated a willingness to change its ways. Shortly after this lawsuit com- menced, Defendant entered into a contract with Broadcast Music, Inc. (BMI), a competitor of ASCAP, for the right to play copyrighted music at Michael Anthonys. While Plaintiffs correctly note both that ASCAP owns copyrights to different songs and that Defendants change of heart was untimely, Defendants decision to seek out 275 LUGO v. AVON PRODUCTS, INC. Cite as 777 F.Supp.2d 275 (D.Puerto Rico 2011) a license with BMI indicates that this liti- gation has already produced the desired result. Consequently, the court will award Plaintiffs $3,500 per violation, totaling $14,000 in damages, plus the requested $18,495 in attorneys fees, which Defen- dant does not challenge. In addition, the court will allow Plaintiffs request for a permanent injunction preventing Defen- dant from further use of Plaintiffs copy- righted material without first obtaining a license. IV. CONCLUSION For the foregoing reasons, Plaintiffs Motion for Damages, Permanent Injunc- tion, and Attorneys Fees (Dkt. No. 21) is hereby ALLOWED IN PART and DE- NIED IN PART. The court hereby awards Plaintiffs $14,000 in damages, $18,495 in attorneys fees, and a perma- nent injunction preventing Defendant from further use of Plaintiffs copyrighted mate- rial without first obtaining a license. This case may now be closed. It is So Ordered. ,
Laura LUGO, Plaintiff, v. AVON PRODUCTS, INC., Defendant. CIV No. 091522 (PG). United States District Court, D. Puerto Rico. March 1, 2011. Opinion Granting in Part and Denying in Part Reconsideration May 10, 2011. Background: Former employee, a district sales manager for company engaged in sales and distribution of beauty and relat- ed products, filed action pursuant to Age Discrimination in Employment Act (ADEA) against her former employer al- leging discrimination on basis of age and retaliation for engaging in protected con- duct. Employee also pled supplemental claims for age discrimination under Puerto Ricos antidiscrimination, wrongful termi- nation, and general tort statutes. Employ- er moved for summary judgment. Holdings: The District Court, Juan M. PerezGimenez, J., held that: (1) some materials submitted by both par- ties were inadmissible for purposes of summary judgment; (2) employees transfer to different zone was discrete act, and ADEA claim based thereon was time-barred, though it could be used as background evi- dence; (3) fact issue existed as to whether em- ployers proffered reasons for employ- ees termination after end of probation- ary period following her transfer to different zone were pretext for age discrimination; (4) Ellerth/Faragher affirmative defense was unavailable to employer; (5) employees assertions of discriminatory remarks on part of her supervisors did not rise to level of hostile work envi- ronment; and (6) fact issue existed as to causal connec- tion between employees alleged pro- tected activity and asserted pretermin- ation acts of retaliation. Motion granted in part and denied in part. 1. Federal Civil Procedure O2545 Documents supporting or opposing summary judgment must be properly au- thenticated; failure to authenticate docu- ment properly precludes its consideration on motion for summary judgment. Fed. Rules Civ.Proc.Rule 56(e), 28 U.S.C.A.
Christopher Selletti v. Mariah Carey, Sony Music Entertainment, Inc., Sony Songs, Inc., Avenue Records, and Broadcast Music, Inc., Sylvester Stewart, A/K/A Sly Stone, Steve Toppley, Ruby Jones, Wallyworld Music, Rye Songs, Wb Music Corp., Columbia Records, Even Street Productions, Ltd., Jerry Goldstein, Individually and as President of Even Street Productions, Ltd., and American Society of Composers, Authors and Publishers, Inc., 173 F.3d 104, 2d Cir. (1999)
United States of America, Plaintiff-Appellant-Cross-Appellee, Muzak LLC Aei Music Network, Inc., Applicants-Appellants-Cross-Appellees v. Broadcast Music, Inc. Defendant-Appellee-Cross-Appellant, 275 F.3d 168, 2d Cir. (2001)
The Cambridge Institute, Inc., Plaintiff-Cross-Defendant-Appellee v. The Oxford Group, Inc., Norman P. Singer, Defendant-Cross-Claimant-Appellant, 53 F.3d 342, 10th Cir. (1995)
Beechwood Music Corporation and Ardmore & Beechwood, Limited, Plaintiffs v. Vee Jay Records, Inc., and Malverne Distributors, Inc., 328 F.2d 728, 2d Cir. (1964)