The composer Arnold wanted to film his opera in a 'of the utmost unreality' but like many other for artists' cinema in the silent era, it was never made. The second route to artists' cinema was more with music. While painting remained the master-code for the new film art, it here took a different post-Cubist swerve into 'the new age'
The composer Arnold wanted to film his opera in a 'of the utmost unreality' but like many other for artists' cinema in the silent era, it was never made. The second route to artists' cinema was more with music. While painting remained the master-code for the new film art, it here took a different post-Cubist swerve into 'the new age'
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The composer Arnold wanted to film his opera in a 'of the utmost unreality' but like many other for artists' cinema in the silent era, it was never made. The second route to artists' cinema was more with music. While painting remained the master-code for the new film art, it here took a different post-Cubist swerve into 'the new age'
Copyright:
Attribution Non-Commercial (BY-NC)
Formatos disponibles
Descargue como PDF, TXT o lea en línea desde Scribd