Documentos de Académico
Documentos de Profesional
Documentos de Cultura
Jacques Derrida
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3. Derrida on Language
language is not a vehicle for the communication of thoughts an instrument or tool in mans hands (J. Hillis Miller) a transparent window onto the world
Derrida on Language
language is unreliable differential e.g. novelnovellashort story performative: it constructs the world and us
archi-criture
writing as the model for all language no immediacy context-independence openness: text (vs. Book)
in language there are no positive terms, only differences (Ferdinand de Saussure, Course in General Linguistics) 10
Derrida on Diffrance
language characterized by diffrance to differ to defer (postpone, delay) we always remain at the level of signifiers the trace e.g. Blackness and the white supremacist
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Decentering
critique of logocentrism as one instance of decentering religion, Western philosophy, structuralism, and teleological historiography need a center: It would be possible to show that all the names related to fundamentals, to principles, or to the center have alwavs designated the constant of a presence--eidos, arch, telos, energeia, ousia (essence, existence, substance, subject) aletheia, transcendentality, consciousness, or conscience, God, man, and so forth. (Derrida, "Structure") Derrida: there is no center but only an endless play of differences
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6. Deconstruction
Q: What does deconstruction deconstruct? A: Binary oppositions / dichotomies e.g. nature vs. culture e.g. woman vs. man e.g. believer vs. heathen Q: What is wrong with dichotomies? A1: hierarchy A2: exclusion A3: reduction of complexity
2 Forms of Deconstruction
1. deconstruction of binary opposites / dichotomies. 2 steps: a) reversal of hierarchy: women > men b) undoing of binary system: (wo)men
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2 Forms of Deconstruction
2. self-deconstruction of texts e.g. Rousseaus retour a la nature: nature vs. culture speech vs. writing e.g. Austin: parasitic vs. normal performative constative (Sylvia married Frank) vs. performative (I do) (I hereby promise...) Austin: performatives on stage as parasitic (wrong context; speakers intention absent) Derrida: all performatives must function in completely different contexts and irrespective of the speakers intention
Aporia
aporia = an impasse, a textual knot, a passage that cannot be explained by means of the concepts and distinctions of that text e.g. the incest prohibition in Lvi-Strausss Tristes Tropiques
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vs. vs.
culture appearance
the mud and slush of opinion, and prejudice, and tradition, and delusion, and appearance
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