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A Modern Method for Guitar Volume 1 William Leavitt Section 2 Position Playing
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Major Scales
C Major (Fingering Type 1) Second Position
F.S.
&4 4 ..
position II
2 4
5 4
3 1 4 2
3
1 4 2
2 4
F.S.
4 2 1 4
F.S.
1 4 2 1 2 4 1
F.S.
1 1
..
F.S.
2
F.S.
1 4
F.S.
4
# N .. b .. #
F.S.
60
N
1 2
b n
1 1
# # # #
F.S.
3 2
w w
4 1
Fine
When an out-of-position note is immediately preceded or followed by a note played with the same finger that would normally make the stretch, reverse the usual finger-stretch procedure. Always move back into a position from a finger stretch, never away from it. EIGHTH-NOTE STUDY
&4 4
II
..
# # N
# N # # # # # N ..
ARPEGGIO STUDY: BROKEN CHORDS Practice picking as indicated and also with alternate picking.
&3 4
II
.. **
.. .
Fine
When two consecutive notes are played with the same finger on adjacent strings, roll the finger tip from one string to the next. Do not lift the finger from the string.
61
4 &4 #
3 2 4
# b
4 2 3
4 1 2
b
1 0
#
Moderato
w w
3 2
# b n U b #
4 1 3 4 1 2
b
4 2 3 0 31
# b
0 1 0
1 3 2
b n bw w w ww
Slowly, Freely
b # w w w w w
3 4 2
b
al coda
w w
Ritard
w ww
w w b b
0 31 4
b
3 3 1 1
1 4 2
N b
b
10 4
# n b
4 32 1
II
b b b
41 3
1 2 1
4 2
J j b
n U w ggg w w gw
40 3
Fine
62
&c # #
1 4 2 4
&c
3 2
4 1
# # F.S. J j II F.S.
1 2 4 1 1
F.S.
# .
j b
j b
# n
2
4 3
j j j j # n n # . # #
3 2
tacet
#
Rit.
Fine
Remember, all natural notes on the guitar are two frets apart except E to F and B to C.
63