ACKNOWLEDGEMENTS MANAGING Eptrors Michele Chang Mare Kirschenbaum Daniel Seher Ken Shih PUBLICATION TEAM Omer Shalev Bob Stack Nathan Zeichner DATABASE & QUERY DESIGN Michele Chang TRANSLATIONS Alta Vista Cover Illustration by Nathan Zeichner Logos by May Leo: The Lillian Oppenheimer, The Alice Gray Challenge Logo by Carol Tams: Origami by Children Origami Basics section by Mare Kirschenbaum Copyright 2005 by ORIGAMIUSA, a volunteer-based, not-for-profit educational arts organization committed to the elucidation and dissemination of the paperfolding as an art and a craft. All rights reserved, including the right to reproduce this book or portions thereof in any form without prior written consent. ORiGAMIUSA 15 WEST 77™ STREET New York, NY 10024-5192 (212) 769-5635TABLE OF CONTENTS ABOUT THE COLLECTION NOTES ON THE SPECIAL CATEGORIES DIRECTORY THE ANNUAL COLLECTION 2005 APPENDICES ORIGAMI BASICS SUBMITTING WORK FOR FUTURE PUBLICATIONS PERMISSION FORM COPYRIGHT INFORMATION INDICES By MODEL By COMPLEXITY BY CREATOR 260ABOUT THE ORIGAMI COLLECTION Each year OrigamiUSA produces THE ORIGAMI COLLECTION, an anthology of models sent to us from the creators around the world. The models vary in complexity and subject, most of which are recently invented and not yet published anywhere else. Certain models are placed in the following three special categories: © THE LILLIAN OPPENHEIMER COLLECTION © THE ALICE GRAY CHALLENGE © ORIGAMI BY CHILDREN As described here, these categories were developed in appreciation of our past and in anticipation of our future. Of course, every model deserves mention and we hope you enjoy them all. We believe that the tradition of this annual book announces to folders everywhere that sharing origami is what keeps it alive. -IV-NOTES ON THE SPECIAL CATEGORIES ‘THE LILLIAN OPPENHEIMER COLLECTION Lillian Oppenheimer (1898 -1992} was the First Lady of Origami. Her enthusiasm, more than anything else, created and generated the Western development of paperfolding. It is important and necessary to credit the worldwide proliferation of paperfolding over the last 30 years to her. Lillian enjoyed sharing, teaching, and corresponding with enthusiasts everywhere. OrigamiUSA's Lillian Oppenheimer Library and Model Study Collection was the prize of her decades of sharing, Lillian said, "I collected. I never wanted to give anything away. My guests received lessons, not models." The benefits of this collection will be shared forever. THE ALICE GRAY CHALLENGE Alice Gray (1914-1994) like her colleague and friend, Lillian Oppenheimer, is paramount in the development of origami as a living creative art in the West. She was the editor of The Origamian, the official publication of The Origami Center, for more than twenty years. Along with Akira Yoshizawa, Robert Harbin, and Samuel Randlett, Alice took the diagramming of models and the explanation of how to fold models into the realm of an art form, As one of the foremost and effective teachers of paperfolding, she made origami accessible to al. Alice has always said that it is much harder to create a simple model than complex one. Simple models delight the new folder, With this in mind and a strong desire to honor our President Emerita, the Publications Team created The Alice Gray Challenge in 1991. All members of OrigamiUSA were invited to participate. They were asked to observe these guidelines: create models easier to fold than the tracitional flapping bird; avoid sinks, petal folds, and if possible, stay with simple mountain and valley folds, The response was spectacular with over 70 models submitted that year Since then, we have decided to continue the challenge as an ongoing part of our work, and to honor all simple models with The Alice Gray Challenge logo. V. ORIGAMI BY CHILDREN Each year, OrigamiUSA sponsors the exhibition, Origami by Children. Hundreds of entries are received from children aerass the United States. Although most children fold from directions in origami books, original models are especially encouraged. In this collection we are pleased (o present some of the original work from this new generation of creators. While their ages vary from 5 to 18, all the children represented share the ability to delight us with their vision. All the models identified with the OBC logo become part of a permanent yearly exhibit, which travels around the country to schools, museums and libraries. Contact OrigamiUSA for more information about how to request an exhibit for your community.DIRECTORYDecorate It! Giant Panda Kirschenbaum, Mare Koala on a Branch Louis, Gareth 5S Lucky Star HI Mask HI Kaleido-Coaster Chen, Sy 60 Dinh, Gian; 89 Kwan, Emily Sue 156 Hug It! Rabbit I Les Ailes de L'Amour Li Dog with Bone I Arena, Xander D_ 39 Boudias, Christophe 49 Chen, S: 62 aN p= NZ | Letter "E" with Heart AL Lukyanov, Andrey 188, -IX-Hug It! (con.t) Letter "F" with Heart HI Letter "M" with Heart HI Black Cat Li Lukyanoy, Andre’ 189 Lukyanov, Andrey 190 Putignano, Aldo 195 Is it Alive? Apatosaurus I Parasaurolophus Lt Demon c Adams, Jim 2 Adams, Jim 15. Arena, Xander D_ 32 Mammut (Mammoth) Li Luna (Moon) I Werewolf € Ennen, Klaus-Dieter 105 Gilgado, Fernando 11s Kau, Jason 148 xXIs it Alive? (cont.) ne Babbo Natale (Father Christmas) S| | Running Nose 1] | Extraterrestrials I Scalambra, di Federico 201 } | Shafer, Jeremy 204 | |'Suarez, Gregory 212 Elasmosaurus Nippy Droze Takai, Hiroaki Weiss, Stephen XI-It Flies! Dragonfly Eagle 1| | Flying Bird of Prey uu Adams, Jim. S| | Adams, Jim 9] [Blahova, Milada 44 / | Elster (Magpie) 1 | | Angetito (Angel) 1| | Flapping Dove u Ennen, Klaus-Dieter 92 Gilgado, Femando 120} [ Gross, Gay Merrill 135 Monoplane (Version 2) C Khadem, Pascal 136 Louis, Gareth 179 -XII-It’s Alive! —— Pianist Chopin Playing Fox 1 Upright Piano Husky HI ‘Adams, Jim 13 | LAnsons, Stephan 24 | | Boudias, Christophe 45 Bear HI Wolf HL ‘Toucan I Boudias, Christophe 50] | Boudias, Christophe 55 | [Defoirdt, Tom 81 [ r Zorro (fox) HL | | Krokodit (Crocodile) 1] | Wetsk Corgi c Diaz, Roman 85 | | Bonen, Klaus-Dieter 96 | |Go, Guspath 132 -X]II-It’s Alive! (cont.) Silverfish c Uranus Amaryllis I Topolino (Mouse) s Lang, Robert J. 162 | [Putignano, Aldo 199 | |Scalambra, di Federico 203 Lizard c Szinger, John 219 Live with It! Baggi Box Cube S| | An Opened Letter LI USB Port I Baggi, Giuseppi 43 | [Chea, Sy 64} [Chen, Sy 6 -XIV-Live with It! (cont.) INGenercnan | | \ | A S Oe Frame Box: Closed Back 1 Mortar Board (Tocco) I Dove Note Ss Comelius, V'Ann 68 D'Auria, Pasquale a Miller, Marcia Joy 191 e Ori-Brush Li Ori-Paste Li Simple Elegant Vase Lut Narayanan, Shivavam_ 192, Narayanan, Shivavam. 193 Putignano, Aldo 197, « ot 0 Ms, f-/.f e ( key \ / | Pe Unopenable Greeting Cards 1 Crane Bookmark 1 Long-Bo I [ Shafer, Jerem: 206 Stack, Bob 209 Voelker, Bob 235 -XV-Sea It! Cravsfish Turtle (Tartaruga Scatola) HI | | Sea Elephant I Ansons, Stephan D'Auria, Pasquale 74 | [Bnnen, Klaus-Dieter__101 Cangrejo (Crab) wt} | Tiburén BL | | Ziburén Martitto HI Gilgado, Fernando 107 | | Gilgado, Femando 125 | | Gilgado, Femando 130 Blue Whale HI Lang, Robert J. 157 -XVI-OrigamiUSAAPATOSAURUS Jim Adams Intermediate ©2005 . New York 1. Start with white side up. Crease diagonals, GO 4 5. Unfold completely. ‘ODS 11, No new creases are needed. ooo 14, Fold across 16. hidden points, WY 17.Blunttipof 18. 19, 20, Slide rear flap bottom flap up and press with a small ‘model flat. valley fold.Po 21. Slide rear flap up and 22, Slide head up and 23. Round corners with press model flat. press model flat mountain folds Repeat behind. | VAY VAY= 24, You may stop here fora nice two 25, Carefully push some of the white dimensional Apatosaurus paper into the middle and then (partially) flatten the model. The model will become thres~ dimensional.DRAGONFLY Jim Adams Tntermediate ©2004. New York 1 Start with colored side 2, 3. Crease all layers. up, 4, Ropeat behind. 5. Step 4 in progress. 6, Squash-fold, Repeat behind 7. Unfold front layer. 8. Refold by bringing Ato —_9. Fold top layer only B.w ee ogY U LABS. AE 19. Sink top flap in and 20. Fold top two flaps to 21. Sink top flap in and out, the right, incorporatia ‘out. asquash fold on the U iyi 18-23 ee LS) Aa AOTSAASST 22. Sink top flap in and 23 Sink top flap in and 24, Wr _ Os ee =, > 25, Foldhhalf of the layers 26, Fold top flap only. 27. down to open out the model I A7AAS Sa 28-29 28, Squash-fold top flap. 29, Narrow the flap with 30. ‘mountain folds, Blunt the tip ofthe flap with amountain fold.34, Partially open and flatten point to create a hexagonal head, TT 37. Raise wings 90) degrees. Repeat behing, Sa eS - 32. Pleat-fold. 33. 35 36, -8-EAGLE Jim Adams Tnterme ©2004 - New York. R 1. Start with a colored 2, Fold top flap only, 3. Fold top flap only. Waterbomb Base. / JN Squashefold front flap. 7, Squash-fold top fl 8, Tuck flap inside of 9. lap. P hidden pocketat 4 Ss it-ear-fol xS QB eS 16, Pleat-fold. 17. Undo plest fold. 18. Crease. RN afte, ci iO 19. Pleat-fold, 20. ee left and 21. -10-22, Pleatsfold to form 23. Crease 24. Partially pleat-fol. ‘beak. Mountain-fold The wing will not lie end of beak at aright flat angle. Model will not lie Nat 23-24 (ipa 25. 26, Carefully fold the 27. model in half to avoid spliting the paper Make sure there is one leg flap on each side after folding 28. Valley-fold. Repeat Valley-fold tip. Repeat behind. behind, -1l1-30, aa: R 31 Lower wing. Repeat behind. Push tail into a softly downward curving shape.Fox Jim Adams Intermediate ©2004 - New York, 1, Start with a 4, Pull outa layer white Kite Base. of paper. VER. : Se S. <2 Ds 5. 6. Pull out a layer 7. Outside-reverse- 8. Squash-fold, of paper. fold, <> =) 4 | I 9. 10. 1. 12. -13-4 & S&S Ay - 13, Unfold to step 11. 14. 15, Mountain-fold both flaps inside, Repeat behind. Blunt the rmuzale with a ‘mountain fold. = Qs 16, 17. Open up and round - cear. Repeat behind 18, 19, With some minor changes you get a rabbit wa:PARASAUROLOPHUS Low edi 1. Start with white side up. Crease diagonal. 2. Pinch in the center. Aa 4, Fold comer into the 5. Rabbit-ear-fold. er els (Ek -15- Jim Adams (©2005 - New York Q 3. Fold two comers into the center. 5cy oY KD 10. 11. Let that the 12. Repeat behind, 13, Fold into the small fap on middle, Repeat the far side flip behind. out during this fold. 14, Crease lightly. 15. 17. Inside-reverse-fold. 18, Outside-reverse-fold. -16- 16. Inside-reverse-fold, 19,CRAWFISH Stephan Ansons comple: (©2003 - France 1, White side up 7 2, Squash, 3. Pleat behind DD 4 4, Squash, 5. Petal fold 6. Unfold frog base Repeat on the to step 1 3 other flaps Wepleat folds 5 8. Bring A to B and unfold : Bring C to A and unfold Repeat vertically i T T z “ ty 10, Pleat folds -18-enlarged ————- apa 1a ul 14, Successive inward reverse folds. Repeat steps 12-14 on ‘The 2 other flaps 13. Create then unfold 16. Valley squash Front flap 15, Waterbomb base -19-18, Valley to the right 19, Repeat steps 16-18 20. Tuck inside on left flap enlarged view 22. Open sink antennas 21. Open sinksi sf en sinks valley fap down, a closed sinks 27. Valley up 25 -21-inside crimp = 9 29. Repeat steps 24-28 30. on left flap antennas squash thick flap inside reverse mountain tuck inside 34, Open flat ayeAY Z a 3 35. Valley 36. Valley up 37. Unlock free 38. Valley paper BB ot 42. Crimp claw 39, Unlock paper 40. Outside reverse 41. Inside reverse squash top repeat 34-41 of the eyes onihe le Map cuave the antennas crimpreurve the tail valley up the eyes “ mountain 43. Pinch tip of head down round/eurve | the bocy 46, Crawfish completed -23-PIANIST CHOPIN PLAYING UPRIGHT PIANO | Stephan Ansons Complex ©2004 - France ‘This model uses 2 square sheets of paper. } Se Ne Part I: The Pianist Chopin 2. color side up for colored pianist -24-inside reverse successive inside reverse folds shape the arms and hands crimp the legs 13. view of the tail 14, view of the head ap 15. outside reverse a inside reverse 16. head completed 18. successive mountain 17. open into s folds inside AL_f shape -27-19. plug the seat of the of the pianist on the seat of the piano 20. use the piano from part II shape the seat to taste adjust the arms and legs to put them in position, 21, push the sides, 22. pianist playing an upright piano completed -28-Part II: The Upright Piano -29- 1. Preerease into 1/16ths 2. collapse. colored side up for colored piano.3. model is now 3D ‘mountain He t ts ‘ / L ype behind repeat behind 6. side view 5. side view -30- upper view 7. front view Wed rs | |? Li El push on the side and pull a waterbomb down8. 3D view pull/mountain behind ° back view | l NN spread squash triangle fof the waterbomb mountain inside pocket 10. g unlock/open crimp mountain inside upright piano completed BieComplex Xander D Arena ©2005 Italy 1. With square white side up, fold rough diagonals & norizanals. Unfold 2. Blinez four corners. Unfold 3. Kite fold through angle biseows, Unfodd. -32- 4. Rabbit ear one side through existing ereases‘5. Squash fold lap. 7. Tum model over, 8, Valley fold. , Repeat steps 4-7 on this side. 10. Valley fold through all layers Uniovd, -33-11, Reverse fold front and back sides uniformly through all layers, 12, Valley fold upper layer. + by opening and collapsing model 14, Valley fold small middle fap, 14-15 15, Perform aclosed sink on 16, Repeat steps 14-15 in mirror mile fap, symetry, -34-17. Close large lap while 18, Swing flap to left, incorporaing reverse fold shown: incorporating squash fold, form ‘A small gusset will form in the leg assembly, Observe x-ray imterioe region, Dots lie together. creases for clarification, 19, Valley fold flap upward. 20. Perform aclosed sink fold on Unfole. Aap. 21, Fold wo layers down, large 22, Valley fold raw edge to ‘and small. indicated creas, -35-23, Valley fold raw edge t crease 24, Valley fold ap back up. 25. Valley fold lee down, 26, Tuen maitel over, then repeat steps 18-25 on other side, 27. Crimp wings to form neck, 28, Reverse fold to thin neck. Spread squash interior ayer Repeat behind, symetrically to form chest plate. -36- 18-2520. Reverse fold again. Repeat 30. Rabbit ear arm, forming gussot being. in shoulder. Repeat betind, 4B 31. Open by folding near wing. 32, Valley fold owe, 3, Valley fold 34, Thin neck with swivel Folds, se fa35, Close wings back up. 36. Outside reverse fol. 37. Crimp head back and upward 38, Reverse fold head into jaw between wings, Define tail with reverse folds 39, Squash sip of tail, ha Feet Bend a layer to formey sockets Spread chest plate. Shape Const: 440. Open mouth with valley and enjoy. -38-Rapsir Xander D Arena Tavern ©2003 - Arizona 1. With square color side up, fold Utrough diagonals & horizon. unfold. {3 Delineate indicated ereases and unfold ‘5, Fold sides in while pel folding ‘center upwerds. Repeat behiné, 4. Collapse base along indicated 6, Valley folds then unfold -39-1. Open sink both sides. 9, Swivel fod, dividing angle A by 13, thon repeat behind, -48-, _ LS AILES DE L'AMOUR Christophe Boudias ©2004. Franz ~49-Christophe Boudias ©2004. France 8 Pivallés. 9 Plivaleée.J; 4 , X / \ Referrer io moséle - 46 gn suivant les plis. 17 Sortir. A WW Pier fe volet dot . 19“ versa gauche. 20° Piipivat BoCacher la pointe avinteneur = Descendre Ieabrement es pattos avants, etiermeries nates gy Arrendir los épsvles, 46 Former les pattes arigres par un pli inversé inerieur of Voir ls étanes présédentes 51 pour loe détails do a toto, doe pattes avanis ei de la queue. Former les pattes arnigres par so Basculer la tete par 49° un pl iaverss interieur. un pl aig-2ag, 2} Toute la famille peut partir se balader.WoLr Christophe Boudias High Intermediate (©2003 - France Infos: Format de départ 21x21cm Modéle terminé 10x4,5cm @ Marquee tes plis, Opie. ie sere ® pipitte © épor complstemont Utes @ nipteriesoupes® & @ Repeat on the other side comer pmernienst — =a IX y Vv mw ie ® orate ce ioin ® 200m aurane pore Rabies -55-Pi inversé interieur pour tla Pil valibe pour lee Paties arnieres, Pivetor © | vy ® ii zig-zag pour les pattes ameres. f Marquer le pl @ ouvir. Pi vellée pour Faite pivoler Favant du move our laisser apparaite le dos. Piivalée pour tape ia pars Piers onteiowr © Piers exterior pourle qeve melanun pour affinor lo dos. ® kepsterroperaton series ® Priva riteveue -58- @ Pervers te bes,Plier vers ehaut. + i é sorirdu papier» @) Relermer la mode © Puizgzag paur le cou, @ Former ies pates Ily a possibilté de varier la position du cou grace au crimp dela dermiére éiape. ei ® LoLoup est terminé | -59- © Pliinversé exteriewr pour Ia iéie, We ® Pingzng pour Wes pales arent, Pu zig-zag pourle tate CGrimp pour te cou. mS$ LUCKY STAR High Incermediace Designed in 2004 and diagrammed on 1/20/2005 One real US dollar bill makes a 2 inch wide model 1. Start from US dollar bill or Sx7 2, rectangle Sy Chen ©2001 - Maryland 8. Angle bisecting again 5.Folded fine meets upper intersection on the, Lower edye touches lefl corner right. Lower edge on the right touches upper intersection on the lait turn over Co 8, Unfold to original 9, Make valley creases as indicated as shape sharp as possible 7. Make star creases and Pentagon creases through alll layers. f : 10. Make mountain creases as indicated as sharp as possible11. Make mountain creases as indicated as sharp as possible a 13, Valley on the left; Mountain on the right 14. Repeat step § and 6 using existing creases Fold two layers together RREEA) [ARRRA| 18. Enlarged: Tuck upper right flap into front layers; Tuck upper left lap 16. Push sides to inflate the star; All into layers behind; pre-creases help to make the final S pop-up shape. 17. Finished -61-DOG WITH BONE Tatermediate Sy Chen ©2001. Maryland Designed on 11/90/2001 and diagremmed irom 1/5/06 to% 20/05 Challenged by my wite, Wen-Li Lu 15 cm square produces 13 em wide modal. 1. Start rom duo-color (one side white) square 2 3. wilh dog color down. Make creases 4. Find 3/4 pinch mark from right 5, Squash; Repeat let 6. Find 13 pinch rrark comer of uaper triangle t o xy ? 7. Fold right corner to pinch mark: 8 Mountain fold 8 Repeat leit Z AD. £0. -62-10. Enlarged; Inside reverse hidden layer; 14, Repeat left hand side Squash lower right flap ‘ t 42. Two equashes; Repeat lett 19. Shape bone ends and rose 18, Mountain fold the bottam layer so the model can stand up 16. Finished -63-OPENED LETTER Sy Chen Tow Intermediate ©2001. Marland Lesigred and clagrammed on 1131/2002, 24 om square miakas 20 om long rode ‘Starter square wih demon snyoleps color beth sdas, 3 dvioon cre 3 Use ee baludgement or San ebirav, Preuss not tha eitca Ses ter Feta stor the ino palo te be eH osc eae °s «4 Nate sure vpper raw edge 5.Lowerrawadge i stighly lower hen uppar aw acoe 6. Mountsin lds aignin a ersightire anne oe iv i 7. Enlarged; Mountein flee 2 Finishes ~64-USB PORT Sy Chen ©2001 - Maryiand Designed on 11/21/04 and diagrammed irom 1/13/2005 to 1/22:2005 15.cMm square produces about 10 cm wide model 4. Start from equaro with color side down a) P ‘ a | 4 “CY I I “le y. Z ey ES co -65-11. sproad squash 13. 14, a | 15. Mountain fold 16. Focus view - 17. 18. indicated flap upper end ehind while keeping too flap inthe front ft ( 20. Thin each flap while swivel 94. Quiside reverse lel ap: pentagon balow to the front and Sqvash tie right flap ‘upper triangle to the front Fy -66-23. Round the elt end to your taste; Mountain fold the lower ena: ‘Shape upper end 22. Shape lelt end: Squash the other two ends Lode ool : LONG 24. Focus view- upper end 25. Mountain folds L#A, ZB 26, Mountain fold to shape 27. Finished the upper end

oR V \ e\ W 43 -97-ey et Vey él BD oei : 4 8 3 a ©2005 - Germany -101--102--103-Mammut (MAMMOTH) Low Intermediate Oo -) Klaus-Dieter Ennen ©2003 - Germany -105- Y2CANGREJO (CRAB) High Tn te -107- Fernando Gilgado (©2004. Spainee SS64% vey +4o> bob bh aa attoe-114-Fernando Gilgado Luna (Moon) nt (©2004 - Spain la marca hecha\ p en el paso 7 Doblar por \ -115-16 Repetir 13-15 simetricamente 19 -116-nN | p= ta i a = nu ayIntroducir la solapa dentro de la punta superior -119--120-16 ee -121-aw 26 Ter alae -123--124-TIBURON Fernando Gilgado Tigh Intermediate ©2004 Spain t ° ~~ f/ > =. Ly @& 2 % WN os VX Ke Ko SS y 3 \ “Sag A \ fe \ \\Y Xx \ \ DX x JN 7 & RG ey {Retsren sua squms-126-v <> 4 aig =-129-s & g 8 3 § 8 q TIBURON MARTILLO ©2004 - Spain| WersH Corot Guspath Go - Complex (©2003 - Hong Kony +. Begin with a square, 2 Fald the 4 comers to 3, Fold ene comerto. 4. Tun the paner var white sido up. Fold and unfold. the canter and unfold tho sont, 5, Mouniai fold as shown, Feld so tat he two parallel 7. Squast-fold using the creases @. Bring the corner up creases meet henunfeld, rade in the prewous step. = ‘s 9. Repost step 68 on the lft. 410, Mountainald alorg the model. 11. Vali fold tarough all “The mont view i fam the side layers io form the face. 12, lloyd the fron: comer. - Fold ard unfold the tal -132-25. Sinking under process, Note that he medal 24. Sink completed, made! dove not fo at.26. Tho cemplatedcink-folde produced ‘vil not Ke fit aftr tne dark crea nas Deen siked, Now, Using the creases made in step 19, a lat model. View the model rom sie. perform a sink ‘Tipe: ths sink can be easiy dene by helding the tip ofthe tail, ren push in (asia the ‘averse fol of step 18) fo make he sink 4. & 26, Oulside-reverse-old the nose and tl to give 27. Fished Welsh Cergi. coler change. Bring a layer on te hind eg the ight -134-FLAPPING DOVE Gay Merrill Gross 1 cmediate ©2000. New York 4 Vorietin on the traditions! Pigeon/Dove S 3K 4 white side up. ‘Before pressing Firmly, moke sure your "fp Feld fs accurate, Then check onthe back 40 make. Sure she center creases are aligned. sy | Fold up the front wing Trside reverse fli using the boitem of +he, 4o form a beak. head asa guide. sn rear pockel «1 Optional: 8 ope pecker of 9 Narrow tail 10 told at tail eed wing and spcsh fold + align whe row exe. oh breasts Pall doen ving with Belton welded at breast +e Fee wig, edge “F bicd. Bird will ako perch onthe edge ofa ber or table. -135-EXI Pascal Khadem Low Intermed ©2005. New York Ls “A 1. forma colored Preliminary 2, Precrease the top flaps. 3. Mountain fold ase 4, Petal fold the top flep. 5. Reverse fold the side Naps 6. Velley fold the top fap down. outwards, om SQ 7. Valley fold the flap up. 8. Pleat the model where 8. Completed FK1. indicated and turn over. -136- Diagrams by Mare KirschenbaumGIANT PANDA Marc Kirschenbaum ©1994 - New York i; py 4, With darker side up, form 2. Swing back 3. Valley up. rabbit ears cn both sides. vv 4.Valley down, 5.Unfold. 6 Repeat steps 3-5 in mirror image. RY V 7. Asymmetrical squash. 8. Squash. 9.Pull out ¢ single layer to match the other side. -137-Jp \ 40. Squash. 11. Valley up. 12. Squash the center flap. | : 43. Tum over. 14, Spread out the top layer. 15. Mountein fold in half. 46. Reverse fold through all 17, Reverse fold again 48. Swing down, allowing layers. through all layers. the center to stretch fiat -138-22. Reverse fold. 93. Squash folc. 24, Valley uo, allowing 2 squash to form. 25, Swing the flep down. | 26. Open sink the trapped comer. 27. Swing up again. 98. Unsink 29. Valley over. -139- 30, Valley back down.os h “HIN i DX 31. Repeat steps 22-30 3, Spread apart the front 33, Valley the tip to the behind, flap. The remainder of comer. the model will net lie fat gi x 34, Valley Uo. 35, Unfold the pleat. 36, Repeat steps 33-35 in mirror image. se SR DX) De 37. Squash fold. 38. Squash again. 39. Pull out ¢ single layer. -140-40. Flip the top section. 43. Wrap a single layer to the surface. You wil have. to invert a comer to accomplish this. Repeat behing, 41. Close the model back up. 44, Crimp upwards 42. Outside reverse fold the front section. 45, Swing over one flap. 46, Squash the top section down. 47. Wrap a single ‘ayer arcund each side. 48, Swing over one flap. 49, Swing over a flap. 50, Lightly precrease the single layer in nal -141- 51. Valley the comer over to meet the crease.59. Precrease along the angle 53. Unfold 54. Stretch the single layer disector. bback while folding the left side in half. = 55. Pleat the top layer over 56. Valley over to meet the 57, Valley the flap back os along the existing other edges to fiatten. far es possible. creases, The right side will not lie flat, 58, Lift up a single layer (it 59. Unsink. 60. Valley the comer to the will not lie flat), crease. 61. Close the flap backup. 62. Precrease by bringing the 63. Precrease along the engle floo to the indicated bisector. point and unfolding, -142-64. Valley over while 66..ring two colored flaps incorporating a rabbit ear to the surfece. cn the top twe layers. 68. Mountain fold, 50 as to align with edge A. 70. Repeat steps 49-69 Ti. Reverse fold, allowing _72. Swivel the side of the behind. the tiny pleat in the fan's flap in along the angle center to come undone, bisector. 73. Squash the flap flet. 74. Pull out the side layers 75. Mountain fold the while swinging down, indicated comers -143-76. Mountain fold the tal in 77. Tuckin the flapsat the 78, Squash fold the top fies, half, and mountein fold tail, and swivel in the the feet as indicated bottom of the body. 79. Form s squash fold, such 80. Squash the comer dawn 81. Spread apart the center that the incicated points a far as possible ridge, squeshing the flop meet. upwares, 82, Pull out the trepped paper 83. Wrap around a single 84, Flatten, by tucking the while valley foleing the layer. flap beneath all of the fiap at the left (the layers. bottom will not lie flet). -144-85. Valley down while 86. Wrap the colored incorporating a reverse portion around to the fold surface 88. Stretch the point 89, Outside reverse fold, Gownwards. allowing the flap to lie on the surface, 91, Wrap a single layer 92. Open out the face, while 93. Flip the hidden flap as around. Repest on the pulling the ears ud. Tuck indicated, Mountain fold other side of the fiap, the corners of the head the comers of the ears, into the indicated pockets. -145-94. Flip over one layer. 95. Reverse fold the points 96. Open sink along the straight down. angle bisectors. Ge Ge 97. Swing up the two flaps. 98. Reverse fold along the 99. Slide some paper down. angle bisector, 400. Wrap around a single 101. Valley down the 102. Lift up the top layer to layer. colored section Pull reveal the colored the point to the side, Portion, releasing a pleat. -146-97-104 | | 403. Unsink, and then close 104, Valley the colored flap, 105. Repeat steps 97-104 in the top flap. and swing tne center mirror image. flap back down, 107. Squash fold. 108. Valley the nose, anc. pull up the eyes, spreading apert the layers. 409. Mountain fold between the eyes, Pleat the heed into position, and shape to taste. Rotate 1/8 of atun, 110. Completed Giant Panda (1994 Marc Kirschenbeum -147-WEREWOLF Jason Ku ‘Complex (©2004 - Georgia Designed: ©2004/0807 Diagrammed: ©2004/08/28 2 3 “te oe i Z Fold an unfold. ee Stan cob sds ease a landmarkalong Fold and unfold the edge ofthe paper wsing the Cs as guides. 6 5 Fold and unfold the ‘comet to the landmark. Fold and unfold using the "sas guid old and unfold using tie Oss guides 7 8 ‘Guede ealels using the ee Md \\S ‘Fold and unfold using the s | ‘Fold and unjold using the sat aides wometbe sas gues, Qaamgmidestone -148-20 24 19 22 Collapse. Sao cam Fold flap back down. momo the crease formed in step 11 f ia Fight Model wll note fe 18 A ' Y 15 16 VY remaining > <4 eashfold pole fa Opea-sink sides in and out Lift the left flap up along oristing crosees, Paral collapse along a ‘xisting creases 8 13 Tum over, ‘Collapse along existing In progress. Flatia, -149-¢ @e@ Petalfld along existing fran Zoom in. 28 Fold and unfold. e Zoom Fold and wafold. a0 32 31 ma Reverse-fold. | Reveseld Reverse-fold three times. -150-42 A 4 a ‘Squash-fold. reat i Fold an ft 38 40 39 Valley-fold over. Fold and unfold. Y io p reuse 288 aa a Ve \de Revemefo Rep 9293108 Reverse-fold two flaps remaining flap. -151-44 Valley-feld ‘Squash fold, ~x | 48 Valley Valley-f cid dove: as far Yates tina Me ius u seal sade Sasamemstane raters: -152-64 61 % Valley sorcorsi Valley-feld the rest tothe a Wpdeo na be na uke agen ng ‘stretch middle flap as far cop Stew go 59 Y =X ieies Tan over 54 56 Pleat at the third. 8 Valley fold wp Revered Niall fld dows -153-67 68 66 7 | Fold the rest back Open-sink. Valley-old welt Fotd one Nap wie lef. ¢ V- Repeat steps 3-69 08 thie flap. Opes-siok Fold and unfold. co 75 74 Closed-sink. eet seattle ‘Repeat betaee ‘Valley-fold arms out. Repedt behind. -154-als! infold feet and. shape arms and legs. couse sevenefo nme 81 80 a 4 4 Fold atup mis hehind Crimp bead down again. Crimp head down, 76 7 78 ‘Zoom ia on bead. Sng ot ‘Thin belly. . -155- 87 ‘Zoom out. Outside-reverse-fold allten fingers up. 86 Swivel-fold eye. Repeat behind Finished, ‘Squast hyKALEIDO-COASTER Emily Sue Kwan Simple (©2003 - New Jersey > 2° x 5.5" rectangles yielda 6" diameter model 1, Each unit requires only one simple fold! Begin white side up. Hold the rectangle vertical and bring the lower left comer up to meet the top right comer creating a valley crease as shown. P 2. Completed unit! Point "P" will be ot the center of the model. Edge "E” will be part of the perimeter of the model, Fold a total of 9 units. 3. Assembly: Hold 2 units as shown in step 2. Slide the uxit oon the right under the top layer of the unit on the left, matching the center point "P" of the 2 units and matching the ends of the 2 perimeter ees 4, Tolock 2 unis together, make the small valley fold, as shown, along jut the scnay flap of paper sticking out. “Then, tum the model over and repeat an identical small fold on the back. 6. The completed mode! 5. Continue to add one unit at atime, should look like this. going in a circle counter-clockwise, Lock each unit after sliding it into place. Note: Ifyou arc aware of paper grain, step 4 will be easier if the grain of the paper goes | with the short dimension of the rectangle. Diagrams by Daniel Kwan -156-Robert J. Lang High Intermediate ©2003 Calijornia NI 1. Begin wih sqaarshite up Fold 2. Makes pitch Fafa down;then 3. Consect mo poins with a cese tu unfold aleng bot agonal, edits trefircceormakea pinch muking theercue sharp only where Tid ofthe way down, It eresses the aegonal 4. Foldthelowerkfleoraerte the 5. Tum the poporover 6. Fed the uppes If corner tthe creavinlesertion, same erase inerseciion. 7.Mountait-fild heodge behind on & Fold the comer to theindcated 9, Repeat with he oer comer, eenisingereaseardallow the point ad unfold the cress rane come to swing upward through Ue lover ight comet -157-10, Uneldth pleat and tam he paper M7 7 12 Fou an enol, 11, Fold and snot s : 13, Fold and wal. 1H. Maks one more fo wih he sare pacing sthconer ive -158- 15. Repeat stepe I-14 om he topr 16, Rods the post you unfolded i tp 10. 17, Form two long, skiney plete wing the existing creases for the valley ds, the op andbttom cares wll rai fat. Fi 18, Fort wo mere tong, skim pleats 19. For two more pairs of pleas ‘sing the nxt pi of ecass, Te top and sam: way totam comers become lees Mat -159-20. Maks one more psirofplets, 21. Fold he model in bal 22. Fold twa fags vpow ering cree. Dutihis ime large eneugh 0 "ese ‘uth est oF teense paper rear the comets, Flaten everything. 23, Folds rabbi ox from ho lighecolered Nap. Repeat behind 24, Fold down two Bape, one in ont and ee bein. SS" \ 25, Fola merwo corer Inside sothathe folded ele ines up wih he top oégeof the mecel -160- 26, rains comersinsice so thatthe totom edge of ke jaw