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SACRED MUSIC
 Volume 138, Number 3Fall 2011
EDITORIAL
Relative Goods | William Mahrt 3
 ARTICLES
Quality, Form, Function, and Beauty in the Liturgy | Sr. Joan L. Roccasalvo, C.S.J. 6Cynewulfs Carol | Ian Payne 17
REPERTORY
 The Communion
Tollite hostias
and Heinrich Isaac’s Setting from the
Choralis Constantinus 
 | William Mahrt 22
DOCUMENT
Implications of a Centenary: Ponti
cal Institute for Sacred Music |Msgr. Valentin Miserachs Grau 32
 ARCHIVE
Liturgical Music and the Liturgical Movement (1966) | William F. Pohl 37
COMMENTARY
 What Is Stage Two? | Jeffrey Tucker 47Continuity and Change in the Choir Loft | Mary Jane Ballou 50How To Get Started with Chant | Jeffrey Tucker 52 The Revival of Catholic Musical Creativity | Jeffrey Tucker 54 The Brilliance of László Dobszay | Jeffrey Tucker 56  Why Are Seminaries Afraid of the Extraordinary Form? | Fr. Christopher Smith 58
REVIEW
Kevin Allen’s Motets | Susan Treacy 63
 
Formed as a continuation of
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published by the Society of St. Caecilia since 1874, and
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published by the Society of St. Gregory of America since 1915. Published quarterly by the Church Music Association of America since its inception in 1965. Of 
ce of Publication: 12421 New Point Drive, Richmond, VA 23233.E-mail: sacredmusic@musicasacra.com; Website: www.musicasacra.com William Mahrt Jeffrey Tucker David Sullivan Kurt Poterack  Judy Thommesen 12421 New Point Drive, Richmond, VA 23233  William MahrtHorst Buchholz Janet Gorbitz  William StoopsRev. Father Robert Pasley  Jeffrey Tucker Arlene Oost-ZinnerDavid Hughes, Susan Treacy Directors Emeriti: Rev. Father Ralph S. March, S.O.Cist; Kurt Poterack; Scott  Turkington, Paul F. Salamunovich; Calvert Shenk †; Very Rev. Monsignor Richard J. Schuler †; Rev. Father Robert SkerisSACRED MUSIC
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 is indexed in the Catholic Periodical and Literature Index, Music Index, Music Article Guide, and Arts and Humanities Index.© Copyright by Church Music Association of America, 2011, under Creative Commons attribution license 3.0.
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