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A BIBLIOGRAPHY OF LITERARY THEORY, CRITICISM AND PHILOLOGY
http://www.unizar.es/departamentos/filologia_inglesa/garciala/bibliography.html

by José Ángel GARCÍA LANDA (University of Zaragoza, Spain)

T. S. ELIOT

(1888-1965)

(US/British poet, critic and dramatist; b. St Louis, l. London; conservative social critic, modernist poet and critic, poetic dramatist; "classicist, angloCatholic and monarchic"; w. as poetry ed. for Faber and Faber; personal disgust with sex; m. socialite Vivienne Haigh-Wood who suffered from mental breakdown; remarried; Order of Merit 1948; Nobel Prize for Literature 1949; d. London)

Works Eliot, T. S. [Thomas Stearns] "Leibniz's Monads and Bradley's Finite Centres." In Eliot, Knowledge and Experience in the Philosophy of F. H. Bradley. London: Faber and Faber, 1964. 205-6. First published in The Monist (c. 1916). _____. "The Development of Leibniz's Monadism." In Eliot, Knowledge and Experience in the Philosophy of F. H. Bradley. London: Faber and Faber, 1964. 205-6. First published in The Monist (c. 1916). _____. "The Love Song of J. Alfred Prufrock." Poem. In Eliot, Prufrock and Other Observations. 1917. _____. "The Love Song of J. Alfred Prufrock." In Eliot, Selected Poems. London: Faber and Faber, 1954. 1961. 11-16.* _____. "The Love Song of J. Alfred Prufrock." In The Arnold Anthology of British and Irish Literature in English. Ed. Robert Clark and Thomas Healy. London: Arnold, 1997. 1345-48.* _____. "The Love Song of J. Alfred Prufrock." In Perrine's Literature: Structure, Sound, and Sense. By Thomas R. Arp and Greg Johnson. 8th ed. Boston (MA): Thomson LearningHeinle & Heinle, 2002. 1010-14.* _____. "The Portrait of a Lady." Poem. In Eliot, Prufrock and Other Observations. 1917.

_____. "The Portrait of a Lady." In Eliot, Selected Poems. London: Faber and Faber, 1954. 1961. 17-21.* _____. "Preludes." Poem. In Eliot, Prufrock and Other Observations. 1917. _____. "Preludes." Poem. In Eliot, Selected Poems. London: Faber and Faber, 1954. 1961. 22-24.* _____. "Rhapsody on a Windy Night." Poem. In Eliot, Prufrock and Other Observations. 1917. _____. "Rhapsody on a Windy Night." In Eliot, Selected Poems. London: Faber and Faber, 1954. 1961. 25-27.* _____. Prufrock and Other Observations. Poems. 1917. (Dedicated to "Jean Verdenal, 1889-1915, mort aux Dardanelles"). _____. "Tradition and the Individual Talent." 1919. In Eliot, The Sacred Wood. 1921. London: Methuen, 1986. _____. "Tradition and the Individual Talent." In Eliot, Selected Essays. 1932. 3rd ed. London: Faber and Faber, 1951. 13-22.* _____. "Tradition and the Individual Talent." In Eliot, Selected Essays. New York: Harcourt, Brace, 1950. _____. "Tradition and the Individual Talent." In Selected Essays. New ed. New York: Harcourt, Brace & World, 1960. _____. "Tradition and the Individual Talent." In Selected Essays. London: Faber and Faber, 1971. _____. "Tradition and the Individual Talent." In The Modern Critical Spectrum. Ed. Gerald Jay Goldberg and Nancy Marmer Goldberg. Englewood Cliffs (NJ): Prentice-Hall, 1962. 16268.* _____. "Tradition and the Individual Talent." In Selected Essays. London: Faber and Faber, 1963. _____. "Tradition and the Individual Talent." In 20th Century Literary Criticism: A Reader. Ed. David Lodge. London: Longman, 1972. 71-77.* _____. "Tradition and the Individual Talent." In Debating Texts. Ed. Rick Rylance. 6-11. _____. "Tradition and the Individual Talent." In Twentieth Century Literary Theory. Ed. Vassilis Lambropoulos and David Neal Miller. Albany: State U of New York P, 1987. 145-51.* _____. "Tradition and the Individual Talent." In Literary Criticism and Theory. Ed. R. C. Davis and L. Finke. London: Longman, 1989. 587-92.* _____. "Tradition and the Individual Talent." In Contemporary Literary Criticism: Literary and Cultural Studies. Ed. Robert

Con Davis and Ronald Schleifer. 3rd ed. White Plains (NY): Longman, 1994. 27-33.* _____. "Tradition and the Individual Talent." In Strong Words: Modern Poets on Modern Poetry. Ed. W. N. Herbert and Matthew Hollis. Tarset (Northumberland): Bloodaxe Books, 2000. 31-38.* _____. "Tradition and the Individual Talent / La tradición y el talento individual." In Eliot, El bosque sagrado: Edición bilingüe. San Lorenzo de El Escorial (Madrid): Langre, 2004. 217-40.* _____. "Studies in Contemporary Criticism." The Egoist 5 (1918). _____. "Ben Jonson." 1919. In Eliot, Selected Essays. 3rd. ed. London: Faber, 1951. 147-60. _____. "Ben Jonson." 1919. In The Sacred Wood. 1920. 104-22. _____. "Ben Jonson." In Eliot, El bosque sagrado: Edición bilingüe. San Lorenzo de El Escorial (Madrid): Langre, 2004. 325-60.* _____. "Ben Jonson." In The Critical Perspective: Volume 3: Elizabethan-Caroline. Ed. Harold Bloom. (The Chelsea House Library of Literary Criticism). New York: Chelsea House, 1986. 1495-98.* _____. “Christopher Marlowe.” 1919. In Eliot, Selected Essays. 3rd. ed. London: Faber, 1951.* _____. "Notes on the Blank Verse of Christopher Marlowe / Notas sobre el verso blanco de Christopher Marlowe." In Eliot, El bosque sagrado: Edición bilingüe. San Lorenzo de El Escorial (Madrid): Langre, 2004. 291-308.* _____. "Hamlet." 1919. _____. "Hamlet." In Eliot, El bosque sagrado: Edición bilingüe. San Lorenzo de El Escorial (Madrid): Langre, 2004. 115-22.* _____. "Hamlet." In Eliot, Selected Essays. London: Faber and Faber, 1932. _____. "Hamlet and His Problems." From Selected Essays. New York: Harcourt, 1950. In Hamlet. Ed. Cyrus Hoy. 2nd ed. (Norton Critical Edition). New York: Norton, 1992. 180-84.* _____. "Hamlet." In Eliot, Selected Essays. 3rd ed. London: Faber and Faber, 1951. 141-6.* _____. "Hamlet." In Los poetas metafísicos y otros ensayos sobre teatro y religión. Trans. Sara Rubinstein. Buenos Aires: Emecé, 1944. _____. "Hamlet and His Problems / Hamlet y sus problemas." In Eliot, El bosque sagrado: Edición bilingüe. San Lorenzo de El Escorial (Madrid): Langre, 2004. 309-24.*

_____. Rpt. London: Faber and Faber.* _____. Selected Poems.* _____. _____. 1961. 44-45." In Eliot. 277-90." In Eliot.* _____. Selected Poems. Selected Poems. 1954. "Sweeney Erect. In Eliot. 1920.* _____. 36-37. "'Rhetoric' and Poetic Drama. 1954. London: Faber and Faber. Selected Poems. In Eliot. 1961. "A Brief Treatise on the Criticism of Poetry". _____. In Eliot. San Lorenzo de El Escorial (Madrid): Langre. 1961. 1920. "Prólogo del autor. 1920. 1954. 1954. London: Faber and Faber. _____. 123-34. "Whispers of Immortality. Selected Poems. 38-39. Poems. 1961." Poem." In Eliot. 34-35. _____. Selected Essays. El bosque sagrado: Edición bilingüe." Poem." In Eliot. "Mr. 1961. 1920. _____." In Eliot. In Eliot. Selected Poems. 2004. Selected Poems. In Eliot. "Sweeney Among the Nightingales. 1920.* _____._____.* _____." Poem. "Gerontion. _____." In Eliot. in Eliot. London: Faber and Faber. 115-22. 1920.* _____. Eliot's Sunday Morning Service. 1954. 1920. 1920. "Burbank with a Baedeker: Bleistein with a Cigar. 40-41. _____. Chapbook 2 (1920): 1-10. 1954. El bosque sagrado: Edición bilingüe. 1961. London: Faber and Faber. 46-47.* _____. "Sweeney Erect. San Lorenzo de El Escorial (Madrid): Langre. Poems. _____." In Eliot. Poems. "The Hipoppotamus. 3rd ed." Poem. 1954." In Eliot. London: Faber and Faber." Poem." In Eliot. "Gerontion. "Whispers of Immortality. _____." In Eliot.* ." In Eliot. _____. Eliot's Sunday Morning Service.* _____. 37-42. London: Faber and Faber. Poems. 2004. "'Rhetoric' and Poetic Drama / La 'retórica' y el teatro poético." Poem. London: Faber and Faber. Poems. 1920. "Burbank with a Baedeker: Bleistein with a Cigar. 1961. 31-33." 1919. Poems. El bosque sagrado: Edición bilingüe. "Introduction / Introducción. Poems. 2004.* _____. Selected Poems. "Mr." Poem. "A Coooking Egg. "The Hippopotamus. In Eliot. 1961. 1954." In Eliot. Poems. 42-43. San Lorenzo de El Escorial (Madrid): Langre. "Sweeney Among the Nightingales. In Eliot. "A Cooking Egg. Poems.

2004. _____.* _____. Selected Essays. 163-76. Rpt." In Eliot. _____. 211-16. 3rd ed." In Eliot." In Eliot. "Swinburne as Poet.* _____. El bosque sagrado: Edición bilingüe. In Eliot. El bosque sagrado: Edición bilingüe. "Swinburne as Critic / Swinburne como crítico." In Eliot. In Eliot. El bosque sagrado: Edición bilingüe. 263-76. "The Perfect Critic / El crítico perfecto.* _____. 323-27. 3rd ed. The Sacred Wood. El bosque sagrado: Edición bilingüe. "Euripides and Professor Murray / Eurípides y el profesor Murray. _____ . San Lorenzo de El Escorial (Madrid): Langre. "A Note on the American Critic / Una nota sobre el crítico norteamericano." In Eliot. 1986. 205-20. "Philip Massinger. San Lorenzo de El Escorial (Madrid): Langre. "Philip Massinger. San Lorenzo de El Escorial (Madrid): Langre." In Eliot. San Lorenzo de El Escorial (Madrid): Langre. 163-216.* _____. 1920." In Eliot.* (George Wyndham). San Lorenzo de El Escorial (Madrid): Langre. "The French Intelligence / La inteligencia francesa. El bosque sagrado: Edición bilingüe." 1920. 135-62. _____. "Swinburne as Poet / Swinburne como poeta. 2004. San Lorenzo de El Escorial (Madrid): Langre. "Euripides and Professor Murray. El bosque sagrado: Edición bilingüe. San Lorenzo de El Escorial (Madrid): Langre." In Eliot. 2004. El bosque sagrado: Edición bilingüe. In Eliot. 191-200. London. 2004. _____." In Eliot. 1921." 1920. San Lorenzo de El Escorial (Madrid): Langre. San Lorenzo de El Escorial (Madrid): Langre. 2004. "Philip Massinger. San Lorenzo de El Escorial (Madrid): Langre. 3rd ed. 2004. El bosque sagrado: Edición bilingüe. The Sacred Wood. _____." In Eliot." 1920." In Eliot. Selected Essays. 1986. 2004. 401-12. 201-10. 59-64.* _____." In Eliot. 2004. 177-90. London: Methuen. The Sacred Wood. El bosque sagrado: Edición bilingüe. 2004. Selected Essays.* _____. "The Local Flavour / El sabor local.* _____. "The Perfect Critic.* .* _____. "A Romantic Aristocrat / Un aristócrata romántico. _____. London: Methuen._____. 2004. El bosque sagrado: Edición bilingüe. 361-400. "Swinburne as Poet. "Imperfect Critics / Críticos imperfectos" In Eliot.

_____.* _____. Houndmills: Macmillan. José Luis Palomares. Selected Essays 1917-1932. "Andrew Marvell." In Andrew Marvell: Poems. Frank Kermode. _____. 413-26. C. "The Modest and Impersonal Virtue. El bosque sagrado: Edición bilingüe. Times Literary Supplement. San Lorenzo de El Escorial (Madrid): Langre. 2004.htm _____. London: Faber. 1920. The Sacred Wood. Trans. Eliot: Resources http://myhome. 2004. _____.* _____. . 305-16. 2004. by Herbert J. El bosque sagrado: Edición bilingüe. 1997. "Blake.naver. 1928. 52-55. _____. 1932. Ed. "William Blake." In Eliot. New York: Barnes. Ed. The Sacred Wood. Selected Essays. London: Methuen. "John Dryden. El bosque sagrado: Edición bilingüe. Selected Essays. 1980. Selected Essays.edu/acis/bartleby/eliot/index3. "The Metaphysical Poets. "Blake. (Bilingües de base). San Lorenzo de El Escorial (Madrid): Langre. of Metaphysical Lyrics and Poems of the Seventeenth Century: Donne to Butler.* _____." In Selected Prose of T. _____." In Eliot. The Sacred Wood. 2004. London: Faber and Faber. with an essay. selected and edited.* _____. The Sacred Wood: Essays on Poetry and Criticism. 3rd ed. "The Metaphysical Poets. In Eliot. The Sacred Wood: Essays on Poetry and Criticism. Ignacio Rey Agudo. London: Faber and Faber. _____. San Lorenzo de El Escorial (Madrid): Langre. Eliot. El bosque sagrado: Edición bilingüe. The Sacred Wood. In Eliot. 31722." In Eliot. "The Metaphysical Poets." In Eliot. 1951.* _____." TLS (1921). S. 1986. 3rd ed. Ed. London. "The Metaphysical Poets.columbia. _____. London: Methuen. In T. The Sacred Wood. (Casebooks series). 1975. _____. In Eliot. 1951. 1986. 241-62. The Sacred Wood." 1921." 1921.* _____." In Eliot." Rev.html 2008 _____. 3rd ed. Selected Essays. 20 October 1921. 3rd ed. 281-91. "Dante. In Eliot. "The Possibility of a Poetic Drama / La posibilidad de un teatro poético. 292-304. New York: Harcourt Brace Jovanovich. London: Faber and Faber. 1950. Grierson (Oxford: Clarendon Press).com http://www. _____.* _____." 1920. 427-49. 1932. S._____. _____. Arthur Pollard. In Bartleby.com/for_eliot/sacredwood/index. San Lorenzo de El Escorial (Madrid): Langre.

In Eliot. . Blestein with a Cigar. Points of View. _____. Selected Essays." In Eliot. 1944. 388-401. Selected Prose." In Los poetas metafísicos y otros ensayos sobre teatro y religión. London: Faber and Faber. "Burbank with a Baedecker. London: Longman. Poems 1909-25. and notes Viorica Patea. London: Faber. 2005." 1923. in Eliot."Poem. 1954.htm 2008 _____." In T. 49-74. "Lettre d'Angleterre" 3. 1932. Trans. 1975. 3rd ed." 1921.com/for_eliot/prose/metaphysical. _____. and G. _____. In Eliot. Selected Essays. F. In Criticism: The Foundations of Modern Literary Judgment._____. Nouvelle revue française 11. 1958. Valerie Eliot.1 (November 1923). Homage to John Dryden: Three Essays. The Waste Land. Ed. Poems 1909-1925.* _____. _____. MacKenzie. 1941." Poem. London: Faber and Gwyn." 1923. Poem." In Eliot. 1922. David Lodge.* _____. _____. S." In 20th Century Literary Criticism: A Reader. 77-84. 381). introd. "Ulysses. "Religion and Literature. Order and Myth. Poems 1909-1925. Kermode. Eliot: Resources http://myhome. _____. "Los poetas metafísicos.* _____. 3rd ed. New York: Harcourt. In Eliot. _____. "The Function of Criticism. _____. 1951. _____. _____. Bilingual ed. The Waste Land. 1961. Ed. The Waste Land: A Facsimile and Transcript of the Original Drafts Including the Annotations of Ezra Pound. Buenos Aires: Emecé. Ed. Selected Poems. In Ed. "The Function of Criticism. Sara Rubinstein. The Waste Land. (Letras Universales. "Ulysses. In Eliot. La tierra baldía. Mark Schorer J. Rpt. 1924. London: Faber. Miles. 109-17. "The Metaphysical Poets. "Four Elizabethan Dramatists. Selected Essays. "Gerontion. Madrid: Cátedra." 1924. Trans. In Eliot. _____. _____. José Luis Palomares.* _____. "The Function of Criticism. 1972. London: Faber and Faber. _____. London: Faber and Faber.naver. Ed. 1948. 23-34. 3rd ed. In Eliot. Order and Myth. The Waste Land. 1971.. 1969.

1979. In Eliot. London: Faber and Gwyn. For Lancelot Andrewes. "Thomas Middleton. Rpt. "Francis Herbert Bradley. In Eliot. Selected Essays. Selected Essays. "John Bramhall. _____." 1927. Selected Essays. Elizabethan Essays. 1932. _____.* _____. In Eliot.* _____. In Eliot. 126-40. In Eliot. 3rd ed. 1950.* _____.* _____. _____.* _____. 354-62. 75-80._____. 140-48." 1927. Preface to Selected Poems. London: Faber. "Shakespeare and the Stoicism of Seneca. In Eliot. _____. 1951. ed." 1927. 1951. in The Critical Perspective: Volume 3: Elizabethan-Caroline. _____. 1929. Selected Essays." 1927. In Eliot." 1927. Selected Essays. 1925. "Seneca in Elizabethan Translation. 1932. "Sir John Davies. Selected Essays. 1928." Poem. In Eliot. London: Faber. 341-54. London: Faber. 1951. "Sweeney among the Nightingale. "The Hollow Men. 3rd ed." 1926." In Eliot. Dante. "Wilkie Collins and Dickens. _____. 3rd ed. London: Faber and Faber." 1928. _____. 1964. Ed. 1928. In Eliot. 1961. 132-7. New York: Chelsea House.* _____. In Eliot. London: Faber and Faber. 444-55. Rpt. Rpt. in Eliot. 1st ed. (The Chelsea House Library of Literary Criticism). 3rd ed. Selected Essays. 3rd ed. 3rd ed. _____. 1956. For Lancelot Andrewes: Essays on Style and Order. 1329-30. London: London: Faber and Faber.* _____. Poems 1909-25. By Ezra Pound." 1928." 1926. 1986. In Eliot." Poem. Poems 1909-25. On Poetry and Poets. _____. New York. . _____. 43-58." 1927. London: Faber & Gwyer. 1928. 471-80. 1951. 1954. London: Faber and Faber. London: Faber & Gwyer. "The Humanism of Irving Babbitt. "A Dialogue on Dramatic Poetry. 3rd ed. London: Faber and Gwyer. Selected Poems. London: Faber and Faber. 161-71. "Lancelot Andrewes. 460-70. 3rd. Harold Bloom. 1932.* _____." In Eliot. Selected Essays." 1927. 1951. "Francis Herbert Bradley. Selected Essays. 65-107. London: Faber. from Selected Essays. From "Thomas Middleton. "Shakespeare and the Stoicism of Seneca.

_____. 419-30. Marina. In Eliot. In Eliot. London: Faber and Faber. 3rd ed. Anabasis. In Eliot. Rpt. 1954." 1930. 3rd ed. Introduction to G._____." 1931. Robert Clark and Thomas Healy. 1951. 1st. TheWheel of Fire. "Animula. Selected Essays. Selected Essays. _____. 1997. "Cyril Tourneur. 1349. In Eliot. 1961. 1954. 1930. In Eliot.* _____.* _____.* _____. Phyllis M. ("Ariel Poems"). London: Arnold. 99-100. 1997." 1930. London: Oxford UP. 1954. _____.* _____. "Charles Whibley. Jones. Ed.* _____. 3rd ed." Poem. By Saint-John Perse. "Arnold and Pater. Selected Poems. _____. Ed. In Eliot. _____. ed." In The Arnold Anthology of British and Irish Literature in English. 3rd. 1961. 481-91. In Eliot. 492-506. Selected Essays. By Samuel Johnson.* _____. Robert Clark and Thomas Healy. 1961. Selected Poems. In Eliot. London: Faber and Faber. In Eliot. Dante. London: Arnold. "Johnson's 'London' and 'The Vanity of Human Wishes'. ." 1929. 182-92. London: Faber and Faber. 103-104.* _____. 284-90. _____. 1930." ("Ariel Poems")." Poem. 1961. 402-17. Poem. _____. Selected Poems. 1350. London: Faber and Faber. 3rd ed. London: Faber. Poems. Selected Essays. to London and The Vanity of Human Wishes. 1929. 1930. "Marina. 1954. 1951." Poem." 1930. "Journey of the Magi. Defender of Sanity. "The Pensées of Pascal. 30110. 97-98." Listener 5 (1931). London: Faber and Faber. _____. Rpt. 237-79.* _____. 3rd ed.* _____. In Eliot. 1933. "Marina. "Baudelaire." 1930. "A Song for Simeon. Selected Poems.* _____. 1961. "Journey of the Magi. In The Arnold Anthology of British and Irish Literature in English. _____. 1930. series. ed. 1954. Ed. 101-2. and trans." Poem." 1931. London: Faber and Faber. in Selected Essays. Selected Essays. Wilson Knight. ("Ariel Poems"). "Second Thoughts About Humanism. 1932. 3rd ed. London: Faber. Selected Essays. 1930. London: Faber and Faber. Selected Poems. "Dryden the Critic. In Eliot. ("Ariel Poems"). Introd. in English Critical Essays: Twentieth Century. 43243. 81-93. Ash Wednesday.

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On Poetry and Poets 252-62." 1940. M. _____. 2nd ed. Introd. 228-51. _____. Poems. _____. Harold Bloom. 1986." In Eliot." 1937. 1941.* _____. Four Quartets. 1941. "Byron. _____." 1942. By Djuna Barnes. Goldberg and Goldberg 169-74. 1936. 1956. In Eliot. in The Critical Perspective: Volume 3: Elizabethan-Caroline. Introd. _____. 32-40. London: Faber. Essays Ancient and Modern. London: Faber) _____. as "Milton (I). 1939.* _____." In The Critical Spectrum. 3rd ed. Essays Ancient and Modern. A Choice of Kipling's Verse. 3rd ed." 1936. London: Faber. London: Faber. Old Possum's Book of Practical Cats. . "A Note on the Verse of John Milton. On Poetry and Poets. In Eliot. (? = Elizabethan Dramatists. 261-74. _____. On Poetry and Poets. 1936. 1956. "The Music of Poetry. to Nightwood. On Poetry and Poets 193-206. Selected Essays. _____. London: Faber. Ed. "Byron. 1936. H. _____." (Church of England). New York: Oxford UP. 1943. Points of View. New York: Harcourt. In Eliot. Essays on Elizabethan Drama. Oxford. 1975. 1936. On Poetry and Poets 26-39.* _____. _____. 32839. 1937. Selected Essays. 13845. "A Note on the Verse of John Milton. New York: Harcourt." Rpt. The Family Reunion. _____. 1699-1701. New York: Chelsea House. By David Jones. _____.." In English Romantic Poets: Modern Essays in Criticism.* _____. New York: Harcourt. In Eliot. Children's book. New York.* _____. 1960. Rpt. _____._____ . Ed. London: Faber. "In Memoriam. "Rudyard Kipling. In Eliot. Murder in the Cathedral.* _____. to In Parenthesis. In Eliot. (The Chelsea House Library of Literary Criticism)." Essays and Studies of the English Association. Abrams. ed. Drama. Drama. London: Faber." In Eliot. "Milton (I)." 1941. Harcourt.* _____.* _____. 1936. "Thoughts After Lambeth. 1939. "Yeats. Essays on Elizabethan Drama. Ed. "Catholicism and International Order.

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