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A BIBLIOGRAPHY OF LITERARY THEORY, CRITICISM AND PHILOLOGY
http://www.unizar.es/departamentos/filologia_inglesa/garciala/bibliography.html

by José Ángel GARCÍA LANDA (University of Zaragoza, Spain)

EXPERIMENTAL FICTION/ POSTMODERN FICTION
Alber, Jan, Stefan Iversen, Henrik Skov Nielsen and Brian Richardson. "Unnatural Narratives, Unnatural Narratology: Beyond Mimetic Models." Narrative 18.2 (May 2010): 11336.* Alter, Robert. Partial Magic: The Novel as a Self-Conscious Genre. Berkeley: U of California P, 1975. Baetens, Jan. "Critical Fictions: Experiments in Writing from Le Nouveau Roman to the Oulipo." In The Edinburgh Encyclopaedia of Modern Criticism and Theory. Ed. Julian Wolfreys et al. Edinburgh: Edinburgh UP, 2002. 404-10.* Barr, Marleen S. Feminist Fabulation: Space / Postmodern Fiction. Barth, John. "The Literature of Exhaustion." In Surfiction. Ed. Raymond Federman. Chicago: Swallow, 1975. 19-34.* _____. "The Literature of Exhaustion." In Metafiction. Ed. Mark Currie. London: Longman, 1995. 161-71.* _____. "The Literature of Replenishment." In Essentials of the Theory of Fiction. Ed. Michael J. Hoffman and Patrick D. Murphy. Durham (NC): Duke UP, 1988. 419-33.* Berlatsky, Eric L. The Real, The True and the Told: Postmodern Historical Narrative and the Ethics of Representation. Ohio State UP, 2011. "Blogonovela" Wikipedia http://es.wikipedia.org/wiki/Blogonovela 2005-09-15 Bory, Jean-François. "Notes." In Surfiction. Ed. Raymond Federman. Chicago: Swallow, 1975. 287-89.* Butor, Michel. "Le roman comme recherche." 1960. In Butor, Essais sur le roman. Paris: Gallimard, 1992. 7-14. _____. "The Novel as Research." 1970. In The Novel Today; Contemporary Writers on Modern Fiction. Ed. Malcolm Bradbury. 1977. New ed. London: Fontana, 1990. 45-52.

Collado Rodríguez. Amsterdam: Rodopi. Couturier. Maurice. 255-62." Dispositio 3. Madrid: Alfaguara. Nov. .html 2008 Darias Beautell. Julio.* Champagne. 1993. Amsterdam: Benjamins. Ed. "Postmodernism in American Fiction and Art. Raymond Federman. D'haen. and Hans Bertens." Neophilologus 71 (1987): 144-153. Marian Amengual et al. "Anti-Style and the Postmodernist Novel.* D'haen.* Online texts: http://www." Proceedings of the 20th International AEDEAN Conference. eds.es/departamentos/filologia_inglesa/garciala/p ublicaciones/britishpostmodern. Jonathan. Brian. Douwe Fokkema and Hans Bertens. Teoría del túnel. Palma: U de les Illes Balears. "Postmodern Fiction: Form and Function. Ed. Obra crítica I. Jane Dowson and Steven Earnshaw. Montpellier: Delta. _____. Questioning the Discourse." Revista Alicantina de Estudios Ingleses 9 (November 1996): 41-52. Saúl Yurkievich." In Surfiction. and Hans Bertens. (Postmodern studies). Chicago: Swallow. 1992. Reading Narrative Fiction. ed. 1947.* (Undermining Conventions. 1993. "Intertextuality and Postmodern Fiction. 2008]." In New Perspectives on English Studies." In Chatman. 25-41. British Postmodern Fiction. 1975. and Terror in Foer's and Pynchon's Latest Fiction. Barcelona: Universitat de Barcelona.Cazzato. Ed. Theo. Francisco. "Semiotic Directions for Modern Fiction. Filter at Odds with Itself). "Towards a Theory of Non-Genre Literature. Amsterdam: Rodopi. [32nd International Conference of AEDEAN. "Hard Metafiction and the Return of the Author Subject: The Decline of Postmodernism?" In Postmodern Subjects / Postmodern Texts.* Culler. Attacks on the Discourse by the Story.* D'haen. Theo." In Approaching Postmodernism. 1993.unizar. Chatman.* Cortázar. Amsterdam: Rodopi. Ed. In Cortázar. 415-20. Roland A. Luigi. CD-ROM. Ed. 1997. (U de Zaragoza). Trauma. British Postmodern Fiction. 1986. Eva. 2009. "The Experimental Novel in the New Universe of Force: Time. Facultat de Filología. Theo. 1994. 1983. New York: Macmillan. _____. "Narrative Limits: Experimental and Postmodern Fiction. eds. Postmodern Fiction in Canada. Seymour. Crews. 1995. Amsterdam: Rodopi. Representation and Performace in Postmodern Fiction.7-8 (Spring Summer 1978). eds.

Morris. "Sheherazade's Children: Magical Realism and Postmodern Fiction." Georgia Review 26 (1972): 297313. Amsterdam: Rodopi. Cambridge (MA): Harvard UP. Barcelona: Ariel. Faris." In Essentials of the Theory of Fiction. Dipple. _____. Obra abierta. Elizabeth. 1967. 1995. Barcelona: Planeta. Faris. 1988. Breaking the Sequence. Frankfurt a/M: Vervuert Verlag. _____. Mark Currie." In Federman. Madrid: Iberoamericana. Paris: Seuil." In Metafiction. Ed. Obra abierta. Jesús G.* Federman. Ana M.* Ditsky. _____." In Contra los mitos y sofismas de las 'teorías literarias' posmodernas.* Enkvist. Dotras. 1989. _____. Milano: Bompiani. Durham (NC): Duke UP. New York: Hutchinson. 2nd ed. Maestro and Inger Enkvist. Murphy. John. Surfiction 5-15. Antonia Sánchez Macarro. Seuil-Points). Umberto. "Subversión de la doxa narrativa en La ciudad ausente (1992) de Ricardo Piglia. London: Longman. Ed. Rachel Blau. ." In La narración paradójica." In Magical Realism. Raymond. 2006. "What are Experimental Novels and Why Are There so Many Left Unread?" In Studies in American Literature: Essays in Honor of Enrique García Díez. L'Œuvre ouverte. Ed. 16390. Vigo: Editorial Academia del Hispanismo. Wendy B. La novela española de metaficción. Lois Parkinson Zamora and Wendy B. Nina Grabe et al. 1979. "Breaking the Sentence. Amy J. "El posmodernismo en Juan Goytisolo estudiado a través de Todorov y otros críticos. Michael J. "Defining Spatial History in Postmodernist Historical Novels. "The Man on the Quaker Oats Box: Characteristics of Recent Experimental Fiction. 1990. Hoffman and Patrick D. 1984. Ed.Dehennin. DuPlessis. Madrid: Júcar. Trans. 472-92. Anna Cangogni. _____. Durham: Duke UP. 1962. The Open Work. _____.* Dickinson. "Surfiction: Four propositions in Form of an Introduction. "Fiction Hot and Kool: Dilemmas of the Experimental Writer." In Narrative Turns and Minor Genres in Postmodernism. 221-45. Elsa. Ed. 1965. 105-14. 1995. (Postmodern Studies 11). 1994. 1989.* Elias. 1995. The Open Work. "A Novel Which Is a Machine for Generating Interpretations. Ed. 299-16. (Rpt. Ed. 221-35." Tri Quarterly 33 (1975). 2010. Inger. Opera aperta: forma e indeterminazione nelle poetiche contemporanee. Theo D'haen and Hans Bertens.* Eco.

1996. eds.* (Telling and showing. Stanley. José Ángel. Fernando. Princeton: Princeton UP." Onine PDF at Social Science Research Netork 29 April 2010. _____. Facultat de Filologia. 1989. Surfiction: Fiction Now and Tomorrow.* _____. Breaking the Sequence: Women's Experimental Fiction. Focalization. 394-415. "'It's Stories Still': La reflexividad en las narraciones de Samuel Beckett. "New Wine in Old Bottles? Voice." In Modernism.net/10045/5448 2010 _____. Logroño: Colegio Universitario de La Rioja. and Malcolm Bradbury.* Online in RUA: Repositorio Digital de la Universidad de Alicante http://hdl. Telling and Told. Malcolm Bradbury and James McFarlane.academia." Actas del XV Congreso de AEDEAN. 39-55. Fogel. y Javier Coy.* http://unizar. 1994. Ellen G. ed. 1993." La página 2 (1992): 33-48. Towards a 'Natural' Narratology. "Postmodernismo: Las formas de la heterogeneidad. 1991." New Literary History 32 (2001): 619-638.* ..edu 29 April 2010. _____. "Postmodernismo: las formas de la heterogeneidad. "The Introverted Novel. 1976. By F.handle. Monika. Chicago: Swallow. 1986. John." Revista Alicantina de Estudios Ingleses 5 (1992): 57-82. La Laguna: Universidad de La Laguna. "Games with Tellers. 269-310." In Fludernik. "'It's Stories Still: La reflexividad en las narraciones de Samuel Beckett.Valencia: Universitat de València. Fletcher. "And all the Little Typtopies: Notes on Language Theory in Contemporary Experimental Novel. 323-30.* García Landa. 2001. 1991. experimental narrative). La novela post-modernista.edu/Jos%C3%A9AngelGarc %C3%ADaLanda/Papers/167412/-It-s-Stories-Still---Lareflexividad-en-las-narraciones-de-Samuel-Beckett 2010 _____. Enrique. Galván." In Ensayos sobre la metaficción inglesa. 1975. "'It's Stories Still': La reflexividad en las narraciones de Samuel Beckett / 'It's Stories Still': Reflexivity in Samuel Beckett's Narrative." iPaper at Academia. London: Routledge." Modern Fiction Studies 20.* García Díez. and Miriam Fuchs. and New Writing.. Harmondsworth: Penguin.* _____. Ed. Friedman.* Fludernik. "Textos y códigos de la metaficción británica. Galván et al.2 (Fall 1974): 28-36. Madrid: Sociedad General Española de Librería.

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Reflexive narrative. .See also Reflexivity in fiction.