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Abstract

Neuroesthetics

and Aesthetic Computing

: Oscillations on the boarder of aesthetics

Iae- joon Lee"

On

my

paper

"A

Possibility

of

Aesthetics

10

the

digital

Eco-systems"(2008),

I attempted to describe a spectrum of aesthetics in and to address some aesthetic This article issues of an now rums to

our digital techno-culture ecological interaction

of human-machine.

introduce, so calJed 'scientific aesthetics',

'neuroesthetics'

and 'aesthetic

computing', and to illuminate their relations and meanings on the boarder of contemporary aesthetics. euroaesthetics has accounted some specific brain domains and its behaviors and aesthetic judgments with by was

functions related with artistic

methods of neurobiology and neuroscience. It has been oraganized Semir Zeki in the late 1990s, and the Association of established at Berlin in 2008. euroesthetics

According to tradition of aesthetics, neuroesthetics may be drawn a line between 'for et arts' al., and early 'for aesthetic judgments'. studies have Like V. S. to

Ramachandran interpret studies,

neuroesthetic

attempted

aesthetic

phenomena on gestalt

psychology, and some recent attention to the

like H. Kawabata relation between

and S. Zeki(2000), pay specific brain areas

neurological

and pure

aesthetic

" Invited Professor of Chungang University

judgment/as 1. Kant's 'tanscendental principle of aesthetic judgment'). Aesthetic computing has begun from 'the Dagstuhl Seminar'(Leibzig, German) in 2001. Aesthetic computing researchers have issued 'the

Aesthetic Computing Manifesto' on Leonardo journal in 2003, and published Aesthetic Computing(the MIT Press) in 2006. Their purpose is to shake

off the traditional approaches of computer science and engineering, like linear methods and top-down procedures. To achieve this, aesthetic

computing applies aesthetic principles to computation, because they think aesthetic attitude or artistic mind can provide something individual and multiple to computer-based-culture. Aesthetic computing don't insist computation is an instruments of

artistic behaviors hut computation is an artistic expression in itself. With the aim of aesthetic computing, some researchers like P. Fishwick, S. like C.

Diehl, P. Vickers et al. tried to make mapping between softwares and aesthetic Sommerer, principles on modelling leveL Another researchers

J.

Prophet et al. suggest an aesthetic properties of artificial life

art may be a good exemplar for aesthetic computing. Though neuroesthetics and aesthetic computing have grown up from different roots, they all propose the horizon of scientific aesthetics with a positivist method. Furthermore, neuroesthetics is related with A. Damasio's neurological studies of feeling and emotion, A. Damasio's studies have stirred up R. Picard's affective computing, finally aesthetic computing has some special relations with the affective computing. In this sense that each study shares some ideas (sensibility, computing emotion, aesthetic critics properties), of modern

neuroesthetics

and aesthetic

all defend

logos-centric world view.

Key Words aesthetic computing, aesthetic judgment, affective computing, computer as media, A. Damasio, digital aesthetics, digital eco-systems, F. Fishwick,

neuroesthetics, S. Zeki