ma Elf neue Bagatellen® fiir das Pianoforte L.van BEETHOVEN. Op.1t9. Allegretto. watda20 Eleven new Bagatelles” for the Pianoforte yy Livan BEETHOVEN. op.li9. Componet in December 1882 senprelogyiermente stacctto a gra | mE | 2) Sach Stes Vohra it ae Me ‘Relea nna tle ev spltere Op 126 rar Zeit” der roton Miso solnaisgescbrichen worden ea Ene EEEE"bhuweeVericherng’vormogea wir ict 60, athe final Ghaben ‘etsumente aan schema diese” Skier fieeschedenes“Zeten so stammen reno anche ie Shao te "esnren Sologub = ira verraides, sw Aligencoen der someon letsten SChatenapentadranaehirt a erte Ed wo entshledene. Faience it dm ‘Shera ate ‘Testo Winans Op. 98 (oops 1812, pti {hic} tase mun peel sta ues se Eetilung in Ue7haice Zak eleger an owete (Cdr) tte Matas Sects in ie cliehte ahead ore Nast buchetblich en Selrstskten der Coa IS anlatee tl!dom € malts OR LNOR (componirt ins) tataommen, Stel sur Rcttotians taser a= Selene Ans Was den Werth dese Bepatelenn Innate mane sede denen picereprochenrerden $8 Seogen von ystlafendem Homeré mu sprechen ie Safe Witten val Faanone wad rzendenFoineiten Dock‘haben se sllerings nk aie knietache "Bede Bee" te en Riomertenicer Bethren weet “eB BE lates Gp 28 ebenfalls, Bugatten™ ror Chopin's ‘Wintigue beehsprochen: Caecitinrmussen. se thor Weegee Berane sltereeyjugee Rane ‘oh ‘monnien de erbmeren Wee lear” Periode Teo Meters tageeasen’ rr interpret, empltlen 56 mn Gnindichten Setiom. De isu’ etehey SGerm Aeatnessthsiaft recbeinenden Ste Bigot SET AchHUe) She henge Alsarenintere Grinch ore Frchne ni) Badacitang eflgrich vobeeiten 1) Der vom flesgeher binmacfoat. die erste Note des Themas soll ‘iat jeler vor dem uns hatitisten Deatsthes angtorsen Fie ele Auta Welln oa aster nd’ dan caraterischete Mo Set iter Phas erwchen,mogichsBevabeh ©) Der Mordont ist in cine Doppaiile autaven: Tae morta! should be tsa tno 0 wher: fog wmten ty a Noth Accent suf 1k) According to SCHINDLER'S assertion, his Dook of “Dagatatls? as also. the later Op. 126, was written at the time of the grand Misea solemntsy abos! the ent of 1882. We cannot so unconditionally belive this as = Seiton jo ns thse. sketches appear fo Rove Deen com ~ posed at different periods, alttough the majority, as, the feta” cartier of tte eta, belo gener, fo eto ped ist gered of eration, The fist tere Shows a to decided fomily-tiheness to the “Scherzo from The fast ejolin- sonata, 09.08 (composed 1812, published 4S12h thet we shouldbe inclined fo transfor ifs origin othe same erind. The second plece(Comnjor) might, 0” the citer hove, perhaps reach info the 13th centary:. its Imotive ts lferaly taken from the closing measnres of Ihe coda of the. Andaste from the. cx intnor tri0y We competed 200) So.” in justification Of o¥ fice Spe Cth rant Tote ede of tae ge tags coma first Gf at contaditthre ho dere espa ofthe “uaddity “Homer the prces “abound tn Fruch and, charming’ delicacies. Sit, they heeey tow = Lee nat inclactbthe inportoice for. he, panefirtetox fond "BeRENOWEN a Ca ay the Potade, OF 2, Goo isance, thewieBagoeles” can ‘claim for’ sit Kving CHOPIN. From on eitcational poist of siew meth thy must te teqardadae ovale: dhese ‘Aenoforle papers. tha Gre ambitions to inert te Iincee "cork of the Maser Trt period ‘warily we IecSnnsed them 10 the moat oreagh tuts The sb Na one eal of Soe phen pared throng doteughness in examination ed’ ob - Lereationwhon he geesharity appears’ tea “emailer The accent added by the Kéilor to he first OF te theme hesben Placed thre oll toexard the Maser 2a ap ost aonb ah See tn eed” Geman) wo te troper ge Uentete ap: teal anf ery, Barring the Pas!” che seetsid nent ofa Boe note(poce sentande Legginrmrate staconte 8) Da das Original fast gar keine: Nuanzen-Bowichnang futhilt, uid os sicherlich aieht die. Absieht des ‘Tondich = fers genesen istyden Spieler 1 einem schatten und Heh Tosen Vortrage 1 weramingseny x0. hat os sich der Heras: decor entattt, ureh seinen persinlichen Auffassungsm0- Aus ie. nbibige Erginzing 2 Uefern, welcher er, ie Schon tes Offeren versichert worden ity Keine oljeetive Totehitarkeit beimisst = * 8) Inosmuch os the Original contains scarcely any Imarks of shoding, ond it was surely not the tone Joos “intention to. toad the. plaser fo. delivery with bal light and. ‘shade, the Feito kos allowed ‘himself, fhrough his personat system of conception, 10 suphe iment the necescary. “shading marks?” fo. whicks as Iie has often attested, he ascribes wo objective in souteitesAndante con moto, ux. 2. 120. ‘#4 8) Die Oherstimme is sanghar ox spiclen und darf dess hath der Werth dee ersten Acktels selbst bis aur: Der fines Viertels verlingert_ werden: B) Dig sonst im Allgemeinen sehr Dep ‘beim Spiel mit tberkrouaten Hinden den Dauimens nach Moglichkeit- zu vermeiden, insofern eine Ausnahme, als die Ausflhrung der be treffenden Figur mit den Mittelfingern rhythmische Us Sicherheit erzeugen kinnte, Regal branch de eldet bier &) The upper soice should be flayed sovgfully and ence the valve of the first eighth ole may be length = ened even to the duration of a quarter-note: D) The rte generally well-grounded, fo avoid as uch as possible the use of the thumby when flay Wilh the hands crossed, undergoes here on excepion to So far as the execution of the figure concerned. mith he mide fingers might produce. rhythmical wncer ~ tainty