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Scrapbook-style photos
PixTrix3
Here are six easy ways
to add depth and realism
to your digital photos.
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Make scrapbook-style photos
Here are six easy ways to add depth and realism to at digital photos.
Dexter and Leilani are making a Web site for their upcoming wedding and have
10 years worth of photos to share with family and friends. They want their images to
convey the warm, lived-with quality that youd nd in a scrapbook or photo album. Yet
digital photos are by nature cold, at and hard-edged, so theyll need a little help. Here
are six techniques to add borders, shadows, fasteners, the illusion of a curl and so on
to turn those computerized pix into ones that you can almost touch.
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Open your photo and increase the
Canvas Size enough to accommodate a
border and a shadow.
Apply a white stroke to the outside
of the photo. Its pixel width will depend
on your resolution.
Add a shadow. Click the layer, and add a
very thin drop shadow to make the photo
appear to be on the page, not oating above it.
Add a border
The easiest thing to do is simply add a white border, which will make your photo look like a
traditional print. Widths vary; older photos generally had wider borders. In Photoshop . . .
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Look for points of interest. Your upper photos will crop
the lower ones by covering some parts. Look for artistic parts.
Its obvious with portraits that you want the people to
be visible (above), but other images will have
different possibilities. Also, skew your photos
only slightlybetween two and four degrees.
Much more than that and theyll look strewn,
not stacked (right).
Save le size. One photo can look
like a dozen! Save le size by substi-
tuting a solid color for the underlying
images (right) and attening the le.
Stack em up
A stack of photos slightly askew looks naturally casual; two or three in a stack is usually plenty.
Technically, upper photos would have softer shadows, but in practice this usually isnt necessary.
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Clip it! Photo of a binder clip is cut from its background
(left), shadowed and simply set atop the photos.

(iStockphoto.com image: Binder clip | Push pin | Paper clip )
Use a decorative element An object that youd nd in
the scene makes a lifelike ornament. A cast shadow (not a
drop shadow) makes the pine cone appear to be sitting on
a tabletop. (iStockphoto.com image: Pine cone )
Select
Shadow
Cut
Add an object
Clips, pushpins and other photographic objects add realismand theyre fun. When looking for an
object photo, pay attention to its lighting, which must match your shadows (or vice-versa).
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Draw corner tabs What says photo album more than
those little corner tabs? Just draw, ll and apply a very thin
shadow. Make all the tabs in your album the same size.
Shadow Fill Draw a triangle. Reduce its opacity
and apply shadow.
Fill with white. Draw a shape. Note
serrated ends.
Draw your own fasteners
Triangle scrapbook corners and translucent tape are easy to draw and look great.
Draw translucent tape In real life youd rarely tape your
photos like this, but hey; it looks good, and you can use a lot
of varietywhite tape, beige, thin, wide, long, short and so on.
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Curved shadow creates the illusion of the photo curling
without distorting the image. Drawing a freehand shadow is
about as effective as any mechanical technique and yields
shadows that are slightlyand naturallyirregular.
Draw a shape with
corners like these.
Fill, then blur
the edges.
Place the image. Lighten the shadow.
Add some curl
Paper photos are rarely perfectly at. Create the illusion of a slight curl by drawing a curved shadow.
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Lift three corners by enlarging the
shadow and offsetting it horizontally.
Lift the top by shortening the
shadow as shown.
Lift more. The larger and softer a
shadow is, the farther above the surface
it appears to be. To modify an existing
shadow, enlarge it more, then in Photo-
shop select the eraser tool, a soft brush,
and start erasing (above). A slight tilt
(left) makes it more dynamic.
Try different curls
Modifying the shadow slightly lifts the photo higher off the page. Note in all cases that
only the shadow is altered; the photo remains untouched.
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No old photo collection would be complete without a Polaroid-looking print that has that
characteristically wide bottom margin. Image-to-frame proportions vary; just get close.
Great America
,
98
The classic snapshot No photo looks more
informal than an old-fashioned, self-developing
Polaroid print. Just draw a white eld and lay the
photo atop it; the wide margin leaves room to
add a scrapbooky note. Below, apply styles from
the previous pages.
3
1
/2
4
1
/4

Image: 3 x 3
1
/8

Stacked Tacked Taped Curled


Make your own Polaroid
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Select one style and repeat it.
Create a Photoshop Action
Actions save time by recording
repeated steps. In the Actions pal-
ette, click on the Create new action
button (above). Specify a name (and,
optionally, a shortcut Function Key),
and click Record. Stylize your image,
and click Stop when youre nished.
To apply the Action to another image,
simply open that image, and either
click the Play button or your speci-
ed shortcut Function Key. (Note:
You will need to create separate
actions for your portrait and land-
scape images.
If you have many photos from different years, you can bring them together beautifully by using just
one style. To minimize making repetitive steps, this is a good time to use Photoshops Action feature.
Fill the page
Pix Trix 3 10 of 11
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Pix Trix 3 11 of 11
Before & After magazine
Before & After has been sharing its practical approach
to graphic design since 1990. Because our modern world
has made designers of us all (ready or not), Before &
After is dedicated to making graphic design understand-
able, useful and even fun for everyone.
John McWade Publisher and creative director
Gaye McWade Associate publisher
Vincent Pascual Staff designer
Dexter Mark Abellera Staff designer

Before & After magazine
323 Lincoln Street, Roseville, CA 95678
Telephone 916-784-3880
Fax 916-784-3995
E-mail mailbox@bamagazine.com
www http://www.bamagazine.com
Copyright 2007 Before & After magazine
ISSN 1049-0035. All rights reserved
You may pass along a free copy of this article to others
by clicking here. You may not alter this article, and you
may not charge for it. You may quote brief sections
for review; please credit Before & After magazine, and
let us know. To link Before & After magazine to your
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For all other permissions, please contact us.
Subscribe to Before & After
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