Worcester Art Museum Lighting Simulation

AREN 3004 Building Electrical and Lighting Systems
Worcester Art
Museum Lighting
System
Professional Experience DIALux 4.0 Simulation Software
Deborah Silva
Architectural Engineering 2013
10/11/2012

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Table of Contents
Description ...................................................................................................................................... 3
Color Effects ................................................................................................................................... 4
Luminaire ....................................................................................................................................... 5
Maintenance .................................................................................................................................... 6
New Design ..................................................................................................................................... 7
Figure 1 Worcester Art Museum Floor Plan................................................................................... 3
Figure 2 Color Balance Spectrum ................................................................................................... 4
Figure 3 Correlated Color Temperature .......................................................................................... 5
Figure 4 Sensitivity of Paintings ..................................................................................................... 6
Figure 5: Angle of luminaire........................................................................................................... 7
Figure 6: Current -False Color Rendering of North Wall ............................................................... 8
Appendix A: E100: Floor Plan
E101: Ceiling Plan
E102: Section View North Wall A:1
E103: Section View South Wall A:2
E104: Section View Side Wall A:3-4
Appendix B: Pictures
Appendix C: Panorama
Appendix D: DIALux Current Design Data
Appendix E: DIALux New Design Data

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Description
Electrical engineers must take into account many factors when designing a lighting
system for an art museum. The importance of quality lighting is crucial; aspects to take into
consideration are heat damage, true color, direction of light, controls and many more discussed
in this report. When studying the Worcester Art Museum 19
th
and 20
th
Century European
Exhibition there were several things I noticed about its lighting design. Below is a simple floor
plan of the room, the room has no daylight and all lighting are from artificial lights.
Quality of Lighting
The human relationship to the effect of lighting is an important aspect in designing a
lighting system. Adaptation to differences in brightness is performed in the human eye by
receptors on the retina; adaptation from dark to light takes only seconds. The state of adaptation
affects visual performance at any moment: the more light is available, the faster efficient visual
performance can be restored. Given the south west entrance of the room has a daylight ceiling a
transition space must be provided. Visual impairment occurs where the eye cannot adapt to
differences in brightness fast enough. Brightness is the contrast to its surrounding objects. The
phototropism phenomenon where people notice bright things can be used to highlight a specific
painting. This is done with The Countess of Warwick and Her Son (1904) painting by John
Sargent which is the largest painting in the East Wall.
The use of phototropism to lead people from one place to the next can be used to show
obvious destinations. Lighting also defines a mood and ambience to a room. The first
consideration was the wall color which was a yellow ivory which gave of a very warm surface
reflectance in the room. This warm ambiance sets a certain mood to the room; its viewers which
tend to be elderly can appreciate it. These three basic controllable elements: Intensity, Color,
Texture emphasizes the importance of paintings. Another method of lighting is to create a
contrast and variety lighting to reveal architecture and space. By layering lighting for specific
tasks it creates a visual comfort for that task.
The different layers of light are achieved by categorizing each lamp. In 19
th
Century
room the general lighting is done by the luminous ceiling, which the light provides a uniform
Figure 1 Worcester Art Museum Floor Plan
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Figure 2 Color Balance Spectrum
lighting to the room most common. The uniformity of the light distribution throughout the room
is generally given by general lighting. Although is this room the general lights were not all used,
you could see only part of the room was light with the luminous ceiling. The lighter surface of
the paintings will in turn have a more reflectance throughout the room which will contribute to
its general lighting. I suspect that the general lights which are from the luminous ceiling were off
for this reason.
The most common category of light used was task lighting which are given by the
luminaires on the ceiling mounted tracks. Task lights are used to provide as a direct source of
lighting that allows views to see the details of an activity.
Color Effects
All of the paintings in the room were oil on canvas and have primary white base color
meaning there are predominately lighter. As seen in Figure 2 the color balances of fluorescent
lamp and halogen lamp in comparison with sunlight. The halogen lamps have a higher
yellow/red spectrum and therefore give the warm mood to the room. Whereas the fluorescent
have high peaks of green and blue the range from 380 to 560nm. As opposed to sunlight which
has a normal curve with higher amounts of green in its spectrum.

A different way to measure color of lamps is through the Color Rendering Index, which
is the correlation from artificial lamp to sunlight which has an index of 100. In Figure 3
Correlated Color Temperature you can see the Fluorescent lamps have a CRI of 85. The higher
the value the closer the true color of an object will be subject to that light.

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Another way is the Correlated Color Temperatures; this is the temperature in Kelvin that
the lamp emits. The Kelvin scale illustrated that the warmer the apparent color of light source,
the lower the number of kelvins.
Luminaire
Luminous intensity (I) is the amount of luminous flux a reflector lamp or luminaire has. It
is measured in candelas (cd) or lumens (lm). Plotting the luminous intensity values at the
different emission angles on a graph produces an intensity distribution curve (IDC) given in
Appendix D
Analyzing the type of luminous ceiling in the gallery I concluded the general lights were
Tubular Florescent Lamps with 120 Watts T8 Color Rendering Index (CRI) of 80 Correlated
Color Temperature (CCT) of 4000K and 1000 Lumens.
In this gallery there were also track lights for accent lighting which are part of the accent
category for lights. There were two types of accent light luminaries a spot light and a flood light
wall wash. The spot light was smaller in diameter compared to the other which would make
more sense with the candela distribution according to the lamp angle.
The flood light had a bigger diameter which I concluded to have a larger radius of
degrees for its distribution of light. The accent light appeared to be Tungsten Halogen with
Reflector PAR 30 and 38 for spot and flood lamps respectfully. The halogen light has CRI 90,
CCT 3000K and 400lms. Given the distance of the lamp to the wall and the height of the ceiling
there should be a 60 angle from the lamp to the painting. With an 8 beam angle of spot cylinder
lamp there would be 60 foot-candle on the paintings.

Figure 3 Correlated Color Temperature
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The Spot Luminaire has a Screen Filter with about 15% light blocked and 85% light
transmitted. This type of filter as well as the ceiling height can protect the artwork from heat
damage from the halogen lights. I also noticed that some of the luminaries were not all pointing
directly in the center of the painting. The artworks presented in this gallery are from an
Illusionist Movement period of time, these artwork tend to have a thicker volume and many
wave or rippled on the painting surface. The problem with this is when the angle of the lamp is
too high or too low that will cause a shadow on the art which will obstruct its true perspective.
This is a good option to avoid glare on the surface of the painting.
There is also a black glossy sculpture head which has a lot of glare in its surface. I would
recommend moving its location to a spot where there isnt any direct illuminate or providing a
diffuser filter to evenly distribute the light. To avoid this problem especially in painting that are
darker the luminaire should have a direction angle right above the painting, this allows its task
light propose yet providing an indirect light alternative.
Maintenance
An estimate of room environment was to be considered clean and to have a semi-annually
cleaning interval. In the figure you can see the luminaire dirt depreciation (LDD) factor to be 0.9.
Light loss factor (LLF), Lamp Lumen Depreciation (LLD), are given by type of lamp used, these
factors are considered for coefficient of utilization, which measures how efficient a lamp is.
Maintenance of the paintings is also an important aspect of lighting in a museum. For oil
paintings it is recommended to obtain an illuminance of 200 lux on its surface. Oil paintings are
sensitive to spectral emission, and it falls under susceptible to light damage category. This can
cause potential damage from invisible ultraviolet and infrared radiation directed into the
materials. For this reason it a good reason 8 of the 17 paintings are covered in a thin layer of
glass. This can although with the simulation not problems occurred with glare.
Figure 4 Sensitivity of Paintings
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New Design
The lighting control for the showroom is poor in the sense where it is only divided by
half the room. I would provide an alternating control loop between the tracks to allow the
exhibition to turn on a smaller quantity of lights yet still utilizing the whole display of the room.
Also the general light system from the luminous ceiling is not currently being utilized; I would
recommend a low voltage energy efficient florescent lamp and compensate that with the amount
of head fixtures being used in the track. Providing a different type of luminaire as well as LED
lamps will reduce energy consumption.
Utilizing alighting software DIALux 4.0 I was able to simulate the conditions of the
current room. Given the inputs given above the obtained POV ray tracing outputs, which is the
direction which a ray is computed by the model in the object surface. Refer to Appendix D&E
for complete results of luminaire specifications, flux outputs, and isolines. The simulation did not
include filters.
For the new design lighting system Ive made the following changes. I changed the track
luminaries from Lighting Technologies FHM/T 35 to Artemide M051513. I increased the
luminous flux lamp level from 400 lm to 1400 lm. This allowed me to decrease the number of
luminaires from 50 to 20 which is a significant number. Included in the changes was the power
from 90W to 30W. The track was also moved back 4 ft. away from the paintings in the North
and South Walls as seen in the ceiling grid in Appendix E. Given the Figure 5 below, x=y*cos()
distance x from the wall became 11 and the light angle is 40@. This is in attempt to eliminate
glare and wasted light.
Figure 5: Angle of luminaire
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The new design aims to maintenance the illuminance levels on the walls as homogeneous
as possible. The general lights from the luminous ceilings were change from is luminous flux
from 1000 lm to 600 lm and the power from 120W to 30W. Looking at the current design there
is a few bright spots on the wall due to the direction of the luminaire. This can cause distraction
from the paintings because of the contrast to its surroundings. One example is in the Figure 6
where the white spot is a false color rending of the amount of light on the location. An
alternative is given by the new design in Figure 7
According to ASHRAE90.1_2007 the lighting power densities for museums should be
1.10 with the existing design there is 5.6, whereas the new recommended 1.05. According to
Philips foot-candle recommendation in the Museum Category there should be range of
illuminance 50-100 lux general and 200 lux on the paintings. The new design has average 165
lux on the paintings.
Below is a Table that shows the energy consumption and the change in energy with the
new design. With this information the estimate number of hours of operations of those lights and
the price per kW/hr. are giving below. The money saved per year is $668.50

Table 1 Energy Savings
Lamp Type P1
(Watt)
P2
(Watt)
P (Watt) Use
(hours/year)
Savings
per lamp
Total
Savings
/year
Halogen 90 30 70 1910 $ 9.40 $ 187.20
Halogen
removed
90 90 90 1910
$ 12.00 $ 361.00
Florescent 120 30 90 1910 $ 12.00 $ 120.30
Total *Based on 7 cents/kW/hr. $ $ 668.50

Figure 6: Current -False Color Rendering of North Wall Figure 7: New: False Color Rendering of North Wall
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Appendix B: Pictures

Figure 1

Figure 2

Figure 3

Figure 4

Lamp Direction

False Color Display

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Figure 5

Figure 6

Figure 7

Figure 8

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Figure 9

Figure 10

Figure 11

Door Opening

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Figure 12

Figure 13

Figure 14

Figure 15

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Figure 16

Figure 17

Figure 18

Appendix B: Panorama Views

Figure 1 North East Wall

Figure 2 North West Wall

Figure 3 South West Wall

Figure 4 South East Wall

North Wall Rendering

North Wall False Color

East Wall Rendering

East Wall False Color

South Wall Rendering

South Wall False Color

West Wall Rendering

West Wall False Color

Room Rendering

Room False Color

Ceiling Grid
Worcester Art Museum Lighting System
Partner for Contact:
Order No.:
Company:
Customer No.:
Date: 10 / 11 / 2012
Operator: Deborah Silva
10 / 11 / 2012
Worcester Polytechnic Institute Operator Deborah Silva
Telephone
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Table of contents
Project Cover 1
Table of contents 2
Luminaire parts list 3
TRILUX Plenar C1-M 1200 WW EDD Plenar
Luminaire Data Sheet 4
LIGHTINGTECHNOLOGIES - FHM/T 35
19th Century Room
Light scenes
Lighting Technologies
Room Surfaces
Workplane
Isolines (E) 6
West Wall
Isolines (E, Perpendicular) 7
East Wall
North Wall
South Wall
South West Wall
North East Wall
South East Wall
North West Wall
DIALux 4.10 by DIAL GmbH Page 2
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Worcester Art Museum Lighting System / Luminaire parts list
50 Pieces LIGHTINGTECHNOLOGIES - FHM/T 35 (Type 1)
Article No.: -
Luminous flux (Luminaire): 225 lm
Luminous flux (Lamps): 400 lm
Luminaire Wattage: 90.0 W
Luminaire classification according to CIE: 100
CIE flux code: 99 100 100 100 57
Fitting: 1 x User defined (Correction Factor
1.000).
30 Pieces TRILUX Plenar C1-M 1200 WW EDD Plenar
(Type 1)
Article No.: Plenar C1-M 1200 WW EDD
CIE flux code: 47 79 96 100 54
1.000).
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Luminous emittance 1:
80
120
160
200
cd/klm

54%
C0 - C180 C90 - C270
0 15 30
45
60
75
90
105 105
90
75
60
45
30 15 0
CIE flux code: 47 79 96 100 54
Application areas
Light ceiling for installation in ceiling cut-outs and ceilings with concealed
grids in module 600.
Optical system
Transopal luminaire diffuser of stretched film technology, completely backlit,
accessible, low flammability.
Dynamic lighting control
WW 2-channel brightness control with daylight-white and warm-white
fluorescent lamps for white-white control. Suitable for adaptive lighting of
workplaces and public areas.
Luminaire body
Luminaire body of aluminium, coated white, with slender all-round edge to
cover of cut.
Electrical connection
For each colour channel two mains voltage-stable control lines must be used
that can be routed either separately or together with the mains supply in a
sheathed cable.
Electrical version
With digitally dimmable electronic ballasts with DALI interface. Control is via
an external lighting control system (see accessories). With digitally dimmable
electronic control gear (DALI), lamps can be separately switched.
Glare Evaluation According to UGR
Ceiling 70 70 50 50 30 70 70 50 50 30
Walls 50 30 50 30 30 50 30 50 30 30
Floor 20 20 20 20 20 20 20 20 20 20
Room Size
X Y
Viewing direction at right angles
to lamp axis
Viewing direction parallel
to lamp axis
2H 2H 17.2 18.5 17.4 18.7 18.9 17.2 18.5 17.4 18.7 18.9
3H 18.7 19.9 19.1 20.2 20.5 18.7 19.9 19.1 20.2 20.5
4H 19.4 20.5 19.7 20.8 21.1 19.4 20.5 19.7 20.8 21.1
6H 19.9 20.9 20.3 21.2 21.6 19.9 20.9 20.3 21.2 21.6
8H 20.1 21.1 20.4 21.4 21.7 20.1 21.1 20.4 21.4 21.7
12H 20.1 21.1 20.5 21.4 21.8 20.1 21.1 20.5 21.4 21.8
4H 2H 17.8 19.0 18.2 19.3 19.5 17.8 19.0 18.2 19.3 19.5
3H 19.6 20.6 20.0 20.9 21.3 19.6 20.6 20.0 20.9 21.3
4H 20.4 21.3 20.8 21.6 22.0 20.4 21.3 20.8 21.6 22.0
6H 21.0 21.8 21.5 22.2 22.6 21.0 21.8 21.5 22.2 22.6
8H 21.3 21.9 21.7 22.3 22.8 21.3 21.9 21.7 22.3 22.8
12H 21.4 22.0 21.8 22.4 22.9 21.4 22.0 21.8 22.4 22.9
8H 4H 20.7 21.4 21.2 21.8 22.2 20.7 21.4 21.2 21.8 22.2
6H 21.5 22.1 22.0 22.5 23.0 21.5 22.1 22.0 22.5 23.0
8H 21.8 22.3 22.3 22.7 23.2 21.8 22.3 22.3 22.7 23.2
12H 22.0 22.4 22.5 22.9 23.4 22.0 22.4 22.5 22.9 23.4
12H 4H 20.8 21.4 21.2 21.8 22.2 20.8 21.4 21.2 21.8 22.2
6H 21.6 22.1 22.1 22.5 23.0 21.6 22.1 22.1 22.5 23.0
8H 21.9 22.3 22.4 22.8 23.3 21.9 22.3 22.4 22.8 23.3
Variation of the observer position for the luminaire distances S
S = 1.0H +0.1 / -0.1 +0.1 / -0.1
S = 1.5H +0.2 / -0.3 +0.2 / -0.3
S = 2.0H +0.4 / -0.6 +0.4 / -0.6
Standard table BK06 BK06
Correction
Summand
2.4 2.4
Corrected Glare Indices referring to 31200lm Total Luminous Flux
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400
600
800
1200
cd/klm

56%
C0 - C180 C90 - C270
0 15 30
45
60
75
90
105 105
90
75
60
45
30 15 0
CIE flux code: 99 100 100 100 57
Installation
Direct mounting on three-phase euro-DIN
track by means of universal adapter.
Design
Housing made of aluminum,
powder coated in metallic.
Electronic control gear fixed inside
the polycarbonate box.
Optical part
Mat reflector made of anodized aluminum
with protective silicate tempered
antidazzle matting glass.
Ceiling 70 70 50 50 30 70 70 50 50 30
Walls 50 30 50 30 30 50 30 50 30 30
Floor 20 20 20 20 20 20 20 20 20 20
Room Size
X Y
to lamp axis
to lamp axis
2H 2H 13.5 14.1 13.7 14.3 14.5 13.5 14.1 13.7 14.3 14.5
3H 13.3 13.9 13.6 14.2 14.4 13.3 13.9 13.6 14.2 14.4
4H 13.3 13.8 13.6 14.1 14.3 13.3 13.8 13.6 14.1 14.3
6H 13.2 13.7 13.5 14.0 14.3 13.2 13.7 13.5 14.0 14.3
8H 13.2 13.6 13.5 13.9 14.2 13.2 13.6 13.5 13.9 14.2
12H 13.1 13.6 13.5 13.9 14.2 13.1 13.6 13.5 13.9 14.2
4H 2H 13.3 13.8 13.6 14.1 14.3 13.3 13.8 13.6 14.1 14.3
3H 13.1 13.6 13.5 13.9 14.2 13.1 13.6 13.5 13.9 14.2
4H 13.1 13.4 13.4 13.8 14.1 13.1 13.4 13.4 13.8 14.1
6H 13.0 13.3 13.4 13.7 14.0 13.0 13.3 13.4 13.7 14.0
8H 12.9 13.2 13.4 13.6 14.0 12.9 13.2 13.4 13.6 14.0
12H 12.9 13.1 13.3 13.5 14.0 12.9 13.1 13.3 13.5 14.0
8H 4H 12.9 13.2 13.4 13.6 14.0 12.9 13.2 13.4 13.6 14.0
6H 12.9 13.1 13.3 13.5 13.9 12.9 13.1 13.3 13.5 13.9
8H 12.8 13.0 13.3 13.4 13.9 12.8 13.0 13.3 13.4 13.9
12H 12.8 12.9 13.2 13.4 13.8 12.8 12.9 13.2 13.4 13.8
12H 4H 12.9 13.1 13.3 13.5 14.0 12.9 13.1 13.3 13.5 14.0
6H 12.8 13.0 13.3 13.4 13.9 12.8 13.0 13.3 13.4 13.9
8H 12.8 12.9 13.2 13.4 13.8 12.8 12.9 13.2 13.4 13.8
S = 1.0H +5.6 / -31.1 +5.6 / -31.1
S = 1.5H +8.4 / -32.9 +8.4 / -32.9
S = 2.0H +10.4 / -33.6 +10.4 / -33.6
Correction
Summand
-7.2 -7.2
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19th Century Room / Lighting Technologies / Workplane / Isolines (E)
5.57
5.57
8.36
8.36
8.36
8.36
8.36
8.36
8.36
8.36
8.36
8.36
8.36
8.36
8.36
8.36
11.15
11.15
11.15
11.15
11.15
40.00 ft 0.00 4.00 6.96 15.00 25.00 32.00 36.00
23.00 ft
0.00
3.75
6.00
9.00
10.83
13.75
19.25
20.34
Values in Footcandles, Scale 1 : 88
Position of surface in room:
Marked point:
(0.000 ft, 3.750 ft, 2.493 ft)
Grid: 128 x 128 Points
E
av
[fc] E
min
[fc] E
max
[fc]
u0
E
min
/ E
max
8.33 2.22 12 0.266 0.188
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19th Century Room / Lighting Technologies / West Wall / Isolines (E,
Perpendicular)
2.79
2.79
2.79
2.79
5.57
5.57
5.57
5.57
5.57
5.57
5.57
5.57
5.57
8.36
8.36
8.36
8.36
8.36
8.36
8.36
8.36
8.36
8.36
8.36
8.36
8.36
8.36
8.36
8.36
8.36
8.36
8.36
8.36
8.36
8.36
23.00 ft 0.00 1.87 4.27 18.85 20.44
16.00 ft
0.00
3.34
6.25
13.00
14.50
Marked point:
(2.000 ft, 0.000 ft, 16.000 ft)
E
av
[fc] E
min
[fc] E
max
[fc]
u0
E
min
/ E
max
5.19 0.58 10 0.112 0.056
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19th Century Room / Lighting Technologies / East Wall / Isolines (E,
Perpendicular)
3.72
3.72
3.72
3.72
7.43
7.43
7.43
7.43
7.43
7.43
7.43
7.43
7.43
7.43
11.15
11.15
11.15
11.15
11.15
11.15
11.15
11.15
11.15
11.15
11.15
14.86
14.86
14.86
14.86
14.86
14.86
14.86
14.86
23.00 ft 0.00 1.83 4.22 18.89 20.49
16.00 ft
0.00
3.58
6.29
13.00
14.50
Marked point:
(38.000 ft, 0.000 ft, 0.000 ft)
E
av
[fc] E
min
[fc] E
max
[fc]
u0
E
min
/ E
max
6.59 0.59 18 0.090 0.032
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19th Century Room / Lighting Technologies / North Wall / Isolines (E,
Perpendicular)
2.79
2.79
2.79
5.57
5.57
5.57
5.57
5.57
5.57
5.57
5.57 8.36
8.36
8.36
8.36
8.36
8.36
8.36
8.36
8.36
8.36
8.36
11.15
11.15
11.15
11.15
11.15
11.15
11.15
11.15
11.15
11.15
13.93
13.93
13.93
13.93
40.00 ft 0.00 2.23 36.47
14.00 ft
0.00
3.34
6.29
Marked point:
(40.000 ft, 21.000 ft, 0.000 ft)
E
av
[fc] E
min
[fc] E
max
[fc]
u0
E
min
/ E
max
7.53 0.81 15 0.108 0.056
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19th Century Room / Lighting Technologies / South Wall / Isolines (E,
Perpendicular)
2.79
2.79
2.79
5.57
5.57
5.57
5.57
5.57
5.57
5.57
8.36
8.36
8.36
8.36
8.36
8.36
8.36
8.36
8.36
8.36
8.36
11.15
11.15
11.15
11.15
11.15
11.15
11.15
11.15
40.00 ft 0.00 2.18 36.44
14.00 ft
0.00
3.58
6.25
Marked point:
(40.000 ft, 2.000 ft, 14.000 ft)
E
av
[fc] E
min
[fc] E
max
[fc]
u0
E
min
/ E
max
6.60 0.90 13 0.136 0.068
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19th Century Room / Lighting Technologies / South West Wall / Isolines (E,
Perpendicular)
3.72
3.72
3.72
4.64
4.64
4.64 4.64
5.57
5.57
5.57
5.57 5.57
5.57
5.57
5.57
6.00 ft 0.00 1.75 4.25
14.00 ft
0.00
3.63
6.38
13.00
Marked point:
(4.200 ft, 0.152 ft, 14.000 ft)
E
av
[fc] E
min
[fc] E
max
[fc]
u0
E
min
/ E
max
4.82 2.01 6.37 0.418 0.316
10 / 11 / 2012
Telephone
Fax
e-Mail
19th Century Room / Lighting Technologies / North East Wall / Isolines (E,
Perpendicular)
3.72
3.72
3.72
4.64
4.64
4.64
4.64
4.64
5.57
5.57
5.57
5.57
5.57
6.50
6.50
6.50
6.50
6.50
6.50
6.00 ft 0.00 1.62 4.38
14.33 ft
0.00
3.91
6.75
13.33
Marked point:
(39.893 ft, 19.019 ft, -0.329 ft)
E
av
[fc] E
min
[fc] E
max
[fc]
u0
E
min
/ E
max
4.97 2.38 6.75 0.478 0.352
10 / 11 / 2012
Telephone
Fax
e-Mail
19th Century Room / Lighting Technologies / South East Wall / Isolines (E,
Perpendicular)
3.72
4.64 4.64
4.64
4.64
4.64
4.64
4.64
4.64
4.64
5.57
5.57
5.57
5.57
5.57
5.57
6.50
6.50
6.50
6.50
6.50
6.50
6.50
6.00 ft 0.00 0.84 4.38
14.00 ft
0.00
3.58
6.42
13.00
Marked point:
(35.926 ft, 0.217 ft, 0.000 ft)
E
av
[fc] E
min
[fc] E
max
[fc]
u0
E
min
/ E
max
5.15 2.60 6.88 0.504 0.378
10 / 11 / 2012
Telephone
Fax
e-Mail
19th Century Room / Lighting Technologies / North West Wall / Isolines (E,
Perpendicular)
3.72
5.57
5.57
5.57
5.57
5.57
6.00 ft 0.00 1.62 4.38
14.00 ft
0.00
3.34
6.67
13.00
Marked point:
(0.078 ft, 18.977 ft, 14.000 ft)
E
av
[fc] E
min
[fc] E
max
[fc]
u0
E
min
/ E
max
5.34 1.96 7.07 0.368 0.277
10 / 11 / 2012
Telephone
Fax
e-Mail

19th Century Room / Maintenance plan

Regular maintenance is essential for an effective lighting installation. It is the only way to limit the light loss over
the installation's life time.
The minimum values of the illuminance specified in the EN 12464 are maintenance values, i.e. they are based
on a new value (at installation) in a maintenance to be prescribed. The same is of course true also for the
values calculated in DIALux. They can therefore be reached only if this basic maintenance plan is diligently
carried out.

General room information
Environment conditions of room: Clean
Maintenance interval of room: Semi-annually

/ LIGHTINGTECHNOLOGIES - FHM/T 35
Influence of the room surfaces by reflection: small (k <= 1.6)
Flux distribution: Direct
Maintenance interval of luminaires: Annually
Luminaire type: Closed IP2X (acc. CIE)
Annual burning time (in 1000 hours): 2.58
Replacement interval lamps: Annually
Lamp type: Tri-phosphorus fluorescent lamp (acc. CIE)
Spot lamp replacement: Yes
Room surface maintenance factor: 0.97
Luminaire maintenance factor: 0.88
Lamp lumen maintenance factor: 0.93
Lamp survival factor: 1.00
Light loss factor: 0.79

Line Arrangement / TRILUX Plenar C1-M 1200 WW EDD Plenar
Influence of the room surfaces by reflection: small (k <= 1.6)
Flux distribution: Direct
Maintenance interval of luminaires: Annually
Luminaire type: Closed IP2X (acc. CIE)
Annual burning time (in 1000 hours): 2.58
Replacement interval lamps: Annually
Lamp type: Tri-phosphorus fluorescent lamp (acc. CIE)
Spot lamp replacement: Yes
Room surface maintenance factor: 0.97
Luminaire maintenance factor: 0.88
Lamp lumen maintenance factor: 0.93
Lamp survival factor: 1.00
Light loss factor: 0.79
Partner for Contact:
Order No.:
Company:
Customer No.:
Date: 10 / 11 / 2012
Operator: Deborah Silva
Appendix C: DIALUX New Design Data
10 / 11 / 2012
Telephone
Fax
e-Mail
Table of contents
Project Cover 1
Table of contents 2
Luminaire parts list 3
TRILUX Plenar C1-M 1200 WW EDD Plenar
Artemide M051513 PICTO 125 QR-LP111 MAX.100W/12V BLACK ON TRACK ADA...
19th Century Room
Light scenes
Artemide
Room Surfaces
Workplane
Isolines (E) 6
South West Wall
North East Wall
South East Wall
North West Wall
West Wall
Isolines (E, Vertical) 11
East Wall
South Wall
North Wall
10 / 11 / 2012
Telephone
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Worcester Art Museum Lighting System / Luminaire parts list
16 Pieces Artemide M051513 PICTO 125 QR-LP111
MAX.100W/12V BLACK ON TRACK ADAPTER
(Type 1)
Article No.: M051513
CIE flux code: 96 98 100 100 99
1.000).
22 Pieces TRILUX Plenar C1-M 1200 WW EDD Plenar
(Type 1)
Article No.: Plenar C1-M 1200 WW EDD
CIE flux code: 47 79 96 100 54
1.000).
10 / 11 / 2012
Telephone
Fax
e-Mail
TRILUX Plenar C1-M 1200 WW EDD Plenar / Luminaire Data Sheet
80
120
160
200
cd/klm

54%
C0 - C180 C90 - C270
0 15 30
45
60
75
90
105 105
90
75
60
45
30 15 0
CIE flux code: 47 79 96 100 54
Application areas
Light ceiling for installation in ceiling cut-outs and ceilings with concealed
grids in module 600.
Optical system
Transopal luminaire diffuser of stretched film technology, completely backlit,
accessible, low flammability.
Dynamic lighting control
WW 2-channel brightness control with daylight-white and warm-white
fluorescent lamps for white-white control. Suitable for adaptive lighting of
workplaces and public areas.
Luminaire body
Luminaire body of aluminium, coated white, with slender all-round edge to
cover of cut.
Electrical connection
For each colour channel two mains voltage-stable control lines must be used
that can be routed either separately or together with the mains supply in a
sheathed cable.
Electrical version
With digitally dimmable electronic ballasts with DALI interface. Control is via
an external lighting control system (see accessories). With digitally dimmable
electronic control gear (DALI), lamps can be separately switched.
Ceiling 70 70 50 50 30 70 70 50 50 30
Walls 50 30 50 30 30 50 30 50 30 30
Floor 20 20 20 20 20 20 20 20 20 20
Room Size
X Y
to lamp axis
to lamp axis
2H 2H 17.2 18.5 17.4 18.7 18.9 17.2 18.5 17.4 18.7 18.9
3H 18.7 19.9 19.1 20.2 20.5 18.7 19.9 19.1 20.2 20.5
4H 19.4 20.5 19.7 20.8 21.1 19.4 20.5 19.7 20.8 21.1
6H 19.9 20.9 20.3 21.2 21.6 19.9 20.9 20.3 21.2 21.6
8H 20.1 21.1 20.4 21.4 21.7 20.1 21.1 20.4 21.4 21.7
12H 20.1 21.1 20.5 21.4 21.8 20.1 21.1 20.5 21.4 21.8
4H 2H 17.8 19.0 18.2 19.3 19.5 17.8 19.0 18.2 19.3 19.5
3H 19.6 20.6 20.0 20.9 21.3 19.6 20.6 20.0 20.9 21.3
4H 20.4 21.3 20.8 21.6 22.0 20.4 21.3 20.8 21.6 22.0
6H 21.0 21.8 21.5 22.2 22.6 21.0 21.8 21.5 22.2 22.6
8H 21.3 21.9 21.7 22.3 22.8 21.3 21.9 21.7 22.3 22.8
12H 21.4 22.0 21.8 22.4 22.9 21.4 22.0 21.8 22.4 22.9
8H 4H 20.7 21.4 21.2 21.8 22.2 20.7 21.4 21.2 21.8 22.2
6H 21.5 22.1 22.0 22.5 23.0 21.5 22.1 22.0 22.5 23.0
8H 21.8 22.3 22.3 22.7 23.2 21.8 22.3 22.3 22.7 23.2
12H 22.0 22.4 22.5 22.9 23.4 22.0 22.4 22.5 22.9 23.4
12H 4H 20.8 21.4 21.2 21.8 22.2 20.8 21.4 21.2 21.8 22.2
6H 21.6 22.1 22.1 22.5 23.0 21.6 22.1 22.1 22.5 23.0
8H 21.9 22.3 22.4 22.8 23.3 21.9 22.3 22.4 22.8 23.3
S = 1.0H +0.1 / -0.1 +0.1 / -0.1
S = 1.5H +0.2 / -0.3 +0.2 / -0.3
S = 2.0H +0.4 / -0.6 +0.4 / -0.6
Correction
Summand
2.4 2.4
10 / 11 / 2012
Telephone
Fax
e-Mail
Artemide M051513 PICTO 125 QR-LP111 MAX.100W/12V BLACK ON TRACK
ADAPTER / Luminaire Data Sheet
800
1200
1600
2000
cd/klm

100%
C0 - C180 C90 - C270
0 15 30
45
60
75
90
105 105
90
75
60
45
30 15 0
CIE flux code: 96 98 100 100 99
PICTO 125 QR-LP111 MAX.100W/12V BLACK ON TRACK ADAPTER
Ceiling 70 70 50 50 30 70 70 50 50 30
Walls 50 30 50 30 30 50 30 50 30 30
Floor 20 20 20 20 20 20 20 20 20 20
Room Size
X Y
to lamp axis
to lamp axis
2H 2H 13.9 14.6 14.2 14.8 15.0 13.9 14.6 14.2 14.8 15.0
3H 14.0 14.7 14.3 14.9 15.1 14.0 14.7 14.3 14.9 15.1
4H 14.0 14.5 14.3 14.8 15.1 14.0 14.5 14.3 14.8 15.1
6H 13.9 14.4 14.2 14.7 15.0 13.9 14.4 14.2 14.7 15.0
8H 13.8 14.4 14.2 14.7 15.0 13.8 14.4 14.2 14.7 15.0
12H 13.8 14.3 14.2 14.6 14.9 13.8 14.3 14.2 14.6 14.9
4H 2H 14.7 15.3 15.0 15.5 15.8 14.7 15.3 15.0 15.5 15.8
3H 14.7 15.2 15.1 15.5 15.8 14.7 15.2 15.1 15.5 15.8
4H 14.6 15.1 15.0 15.4 15.7 14.6 15.1 15.0 15.4 15.7
6H 14.6 14.9 15.0 15.3 15.7 14.6 14.9 15.0 15.3 15.7
8H 14.5 14.8 14.9 15.2 15.6 14.5 14.8 14.9 15.2 15.6
12H 14.5 14.8 14.9 15.2 15.6 14.5 14.8 14.9 15.2 15.6
8H 4H 14.5 14.8 14.9 15.2 15.6 14.5 14.8 14.9 15.2 15.6
6H 14.4 14.7 14.9 15.1 15.5 14.4 14.7 14.9 15.1 15.5
8H 14.4 14.6 14.9 15.0 15.5 14.4 14.6 14.9 15.0 15.5
12H 14.3 14.5 14.8 15.0 15.5 14.3 14.5 14.8 15.0 15.5
12H 4H 14.5 14.8 14.9 15.2 15.6 14.5 14.8 14.9 15.2 15.6
6H 14.4 14.6 14.9 15.0 15.5 14.4 14.6 14.9 15.0 15.5
8H 14.3 14.5 14.8 15.0 15.5 14.3 14.5 14.8 15.0 15.5
S = 1.0H +2.1 / -2.9 +2.1 / -2.9
S = 1.5H +3.1 / -9.3 +3.1 / -9.3
S = 2.0H +4.8 / -28.2 +4.8 / -28.2
Correction
Summand
-3.6 -3.6
10 / 11 / 2012
Telephone
Fax
e-Mail
19th Century Room / Artemide / Workplane / Isolines (E)
11.15
11.15
11.15
11.15
11.15
11.15
11.15
11.15
11.15
11.15
11.15 11.15
11.15
16.72
16.72
16.72
16.72
16.72
16.72
16.72
16.72
16.72
16.72
16.72
16.72
16.72
16.72
16.72
16.72
16.72
22.30
22.30
22.30
22.30
22.30
22.30
22.30
22.30
22.30
22.30
27.87
40.00 ft 0.00 4.00 6.96 15.00 25.00 32.00 36.00
23.00 ft
0.00
3.75
6.00
9.00
10.83
13.75
19.25
20.34
Marked point:
(0.000 ft, 3.750 ft, 2.493 ft)
E
av
[fc] E
min
[fc] E
max
[fc]
u0
E
min
/ E
max
15 5.45 30 0.353 0.185
10 / 11 / 2012
Telephone
Fax
e-Mail
19th Century Room / Artemide / South West Wall / Isolines (E, Perpendicular)
4.64
9.29
9.29
9.29
9.29
9.29
9.29
13.93
13.93
13.93
13.93
13.93
18.58
18.58
18.58
18.58
18.58
18.58
18.58
6.00 ft 0.00 1.75 4.25
14.00 ft
0.00
3.63
6.38
13.00
Marked point:
(4.200 ft, 0.152 ft, 14.000 ft)
E
av
[fc] E
min
[fc] E
max
[fc]
u0
E
min
/ E
max
13 2.67 23 0.213 0.115
10 / 11 / 2012
Telephone
Fax
e-Mail
19th Century Room / Artemide / North East Wall / Isolines (E, Perpendicular)
2.79
2.79
2.79
5.57
5.57
5.57
5.57
5.57
5.57
8.36
8.36
8.36
8.36
6.00 ft 0.00 1.62 4.38
14.00 ft
0.00
3.59
6.42
13.00
Marked point:
(39.893 ft, 19.019 ft, 14.000 ft)
E
av
[fc] E
min
[fc] E
max
[fc]
u0
E
min
/ E
max
5.11 0.74 11 0.144 0.068
10 / 11 / 2012
Telephone
Fax
e-Mail
19th Century Room / Artemide / South East Wall / Isolines (E, Perpendicular)
2.79
2.79
2.79
2.79
2.79
5.57
5.57
8.36
8.36
8.36
8.36
8.36
8.36
8.36
8.36
8.36
8.36
8.36
8.36
8.36
6.00 ft 0.00 1.62 4.38
14.00 ft
0.00
3.58
6.42
13.00
Marked point:
(35.926 ft, 0.217 ft, 14.000 ft)
E
av
[fc] E
min
[fc] E
max
[fc]
u0
E
min
/ E
max
5.71 0.13 11 0.022 0.011
10 / 11 / 2012
Telephone
Fax
e-Mail
19th Century Room / Artemide / North West Wall / Isolines (E, Perpendicular)
4.64
4.64
9.29
9.29
9.29
9.29
9.29
13.93
13.93
13.93 13.93
13.93
18.58
18.58
18.58
23.22
23.22
6.00 ft 0.00 1.62 4.38
14.00 ft
0.00
3.34
6.67
13.00
Marked point:
(0.078 ft, 18.977 ft, 14.000 ft)
E
av
[fc] E
min
[fc] E
max
[fc]
u0
E
min
/ E
max
13 3.29 24 0.249 0.138
10 / 11 / 2012
Telephone
Fax
e-Mail
19th Century Room / Artemide / West Wall / Isolines (E, Vertical)
11.15
11.15 11.15
11.15
11.15
11.15
16.72
16.72
16.72
16.72
16.72
16.72
16.72
16.72
16.72
16.72
16.72
16.72
16.72
16.72
22.30
22.30
22.30
22.30
22.30
22.30
22.30
22.30
22.30
22.30
22.30
22.30
22.30
22.30
22.30
27.87
27.87
27.87
27.87
27.87
15.00 ft 0.00
16.00 ft
0.00
13.75
Marked point:
(1.000 ft, 4.000 ft, 0.000 ft)
E
av
[fc] E
min
[fc] E
max
[fc]
u0
E
min
/ E
max
15 5.08 30 0.342 0.167
Rotation: 0.0
10 / 11 / 2012
Telephone
Fax
e-Mail
19th Century Room / Artemide / East Wall / Isolines (E, Perpendicular)
7.43
7.43
14.86
14.86
14.86
14.86
14.86
14.86
14.86
22.30
22.30
22.30
22.30
22.30
22.30
22.30
22.30
22.30
22.30
29.73
29.73
29.73
29.73
29.73
29.73
29.73
29.73
29.73
37.16
37.16
37.16
15.00 ft 0.00
16.00 ft
0.00
13.75
Marked point:
(39.000 ft, 4.000 ft, 0.000 ft)
E
av
[fc] E
min
[fc] E
max
[fc]
u0
E
min
/ E
max
17 5.65 39 0.327 0.143
10 / 11 / 2012
Telephone
Fax
e-Mail
19th Century Room / Artemide / South Wall / Isolines (E, Perpendicular)
9.29
9.29
9.29
9.29
9.29
13.93
13.93
13.93
13.93
13.93
13.93
13.93
13.93
13.93
13.93
18.58
18.58
18.58
18.58
18.58
18.58
18.58
18.58
18.58
18.58
18.58
23.22
23.22 23.22
32.00 ft 0.00
16.00 ft
0.00
13.63
Marked point:
(4.000 ft, 1.000 ft, 16.000 ft)
E
av
[fc] E
min
[fc] E
max
[fc]
u0
E
min
/ E
max
14 5.93 25 0.434 0.236
10 / 11 / 2012
Telephone
Fax
e-Mail
19th Century Room / Artemide / North Wall / Isolines (E, Perpendicular)
5.57
11.15 11.15
11.15
11.15 11.15
11.15
16.72
16.72
16.72
16.72
16.72
16.72
22.30
22.30
22.30
22.30 22.30
22.30
22.30 22.30
22.30
22.30
22.30
22.30
22.30
22.30
22.30
22.30
32.00 ft 0.00
16.00 ft
0.00
14.28
Marked point:
(4.000 ft, 21.000 ft, 0.000 ft)
E
av
[fc] E
min
[fc] E
max
[fc]
u0
E
min
/ E
max
14 4.82 29 0.333 0.166
TCP, Inc. OCT 2009/41668
TCP, Inc.
325 Campus Dr. | Aurora, Ohio 44202 | P: 1-800-324-1496 | F: 330-995-6188 | tcpi.com TCP is proud to have been awarded
ENERGY STAR
Partner of the Year 2009.

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5
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Electronics
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13" 1.75"
11.125"

Worcester Art Museum Lighting Simulation

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Worcester Art Museum Lighting Simulation

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AREN 3004 Building Electrical and Lighting Systems

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