Topic
-
incorporating
remix
&
mashup
culture
in
dance/theatre
arts.
Initiator
-
Mathieu
Perron
Participants
-
Mathieu
Perron,
Patrick
Goddard,
Jeremy
Hectman,
Fannie
Bellefeuille,
Allison
Burns,
Gregory
McCormick,
Stephen
Orlov
Discussion
Key
Points
- What
is
the
difference
between
mashup
and
interdisciplinary?
- How
do
we
stop
it
from
becoming
bad
improv?
A
gimmick?
- Is
it
necessary?
Why
do
it?
- How
do
you
isolate
identifiable
elements
(or
tracks)
of
any
given
performance?
- Could
Mashup/Remix
allow
for
a
work
to
live
a
longer
life?
- Could
it
be
seen
as
a
homage
to
works
unknown
to
the
public
at
large?
- Can
it
develop/foster
cultural
knowledge
within
a
community?
- Should
artists
just
stick
to
what
they
know
best?
Ie.
Dancers
juts
dance,
actors
just
act.
- May
this
help
literary
festivals
bring
in
elements
of
performativity?
- Potential
interesting
grad
school
material.
Gathering
information
of
companies
that
may
dabble
in
what
could
be
described
as
remix
or
mashup
theatre.