Ethnographic Research on the block makers of Pethapur
An Ethnographic perspective in understanding the traditional and modernization of the traditional forms of block making, the strategies and experiences undertaken by the craftsmen with the changes in the market for their products. We wish to see historical, social and cultural influences on the art of block making and understand the traditional and new markets, products and tools and unravel a wealth of knowledge. Block making is a tradition that has enriched the day to day lives of the people of Pethapur and worked as a source of livelihood for generations of craftsmen. It is interesting to note that the technique of block making is being replaced by screen printing, the wooden blocks are also being replaced by the iron blocks and most of the block makers have chosen alternative livelihoods which provide better compensation but still there seems to be a demand for the block printing. The number of artisans have dwindled but block printing died. We want to explore how are these modern techniques of printing affecting the traditional art of block making. Is the depletion of the art leading to the poor economic
Block printing has been around since the 5th century and has a very long history. The images printed are much bolder than the other types of designs, there is less design and more texture. The craftsman had a vast collection of designs which he had carved over the years. There was a distinct variety in all his designs. He had abstract, geometric, floral, and other designs. The designs of Pethapur have mostly been inspired by the geometrical patterns and there are floral elements also. The artist developed different kinds of blocks deriving inspiration from several resources. Animals like parrots and elephants are also seen as motifs. They are integrated within the geometric shapes. We want to address the question of how the designs have been changing over the time, how the quality of wood has changed and how that affects the economic conditions of the block makers. Like each center, Pethapur also seems to have a distinct style of its own but over the time how has it accumulated the styles of other block making centers? Ethnography Hardik Shiroya 201314005 Palak Sanghani 201314001
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A lot of hard work is involved to get a small amount of detail but are the block makers paid enough? Do they get enough credit for the hard work they put in for carving out every single piece of block? When we wear a piece of cloth which has been printed using the block printing technique we never think of the time and effort spent in getting the finished good ready. The producer have a face but now when we have begun to know the block maker, we value the cloth a little more and a one to one relationship is developed.
The simplicity takes a lot of steps to be achieved. It is truly handmade and can be easily replicated. The entire process is slow yet highly artistic. They know how much efforts are put in each block, the amount of patience involved to get the flawless finished product so are they oriented towards money making or their reputation and the dedication towards their art? The artistic design drew us towards the art. The fact that each wood block is carved completely by hand from a flat piece of wood is astounding.
The artisans themselves make the basic carving tools since years and the tradition still continues. How have the tools been modified to increase rate of production to meet the aims of better production. Has the technique of block making evolved over the time? We will work to find a pattern among the group of block makers which will help to define their culture. Their behavior, ideas and beliefs will help us define a pattern.
The mentoring process is where the knowledge is passed on from one generation to the other, it is the key to the progress of handicrafts which we rarely see such importance being given to the quality and finish. Do the artisans wish to propagate their art to the following generations?