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A BIBLIOGRAPHY OF LITERARY THEORY, CRITICISM AND PHILOLOGY
http://www.unizar.es/departamentos/filologia_inglesa/garciala/bibliography.html

by José Ángel GARCÍA LANDA (University of Zaragoza, Spain)

EXPERIMENTAL FICTION/ POSTMODERN FICTION
Alber, Jan, Stefan Iversen, Henrik Skov Nielsen and Brian Richardson. "Unnatural Narratives, Unnatural Narratology: Beyond Mimetic Models." Narrative 18.2 (May 2010): 11336.* Alter, Robert. Partial Magic: The Novel as a Self-Conscious Genre. Berkeley: U of California P, 1975. Baetens, Jan. "Critical Fictions: Experiments in Writing from Le Nouveau Roman to the Oulipo." In The Edinburgh Encyclopaedia of Modern Criticism and Theory. Ed. Julian Wolfreys et al. Edinburgh: Edinburgh UP, 2002. 404-10.* Barr, Marleen S. Feminist Fabulation: Space / Postmodern Fiction. Barth, John. "The Literature of Exhaustion." In Surfiction. Ed. Raymond Federman. Chicago: Swallow, 1975. 19-34.* _____. "The Literature of Exhaustion." In Metafiction. Ed. Mark Currie. London: Longman, 1995. 161-71.* _____. "The Literature of Replenishment." In Essentials of the Theory of Fiction. Ed. Michael J. Hoffman and Patrick D. Murphy. Durham (NC): Duke UP, 1988. 419-33.* Berlatsky, Eric L. The Real, The True and the Told: Postmodern Historical Narrative and the Ethics of Representation. Ohio State UP, 2011. "Blogonovela" Wikipedia http://es.wikipedia.org/wiki/Blogonovela 2005-09-15 Bory, Jean-François. "Notes." In Surfiction. Ed. Raymond Federman. Chicago: Swallow, 1975. 287-89.* Butor, Michel. "Le roman comme recherche." 1960. In Butor, Essais sur le roman. Paris: Gallimard, 1992. 7-14. _____. "The Novel as Research." 1970. In The Novel Today; Contemporary Writers on Modern Fiction. Ed. Malcolm Bradbury. 1977. New ed. London: Fontana, 1990. 45-52.

"Postmodernism in American Fiction and Art." Dispositio 3. _____. Amsterdam: Rodopi. Raymond Federman. 1993. Ed. Reading Narrative Fiction. 415-20. 25-41. Crews. "The Experimental Novel in the New Universe of Force: Time. Roland A. "Semiotic Directions for Modern Fiction. 1947.* D'haen." In Approaching Postmodernism. Ed. and Terror in Foer's and Pynchon's Latest Fiction. Chicago: Swallow. Ed. and Hans Bertens. "Narrative Limits: Experimental and Postmodern Fiction. British Postmodern Fiction.* Online texts: http://www.* (Undermining Conventions. Madrid: Alfaguara.* D'haen. Saúl Yurkievich. "Anti-Style and the Postmodernist Novel. eds. Attacks on the Discourse by the Story. 1997. 1983. Facultat de Filología. Trauma. "Towards a Theory of Non-Genre Literature. Palma: U de les Illes Balears. _____. 1986. Questioning the Discourse. .* Champagne. Theo. (Postmodern studies). New York: Macmillan. Theo. 1995. Chatman. 255-62." Neophilologus 71 (1987): 144-153. and Hans Bertens. "Hard Metafiction and the Return of the Author Subject: The Decline of Postmodernism?" In Postmodern Subjects / Postmodern Texts. Amsterdam: Benjamins. Theo. Jane Dowson and Steven Earnshaw. [32nd International Conference of AEDEAN. Brian.* Culler. Amsterdam: Rodopi. Obra crítica I. Seymour. Nov. 1993." In New Perspectives on English Studies. 1975.* Cortázar. Amsterdam: Rodopi. 2008]. 2009. 1993. Ed. (U de Zaragoza).unizar. 1994. Luigi. Filter at Odds with Itself)." Proceedings of the 20th International AEDEAN Conference.html 2008 Darias Beautell. British Postmodern Fiction. CD-ROM. Ed. Francisco." In Chatman. Eva. Postmodern Fiction in Canada." In Surfiction. Teoría del túnel. Representation and Performace in Postmodern Fiction. Barcelona: Universitat de Barcelona." Revista Alicantina de Estudios Ingleses 9 (November 1996): 41-52. Collado Rodríguez. In Cortázar. "Intertextuality and Postmodern Fiction. eds. 1992.Cazzato. Couturier. Jonathan. Marian Amengual et al. Montpellier: Delta.es/departamentos/filologia_inglesa/garciala/p ublicaciones/britishpostmodern.7-8 (Spring Summer 1978). Julio. D'haen. Maurice. "Postmodern Fiction: Form and Function. ed. Amsterdam: Rodopi. Douwe Fokkema and Hans Bertens. eds.

Barcelona: Planeta. _____. Dotras. 1979. Inger. 1990. Mark Currie. Paris: Seuil. Durham: Duke UP." In Federman. "A Novel Which Is a Machine for Generating Interpretations. "Subversión de la doxa narrativa en La ciudad ausente (1992) de Ricardo Piglia. 2nd ed. Ed. Cambridge (MA): Harvard UP. _____. Barcelona: Ariel." In La narración paradójica. 2006." Tri Quarterly 33 (1975). Milano: Bompiani. "What are Experimental Novels and Why Are There so Many Left Unread?" In Studies in American Literature: Essays in Honor of Enrique García Díez.* Ditsky. . Obra abierta. 1995. Obra abierta. Wendy B. Raymond. Madrid: Júcar. Seuil-Points). 16390. Murphy. _____. 1988. Antonia Sánchez Macarro. Madrid: Iberoamericana. "Defining Spatial History in Postmodernist Historical Novels. Ed. _____. Elsa. 1994. Vigo: Editorial Academia del Hispanismo. Frankfurt a/M: Vervuert Verlag.* Elias. The Open Work.* Federman. Anna Cangogni. "Surfiction: Four propositions in Form of an Introduction. 1995. Ed. "Sheherazade's Children: Magical Realism and Postmodern Fiction. Umberto. Hoffman and Patrick D. Durham (NC): Duke UP. Lois Parkinson Zamora and Wendy B. Opera aperta: forma e indeterminazione nelle poetiche contemporanee.* Dickinson. (Postmodern Studies 11).* Enkvist. 2010. Ed.Dehennin. "Breaking the Sentence. _____. Breaking the Sequence." In Essentials of the Theory of Fiction. 221-45. "The Man on the Quaker Oats Box: Characteristics of Recent Experimental Fiction. Elizabeth. Theo D'haen and Hans Bertens. "Fiction Hot and Kool: Dilemmas of the Experimental Writer. L'Œuvre ouverte. The Open Work. Nina Grabe et al. 221-35." In Magical Realism. La novela española de metaficción. Jesús G. Ed. "El posmodernismo en Juan Goytisolo estudiado a través de Todorov y otros críticos. DuPlessis. Ed. 1995. Maestro and Inger Enkvist. 1984. London: Longman. Ana M. 1967. Dipple. Rachel Blau.* Eco. Amy J." In Metafiction. 1989." Georgia Review 26 (1972): 297313. 472-92. 1989. Trans. _____. 1962. 105-14. Ed. 1965. Surfiction 5-15. Faris. (Rpt. 299-16. Michael J. Morris. John. Faris." In Narrative Turns and Minor Genres in Postmodernism. New York: Hutchinson." In Contra los mitos y sofismas de las 'teorías literarias' posmodernas. Amsterdam: Rodopi.

ed." In Ensayos sobre la metaficción inglesa.* _____. 394-415. Ellen G. eds. John. Stanley. and Miriam Fuchs. _____. La novela post-modernista. Fernando. 269-310. 39-55. Surfiction: Fiction Now and Tomorrow. Enrique." Onine PDF at Social Science Research Netork 29 April 2010. Malcolm Bradbury and James McFarlane.* _____. "'It's Stories Still': La reflexividad en las narraciones de Samuel Beckett / 'It's Stories Still': Reflexivity in Samuel Beckett's Narrative. 1986. 1989. "Postmodernismo: Las formas de la heterogeneidad. "Textos y códigos de la metaficción británica. By F. Focalization. Monika.handle. 1976. Logroño: Colegio Universitario de La Rioja.Valencia: Universitat de València. 1996. and New Writing.edu/Jos%C3%A9AngelGarc %C3%ADaLanda/Papers/167412/-It-s-Stories-Still---Lareflexividad-en-las-narraciones-de-Samuel-Beckett 2010 _____. Galván." Modern Fiction Studies 20.academia.. 1991. Chicago: Swallow." Revista Alicantina de Estudios Ingleses 5 (1992): 57-82.* . José Ángel. La Laguna: Universidad de La Laguna. Madrid: Sociedad General Española de Librería. Friedman. Galván et al. Breaking the Sequence: Women's Experimental Fiction.* http://unizar.* García Landa. _____. Towards a 'Natural' Narratology.edu 29 April 2010. "'It's Stories Still': La reflexividad en las narraciones de Samuel Beckett. Princeton: Princeton UP.* García Díez. "Postmodernismo: las formas de la heterogeneidad." New Literary History 32 (2001): 619-638. 1975. and Malcolm Bradbury. Ed. 1994." Actas del XV Congreso de AEDEAN.2 (Fall 1974): 28-36.* (Telling and showing.. 2001.* Online in RUA: Repositorio Digital de la Universidad de Alicante http://hdl.net/10045/5448 2010 _____." iPaper at Academia. "And all the Little Typtopies: Notes on Language Theory in Contemporary Experimental Novel. "Games with Tellers. 323-30. Telling and Told. Facultat de Filologia. y Javier Coy. Harmondsworth: Penguin." In Modernism." La página 2 (1992): 33-48. "New Wine in Old Bottles? Voice. "'It's Stories Still: La reflexividad en las narraciones de Samuel Beckett. Fogel. 1991. Fletcher. London: Routledge.* Fludernik. "The Introverted Novel." In Fludernik. experimental narrative). 1993.

"El Ingenioso Hidalgo Don Quijote de la Mancha (1605/1615) o La paradoja como principio poetológico." In García Landa. 2006. 2007." In La narración paradójica.* Golda. "Novelas e-pistolares. Frankfurt a/M: Vervuert Verlag. On Endings: American Postmodern Fiction and the Cold War. "De paradojas y paradojas: De un concepto epistemológico a un principio narratológico.com/abstract=1597752 2010 _____. (Hannu Luntiala).* Grausam. 12740. "Lo fantástico como transgresión." In La narración paradójica. Ed. 9-17. Ed. Madrid: Iberoamericana. UP of Virginia. Ed. Sabine Lang and Klaus Meyer-Minnemann. Giles. La narración paradójica: "Normas narrativas" y el principio de la "transgresión. 2003. Herminia." 1992. 149-67. Postulación fantástica en los relatos borgianos. Frankfurt a/M: Vervuert Verlag.upress. http://garciala. "Postmodern Post-Mortem on a Victorian Corpse of How Postmodern Fiction Rewrites the 19th Century.virginia. eds.http://ssrn. 2006. Alicante: Publicaciones de la Universidad de Alicante.edu/books/grausam. the "Other Victorians": Considering the Heritage of 19thCentury Thought. 279-82.unizar.* Gil Guerrero. "'Theory of Reflexive Fiction.* Gordon. Silvia Caporale Bizzini. Grabe. 1975.html 2007-02-01 _____.blogia." In La narración paradójica. Nina Grabe et al. Vanity Fea 31 Jan.com/2007/013102-novelas-epistolares. eds. Jochen. David. Ed. 183-92. Nina Grabe et al. Nina. Madrid: Iberoamericana. Figures of Belatedness: Postmodernist Fiction in English.php 2007-01-31 Gascueña Gahete. 2006. Frankfurt a/M: Vervuert Verlag. and Paula Martín Salván. 2006. http://www. Nina. Agnieszka. Córdoba: Servicio de Publicaciones de la Universidad de Córdoba. 2011.* Grabe. Beyond the Worlds: Eleven Writers in Search of a New Fiction.es/departamentos/filologia_inglesa/garciala/p ublicaciones/reflexive." In Surfiction.html . Gerz.* _____. Raymond Federman. "Towards a Language of Doing. Nina Grabe et al. 2006. Chicago: Swallow." In We. Madrid: Iberoamericana. 1975." Madrid: Iberoamericana. ed. Frankfurt a/M: Vervuert Verlag. Ed. Javier. Internet edition (2004): http://www.

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See also Reflexivity in fiction. . Reflexive narrative.