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stifling room reading an old magazine" -- and K's question is -- first, what
must be going on for us to be able to make this statement, that is, what
sentences like that one above? Second, given that we can figure out how
this experience happens, that is, what is involved in its happening, we must
then a second order question: given that we have the experience and can
explain its key elements, on a deeper level what has to be assumed about
how we must operate in order for us to operate in a way that produces this
On the first level we can say that for there to be experience for humans at all
there must on one hand be a sensible manifold -- lots of sensory 'stuff' - think
colors and smells and textures and looks, etc. - and, on the other hand,
organizing tools to pull all this stuff together into a single unitary object or
objects, and the relationships these objects have to each other and to us.
such) is heat and the feel of the magazine and how things look and how the
chair feels and so forth, on and on. In its 'natural', sensory state it is just a
my "sensibility", is my tendencies to just take stuff in, all that I can, all the
time.
1
But how does all this stuff become the experience of a stifling room and
This description presupposes all sorts of things that are for K not part of what
I directly sense.
The room itself is an object, that is, something with a distinctive ongoing
separate identity, and is the kind of object into which things can enter, the
kind of thing other things can be in, and the kind of thing that other things
can leave.
Rooms as objects have limits, generally, but not necessarily, some sort of
partition or wall, something that makes the room be a room by creating its
rooms.
What does this mean? It means that we sense a distinctive bunch of stuff that
reason can and does organize as a room, by applying sorting rules like
bunch of ideas we have from previous experience and judge that this bunch
room.
operation, assessing whether this bunch of stuff is enough like other bunches
Notice that this ordering of stuff is not highfalutin or very abstract, but quite
2
ambiguous open area where we see a dining table, and say to ourselves,
"This is kind of a dining room, but it's really not a room but a 'space', made
into a dining area because someone put what looks like a dining table into it.
So, we use past experience but also reason to make rough and ready
judgments. If whoever owns the space insists on calling it their dining room
we might think it a little strange but we will not object because nothing much
depends on this -- but in our heart of hearts we might still say, 'Yeah, call it
"room". If we never encountered rooms we would not have the concept -- but
should we ever encounter them, and, second, there are bunches of sensory
This is the first level of what Mr. K wants to say but it isn’t all.
which reason and judgment are involved -- 'objects' are not natural kinds in
the sense that we ever sense them -- K is then interested in something else:
what kind of being must we be that we can have such ordering experiences,
material to organize?
3
His key hunches are these: You cannot get into space or time from the
outside; that is, you cannot erupt into space and time if you are not always
already in them, and so in order to have bunches of sensations, which are all
immediately aware of this, rather than an outside spectator, space and time
tricky, we are already "in" the space and time in which we find ourselves.
Translated this means that we cannot be in space and timer unless and until
space and time are already in us. We are the point of insertion into space
have reason, unless we are always already reasonable. This means, really,
that we could never think any of the things K thought, or write them down,
unless we could already think of them and this means that in order to
already have been thinking. We did not start at some point. To be what we
are, that is, to have awareness, we must always already have awareness and
for K this means that we are always already thinking, just as we are always
K's question: can we say what this thinking and spacing have to be in order
4
He approaches the question of how reason makes experience possible by
does not go out, but down. The truth is not "there" but underneath the
surface.
So, when K says that we have concepts that we apply to the manifold of the
senses it is not enough to say that there are such concepts. We have to
derive them, that is, we have to explain them in the sense of justifying them.
How come we have such rules at our disposal? Why do we just apply ideas to
data?
things in space and time. Where do these concepts come from? There is for K
nothing in the jumble of sensory stuff to suggest for example the persistent
unity that makes for an object. Where then does the unity-function come
from?
For K it has to come from an inborn, that is purely a priori idea with which we
come already equipped. Unity is how we think, not something we learn, just
So at the base of experience is a set of pure abstract ideas, rules for ordering
any diverse material, whatever it might be. There are 12 of these ideas, and
they are divided as K divides them, which we will examine briefly. Their exact
number and character can be debated but the thing is, for K there have to be
5
But there is more. These 12 rules cannot by themselves offer coherent
not possess the one factor that all such applications of rules to stuff requires:
namely, whatever/whoever applies the rules has to know that the rules are
being applied and that he/she is applying them. There must, that is, be a
the application of rules to stuff and unifies it into a single coherent pattern of
experience.
unifying function, which K calls the "I think", that accompanies every
judgment and makes it into a judgment. This is true because unless we know
that we are experiencing, and know that we are judging ('This is a stifling
room'), we are not experiencing at all. So, K postulates that there must be,
has to be, cannot not be, a unifying reason or intelligence that is applying all
the categories and for whom all the unifying and intuiting takes place. It is
this purely formal "I think" that must precede and accompany all experience
and serve as its ground. Without the always accompanying "I think" there is
simply no experience.