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ACaslonAltBold

PostScriptSingleMaster
PostScriptName:ACaslon-AltBold
FontMetricsFile:AWAB____.PFM
FontOutlineFile:AWAB____.PFB
Copyright(c)1990,1992,1996AdobeSystemsIncorporated.
B mh k vw
H

mh m hB m mv Bm Bm h m m mv
m v h h m m Hm Bh m k w h
m B hv B h B mv h k m wmh B h
v mhB B h m w whm B m k m
h
B mh k vw H 8
B mh k vw H 10
B mh k vw H 12
B mh k vw H 14
B mh k vw H 18
B mh k vw H 24
B mh k vw H 30
B mh k vw 36
B mh k vw 48
B mh k vw 60
B mh k 72
ACaslonAltBold,Italic
PostScriptSingleMaster
PostScriptName:ACaslon-AltBoldItalic
FontMetricsFile:AWABI___.PFM
FontOutlineFile:AWABI___.PFB
Copyright(c)1990,1992,1996AdobeSystemsIncorporated.
u ( vu
gu

u v u u v
v u u ( u u v
u g u v ( u u v u
u u u u (
u ( vu gu 8
u ( vu gu 10
u ( vu gu 12
u ( vu gu 14
u ( vu gu 18
u ( vu gu 24
u ( vu gu 30
u ( vu gu 36
u ( vu 48
u ( vu 60
u ( v 72
ACaslonAltRegular
PostScriptSingleMaster
PostScriptName:ACaslon-AltRegular
FontMetricsFile:AWARG___.PFM
FontOutlineFile:AWARG___.PFB
Copyright(c)1990,1992,1996AdobeSystemsIncorporated.
k vw


v v
v k w
v v k
w v w w
k
k vw 8
k vw 10
k vw 12
k vw 14
k vw 18
k vw 24
k vw 30
k vw 36
k vw 48
k v 60
k 72
ACaslonAltRegular,Italic
PostScriptSingleMaster
PostScriptName:ACaslon-AltItalic
FontMetricsFile:AWAI____.PFM
FontOutlineFile:AWAI____.PFB
Copyright(c)1990,1992,1996AdobeSystemsIncorporated.
c f {f f ru
qs

ff ff c f f ff f r f cf cf f ff f r ff
r f ff ff sf c f f f f f { u ff
cf r c f q f c f r f f f { f ff uff c f r
f fc cf f ff u uff f f c f f { ff f f
c f {f f ru qs 8
c f {f f ru qs 10
c f {f f ru qs 12
c f {f f ru qs 14
c f {f f ru qs 18
c f {f f ru qs 24
c f {f f ru qs 30
c f {f f ru q 36
c f {f f ru 48
c f {f f ru 60
c f {f f 72
ACaslonAltRegular,Bold
PostScriptSingleMaster
PostScriptName:ACaslon-AltSemibold
FontMetricsFile:AWASB___.PFM
FontOutlineFile:AWASB___.PFB
Copyright(c)1990,1992,1996AdobeSystemsIncorporated.
& mh k vw
s

mh m h& m mv &m &m h m m mv
m v h h m m sm &h m k w h
m & hv & h & mv h k m wmh & h
v mh& & h m w whm & m k m
h
& mh k vw s 8
& mh k vw s 10
& mh k vw s 12
& mh k vw s 14
& mh k vw s 18
& mh k vw s 24
& mh k vw s 30
& mh k vw 36
& mh k vw 48
& mh k vw 60
& mh k 72
ACaslonAltRegular,BoldItalic
PostScriptSingleMaster
PostScriptName:ACaslon-AltSemiboldItalic
FontMetricsFile:AWASI___.PFM
FontOutlineFile:AWASI___.PFB
Copyright(c)1990,1992,1996AdobeSystemsIncorporated.
u ( vu
gu

u v u u v
v u u ( u u v
u g u v ( u u v u
u u u u (
u ( vu gu 8
u ( vu gu 10
u ( vu gu 12
u ( vu gu 14
u ( vu gu 18
u ( vu gu 24
u ( vu gu 30
u ( vu gu 36
u ( vu 48
u ( vu 60
u ( v 72
ACaslonBold,Italic
PostScriptSingleMaster
PostScriptName:ACaslon-BoldItalic
FontMetricsFile:AWBI____.PFM
FontOutlineFile:AWBI____.PFB
Copyright(c)1990,1992,1996,1999AdobeSystemsIncorpor
abcdefghijklmnopqrstuvwxyz
ABCDEFGHIJKLMNOPQRSTUVWXYZ
1234567890 $%&(.,;:'"!?)
While the basic shapes of our letters have not changed much in hundreds of years, there
have been thousands of variations on the theme. There are special types for telephone
books, newspapers, and magazines, and for the exclusive use of corporations. Some
typefaces have a leisurely look about them while conforming to everyday typographic
expectations. Others were born with unusual, yet casual shapes and make the best of it.
Just keep examining every low bid quoted for zinc etchings. 8
Just keep examining every low bid quoted for zinc etchings. 10
Just keep examining every low bid quoted for zinc etchings. 12
Just keep examining every low bid quoted for zinc etchings. 14
Just keep examining every low bid quoted for zinc etchings. 18
Just keep examining every low bid quoted for zinc 24
Just keep examining every low bid quote 30
Just keep examining every low bi 36
Just keep examining ever 48
Just keep examining 60
Just keep examin 72
ACaslonBoldOsF
PostScriptSingleMaster
PostScriptName:ACaslon-BoldOsF
FontMetricsFile:AWBOS___.PFM
FontOutlineFile:AWBOS___.PFB
Copyright(c)1990,1992,1996AdobeSystemsIncorporated.
abcdefghijklmnopqrstuvwxyz
ABCDEFGHIJKLMNOPQRSTUVWXYZ
1234567890 $%&(.,;:'"!?)
While the basic shapes of our letters have not changed much in hundreds of years,
there have been thousands of variations on the theme. There are special types for
telephone books, newspapers, and magazines, and for the exclusive use of
corporations. Some typefaces have a leisurely look about them while conforming to
everyday typographic expectations. Others were born with unusual, yet casual
Just keep examining every low bid quoted for zinc etchings. 8
Just keep examining every low bid quoted for zinc etchings. 10
Just keep examining every low bid quoted for zinc etchings. 12
Just keep examining every low bid quoted for zinc etchings. 14
Just keep examining every low bid quoted for zinc etchings. 18
Just keep examining every low bid quoted for zi 24
Just keep examining every low bid quo 30
Just keep examining every low b 36
Just keep examining eve 48
Just keep examinin 60
Just keep exami 72
ACaslonBoldOsF,Italic
PostScriptSingleMaster
PostScriptName:ACaslon-BoldItalicOsF
FontMetricsFile:AWBIO___.PFM
FontOutlineFile:AWBIO___.PFB
Copyright(c)1990,1992,1996AdobeSystemsIncorporated.
abcdefghijklmnopqrstuvwxyz
ABCDEFGHIJKLMNOPQRSTUVWXYZ
1234567890 $%&(.,;:'"!?)
While the basic shapes of our letters have not changed much in hundreds of years, there
have been thousands of variations on the theme. There are special types for telephone
books, newspapers, and magazines, and for the exclusive use of corporations. Some
typefaces have a leisurely look about them while conforming to everyday typographic
expectations. Others were born with unusual, yet casual shapes and make the best of it.
Just keep examining every low bid quoted for zinc etchings. 8
Just keep examining every low bid quoted for zinc etchings. 10
Just keep examining every low bid quoted for zinc etchings. 12
Just keep examining every low bid quoted for zinc etchings. 14
Just keep examining every low bid quoted for zinc etchings. 18
Just keep examining every low bid quoted for zinc 24
Just keep examining every low bid quote 30
Just keep examining every low bi 36
Just keep examining ever 48
Just keep examining 60
Just keep examin 72
ACaslonOrnaments
PostScriptSingleMaster
PostScriptName:ACaslon-Ornaments
FontMetricsFile:AWOR____.PFM
FontOutlineFile:AWOR____.PFB
Copyright(c)1990,1992,1996AdobeSystemsIncorporated.
:"^z%+l7"7<W<&
M=x/_X"`G-_ _x
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_+7z <+z :" +z 7% 7W 7z<<zW
+&z "7< "+"z^ "+ " +"^Wz^ 7% zW
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:"^z%+l7"7<W<&3M=x/_X"` 14
:"^z%+l7"7<W<&3M 18
:"^z%+l7"7<W< 24
:"^z%+l7"7< 30
:"^z%+l7" 36
:"^z%+l 48
:"^z%+ 60
: ^ %
ACaslonRegular,Italic
PostScriptSingleMaster
PostScriptName:ACaslon-Italic
FontMetricsFile:AWI_____.PFM
FontOutlineFile:AWI_____.PFB
Copyright(c)1990,1992,1996,1999AdobeSystemsIncorpor
abcdefghijklmnopqrstuvwxyz
ABCDEFGHIJKLMNOPQRSTUVWXYZ
1234567890 $%&(.,;:'"!?)
While the basic shapes of our letters have not changed much in hundreds of years, there have
been thousands of variations on the theme. There are special types for telephone books,
newspapers, and magazines, and for the exclusive use of corporations. Some typefaces have a
leisurely look about them while conforming to everyday typographic expectations. Others were
born with unusual, yet casual shapes and make the best of it.
Just keep examining every low bid quoted for zinc etchings. 8
Just keep examining every low bid quoted for zinc etchings. 10
Just keep examining every low bid quoted for zinc etchings. 12
Just keep examining every low bid quoted for zinc etchings. 14
Just keep examining every low bid quoted for zinc etchings. 18
Just keep examining every low bid quoted for zinc et 24
Just keep examining every low bid quoted 30
Just keep examining every low bid 36
Just keep examining every 48
Just keep examining 60
Just keep examini 72
ACaslonRegular,Bold
PostScriptSingleMaster
PostScriptName:ACaslon-Semibold
FontMetricsFile:AWSB____.PFM
FontOutlineFile:AWSB____.PFB
Copyright(c)1990,1992,1996,1999AdobeSystemsIncorpor
abcdefghijklmnopqrstuvwxyz
ABCDEFGHIJKLMNOPQRSTUVWXYZ
1234567890 $%&(.,;:'"!?)
While the basic shapes of our letters have not changed much in hundreds of years,
there have been thousands of variations on the theme. There are special types for
telephone books, newspapers, and magazines, and for the exclusive use of
corporations. Some typefaces have a leisurely look about them while conforming to
everyday typographic expectations. Others were born with unusual, yet casual shapes
Just keep examining every low bid quoted for zinc etchings. 8
Just keep examining every low bid quoted for zinc etchings. 10
Just keep examining every low bid quoted for zinc etchings. 12
Just keep examining every low bid quoted for zinc etchings. 14
Just keep examining every low bid quoted for zinc etchings. 18
Just keep examining every low bid quoted for zin 24
Just keep examining every low bid quo 30
Just keep examining every low b 36
Just keep examining eve 48
Just keep examining 60
Just keep examin 72
ACaslonRegular,BoldItalic
PostScriptSingleMaster
PostScriptName:ACaslon-SemiboldItalic
FontMetricsFile:AWSBI___.PFM
FontOutlineFile:AWSBI___.PFB
Copyright(c)1990,1992,1996,1999AdobeSystemsIncorpor
abcdefghijklmnopqrstuvwxyz
ABCDEFGHIJKLMNOPQRSTUVWXYZ
1234567890 $%&(.,;:'"!?)
While the basic shapes of our letters have not changed much in hundreds of years, there have
been thousands of variations on the theme. There are special types for telephone books,
newspapers, and magazines, and for the exclusive use of corporations. Some typefaces have
a leisurely look about them while conforming to everyday typographic expectations. Others
were born with unusual, yet casual shapes and make the best of it.
Just keep examining every low bid quoted for zinc etchings. 8
Just keep examining every low bid quoted for zinc etchings. 10
Just keep examining every low bid quoted for zinc etchings. 12
Just keep examining every low bid quoted for zinc etchings. 14
Just keep examining every low bid quoted for zinc etchings. 18
Just keep examining every low bid quoted for zinc e 24
Just keep examining every low bid quoted 30
Just keep examining every low bid 36
Just keep examining every 48
Just keep examining 60
Just keep examin 72
ACaslonRegularSC
PostScriptSingleMaster
PostScriptName:ACaslon-RegularSC
FontMetricsFile:AWSC____.PFM
FontOutlineFile:AWSC____.PFB
Copyright(c)1990,1992,1996AdobeSystemsIncorporated.
abcdefghijklmnopqrstuvwxyz
ABCDEFGHIJKLMNOPQRSTUVWXYZ
1234567890 $%&(.,;:'"!?)
While the basic shapes of our letters have not changed much in hundreds
of years, there have been thousands of variations on the theme. There are
special types for telephone books, newspapers, and magazines, and for the
exclusive use of corporations. Some typefaces have a leisurely look about
them while conforming to everyday typographic expectations. Others
Just keep examining every low bid quoted for zinc etchings. 8
Just keep examining every low bid quoted for zinc etchings. 10
Just keep examining every low bid quoted for zinc etchings. 12
Just keep examining every low bid quoted for zinc etchings. 14
Just keep examining every low bid quoted for zinc etchin 18
Just keep examining every low bid quoted f 24
Just keep examining every low bid 30
Just keep examining every lo 36
Just keep examining e 48
Just keep examini 60
Just keep exam 72
ACaslonRegularSC,Italic
PostScriptSingleMaster
PostScriptName:ACaslon-ItalicOsF
FontMetricsFile:AWIO____.PFM
FontOutlineFile:AWIO____.PFB
Copyright(c)1990,1992,1996AdobeSystemsIncorporated.
abcdefghijklmnopqrstuvwxyz
ABCDEFGHIJKLMNOPQRSTUVWXYZ
1234567890 $%&(.,;:'"!?)
While the basic shapes of our letters have not changed much in hundreds of years, there have
been thousands of variations on the theme. There are special types for telephone books,
newspapers, and magazines, and for the exclusive use of corporations. Some typefaces have a
leisurely look about them while conforming to everyday typographic expectations. Others were
born with unusual, yet casual shapes and make the best of it.
Just keep examining every low bid quoted for zinc etchings. 8
Just keep examining every low bid quoted for zinc etchings. 10
Just keep examining every low bid quoted for zinc etchings. 12
Just keep examining every low bid quoted for zinc etchings. 14
Just keep examining every low bid quoted for zinc etchings. 18
Just keep examining every low bid quoted for zinc et 24
Just keep examining every low bid quoted 30
Just keep examining every low bid 36
Just keep examining every 48
Just keep examining 60
Just keep examini 72
ACaslonRegularSC,Bold
PostScriptSingleMaster
PostScriptName:ACaslon-SemiboldSC
FontMetricsFile:AWSBS___.PFM
FontOutlineFile:AWSBS___.PFB
Copyright(c)1990,1992,1996AdobeSystemsIncorporated.
abcdefghijklmnopqrstuvwxyz
ABCDEFGHIJKLMNOPQRSTUVWXYZ
1234567890 $%&(.,;:'"!?)
While the basic shapes of our letters have not changed much in hundreds
of years, there have been thousands of variations on the theme. There are
special types for telephone books, newspapers, and magazines, and for the
exclusive use of corporations. Some typefaces have a leisurely look about
them while conforming to everyday typographic expectations. Others
Just keep examining every low bid quoted for zinc etchings. 8
Just keep examining every low bid quoted for zinc etchings. 10
Just keep examining every low bid quoted for zinc etchings. 12
Just keep examining every low bid quoted for zinc etchings. 14
Just keep examining every low bid quoted for zinc etchi 18
Just keep examining every low bid quoted f 24
Just keep examining every low bid 30
Just keep examining every lo 36
Just keep examining e 48
Just keep examini 60
Just keep exam 72
ACaslonRegularSC,BoldItalic
PostScriptSingleMaster
PostScriptName:ACaslon-SemiboldItalicOsF
FontMetricsFile:AWSIS___.PFM
FontOutlineFile:AWSIS___.PFB
Copyright(c)1990,1992,1996AdobeSystemsIncorporated.
abcdefghijklmnopqrstuvwxyz
ABCDEFGHIJKLMNOPQRSTUVWXYZ
1234567890 $%&(.,;:'"!?)
While the basic shapes of our letters have not changed much in hundreds of years, there have
been thousands of variations on the theme. There are special types for telephone books,
newspapers, and magazines, and for the exclusive use of corporations. Some typefaces have
a leisurely look about them while conforming to everyday typographic expectations. Others
were born with unusual, yet casual shapes and make the best of it.
Just keep examining every low bid quoted for zinc etchings. 8
Just keep examining every low bid quoted for zinc etchings. 10
Just keep examining every low bid quoted for zinc etchings. 12
Just keep examining every low bid quoted for zinc etchings. 14
Just keep examining every low bid quoted for zinc etchings. 18
Just keep examining every low bid quoted for zinc e 24
Just keep examining every low bid quoted 30
Just keep examining every low bid 36
Just keep examining every 48
Just keep examining 60
Just keep examin 72
ACaslonSwashBoldItalic,Italic
PostScriptSingleMaster
PostScriptName:ACaslon-SwashBoldItalic
FontMetricsFile:AWSWB___.PFM
FontOutlineFile:AWSWB___.PFB
Copyright(c)1990,1992,1996AdobeSystemsIncorporated.
a
ABCDEFGHIJKLMNOPQRSTUVWXYZ

W a a a a a a a a a T a a
a a a a a a S a a a a a
a a O a a a a a a
J a 8
J a 10
J a 12
J a 14
J a 18
J a 24
J a 30
J a 36
J a 48
J a 60
J a 72
ACaslonSwashItalic,Italic
PostScriptSingleMaster
PostScriptName:ACaslon-SwashItalic
FontMetricsFile:AWSWI___.PFM
FontOutlineFile:AWSWI___.PFB
Copyright(c)1990,1992,1996AdobeSystemsIncorporated.
a
ABCDEFGHIJKLMNOPQRSTUVWXYZ

W a a a a a a a a a T a
a a a a a a a S a a a a
a a a O a a a a a a
J a 8
J a 10
J a 12
J a 14
J a 18
J a 24
J a 30
J a 36
J a 48
J a 60
J a 72
ACaslonSwashItalic,BoldItalic
PostScriptSingleMaster
PostScriptName:ACaslon-SwashSemiboldItalic
FontMetricsFile:AWSSB___.PFM
FontOutlineFile:AWSSB___.PFB
Copyright(c)1990,1992,1996AdobeSystemsIncorporated.
a
ABCDEFGHIJKLMNOPQRSTUVWXYZ

W a a a a a a a a a T a a
a a a a a a S a a a a a
a a O a a a a a a
J a 8
J a 10
J a 12
J a 14
J a 18
J a 24
J a 30
J a 36
J a 48
J a 60
J a 72
ACaslonExpBold
PostScriptSingleMaster
PostScriptName:ACaslonExp-Bold
FontMetricsFile:AXB_____.PFM
FontOutlineFile:AXB_____.PFB
Copyright(c)1990,1992,1996AdobeSystemsIncorporated.
abde i lmo rst
1234567890 $$ .,;:
, . t
, , , . s
. o , .
abde i lmo rst 1234567890 $$ .,;: 8
abde i lmo rst 1234567890 $$ .,;: 10
abde i lmo rst 1234567890 $$ .,;: 12
abde i lmo rst 1234567890 $$ .,;: 14
abde i lmo rst 1234567890 $$ .,;: 18
abde i lmo rst 1234567890 24
abde i lmo rst 12 30
abde i lmo rst 36
abde i lmo 48
abde i 60
abd 72
ACaslonExpBold,Italic
PostScriptSingleMaster
PostScriptName:ACaslonExp-BoldItalic
FontMetricsFile:AXBI____.PFM
FontOutlineFile:AXBI____.PFB
Copyright(c)1990,1992,1996AdobeSystemsIncorporated.
abde i lmo rst
1234567890 $$ .,;:
, . t
, , , . s
. o , .
abde i lmo rst 1234567890 $$ .,;: 8
abde i lmo rst 1234567890 $$ .,;: 10
abde i lmo rst 1234567890 $$ .,;: 12
abde i lmo rst 1234567890 $$ .,;: 14
abde i lmo rst 1234567890 $$ .,;: 18
abde i lmo rst 1234567890 $ 24
abde i lmo rst 123 30
abde i lmo rst 36
abde i lmo 48
abde i 60
abd 72
ACaslonExpRegular
PostScriptSingleMaster
PostScriptName:ACaslonExp-Regular
FontMetricsFile:AXRG____.PFM
FontOutlineFile:AXRG____.PFB
Copyright(c)1990,1992,1996AdobeSystemsIncorporated.
abcdefghijklmnopqrstuvwxyz
abde i lmo rst
1234567890 $$&.,;:!?
hile the basic shapes of our letters have not changed much in hundreds
of years, there have been thousands of variations on the theme. there are
special types for telephone books, newspapers, and magazines, and for the
exclusive use of corporations. some typefaces have a leisurely look about
them while conforming to everyday typographic expectations. others were
abcdefghijklmnopqrstuvwxyzabde i lmo rst 1234567890 $$&.,;:!? 8
abcdefghijklmnopqrstuvwxyzabde i lmo rst 1234567890 $$&.,;:!? 10
abcdefghijklmnopqrstuvwxyzabde i lmo rst 1234567890 $$&.,;:!? 12
abcdefghijklmnopqrstuvwxyzabde i lmo rst 1234567890 $$&.,;:!? 14
abcdefghijklmnopqrstuvwxyzabde i lmo rst 1234567 18
abcdefghijklmnopqrstuvwxyzabde i lmo rs 24
abcdefghijklmnopqrstuvwxyzabde 30
abcdefghijklmnopqrstuvwxy 36
abcdefghijklmnopqrs 48
abcdefghijklmno 60
abcdefghijklm 72
ACaslonExpRegular,Italic
PostScriptSingleMaster
PostScriptName:ACaslonExp-Italic
FontMetricsFile:AXI_____.PFM
FontOutlineFile:AXI_____.PFB
Copyright(c)1990,1992,1996AdobeSystemsIncorporated.
abde i lmo rst
1234567890 $$ .,;:
, . t
, , , . s
. o , .
abde i lmo rst 1234567890 $$ .,;: 8
abde i lmo rst 1234567890 $$ .,;: 10
abde i lmo rst 1234567890 $$ .,;: 12
abde i lmo rst 1234567890 $$ .,;: 14
abde i lmo rst 1234567890 $$ .,;: 18
abde i lmo rst 1234567890 $ 24
abde i lmo rst 12 30
abde i lmo rst 36
abde i lm 48
abde 60
ab 72
ACaslonExpRegular,Bold
PostScriptSingleMaster
PostScriptName:ACaslonExp-Semibold
FontMetricsFile:AXSB____.PFM
FontOutlineFile:AXSB____.PFB
Copyright(c)1990,1992,1996AdobeSystemsIncorporated.
abcdefghijklmnopqrstuvwxyz
abde i lmo rst
1234567890 $$&.,;:!?
hile the basic shapes of our letters have not changed much in hundreds
of years, there have been thousands of variations on the theme. there are
special types for telephone books, newspapers, and magazines, and for the
exclusive use of corporations. some typefaces have a leisurely look about
them while conforming to everyday typographic expectations. others
abcdefghijklmnopqrstuvwxyzabde i lmo rst 1234567890 $$&.,;:!? 8
abcdefghijklmnopqrstuvwxyzabde i lmo rst 1234567890 $$&.,;:!? 10
abcdefghijklmnopqrstuvwxyzabde i lmo rst 1234567890 $$&.,;:!? 12
abcdefghijklmnopqrstuvwxyzabde i lmo rst 1234567890 $$&.,;:!? 14
abcdefghijklmnopqrstuvwxyzabde i lmo rst 123456 18
abcdefghijklmnopqrstuvwxyzabde i lmo rs 24
abcdefghijklmnopqrstuvwxyzabde 30
abcdefghijklmnopqrstuvwxy 36
abcdefghijklmnopqrs 48
abcdefghijklmno 60
abcdefghijklm 72
ACaslonExpRegular,BoldItalic
PostScriptSingleMaster
PostScriptName:ACaslonExp-SemiboldItalic
FontMetricsFile:AXSBI___.PFM
FontOutlineFile:AXSBI___.PFB
Copyright(c)1990,1992,1996AdobeSystemsIncorporated.
abde i lmo rst
1234567890 $$ .,;:
, . t
, , , . s
. o , .
abde i lmo rst 1234567890 $$ .,;: 8
abde i lmo rst 1234567890 $$ .,;: 10
abde i lmo rst 1234567890 $$ .,;: 12
abde i lmo rst 1234567890 $$ .,;: 14
abde i lmo rst 1234567890 $$ .,;: 18
abde i lmo rst 1234567890 $$ 24
abde i lmo rst 1234 30
abde i lmo rst 36
abde i lmo 48
abde i 60
abd 72

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