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A BIBLIOGRAPHY OF LITERARY THEORY, CRITICISM AND PHILOLOGY
http://www.unizar.es/departamentos/filologia_inglesa/garciala/bibliography.html

by José Ángel GARCÍA LANDA (University of Zaragoza, Spain)

T. S. ELIOT

(1888-1965)

(US/British poet, critic and dramatist; b. St Louis, l. London; conservative social critic, modernist poet and critic, poetic dramatist; "classicist, angloCatholic and monarchic"; w. as poetry ed. for Faber and Faber; personal disgust with sex; m. socialite Vivienne Haigh-Wood who suffered from mental breakdown; remarried; Order of Merit 1948; Nobel Prize for Literature 1949; d. London)

Works Eliot, T. S. [Thomas Stearns] "Leibniz's Monads and Bradley's Finite Centres." In Eliot, Knowledge and Experience in the Philosophy of F. H. Bradley. London: Faber and Faber, 1964. 205-6. First published in The Monist (c. 1916). _____. "The Development of Leibniz's Monadism." In Eliot, Knowledge and Experience in the Philosophy of F. H. Bradley. London: Faber and Faber, 1964. 205-6. First published in The Monist (c. 1916). _____. "The Love Song of J. Alfred Prufrock." Poem. In Eliot, Prufrock and Other Observations. 1917. _____. "The Love Song of J. Alfred Prufrock." In Eliot, Selected Poems. London: Faber and Faber, 1954. 1961. 11-16.* _____. "The Love Song of J. Alfred Prufrock." In The Arnold Anthology of British and Irish Literature in English. Ed. Robert Clark and Thomas Healy. London: Arnold, 1997. 1345-48.* _____. "The Love Song of J. Alfred Prufrock." In Perrine's Literature: Structure, Sound, and Sense. By Thomas R. Arp and Greg Johnson. 8th ed. Boston (MA): Thomson LearningHeinle & Heinle, 2002. 1010-14.* _____. "The Portrait of a Lady." Poem. In Eliot, Prufrock and Other Observations. 1917.

_____. "The Portrait of a Lady." In Eliot, Selected Poems. London: Faber and Faber, 1954. 1961. 17-21.* _____. "Preludes." Poem. In Eliot, Prufrock and Other Observations. 1917. _____. "Preludes." Poem. In Eliot, Selected Poems. London: Faber and Faber, 1954. 1961. 22-24.* _____. "Rhapsody on a Windy Night." Poem. In Eliot, Prufrock and Other Observations. 1917. _____. "Rhapsody on a Windy Night." In Eliot, Selected Poems. London: Faber and Faber, 1954. 1961. 25-27.* _____. Prufrock and Other Observations. Poems. 1917. (Dedicated to "Jean Verdenal, 1889-1915, mort aux Dardanelles"). _____. "Tradition and the Individual Talent." 1919. In Eliot, The Sacred Wood. 1921. London: Methuen, 1986. _____. "Tradition and the Individual Talent." In Eliot, Selected Essays. 1932. 3rd ed. London: Faber and Faber, 1951. 13-22.* _____. "Tradition and the Individual Talent." In Eliot, Selected Essays. New York: Harcourt, Brace, 1950. _____. "Tradition and the Individual Talent." In Selected Essays. New ed. New York: Harcourt, Brace & World, 1960. _____. "Tradition and the Individual Talent." In Selected Essays. London: Faber and Faber, 1971. _____. "Tradition and the Individual Talent." In The Modern Critical Spectrum. Ed. Gerald Jay Goldberg and Nancy Marmer Goldberg. Englewood Cliffs (NJ): Prentice-Hall, 1962. 16268.* _____. "Tradition and the Individual Talent." In Selected Essays. London: Faber and Faber, 1963. _____. "Tradition and the Individual Talent." In 20th Century Literary Criticism: A Reader. Ed. David Lodge. London: Longman, 1972. 71-77.* _____. "Tradition and the Individual Talent." In Debating Texts. Ed. Rick Rylance. 6-11. _____. "Tradition and the Individual Talent." In Twentieth Century Literary Theory. Ed. Vassilis Lambropoulos and David Neal Miller. Albany: State U of New York P, 1987. 145-51.* _____. "Tradition and the Individual Talent." In Literary Criticism and Theory. Ed. R. C. Davis and L. Finke. London: Longman, 1989. 587-92.* _____. "Tradition and the Individual Talent." In Contemporary Literary Criticism: Literary and Cultural Studies. Ed. Robert

Con Davis and Ronald Schleifer. 3rd ed. White Plains (NY): Longman, 1994. 27-33.* _____. "Tradition and the Individual Talent." In Strong Words: Modern Poets on Modern Poetry. Ed. W. N. Herbert and Matthew Hollis. Tarset (Northumberland): Bloodaxe Books, 2000. 31-38.* _____. "Tradition and the Individual Talent / La tradición y el talento individual." In Eliot, El bosque sagrado: Edición bilingüe. San Lorenzo de El Escorial (Madrid): Langre, 2004. 217-40.* _____. "Studies in Contemporary Criticism." The Egoist 5 (1918). _____. "Ben Jonson." 1919. In Eliot, Selected Essays. 3rd. ed. London: Faber, 1951. 147-60. _____. "Ben Jonson." 1919. In The Sacred Wood. 1920. 104-22. _____. "Ben Jonson." In Eliot, El bosque sagrado: Edición bilingüe. San Lorenzo de El Escorial (Madrid): Langre, 2004. 325-60.* _____. "Ben Jonson." In The Critical Perspective: Volume 3: Elizabethan-Caroline. Ed. Harold Bloom. (The Chelsea House Library of Literary Criticism). New York: Chelsea House, 1986. 1495-98.* _____. “Christopher Marlowe.” 1919. In Eliot, Selected Essays. 3rd. ed. London: Faber, 1951.* _____. "Notes on the Blank Verse of Christopher Marlowe / Notas sobre el verso blanco de Christopher Marlowe." In Eliot, El bosque sagrado: Edición bilingüe. San Lorenzo de El Escorial (Madrid): Langre, 2004. 291-308.* _____. "Hamlet." 1919. _____. "Hamlet." In Eliot, El bosque sagrado: Edición bilingüe. San Lorenzo de El Escorial (Madrid): Langre, 2004. 115-22.* _____. "Hamlet." In Eliot, Selected Essays. London: Faber and Faber, 1932. _____. "Hamlet and His Problems." From Selected Essays. New York: Harcourt, 1950. In Hamlet. Ed. Cyrus Hoy. 2nd ed. (Norton Critical Edition). New York: Norton, 1992. 180-84.* _____. "Hamlet." In Eliot, Selected Essays. 3rd ed. London: Faber and Faber, 1951. 141-6.* _____. "Hamlet." In Los poetas metafísicos y otros ensayos sobre teatro y religión. Trans. Sara Rubinstein. Buenos Aires: Emecé, 1944. _____. "Hamlet and His Problems / Hamlet y sus problemas." In Eliot, El bosque sagrado: Edición bilingüe. San Lorenzo de El Escorial (Madrid): Langre, 2004. 309-24.*

San Lorenzo de El Escorial (Madrid): Langre. 277-90. 2004. Poems. "Mr. 2004. 46-47.* _____. "Sweeney Erect. 34-35. 1961. Selected Poems." In Eliot._____. In Eliot. Selected Poems. Chapbook 2 (1920): 1-10. Poems. London: Faber and Faber. "Sweeney Among the Nightingales. London: Faber and Faber." Poem. 2004. "'Rhetoric' and Poetic Drama." In Eliot. In Eliot. _____. In Eliot. 115-22." In Eliot. 123-34. London: Faber and Faber. "The Hippopotamus. London: Faber and Faber. "A Coooking Egg. London: Faber and Faber.* _____." In Eliot. London: Faber and Faber. "Sweeney Among the Nightingales. Poems. _____. 1954. 3rd ed.* _____." In Eliot. 1961. "Gerontion. Poems. 1920. "A Cooking Egg. Selected Poems. Poems. "'Rhetoric' and Poetic Drama / La 'retórica' y el teatro poético. 40-41. _____. _____." In Eliot. "Burbank with a Baedeker: Bleistein with a Cigar. In Eliot. _____." Poem. 1920." In Eliot." 1919. 37-42.* _____." In Eliot. _____. "The Hipoppotamus. In Eliot. _____. _____. 44-45. 1920. 1954. London: Faber and Faber. 42-43. Selected Essays. 1961. 1954. 1954. 38-39. 1920. London: Faber and Faber.* _____. El bosque sagrado: Edición bilingüe." In Eliot. In Eliot. "Whispers of Immortality.* _____." Poem." In Eliot." In Eliot.* _____. 31-33." Poem. _____. Poems. 1961. "Prólogo del autor. "Gerontion. "Burbank with a Baedeker: Bleistein with a Cigar. Eliot's Sunday Morning Service." Poem. in Eliot. 36-37. El bosque sagrado: Edición bilingüe. Eliot's Sunday Morning Service." In Eliot. Selected Poems. 1961. 1961. In Eliot.* _____. 1954. 1920. Selected Poems." Poem. "Introduction / Introducción. 1954. San Lorenzo de El Escorial (Madrid): Langre. San Lorenzo de El Escorial (Madrid): Langre. 1920. El bosque sagrado: Edición bilingüe. Poems. "Whispers of Immortality. 1920. 1920. Selected Poems. Poems. "Mr. Rpt. 1961." Poem. Selected Poems. 1920.* _____. 1954. _____. Poems. Selected Poems.* _____. "A Brief Treatise on the Criticism of Poetry". _____.* . 1954. "Sweeney Erect. 1961.

San Lorenzo de El Escorial (Madrid): Langre. "Swinburne as Poet.* _____. 135-62. El bosque sagrado: Edición bilingüe. London: Methuen." 1920. El bosque sagrado: Edición bilingüe. "The French Intelligence / La inteligencia francesa. El bosque sagrado: Edición bilingüe. 2004. _____." In Eliot. 163-76. San Lorenzo de El Escorial (Madrid): Langre. El bosque sagrado: Edición bilingüe. 177-90. 1986.* _____." In Eliot. "A Romantic Aristocrat / Un aristócrata romántico. "Euripides and Professor Murray. 1920. "The Perfect Critic / El crítico perfecto. 263-76. El bosque sagrado: Edición bilingüe. In Eliot. El bosque sagrado: Edición bilingüe. 2004." In Eliot. _____. "Swinburne as Critic / Swinburne como crítico. 2004. 2004. "Philip Massinger. 1986. El bosque sagrado: Edición bilingüe." In Eliot." In Eliot. 2004. "The Perfect Critic. 211-16. 2004. San Lorenzo de El Escorial (Madrid): Langre. Selected Essays." 1920._____. San Lorenzo de El Escorial (Madrid): Langre. "The Local Flavour / El sabor local.* _____. _____. The Sacred Wood. 201-10." In Eliot. El bosque sagrado: Edición bilingüe. 191-200." In Eliot. In Eliot. San Lorenzo de El Escorial (Madrid): Langre. "Euripides and Professor Murray / Eurípides y el profesor Murray.* (George Wyndham)." In Eliot. The Sacred Wood.* .* _____. "Imperfect Critics / Críticos imperfectos" In Eliot. Rpt. London. 3rd ed. San Lorenzo de El Escorial (Madrid): Langre. "Swinburne as Poet. El bosque sagrado: Edición bilingüe." 1920. San Lorenzo de El Escorial (Madrid): Langre. _____. El bosque sagrado: Edición bilingüe. 3rd ed. 2004. San Lorenzo de El Escorial (Madrid): Langre. "Philip Massinger." In Eliot. "A Note on the American Critic / Una nota sobre el crítico norteamericano. "Swinburne as Poet / Swinburne como poeta. 1921. 59-64.* _____.* _____. Selected Essays." In Eliot. _____. 401-12. 323-27. The Sacred Wood.* _____." In Eliot. "Philip Massinger. 2004. _____ ." In Eliot. London: Methuen. 3rd ed. San Lorenzo de El Escorial (Madrid): Langre. 2004. In Eliot. 163-216.* _____. San Lorenzo de El Escorial (Madrid): Langre. 2004. _____. 205-20. 361-400. Selected Essays.

1928. Selected Essays.htm _____.* _____. 1986. 3rd ed. "Dante. In T. The Sacred Wood. 2004. _____. London: Methuen. _____. 2004. San Lorenzo de El Escorial (Madrid): Langre. "The Metaphysical Poets." 1920. Ed. In Eliot. 1986. 3rd ed. "Blake. Arthur Pollard. The Sacred Wood. "The Metaphysical Poets." TLS (1921).columbia." In Eliot. "William Blake. with an essay. 2004. _____. The Sacred Wood: Essays on Poetry and Criticism.* _____. Trans. 2004. Ed.* _____. "John Dryden. Eliot: Resources http://myhome." In Andrew Marvell: Poems. Selected Essays 1917-1932. New York: Barnes.* _____. "The Possibility of a Poetic Drama / La posibilidad de un teatro poético. El bosque sagrado: Edición bilingüe. London: Faber and Faber.* _____. S. 1997.edu/acis/bartleby/eliot/index3. New York: Harcourt Brace Jovanovich. _____. 427-49." In Eliot. El bosque sagrado: Edición bilingüe. C. Ignacio Rey Agudo. In Eliot. The Sacred Wood. London: Faber and Faber. The Sacred Wood. _____." 1921. Selected Essays. 31722. In Eliot. 1980. _____. The Sacred Wood: Essays on Poetry and Criticism. 241-62. _____. 1932. London. "The Metaphysical Poets. Selected Essays.html 2008 _____. San Lorenzo de El Escorial (Madrid): Langre. In Eliot. 305-16. The Sacred Wood.com http://www.* _____. 413-26. "Blake. 52-55. 20 October 1921._____. by Herbert J. The Sacred Wood. Times Literary Supplement. In Bartleby. Frank Kermode. London: Methuen. selected and edited. . (Casebooks series). San Lorenzo de El Escorial (Madrid): Langre. 1951. (Bilingües de base).naver. of Metaphysical Lyrics and Poems of the Seventeenth Century: Donne to Butler." In Eliot. El bosque sagrado: Edición bilingüe. "Andrew Marvell. 3rd ed." Rev. 292-304. 3rd ed. José Luis Palomares. 1950." In Selected Prose of T. 1951. 1975. 281-91. Selected Essays." In Eliot. Ed.* _____. El bosque sagrado: Edición bilingüe. "The Modest and Impersonal Virtue. _____. S. London: Faber and Faber. "The Metaphysical Poets." 1921. Houndmills: Macmillan.com/for_eliot/sacredwood/index. Grierson (Oxford: Clarendon Press). _____. 1920. San Lorenzo de El Escorial (Madrid): Langre. London: Faber. _____." In Eliot. 1932. Eliot.

New York: Harcourt. 1932. The Waste Land. 1951. In Ed._____. Order and Myth. Mark Schorer J. S. _____. Trans. _____. In Eliot. Ed. 1971. 1948. In Criticism: The Foundations of Modern Literary Judgment. "Religion and Literature. "The Function of Criticism. Trans. In Eliot." 1923. The Waste Land." In Eliot. "Burbank with a Baedecker. Valerie Eliot. London: Faber.com/for_eliot/prose/metaphysical." Poem. 3rd ed. In Eliot. 1958." In T. Eliot: Resources http://myhome. Kermode.htm 2008 _____."Poem. Sara Rubinstein. Nouvelle revue française 11. London: Faber and Gwyn.1 (November 1923). Selected Essays. Bilingual ed. Rpt. "Four Elizabethan Dramatists. 1922. London: Faber. 1944. in Eliot. 1924. _____. London: Faber and Faber. In Eliot. Blestein with a Cigar.* _____. _____. 109-17. "The Function of Criticism. _____. The Waste Land. 3rd ed. 1941. _____. Ed. Selected Essays. 388-401. _____. Buenos Aires: Emecé. 381). In Eliot. Order and Myth.naver. Ed.* _____. "Ulysses. José Luis Palomares." 1924. 1969. _____. The Waste Land. Madrid: Cátedra." In Eliot. Poems 1909-1925. London: Faber and Faber." In 20th Century Literary Criticism: A Reader. Poems 1909-25. _____. Selected Essays. _____. Selected Prose. and G. La tierra baldía. (Letras Universales. Poem. London: Longman. "Lettre d'Angleterre" 3. Miles. "Gerontion.* _____. MacKenzie. "Ulysses. introd. In Eliot. 3rd ed. The Waste Land: A Facsimile and Transcript of the Original Drafts Including the Annotations of Ezra Pound. David Lodge.* _____. 23-34. 1972." In Los poetas metafísicos y otros ensayos sobre teatro y religión.. . Ed. Homage to John Dryden: Three Essays. and notes Viorica Patea. 2005. _____. Selected Poems. Poems 1909-1925. "The Function of Criticism. 77-84. "The Metaphysical Poets. 49-74. Points of View." 1921. F. 1954. London: Faber and Faber. _____." 1923. "Los poetas metafísicos. _____. 1975. 1961.

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" 1937. _____. Harold Bloom. New York: Harcourt. Ed. Children's book. New York: Harcourt. ed. H. "In Memoriam. as "Milton (I). On Poetry and Poets 26-39.* _____. _____. 1936. Ed. "A Note on the Verse of John Milton. London: Faber. _____. 1941.* _____. London: Faber. Drama. (? = Elizabethan Dramatists. 3rd ed. 3rd ed. 1699-1701. London: Faber.. 1986. 1936. On Poetry and Poets. _____. Essays on Elizabethan Drama. "Byron." In Eliot." In Eliot. 1939. In Eliot. On Poetry and Poets 252-62. _____. London: Faber. Essays Ancient and Modern. _____. 1936." 1941. Essays on Elizabethan Drama." In English Romantic Poets: Modern Essays in Criticism. _____. to In Parenthesis.* _____. New York.* _____." Rpt. 2nd ed. Poems. New York: Chelsea House._____ . Selected Essays.* _____. . In Eliot. On Poetry and Poets 193-206. (The Chelsea House Library of Literary Criticism). "Yeats. "Byron. Ed. _____. London: Faber. 228-51. "Thoughts After Lambeth. M. Points of View. 1941.* _____. In Eliot." In The Critical Spectrum. By David Jones. New York: Harcourt. "The Music of Poetry.* _____. 1936. In Eliot. Drama. 1960. London: Faber. 13845. "Catholicism and International Order. 261-74. In Eliot. 1937. 32-40. _____. in The Critical Perspective: Volume 3: Elizabethan-Caroline. Harcourt. Essays Ancient and Modern. New York: Oxford UP. Introd. "A Note on the Verse of John Milton. Four Quartets. "Milton (I)." (Church of England). "Rudyard Kipling. On Poetry and Poets. 1975. 1943." 1936. By Djuna Barnes. Rpt." Essays and Studies of the English Association. Goldberg and Goldberg 169-74.* _____. Murder in the Cathedral. 1956." 1942. Introd. In Eliot. 1939. Oxford. 1936. _____. Abrams. 1956. The Family Reunion. A Choice of Kipling's Verse. 32839. _____." 1940. to Nightwood. London: Faber) _____. Selected Essays. Old Possum's Book of Practical Cats. _____.

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* _____. Donald Waugh. Andrew Lloyd. Femi Taylor. Myra Sands. Sir John Mills. Brian Blessed. Geraldine Gardner. 2 CDs. Julie Edmett. Written by Andrew Lloyd Webber. Steven Wayne. Sarah Brightman. Elaine Page. John Thornton. 1998. Nicola Kimber. Los Angeles: Geffen. based on T.* . S. _____. 1981. Peter Barry. John Chester. Nick Hamilton. Stephen Hill. Eliot in memoriam). With Roland Alexander. Andrew Lloyd Webber / The Really Useful Group. Seeta Indrani. Prod. Hyperion. Jeff Shankley.. Bonnie Langford. Cats. New London Chamber Choir / James Wood. VHS. Paul Nicholas.Aeternam – T. Finola Hughes. Voronezh State Institute of the Arts Chamber Choir (Oleg Shepel). Cats: Original London Cast Recording. Anita Pashley. Jeni Evans. David Baxter. Kenn Wells. Susan Jane Tanner. Elaine Paige. The Really Useful Group. S. CD. Wayne Sleep. Webber. Sharon Lee-Hill. Eliot's Old Possum's Book of Practical Cats. Music by Andrew Lloyd Webber. Cats. with Trevor Nunn and Richard Stilgoe. Musical comedy. et al. Stephen Tate.