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A BIBLIOGRAPHY OF LITERARY THEORY, CRITICISM AND PHILOLOGY
http://www.unizar.es/departamentos/filologia_inglesa/garciala/bibliography.html

by José Ángel GARCÍA LANDA (University of Zaragoza, Spain)

WILLIAM SHAKESPEARE: AS YOU LIKE IT
(Romantic comedy. Written c. 1599. Pub. 1623)

Editions Shakespeare, William. As You Like It. In Mr. William Shakespeares Comedies, Histories, & Tragedies. (First Folio). London, 1623. _____. As You Like It. Ed. Christine Trautvetter. (Deutsche Shakespeare-Gesellschaft Englisch-deutsche Studienausgabe der dramen Shakespeares). Heidelberg: Carl Winter, 1972. _____. As You Like It. Ed. H. J. Oliver. Harmondsworth: Penguin, 1968. _____. As You Like It. Ed. Agnes Latham. (Arden Shakespeare, 2nd ed.). London: Methuen, 1975. Rpt. London: Routledge, 1989.* _____. As You Like It. Ed. Richard Knowles with Evelyn Joseph Mattern. In A New Variorum Edition of Shakespeare. New York: MLA, 1977. _____. As You Like It. Ed. Alan Brissenden. Oxford: Oxford UP. _____. As You Like It. Ware: Wordsworth. _____. As You Like It. Introd. Jean E. Howard. In The Norton Shakespeare. Ed. Stephen Greenblatt et al. New York: Norton, 1997. 1591-1657.* _____. As You Like It. In William Shakespeare: Complete Works (The RSC Shakespeare). Ed. Jonathan Bate and Eric Rasmussen. London: Macmillan, 2007. Pbk. 2008. 472-525.* _____. Como gustéis. In Dramas de Guillermo Shakspeare: Julio César. Como gustéis. Comedia de equivocaciones. Las alegres comadres de Windsor. Trans. José Arnaldo Márquez. Illust. (Biblioteca "Arte y Letras"). Barcelona: E. Domenech, 1883.* _____. A vuestro gusto. In Shakespeare, Obras completas II: Comedias y poesía. Trans. and notes by Luis Astrana Marín. Madrid: Santillana-Aguilar, 2004. 295-338.* _____. Como gustéis. In El mercader de Venecia. Como gustéis. Ed. Instituto Shakespeare, dir. Manuel Angel Conejero. Madrid: Cátedra.

2 _____. Como gustéis. In El Mercader de Vencecia y Como Gustéis. Trans. Angel Luis Pujante. (Colección Austral). Madrid: Espasa-Calpe, 1991. _____. Como gustéis. Trans. R. Martínez Lafuente. Introd. H. J. Oliver, trans. Matilde Fernández de Villavicencio. (William Shakespeare: Obra completa). Barcelona: RBA, 2003.* _____. Como gustéis. Introd., trans. and notes by Pablo Ingberg. Buenos Aires: Losada, 2005. _____. Como gustéis. In Shakespeare, Obras completas - II. Comedias: Los dos caballeros de Verona - La doma de la fiera - La comedia de los errores - Trabajos de amor perdidos Sueño de una noche de verano - El mercader de Venecia - Las esposas alegres de Windsor - Mucho ruido y pocas nueces Como gustéis - Noche de Reyes. Trans. Pablo Ingberg, Delia Pasini, Cristina Piña, Emir Rodríguez Monegal and Idea Vilariño, "Introducción general" by Pedro Henríquez Ureña, "La comedia shakespeariana" by Laura Cerrato, "Shakespeare en escena" interview with David Amitín by Jorge Dubatti. Ed. Pablo Ingberg. Barcelona, Losada, 2008.

Criticism "An All-Male As You Like It." 1967. In Shakespeare: Much Ado about Nothing and As You Like It. Ed. John Russell Brown. (Casebooks series). Basingstoke: Macmillan, 1979. 239-40.* Arias Doblas, Rosario. "Dinámica del erotismo en As You Like It y Twelfth Night." Proceedings of the 20th International AEDEAN Conference. Barcelona: Universitat de Barcelona, Facultat de Filología, 1997. 365-70.* "As You Like It: Aspectos de su representación." XVI Congreso de la Asociación Española de Estudios Anglo-Norteamericanos. Valladolid: Secretariado de Publicaciones de la Universidad de Valladolid, 1994. Barnet, Sylvan. "'Strange Events'—Improbability in As You Like It." 1968. In Shakespeare: Much Ado about Nothing and As You Like It. Ed. John Russell Brown. (Casebooks series). Basingstoke: Macmillan, 1979. 166-82.* Brown, John Russell, ed. Shakespeare: Much Ado about Nothing and As You Like It. (Casebooks series). Basingstoke: Macmillan, 1979. Calvo López, Clara. "Pronouns of Address and Social Negotiation in As You Like It." Language and Literature 1.1 (1992): 5-28.

3 _____. "In Defence of Celia: Discourse Analysis and Women's Discourse in As You Like It." In Feminist Linguistics in Literary Criticism. Ed. Katie Wales. (The English Association, Essays and Studies). Cambridge: Brewer, 1994. 91-115. Chambers, E. K. "Plays of the First Folio." In Chambers, William Shakespeare: A Study of Facts and Problems. Oxford: Clarendon Press, 1930. 1.275-498.* Draper, John W. "Orlando, the Younger Brother." Philological Quarterly 13 (1934): 72-77. Dusinberre, Juliet. "As Who Liked It?" Shakespeare Survey 46 (1993): 9-21. _____. "As You Like It." In A Companion to Shakespeare's Works, Volume III: The Comedies. Malden: Blackwell, 2003. Pbk. 2006. 411-28.* "Edith Evans as Rosalind at the Old Vic and the New Theatre." 1936, 1937. In Shakespeare: Much Ado about Nothing and As You Like It. Ed. John Russell Brown. (Casebooks series). Basingstoke: Macmillan, 1979. 233-34.* Egan, Gabriel. Green Shakespeare: From Ecopolitics to Ecocriticism. (Accents on Shakespeare). London: Routledge, 2006. (Henry V, Macbeth, As You Like It, Antony and Cleopatra, King Lear, Coriolanus, Pericles, Cymbeline, The Winter's Tale, The Tempest). Erickson, Peter B. "Sexual Politics and the Social Structure in As You Like It." In Shakespeare's Comedies. Ed. Gary Waller. (Longman Critical Readers). Harlow: Longman, 1991. Rpt. Addison Wesley Longman, 1996. 156-67.* Fortin, René E. "'Tongues in Trees': Symbolic Patterns in As You Like It." Texas Studies in Literature and Language 14 (1973): 56982. García Landa, José Ángel. "Simple Truth Suppressed." In García Landa, Vanity Fea 14 April 2009.* (As You Like It). http://vanityfea.blogspot.com/2009/04/simple-truthsuppressed.html 2009 _____. "El bosque de Arden." In García Landa, Vanity Fea 23 July 2009.* http://vanityfea.blogspot.com/2009/07/el-bosque-de-arden.html 2009 _____. "El mundo social como presentación y re-presentación." In García Landa, Vanity Fea 19 October 2009.* (Goffman). http://vanityfea.blogspot.com/2009/10/el-mundo-social-comopresentacion-y-re.html 2009

4 Gardner, Helen. "As You Like It." 1959. In Modern Shakespearean Criticism: Essays on Style, Dramaturgy, and the Major Plays. Ed. Alvin B. Kernan. New York: Harcourt, 1970: 190-203. _____. "Let the Forest Judge." (As You Like It). 1959. In Shakespeare: MUCH ADO ABOUT NOTHING and AS YOU LIKE IT. Ed. John Russell Brown. (Casebooks series). Basingstoke: Macmillan, 1979. 149-65.* Gay, Penny. As She Likes It: Shakespeare's Unruly Women. London: Routledge, 1994. _____. AS YOU LIKE IT. (Writers and Their Work). Tavistock (Devon): Northcote House, 1999. Gibbons, Brian. "Amorous Fictions in As You Like It." In Gibbons, Shakespeare and Multiplicity. Cambridge: Cambridge UP, 1993. 153-81.* Harwood, J. "From 'The Annotated Gospel According to Jacques'." English 24 (1985): 44-50. Hayles, Nancy K. "Sexual Disguise in As You Like It and Twelfth Night." Shakespeare Survey 32 (1979): 63-72. Hieatt, Charles W. "The Quality of Pastoral in As You Like It." Genre 7 (1974): 164-82. Iser, Wolfgang. "The Dramatization of Double Meaning in Shakespeare's As You Like It." In Iser, Prospecting: From Reader Response to Literary Anthropology. Baltimore: Johns Hopkins UP, 1989. Pbk. 1993. 98-130.* Jenkins, Harold. "As You Like It." Shakespeare Survey 8 (1955): 4051. Knowles, Richard. "Myth and Type in As You Like It." ELH 33 (1966): 1-22. Kronenfield, Judy Z. "Social Rank and the Pastoral Ideals of As You Like It." Shakespeare Quarterly 29 (1978): 333-48. Lambert, J. W. "Vanessa Redgrave's Rosalind at the Royal Shakespeare Theatre." 1961. In Shakespeare: Much Ado about Nothing and As You Like It. Ed. John Russell Brown. (Casebooks series). Basingstoke: Macmillan, 1979. 238.* Latham, Agnes. "Satirists, Fools and Clowns." ( As You Like It.). 1975. In Shakespeare: Much Ado about Nothing and As You Like It. Ed. John Russell Brown. (Casebooks series). Basingstoke: Macmillan, 1979. 207-20.* Lennox, Patricia. "A Girl's got to Eat: Christine Edzard's Film of As You Like It." In Transforming Shakespeare: Contemporary Women's Re-Visions in Literature and Performance. Ed. Marianne Novy. 1999. Basingstoke: Palgrave, 2000. 51-66.* López Román, Blanca. "El feminismo de Rosalind en el bosque de Arden." Estudios de Filología Inglesa 6-7 (1979): 105-19.

5 Marriette, Amelia. "Urban Dystopias: Re-Approaching Christine Edzard's As You Like It." In Shakespeare, Film, Fin de Siècle. Ed. Mark Thornton Burnett and Ramona Wray. Houndmills: Macmillan; New York: St: Martin's, 2000. 73-88.* Meagher, John C. Shakespeare's Shakespeare: How the Plays Were Made. New York: Continuum, 1997. 2000.* (A Midsummer Night's Dream, As you Like it, Richard II, 1 Henry IV, Romeo and Juliet, Hamlet, King Lear). Mincoff, Marco. "What Shakespeare Did to Rosalynde." Shakespeare Jahrbuch 96 (1960): 78-89. Montrose, Louis Adrian. "'The Place of a Brother' in As You Like It: Social Process and Comic Form." Shakespeare Quarterly 32 (1981): 28-54. _____. "'The Place of a Brother' in As You Like It: Social Process and Comic Form." In Materialist Shakespeare. Ed. Ivo Kamps. London: Verso, 1995. 39-70.* "Nigel Playfair's Production at the Shakespeare Memorial Theatre." Rev. of As You Like It. 1919. In Shakespeare: Much Ado about Nothing and As You Like It. Ed. John Russell Brown. (Casebooks series). Basingstoke: Macmillan, 1979. 232.* Owens, W. R., and Lizbeth Goodman, eds. Shakespeare, Aphra Behn and the Canon. (Approaching Literature Series). London: Routledge / Open U, 1996. (Henry V, Othello, As You Like It, The Rover). Palmer, D. J. "As You Like It and the Idea of Play." 1971. In Shakespeare: Much Ado about Nothing and As You Like It. Ed. John Russell Brown. (Casebooks series). Basingstoke: Macmillan, 1979. 183-98.* Park, Clara Claiborne. "As We Like It: How a Girl Can Be Smart and Still Popular." In The Woman's Part: Feminist Criticism of Shakespeare. Ed. C. R. Swift Lenz et al. Urbana: U of Illinois P, 1980. 100-31. Poague, Lelanda. "As You Like It and It Happened One Night: The Generic Pattern of Comedy." Literature/Film Quarterly 5 (1977): 346-50. Richardson, William. A Philosophical Analysis and Illustration of some of Shakespeare's Remarkable Characters. 1774. (Macbeth, Hamlet, Jaques, Imogen). Royle, Nicholas. "Love-Shaked: As You Like It." In Royle, How to Read Shakespeare. (How to Read). London: Granta Books, 2005. 38-55.* Rutter, Carol. Rev. of As You Like It. Royal Shakespeare Company, dir. Adrian Noble, 1985. In Rutter, Clamorous Voices, ed. Faith Evans. London: Women's Press, 1988. 97-121.

6 Saslow, James. Ganymede in the Renaisssance: Homosexuality in Art and Society. New Haven: Yale UP, 1986. Shakespeare: AS YOU LIKE IT. (Brodie's Notes). Houndmills: Macmillan. Shaw, John. "Fortune and Nature in As You Like It." Shakespeare Quarterly 6 (1955): 45-50. Sinfield, Alan. "Pastoral, As You Like It, and the Ideology of Literary History." In Sinfield, Shakespeare, Authority, Sexuality: Unfinished Business in Cultural Materialism. London and New York: Routledge, 2006. 31-39.* Sisson, Rosemary Anne. "Glen Byam Shaw's Production with Peggy Ashcroft's Rosalind." 1957. In Shakespeare: MUCH ADO ABOUT NOTHING and AS YOU LIKE IT. Ed. John Russell Brown. (Casebooks series). Basingstoke: Macmillan, 1979. 235-38.* Smith, Bruce R. Homosexual Desire in Shakespeare's England: A Cultural Poetics. Chicago: U of Chicago P, 1991. Pbk. 1994.* Spurr, Barry. "Reading Aloud." In Spurr, Studying Poetry. Melbourne: Macmillan Education Australia, 1997. 3-12.* (Shakespeare, "Blow, blow, thou winter wind", from As You Like it; Christina Rossetti, "A Birthday"; Kenneth Slessor, "Sleep"; Seamus Heaney, "Requiem for the Croppies"). Thomson, Peter. "A Modern-Dress Production at the Royal Shakespeare Theatre." (As You Like It). 1973. In Shakespeare: MUCH ADO ABOUT NOTHING and AS YOU LIKE IT. Ed. John Russell Brown. (Casebooks series). Basingstoke: Macmillan, 1979.* Toliver, Harold. Pastoral Forms and Attitudes. Berkeley: U of California P, 1971. (As You Like It, 100-114). Traub, Valerie. "Desire and the Differences it Makes." In The Matter of Difference: Materialist Feminist Criticism of Shakespeare. Ed. Valerie Wayne. Ithaca: Cornell UP, 1991. 81-114.* _____. Desire and Anxiety: Circulation of Sexuality in Shakespearean Drama. London: Routledge, 1992. _____. "The Homoerotics of Shakespearean Comedy." In Shakespeare, Feminism, and Gender: Contemporary Critical Essays. Ed. Kate Chedgzoy. (New Casebooks). Houndmills: Palgrave, 2001. 135-60.* (From Traub, Desire and Anxiety 12244). _____. "The Homoerotics of Shakespearean Comedy." In Shakespeare: An Anthology of Criticism and Theory 19452000. Ed. Russ McDonald. Oxford: Blackwell, 2003.* Ward, J. P. As You Like It. Hemel Hempstead: Harvester Wheatsheaf, 1992.

7 Whither, Walter. ASpecimen of a Commentary on Shakespeare, Containing, I. Notes on As You Like It. II. An Attempt to Explain and Illustrate Various Passages, on a New Principle of Criticism, Derived from Mr Locke's Doctrine of the Association of Ideas. 1794. _____. A Specimen of a Commentary on Shakespeare. Ed. A. Over. 1967. Wilde, Oscar. "As You Like It at Coombe House." Rev. of Lady Archibald Campbell and E. W. Godwin's production. The Dramatic Review 6 June 1885. In Wilde, Selected Journalism. Ed. Anya Clayworth. (Oxford World's Classics). Oxford: Oxford UP, 2004. * _____. "As You Like It at Coombe House." In Wilde, Selected Journalism. Ed. Anya Clayworth. (Oxford World's Classics). Oxford: Oxford UP, 2004. 56-58.* Wofford, Susanne L. "'To You I Give Myself, for I Am Yours': Erotic Performance and Theatrical Performatives in As You Like It." In Shakespeare Reread: The Texts in New Contexts. Ed. Russ McDonald. Ithaca (NY): Cornell UP, 1994. 147-69.* Young, B. A. "Trevor Nunn's Musical Production at the Royal Shakespeare Theatre." (As You Like It). 1977. In Shakespeare: Much Ado about Nothing and As You Like It. Ed. John Russell Brown. (Casebooks series). Basingstoke: Macmillan, 1979. 243-44.* Young, David. "Pastoral Poetry and Drama." (As You Like It). 1972. In Shakespeare: Much Ado about Nothing and As You Like It. Ed. John Russell Brown. (Casebooks series). Basingstoke: Macmillan, 1979. 199-206.* Films As You Like It. Dir. Kenean Buel. Based on Shakespeare's play. USA, 1908. As You Like It. Dir. James Young. Based on Shakespeare's play. USA, 1912. As You Like It. Dir. Charles Kent. Based on Shakespeare's play. USA, 1912. As You Like It. Filmed theatrical performance. Dir. Paul Czinner. Cast: Elisabeth Bergner, Laurence Olivier, Sophie Stewart, Henry Ainley, Leon Quartermaine, Felix Aylmer. Britain, 1936. As You Like It. Film. Dir. Peter Stein.* As You Like It. Filmed production. Stratford Ontario Company.* As You Like It. Dir. Christine Edzard.

8 As You Like It. Film. Dir. Kenneth Branagh. Forthcoming 1999.

Music Finzi, Gerald. Let us Garlands Bring, op. 18. Songs by William Shakespeare. In Bryn Terfel, THE VAGABOND and Other Songs by Vaughan Williams / Butterworth / Finzi / Ireland. Malcolm Martineau, piano. CD. Hamburg: Deutsche Grammophon, 1995.* Walton, William. As You Like It. Film score. In Walton, Film Music vol 1: Hamlet. As You Like It. Gielgud. Bott. Academy of St. Martin-in-the-Fields / Marriner. CD/MC. Colchester: Chandos.

Related works Johnson, Charles. Love in a Forest. Drama (based on Shakespeare's As You Like It). 1723. Lodge, Thomas. Rosalynde. 1590. In Lodge's 'Rosalynde' Being the Original of Shakespeare's 'As You Like It'. New York: Duffield; London: Chatto and Windus, 1907. Facsimile ed. W. W. Greg. Folcroft: Folcroft Library, 1971.

Theatrical productions As You Like It. All-male production. Dir. Clifford Williams. With Anthony Hopkins and Derek Jacobi. Royal National Theatre. 1st perf., Old Vic, 1967. As You Like It. Royal Shakespeare Company, dir. Adrian Noble. 1985. As You Like it. All-male production. Dir. Declan Donnellan for Cheek by Jowl. International tour, 1991-92.

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