E MS-50G FX-list

Effect Types and Parameters
ZOOM CORPORATION
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Parameter Effect type Parameter range Effect explanation
Flanger
This is a jet sound like an ADA anger.

Knob1 Page01 Depth PreD Page02 0100 050 Rate Mix Sets the depth of the modulation. Knob2 050 0100 Reso Level Sets the speed of the modulation. Knob3 -1010 0150 Adjusts the intensity of the modulation resonance.
Sets pre-delay time of effect sound.
Adjusts the amount of effected sound Adjusts the output level. that is mixed with the original sound.
Effect screen
Parameter explanation
Tempo synchronization possible icon
Effect Types and Parameters [DYN/FLTR]

Comp This compressor in the style of the MXR Dyna Comp.
Knob1 Page01 Sense ATTCK Page02 010 Slow, Fast Tone Adjusts the compressor sensitivity. Sets compressor attack speed to Fast or Slow. Knob2 010 Level Adjusts the tone. Knob3 0150 Adjusts the output level.
RackComp
This compressor allows more detailed adjustment than Comp.

Knob1 THRSH Page01 050 Ratio Knob2 110 Level Knob3 0150
Sets the level that activates the Adjusts the compression ratio. compressor. ATTCK 110 Adjusts the compressor attack rate.
Adjusts the output level.
Page02
SlowATTCK
This effect slows the attack of each note, resulting in a violin-like performance.
Knob1 Time Page01 150 Curve Knob2 010 Level Knob3 0150
Adjusts the attack time.
Set the curve of volume change during Adjusts the output level. attack.
Page02
ZNR
ZOOM's unique noise reduction cuts noise during pauses in playing without affecting the tone.
Knob1 Page01 Page02 THRSH 125 DETCT Adjusts the effect sensitivity. Knob2 GtrIn, EfxIn Level Sets control signal detection level. Knob3 0150 Adjusts the output level.
LineSel
Sound input into the LineSel effect is sent directly to the OUTPUT jacks when OFF and to the next effect in order when ON.
Knob1 EFX_L Page01 0150 OUT_L Knob2 0150 Adjusts level sent directly to the outputs. Knob3
Adjusts level sent to next effect.
Page02

GraphicEQ This unit has a 6-band equalizer.
Knob1 160Hz Page01 -1212 400Hz Knob2 -1212 800Hz Knob3 -1212
Boosts or cuts the low (160 Hz) frequency Boosts or cuts the low-middle (400 Boosts or cuts the middle (800 Hz) band. Hz) frequency band. frequency band. 3.2kHz -1212 6.4kHz -1212 12kHz -1212 Boosts or cuts the high (3.2 kHz) Boosts or cuts the extremely high Boosts or cuts the harmonics (12 frequency band. (6.4 kHz) frequency band. kHz) frequency band. Level 0150 Adjusts the output level.
Page02
Page03
ParaEQ
This is a 2-band parametric equalizer.

Knob1 Page01 Page02 Page03 Freq1 Freq2 Level 20Hz20kHz 20Hz20kHz 0150 Q1 Q2 Adjusts center frequency of EQ1. Adjusts center frequency of EQ2. Adjusts the output level. Knob2 0.5, 1, 2, 4, 8, 16 0.5, 1, 2, 4, 8, 16 Gain1 Gain2 Adjusts EQ1 Q. Adjusts EQ2 Q. Knob3 -1212 -1212 Adjusts EQ1 gain. Adjusts EQ2 gain.
AutoWah
This effect varies wah in accordance with picking intensity.

Knob1 Sense Page01 -10 -1, 110 Reso Knob2 010 Level Knob3 0150
Adjusts the sensitivity of the effect.
Adjusts the intensity of the resonance Adjusts the output level. sound.
Page02
Cry
This effect varies the sound like a talking modulator.

Knob1 Range Page01 110 Reso Knob2 010 Sense Knob3 -10 -1, 110
Adjusts the frequency range processed Adjusts the intensity of the modulation Adjusts the sensitivity of the effect. by the effect. resonance sound. Bal 0100 Level 0150 Adjusts the balance between original Adjusts the output level. and effect sounds.
Page02
M-Filter
This envelope lter has the avor of a Moog MF-101 low pass lter and can be set in a wide range.
Knob1 Freq Page01 0100 Sense Knob2 010 Reso Knob3 010
Sets minimum frequency of envelope Sets effect sensitivity. lter. Type Bal HPF, BPF, LPF 0100 Chara Level 2Pole, 4Pole 0150 Sets lter type. Adjusts amount of lter applied.
Sets effect resonance. VLCTY Fast, Slow
Page02
Sets speed of lter action.
Page03
Adjusts the balance between original Adjusts the output level. and effect sounds.
Step
This special effect gives the sound a stepped quality.

Knob1 Depth Page01 0100 Rate Knob2 050 Reso Knob3 010 Adjusts the intensity of the modulation resonance sound.
Sets the depth of the modulation. Shape 010
Sets the speed of the modulation. Level 0150
Page02
Adjusts the effect envelope.
SeqFLTR
The sequence lter has the avor of a Z.Vex Seek-Wah.

Knob1 Page01 Page02 Step Shape 28 010 PTTRN Reso Adjusts number of sequence steps. Sets effect sound envelope. Knob2 18 010 Speed Level Sets effect pattern. Sets effect resonance. Knob3 150 0150 Sets modulation speed. Adjusts the output level.
[OD/DIST]
Booster The booster increases signal gain to make the sound more powerful.
Knob1 Page01 Page02 Gain 0100 Tone Adjusts the gain. Knob2 0100 Level Adjusts the tone. Knob3 0150 Adjusts the output level.
OverDrive
Simulation of the BOSS OD-1, the compact effect box that was the first to take the overdrive title.
T Scream
Simulation of the Ibanez TS808, which is loved by many guitarists as a booster and has inspired numerous clones.
Dist+
Simulation of the MXR distortion+ effect that made distortion popular worldwide.
Dist 1
Simulation of the BOSS DS-1 distortion pedal, which has been a long-seller.
Squeak
Simulation of the popular Pro Co Rat famous for its edgy distortion sound.
GreatMuff
Simulation of the Electro-Harmonix Big Muff, which is loved by famous artists around the world for its fat, sweet fuzz sound.
MetalWRLD
Simulation of the BOSS Metal Zone, which is characterized by long sustain and a powerful lower midrange.

HotBox Simulation of the compact Matchless Hotbox pre-amplier with a built-in tube.
Z Clean
ZOOM original unadorned clean sound.

ExtremeDS
This distortion effect boasts the highest gain in the world.

Aco.Sim
This effect changes the tone of an electric guitar to make it sound like an acoustic guitar.
Knob1 Top Page01 0100 Body Knob2 0100 Level Knob3 0150
Adjusts the unique string tone of Adjusts the body resonance of acoustic Adjusts the output level. guitars. acoustic guitars.
Page02
[AMP]
FD COMBO Modeled sound of a Fender Twin Reverb ('65), which is loved by guitarists in various genres.
Knob1 Page01 Page02 Page03 Gain Trebl Prese 0100 0100 0100 Tube Middl CAB Adjusts the gain. Adjusts volume of high frequencies. Knob2 0100 0100 See Table 1 Level Bass OUT Adjusts tube amp compression. Knob3 0150 0100 See Table 3 Adjusts the output level.
Adjusts volume of middle frequencies. Adjusts volume of low frequencies. Selects type of connected device.
Adjusts volume of super-high frequencies. Selects cabinet.
DELUXE-R
This models the sound of a Fender Deluxe Reverb made in 1965.

US BLUES
Crunch sound of a Fender Tweed Bassman.


VX JMI This simulates the sound of an early model of a class-A British combo amp.
Knob1 Page01 Page02 Gain Trebl Prese Page03 0100 0100 0100 Tube Middl CAB Adjusts the gain. Adjusts volume of high frequencies. Knob2 0100 0100 See Table 1 Level Bass OUT Adjusts tube amp compression. Knob3 0150 0100 See Table 3 Adjusts the output level.
Adjusts volume of middle frequencies. Adjusts volume of low frequencies.
A d j u s t s v o l u m e o f s u p e r- h i g h Selects cabinet. frequencies.
Selects type of connected device.
TW ROCK
This crunch sound uses the drive channel of a Two Rock Emerald 50, an American boutique amplier.
MS 1959
This models the sound of a Marshall 1959 Plexi made in 1969.

DZ DRIVE
The 3-channel high gain sound of a Diezel Herbert, which is a handmade German guitar amplier that allows control of three independent channels.
ALIEN
This simulates the high-gain sound of the Engl Invader, which features a powerful low-end.
[MOD/SFX]
Tremolo This effect varies the volume at a regular rate.
Knob1 Page01 Depth 0100 UP 0UP 9, DWN 0DWN 9, TRI 0TRI 9 Rate Adjust the depth of the modulation. Wave Knob2 050 Level Adjusts the rate of the modulation. Knob3 0150 Adjusts the output level.
Page02
Sets the modulation waveform.
Phaser
This effect adds a phasing variation to the sound.

Knob1 Page01 Rate 150 Color Knob2 4 STG, 8 STG, inv 4, inv 8 Level Knob3 0150
Sets the speed of the modulation. Page02
Sets the tone of the effect type.
TheVibe
This vibe sound features unique undulations.

Knob1 Page01 Page02 Speed Wave 050 0100 Depth Mode Sets modulation speed. Adjusts modulation waveform. Knob2 0100 VIBRT, CHORS Bias Level Sets the depth of the modulation. Sets effect to vibrato or chorus. Knob3 0100 0150 Adjusts bias of waveform modulation. Adjusts the output level.
Chorus
This effect mixes a shifted pitch with the original sound to add movement and thickness.
Knob1 Depth Page01 0100 Rate Knob2 150 Mix Knob3 0100 Adjusts the amount of effected sound that is mixed with the original sound.
Sets the depth of the modulation. Tone 010
Page02
Adjusts the tone.
Detune
By mixing an effect sound that is slightly pitch-shifted with the original sound, this effect type has a chorus effect without much sense of modulation.
Knob1 Cent Page01 -2525 PreD Knob2 050 Mix Knob3 0100
Adjusts the detuning in cents, which Sets the pre-delay time of the effect Adjusts the amount of effected sound are ne increments of 1/100-semitone. sound. that is mixed with the original sound. Tone 010 Level 0150 Adjusts the tone. Adjusts the output level.
Page02
StereoCho
This is a stereo chorus with a clear tone.

Knob1 Depth Page01 0100 Rate Knob2 150 Mix Knob3 0100 Adjusts the amount of effected sound that is mixed with the original sound.
Page02
Adjusts the tone.
SuperCho
This models the sound of a BOSS CH-1 SUPER CHORUS.

Knob1 E.LVL Page01 0120 Rate Knob2 0100 Depth Knob3 0100
Adjusts amount of effect sound Sets the speed of the modulation. mixed with original sound. EQ 0100 Mode MONO, STR Sets output to mono or stereo (STR). When stereo, effect sound is output from L channel and unchanged input sound is output from R channel.
Adjust the depth of the modulation.
Page02
Adjusts effect tone.

Flanger This is a jet sound like an ADA anger.
Knob1 Page01 Depth PreD Page02 0100 050 Rate Mix Sets the depth of the modulation. Knob2 050 0100 Reso Level Sets the speed of the modulation. Knob3 -1010 0150 Adjusts the intensity of the modulation resonance.
Sets pre-delay time of effect sound.
Adjusts the amount of effected sound Adjusts the output level. that is mixed with the original sound.
Vibrato
This effect automatically adds vibrato.

Knob1 Depth Page01 0100 Rate Knob2 050 Bal Knob3 0100 Adjusts the balance between original and effect sounds.
Page02
Adjusts the tone.
Octave
This effect adds sound one octave and two octaves below the original sound.
Knob1 Oct1 Page01 0100 Oct2 Knob2 0100 Dry Knob3 0100
Adjusts the level of the sound one Adjusts the level of the sound two Adjusts the volume of the unaffected octave below the effect sound. octaves below the effect sound. sound. Chara 0100 Tone 010 Level 0150 Adjusts effect character. Adjusts the tone. Adjusts the output level.
Page02
PitchSHFT
This effect shifts the pitch up or down.

Knob1 Shift Page01 -1212 , 24 Tone Knob2 010 Bal Knob3 0100 Adjusts the balance between original and effect sounds.
Adjusts the pitch shift amount in semitones. Adjusts the tone. Selecting 0 gives a detuning effect. Fine -2525 Level 0150 Allows fine adjustment of pitch shift Adjusts the output level. amount in Cent (1/100 semitone) steps.
Page02
MonoPitch
This is a pitch shifter with little sound variance for monophonic (single note) playing.
Knob1 Shift Page01 -12 12 , 24 Tone Knob2 010 Bal Knob3 0100 Adjusts the balance between original and effect sounds.
Adjusts the pitch shift amount in semitones. Adjusts the tone. Selecting 0 gives a detuning effect. Fine -25 25 Level 0150 Allows fine adjustment of pitch shift Adjusts the output level. amount in Cent (1/100 semitone) steps.
Page02
HPS
This intelligent pitch shifter outputs the effect sound with the pitch shifted according to scale and key settings.
Knob1 Scale Page01 -6, -5, -4, -3, -m, m, 3, 4, 5, 6 (See Table 2) Key Knob2 C, C#, D, D#, E, F , F#, G, G#, A, A#, B Mix Knob3 0100
Sets the pitch of the pitch-shifted Sets the tonic (root) of the scale used Adjusts the amount of effected sound sound added to the original sound. for pitch shifting. that is mixed with the original sound. Page02 Tone 010 Level 0150 Adjusts the tone. Adjusts the output level.
[DLY/REV]
Delay This long delay has a maximum length of 4000 ms.
Knob1 Time Page01 14000 F .B Knob2 0100 Mix Knob3 0100 Adjusts the amount of effected sound that is mixed with the original sound. Level 0150
Sets the delay time. HiDMP 010
Adjusts the feedback amount. P-P MONO, P-P
Page02
Adjusts the treble attenuation of the Sets delay output to mono or pingAdjusts the output level. delay sound. pong. Tail OFF/ON When ON, effect sound continues even after effect is turned off. When OFF , effect sound stops right when effect is turned off.
Page03
TapeEcho
This effect simulates a tape echo. Changing the Time parameter changes the pitch of the echoes.
Knob1 Time Page01 12000 F .B Knob2 0100 Mix Knob3 0100 Adjusts the amount of effected sound that is mixed with the original sound. Tail OFF/ON When ON, effect sound continues even after effect is turned off. When OFF , effect sound stops right when effect is turned off.
Adjusts the feedback amount. Level 0150
Page02
Adjusts the treble attenuation of the Adjusts the output level. delay sound.
ModDelay
This delay effect allows the use of modulation.

Knob1 Time Page01 12000 F .B Knob2 0100 Mix Knob3 0100 Adjusts the amount of effected sound that is mixed with the original sound. Tail OFF/ON When ON, effect sound continues even after effect is turned off. When OFF , effect sound stops right when effect is turned off.
Sets the delay time. Rate 150
Page02
Sets the speed of the modulation.
AnalogDly
This analog delay simulation has a long delay with a maximum length of 4000 ms.
Knob1 Time Page01 14000 F .B Knob2 0100 Mix Knob3 0100 Adjusts the amount of effected sound that is mixed with the original sound. Level 0150
Adjusts the feedback amount. P-P MONO, P-P
Page02
Adjusts the treble attenuation of the Sets delay output to mono or pingAdjusts the output level. delay sound. pong. Tail OFF/ON When ON, effect sound continues even after effect is turned off. When OFF , effect sound stops right when effect is turned off.
Page03
ReverseDL
This reverse delay is a long delay with a maximum length of 2000 ms.
Knob1 Time Page01 102000 F .B Knob2 0100 Bal Knob3 0100 Adjusts the balance between original and effect sounds. Tail OFF/ON When ON, effect sound continues even after effect is turned off. When OFF , effect sound stops right when effect is turned off.
Page02
Adjusts the treble attenuation of the Adjusts the output level. delay sound.

StompDly By turning the feedback up on this stomp-style delay, you can make it self-oscillate.
Knob1 E.LVL Page01 0120 F .B Knob2 0100 Time Knob3 1600
Adjusts amount of effect sound Adjusts the feedback amount. mixed with original sound. Sync OFF , x8 Mode MONO, STR Sets output to mono or stereo (STR). When stereo, effect sound is output from L channel and unchanged input sound is output from R channel.
Sets the delay time. Tail OFF/ON
Page02
Activates tempo sync. HiDMP 010
When ON, effect sound continues even after effect is turned off. When OFF , effect sound stops right when effect is turned off.
Page03
Adjusts the treble attenuation of the delay sound.
HD Hall
This is a dense hall reverb.

Knob1 PreD Page01 1200 Decay Knob2 0100 Mix Knob3 0100
Adjusts the delay between input of Adjusts the amount of effected sound the original sound and start of the Sets the duration of the reverberations. that is mixed with the original sound. reverb sound. LoDMP 0100 HiDMP 0100 Tail OFF/ON When ON, effect sound continues Adjusts low frequency damping in Adjusts high frequency damping in even after effect is turned off. When reverb sound. reverb sound. OFF , effect sound stops right when effect is turned off.
Page02
Hall
This reverb effect simulates the acoustics of a concert hall.

Knob1 Decay Page01 130 Tone Knob2 010 Mix Knob3 0100 Adjusts the amount of effected sound that is mixed with the original sound. Tail OFF/ON When ON, effect sound continues even after effect is turned off. When OFF , effect sound stops right when effect is turned off.
Sets the duration of the reverberations. Adjusts the tone. PreD 1100 Level 0150
Page02
Adjusts the delay between input of the Adjusts the output level. original sound and start of the reverb sound.
Room
This reverb effect simulates the acoustics of a room.

Page02
Spring
This reverb effect simulates a spring reverb.

Page02
10
Table 1 CAB Parameter

Type FD COMBO 2x12 DLX-R 1x12 US BLUES 4x10 VX JMI 2x12 TW ROCK 1x12 MS 1959 4x12 DZ DRIVE 4x12 ALIEN 4x12 OFF Modeled cabinet and speakers Fender Twin Reverb ('65) cabinet with 2x12-inch Jensen speakers Fender Deluxe Reverb cabinet with 1x12-inch Jensen speaker Fender Tweed Bassman cabinet with 4x10-inch Jensen speakers Early model British combo amp cabinet with 2x12-inch Celestion Alnico speakers Two Rock Emerald 50 cabinet with 1x12-inch Fane speaker Marshall 1959 B cabinet with 4x12-inch Celestion speakers Diezel Herbert cabinet with 4x12-inch Celestion speakers Engl Invader cabinet with 4x12-inch Celestion speakers No cabinet used.
Table 2 Scale Parameter

Setting 6 5 4 3 m m Minor Major Scale used Interval 6th down 5th down 4th down 3rd down 3rd down 3rd up Setting 3 4 5 6 Major Scale used Interval 3rd up 4th up 5th up 6th up
Table 3 OUT Parameter

Parameter value LINE COMBO FRONT STACK FRONT COMBO POWER AMP STACK POWER AMP Meaning Use when connected to headphones, speakers or line level inputs. Use when connected to an ordinary combo amp input Use when connected to an ordinary stack amp input Use when connected to an ordinary combo amp return Use when connected to an ordinary stack amp return
11
MS-50G EFFECT LIST-E-1
MS-50G Patch Memory List
No.
1 2 3 4 5
NAME
RAT Drive ClearCho W Screamer Funky Wah Phaser100 FlangeDly MetalDist
COMMENT
This distortion sound, which uses Squeak to stand out, is suitable for leads. Use the delay as you like. This chorus setting has a sharp edge and is perfect for cutting through the mix. This setting uses T Scream directly in the chain. Turn the stages before it ON instead of a booster when soloing. This auto-wah setting is perfect for cutting through. A little reverb is the secret ingredient. This phaser setting is in the style of the MXR Phase100. This setting combines a little bit of flanger with a dotted eighth-note synchronized delay. Put distortion in front of it to bring the flanger effect out even more. This is a great metal sound for playing riffs. Turn on the Analog Dly and you can use it for lead parts too.
STOMP
6 7 8 9 10 11 12 13 14
NaturalCMP This is a natural-sounding compression setting that is useful in every circumstance. ShortDly RitchHall SEQ Wah ModDelay Blues OD SilverHaze AMB KING PitchDist Star Synth AsiaPalace RK"1" RK"2" Whip Clean Whip Lead castles just_got_p Dbl V wet Dbl V box PureBlues FunkStrat LM R&B Luv LM M Funk
Using Analog Dly, this setting is great for creating a galloping sound. You can combine it with any overdrive sound you like. This hall reverb setting has a beautiful edge and is great for arpeggios and long tones. This sequenced filter synchronizes with the tempo. The delay sound is modulated in this slightly distorted delay setting. This practical overdrive sound can be boosted using Z Clean. Use spring reverb and delay with it as you like. This fuzz sound brings back the late sixties. Turn The Vibe ON to give it a psychedelic sheen. This phantasmal ambient sound is fine for both chords and single notes. With distortion added to a 4th up pitch shift, this distortion patch is perfect for leads. Delay is the secret ingredient in this synthesizer sound. How the filter opens can be controlled with the guitar volume. This patch is inspired by the sounds of ethnic instruments from Southeast Asia. Overdrive Tone with Delay, Perfect for Classic Rock Solos or Rhythm. Lush Clean Tone with Tremolo and Low end boost. Whip Clean is modeled after my Roland JC 120. Whip Lead is modeled after my Bogner Fish preamp (brown sound). This crunch sound is based on a British combo amp. This distortion sound combines Marshall 1959 and T Scream. Combines multiple reverbs, delays and chorus for a lush string sound. Volume pedal attack included. Great for big chords and orchestral scapes. This is a small boxy sound. I use this when the instrumentation is dense and I want to stand out. This patch features a slightly overdriven and very natural sounding blues lead tone. The voicing features equal amounts of top-end bite. beefy midrange, and bottom, and will sound crunchy and well-balanced on any of a Strats pickup selections.
MULTI
15 16 17 18 19 20 21 22 23
Richie Kotzen Michael Wilton Zach Myers Vinny Valentino Steve Briody Larry Mitchell
ARTIST
24 25 26 27 28 29 30
It features slight compression, as well as some detune effect, ideal for obtaining a punchy, funk rhythm guitar sound. Clean all around tone, but great fit funky rhythms. Funky parliament flavor turn on and off the octave pedal for fresh low end funkiness.
*Patches 31-50 are empty by default.

Manufacturer names and product names mentioned in this patch memory list are trademarks or registered trademarks of their respective owners and do not indicate any affiliation with ZOOM CORPORATION. All product and artist names are intended only to illustrate sonic characteristics that were used as reference in the development of this product.
MS-50G Patch List E-1

E MS-50G FX-list

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Effect Types and Parameters

Effect Types and Parameters

This is a jet sound like an ADA anger.

Sets pre-delay time of effect sound.

Tempo synchronization possible icon

Effect Types and Parameters [DYN/FLTR]

This compressor allows more detailed adjustment than Comp.

Adjusts the output level.

Adjusts the attack time.

Adjusts level sent to next effect.

Effect Types and Parameters

This is a 2-band parametric equalizer.

This effect varies wah in accordance with picking intensity.

Adjusts the sensitivity of the effect.

This effect varies the sound like a talking modulator.

Sets effect resonance. VLCTY Fast, Slow

Sets speed of lter action.

This special effect gives the sound a stepped quality.

Sets the depth of the modulation. Shape 010

Sets the speed of the modulation. Level 0150

Adjusts the effect envelope.

Adjusts the output level.

The sequence lter has the avor of a Z.Vex Seek-Wah.

Effect Types and Parameters

Effect Types and Parameters

ZOOM original unadorned clean sound.

This distortion effect boasts the highest gain in the world.

Adjusts volume of super-high frequencies. Selects cabinet.

This models the sound of a Fender Deluxe Reverb made in 1965.

Adjusts volume of super-high frequencies. Selects cabinet.

Crunch sound of a Fender Tweed Bassman.

Adjusts volume of super-high frequencies. Selects cabinet.

Effect Types and Parameters

Adjusts volume of middle frequencies. Adjusts volume of low frequencies.

A d j u s t s v o l u m e o f s u p e r- h i g h Selects cabinet. frequencies.

Selects type of connected device.

Adjusts volume of super-high frequencies. Selects cabinet.

This models the sound of a Marshall 1959 Plexi made in 1969.

Adjusts volume of super-high frequencies. Selects cabinet.

Adjusts volume of super-high frequencies. Selects cabinet.

Adjusts volume of super-high frequencies. Selects cabinet.

Effect Types and Parameters

Sets the modulation waveform.

This effect adds a phasing variation to the sound.

Sets the speed of the modulation. Page02

Sets the tone of the effect type.

Adjusts the output level.

This vibe sound features unique undulations.

Sets the depth of the modulation. Tone 010

Sets the speed of the modulation. Level 0150

Adjusts the tone.

Adjusts the output level.

This is a stereo chorus with a clear tone.

Sets the depth of the modulation. Tone 010

Sets the speed of the modulation. Level 0150

Adjusts the tone.

Adjusts the output level.

This models the sound of a BOSS CH-1 SUPER CHORUS.

Adjust the depth of the modulation.

Adjusts effect tone.

Effect Types and Parameters

Sets pre-delay time of effect sound.

This effect automatically adds vibrato.