Está en la página 1de 232

2145- 8138

MODELO

PAGINAS DE ORIGAMI 2015

CP
Acanthocephala Declivus
Ave de Papel 2.0
Estrella de 12 puntos
Diagrama
Baby Turtle
Cabeza de Puma
Fox Cub
Gannesha Elephant box
Margan Bird
Margaret Star
Monkey
Nina Simone
Octagono
Ornitorrinco
Rooster
Spectacled Bear hat
Toucan
Invitados
Brillik Cubes
Seated Dog
Christmas Tree Fairy
Waterbombic Dodecahedron
El Rinoceronte Negro An no
se ha Extinguido
Bonus Track
Caracol

AMIGOS PLEGADORES

Autor
Victoria Serova
Andres Sanchez
Jorge Jaramillo

Pag

4
5
6

Nguyen Ngoc Vu
Romn Daz
Victoria Serova
Michael Shannon
Barth Duncan
Maria Sinayskaya
Noboru Miyajima
Joke Mooij
Ral Panqueva
Fernando Gilgado
Yoo Tae Yong
Bernie Peyton
Angel Morolln

7
13
15
21
26
28
30
36
37
38
42
49
54

David Brill
David Brill
David Brill
David Brill

60
64
65
68

Mauricio Florez

70

Alexander Oliveros

76

AMIGOS PLEGADORES

PAGINAS DE ORIGAMI 2015


(acanthocephala declivus)
( 2009)

a
b

f
c1

(ae) -
(bf) -
(bb1) -
(bc1) -
(bd) -
(cg1) -
(hg2) -
(sg3) -

b1

c
s

g1
g2

g1

g1

c1

b1
f

c1

g2

g2



250250

g3
g3
ba

g1
a

c
h

b1

a
b

c
h
h

c1 c1

b
g2

b
h
h
s

g3

c
c

b
c
h
s

g3

Convenciones:

Lado blanco hacia arriba

CP:

CABEZA DE PUMA
COUGAR HEAD
Romn Daz for Origami weekly

2.

1. Color principal hacia arriba.


Main color up.

4.

3.

5.

7.

8.

6.

9.

11.

10.

13.

14.

17.

16.

19.

12.

15. No hay referencia exacta.


There is no reference for this fold.

18.

9
10

45

12
13

11
15

16

14

18
19
17

22
20

21

23

26

25

27

28
90

30

29

31

35

34

33
32

,QQHUUHYHUVHIROGEHWZHHQWKH
VHFRQGOD\HUDQGWKHWKLUGRQH

37

36

38

)ROGRQHIODSXSZDUG
39

40

41

3XOOWKHWDLOXSZDUG

44
45
43

42

)ROGWKHOD\HUGRZQZDUGPDNLQJWKH
WDLOYROXPLQRXV
6TXDVKIROGWXUQLQJ
WKHOD\HUXSZDUG

46

48

47

2QWKHWDLOHQGXQIROGDOO
OD\HUVIROGWKHFRUQHUDQG
WKHQIROGDOOXQIROGHG
DJDLQ

52
51
50

49

55

54

52

60
56

58

59

57

61

62

63

<RXFDQWXUQWKHKHDGRI\RXU
FKRLFHGHSHQGLQJRQWKHIROGV
ORFDWLRQ

2
0DNHWKHVWHSVDDLQVWHDGRIWKHVWHSV

25

26

26

90

27

28
29

54

1RZPDNHWKHVWHSVDQGWKHQWKHVWHSVDD

54
54

54

54
54

3XOORXWWKH
OD\HUV

55

57
56

58

59

61

60

62

64

65

Ganesha (Elephant) Box

This box is based on the traditional Tsunoko box or star box.


The Ganesha Box celebrates the Hindu God of wisdom, knowledge
and new beginnings.
Designed by Michael Shannon
masorigami.com
phreqy@gmail.com
IG: @phreqy

Ganesha (Elephant) Box

Start with a preliminary fold, open end at the


top. Fold edges to center line along angle
bisectors.

Squash fold the ap and swing it to the left.

Fold one layer to the left in front and one layer


to the right behind.

Repeat on the other three sides.

Fold edges to center line along angle bisectors

Like so.

Fold the ap down along the horizontal line


shown. Unfold.
2014 Michael Shannon. All Rights Reserved.

Fold point A down keeping the edges B and C


lined up.

No part of this publication may be reproduced in any form or by any means without prior

Unfold.

10

11

Like so.

Fold the point down, this time pull down one


layer, mountain and valley fold as shown. Look
to the next step for the nal shape.

13

12

14

Fold the point to the left along the center line.

15

Pull down the inner layer of paper making sure


to follow the same creases as in step 10 but on
the right side.

Like so.

Like so.

Partially unfold this area to achieve this.

16

17

Squash fold the point downward to the center


line.
2014 Michael Shannon. All Rights Reserved.

18

Fold the point up making a petal fold in the


process.

No part of this publication may be reproduced in any form or by any means without prior

19

20

21

Fold the point back down.

Like so.

22

23

Open sink the point along the creases just


made. Partially open the model to achieve this.

Unfold.

25

26

Open sink the left and right along the newly


created creases.

This is the nished trunk and head. Next we


add tusks.

2014 Michael Shannon. All Rights Reserved.

Fold the top point down so that the crease is


half way from the top as shown.

24

Fold the left and right sides toward the center.


Do not fold to the center line but rather a little
short, about 1/3 or so. Keep the creases from
reaching the tip.

27

No part of this publication may be reproduced in any form or by any means without prior

Fold one ap to the left.

28

29

30

Fold the ap back to the right but this time fold


the point A up and to the right collapsing on
the folds as shown.

31

Note the new location of Point A.


Repeat steps 27 and 28 on the left side.

32

34

35

Fold the head assembly back down to the


original position.
2014 Michael Shannon. All Rights Reserved.

33

Fold the head assembly up along the horizontal


line shown. Swing the top portion back as you
fold the point upwards.

Like so.

The nished elephant head. Repeat steps 7


through 29 on the other three sides.

Fold the two edges to the center line creasing


as shown.

36

Repeat steps 32 through 34 on the


other three sides.

Fold and unfold the bottom triangle along the


line shown.

No part of this publication may be reproduced in any form or by any means without prior

37

Open the top of the model and push the


bottom making the box 3D.

The nished elephant box

2014 Michael Shannon. All Rights Reserved.

No part of this publication may be reproduced in any form or by any means without prior

MARJAN
MARJAN
BIRD
BIRD

by Barth Dunkan

15 x 15

Kami Paper

2
3

8
6

14

16
15
13
Designer: Barth Dunkan
Photodiagrams: Rui Roda
Diagrams by Halle 2014

12

11
2

9
10

12

Margaret Star

Maria Sinayskaya April 2014

1
3

10

9
8

( 8)

Assembly
1

Add the remaining


units in the same way.

021.(<
0RGHOV 'LDJUDPV%\1RERUX0,<$-,0$
'HVLJQ2FWREHU
'LDJUDPV2FWREHU

)ROGGLDJRQDOVDQGXQIROG

)ROGWKHFRUQHUDORQJ
WKHFHQWHUOLQHDQGXQIROG

)ROGWKHHGJHWR
WKHFHQWHUOLQH

)ROGWKHHGJHWRWKHFHQWHU
DQGXQIROG

)ROGHGJHWRHGJH
DQGXQIROG

)ROGFRUQHUWRFRUQHU
)ROGDORQJWKHOLQHFRQQHFWLQJ
WKHFLUFOHGSRLQWVDQGXQIROG

)ROGFURVVLQJWKHFLUFOHG
LQWHUVHFWLRQDQGXQIROG

)ROGWKHFRUQHUDORQJWKHOLQH
VWDUWLQJIURPWKHFLUFOHGSRLQWV

)ROGHGJHWRHGJH
DQGXQIROG

)ROGWKHFRUQHUDORQJ
WKHFHQWHUOLQH



)ROGWKHFRUQHUDORQJ
WKHH[VLWLQJFUDVHOLQH

Unfold

5HSHDWEHKLQGRQ
WKHULJKWVLGH


)ROGXSWKHFRUQHU
DORQJWKHOLQHFRQQHFWLQJ
WKHFLUFOHGSRLQWV

)ROGWKHFRUQHUDORQJ
WKHFHQWHUOLQH

Unfold

)ROGGRZQWKHFRUQHU
DORQJWKHOLQHFRQQHFWLQJ
WKHFLUFOHGSRLQWV
)ROGWKHHGJHVWRWKHFHQWHU
DQGXQIROG

)ROGHGJHVWRHGJHV
DQGXQIROG

)ROGXSWKHHGJHVDORQJ
WKHOLQHVWDUWLQJIURP
WKHFLUFOHGSRLQWV

)ROGGRZQWKHFRUQHU
DORQJWKHOLQHFRQQHFWLQJ
WKHFLUFOHGSRLQWV

6ZLYHOIROG

)ROGWKHHGJHVWRWKH
FUHDVHOLQH

5DEELWHDUIROG

)ROGLQKDOI

6TXDVKIROG
3XOORXWWKHKLGGHQFRUQHU


)ROGGRZQWKHFRUQHU
5HSHDWEHKLQG

)ROGLQKDOI

,QVLGHUHYHUVHIROG
5HSHDWEHKLQGRQ
WKHULJKWVLGH


)ROGEHKLQGDORQJWKHHGJH

6TXDVKIROG
,QVLGHUHYHUVHIROG

6TXDVKIROG

)ROGWKHFRUQHUDORQJ
WKHH[FLWLQJFUHDVHOLQH

)ROGHGJHWRHGJH

8QIROG

)ROGWKHHGJHVWRWKH
FHQWHUDQGXQIROG

)ROGWKHFRUQHUWRWKHOHIW
DORQJWKHFHQWHUOLQH

3HWDOIROG

3XOORXWWKHHGJH
DQGIROGXS

0DNHDFUHDVHDWULJKW
DQJOHVWRWKHHGJH

)ROGXSWKHFRUQHU

)ROGHGJHWRHGJH

8QIROG



3XOORXWWKHHGJH
DQGIROGXS
)ROGGRZQWKHFRUQHU

5HSHDWEHKLQGRQ
WKHULJKWVLGH


6TXDVKIROG
)ROGGZRQWKHFRUQHU
DQGXQIROG

2SHQ6LQN

)ROGWKHFRUQHUEHKLQG
&ULPSIROG

,QVHUWWKHFRUQHU
LQWRSRFNHW

)ROGWKHFRUQHUEHKLQG



6TXDVKIROG

5HSHDWEHKLQG


&ULPSIROG

2XWVLGHUHYHUVHIROG

,QVLGHUHYHUVHIROG

)ROGWKHFRUQHUEHKLQG

)ROGWKHFRUQHUVEHKLQG
DORQJWKHOLQHVWDUWLQJ
IURPWKHFLUFOHGSRLQWV

,QVLGHUHYHUVHIROG

)ROGWKHFRUQHUVEHKLQG

)ROGWKHFRUQHUVEHKLQG
0DNHDFULPSLQVLGH
RQERWKVL]H

2XWVLGHUHYHUVHIROG

2XWVLGHUHYHUVHIROG

0DNHDFULPSLQVLGH
RQERWKVL]H

0DNHDFULPSLQVLGH
RQERWKVL]H


5HSHDWEHKLQG


0DNHDFULPSLQVLGH
RQERWKVL]H

)ROGWKHFRUQHULQVHLGH
5HSHDWEHKLQG
3XVKWKHWRSDQGERWRPHGJHV

0RGHOFRPSOHWHG

 

  
 








5
3

Papel: una tira de 2.5cm70cm de dos colores.

10
9
Ra
ul Panqueva. 2015.

ORNITORRINCO
3

2
1

Repetir detrs
4

DIFICULTAD:
6
TAMAO:

24 cm = 16 cm

COMENTARIO:
c Fernando Gilgado (2012)

Dar la vuelta
a la esquina

www.flickr.com/photos/gilgado

10

Los pasos 11 y 12 son


tridimensionales, y hay que
repetir los pliegues en la
solapa delantera y trasera
simultneamente.
El cambio de color de la
cabeza y la cola (pasos 28 y
29) es bastante difcil, ya que
hay que forzar las solapas para
darlas la vuelta y volver a
dejarlas planas.
Finalmente los pasos de la
cabeza no son complicados,
pero hay que prestar atencin
a las referencias de plegado.

Marcar todas las capas


11-A

Marcar todas las capas

Abrir las solapas.


Repetir detrs

11-B

Hundir y sacar
las dos solapas
simultneamente

12-A

Paso intermedio tridimensional


12-B
Hundir y sacar
las dos solapas
simultneamente

Paso intermedio
tridimensional

13

26

25

28

27

ORNITORRINCO

29

Dar la vuelta
30

Abrir y dar la
vuelta a las solapas
para cambiar el color

Repetir 22-23
simtricamente

Dar la vuelta sin


romper el papel

24
33

31
32

Dar la vuelta

23

19

Repetir 27-30
simtricamente
20
Hundir

22

Repetir 14-19
simtricamente

18

16

17

21

90

14

15

ORNITORRINCO

39

38

37
36

40

Sacar el papel

41

Repetir 34-35
simtricamente

35
42

34

43

90

47

48
46

44

Juntar los bordes


45
Sacar el papel

Juntar los bordes

49

53
Sacar el papel

52
50

Llevar hasta la marca

51

Sacar el papel

66

67

ORNITORRINCO

68

69

70
73

Sacar el papel

72

65

71

Repetir 66-70
en todas las patas

64

59

60
61
62
63

58
Dar la vuelta

Separar las solapas

54

55

Sacar el papel

56

57

 5RRVWHU
 
'HVLJQ 'LDJUDPE\<RR7DH<RQJ




















a













a












RSHQVLQN

























a









a




















a


















a
































a












 R

 2SHQ DOO IROGV

 &KDQJH WKH GLUHFWLRQRIWKH LQGLFDWHGIROGV

&ROODSVH WKHPRGHODJDLQ
DFFRUGLQJ WRWKHVH IROGV

 0RXQWDLQFUHDVH SHUSHQGLFXODU WR WKH HGJHV

 0RXQWDLQIROGEHKLQG
RQWKHFUHDVH RIVWHS

 6ZLYHOIROGWKHWRSOD\HU %ULQJ WKHGRWVWRZDUGWKHFHQWHU

'RQRW FUHDVHWKLVSDUW
 0RXQWDLQFUHDVH WKH OHIWHGJH
RQDFUHDVHRIVWHS
 3XOO D FRUQHURI WKHPRGHOWRWKH ULJKW
DVIDUDV LWZLOO JR 7KHQ YDOOH\IROG WKH
OHIWHGJHRQWKHFUHDVH RIVWHS'RWV
PDUNDIROGLQWKHQH[W VWHS


 6ZLQJ WKHFRUQHUEDFNWR WKHOHIW


&KDQJH WKH GLUHFWLRQ RI WKH IROG EHWZHHQ
WKHGRWVDQG UHGRWKHVZLYHOIROG

 5HSHDW VWHSV  WR  RQ WKH ULJKW


 9DOOH\IROGWKHQRVHIODSXS
DORQJDQHGJH XQGHUQHDWK

 9DOOH\IROGWKHQRVHGRZQRQ
D OLQH EHWZHHQPRGHO FRUQHUV

&ULPSH\HVE\UHOHDVLQJSDSHUXQGHU
WKHQRVH 0DNHVXUH\RXU FULPSJRHV
WKURXJKWKHWDEVWKDW\RXPDGHLQVWHS

 3XOOSDSHURXWRIWKHQRVHWLS/RZHU
WKHPRXQWDLQIROGHG HGJHV RIWKH QRVH VLGHV
7KHQRVHZLOOEHRPH '

 9DOOH\IROGDQHGJHXS

 9DOOH\IROG



 &ULPS

 0RXQWDLQIROGDQG XQIROG

 5HSHDW VWHSV  WR RQWKH RWKHUVLGH

 3OHDW HDUV )ROGV IRU HDFK HDU DUH QRW SDUDOOHO

 3XW \RXU KDQGLQVLGHWKHKHDG VHSDUDWHWKHOD\HUV


DWWKHERWWWRP &ULPSWKHWRSRIWKHKHDGDQGSODFHWKH
FULPS WRRQHVLGHLQVLGHWKHKHDG 0RXQWDLQFUHDVHDOO
WRS OD\HUV RI WKHFKHHNV %HQGWKHHDUV EDFN 7XUQWKH
PRGHO RYHU

 3XVKWKHYHULFDOULGJH
LQVLGHWKHKDW WRWKHOHIW
7XUQ WKH KDW RYHU VLGH WR VLG

 3XOORXWWKHUDZSDSHU
HGJH IURP WKH EDFN RI WKH KDW

)RUEHVW UHVXOWVJOXHRU WDSH WKH SDSHU PDUNHG


E\WKHGRWVWRJHWKHU 'RWKLVRQWKHRWKHUVLGH

Tucn
by ngel Morolln

3
1

35 x 35
35
5
Papel
P
ape
pel
e Ele
Elefante
efante
nte

11

10

Deshacer hasta
el paso 7

13

12

14

15
16

Esconder
er
er
dentro
o
del pico
o

17
7

18
1
8

20

19

21
1

22

24
4

23

25

26

27

28

30

29

31

32

33
Introducir en el bolsillo

Hundido
abierto

34

36

35

37

39

38

Humedecer
um
u
me
me
edec
dec
d ce
err

40

41
41

Con el pulgar pulsar


y curvar la espalda.
El crneo queda romo.

42

Colocar un objeto cilndrico


as de
en la espalda y sujetar con dos tiras
ho
cinta, una pasando por el pecho
s.
y la otra por detrs de las patas
patas.

43
3

Secar, retirarr
y listo!

20 cms. aprox.
Creacin: ngel Morolln
Simbologa: Pere Olivella
Diagramas by Halle 2013

EL RINOCERONTE NEGRO AUN


NO SE HA EXTINGUIDO ...

Mauricio Florez Pinzon


Colombia, 2015

3-6

6
5

45

12
10

11

21
24
22
23

20

sacar el papel
atrapado.

19

18

17
sacar la capa de
papel atrapada.

16

13
14
15

26

25

27

23-24

28

el pliegue en montana
es el hecho en el paso
26.

29

31
30

32

invertir la capa
con cuidado.

35
33
34
31-32

36

48
52
47

49
aplastamiento
en proceso...

51
46

50

vision de rayos X. Los


pasos 47-51 ocurren
en la capa interior.

guardar el papel
restante.

43
45

90

44

38

37

42

40

39

41

37-40

53

54

liberar la capa mas


superficial...

55

hacer el pliegue a traves


de todas las capas.
hacer un pliegue cortado,
le da volumen al modelo.

doblar hacia dentro


y repetir atras.

58

56

22,5

57

59
66

65
liberar el papel y montar una
capa sobre la otra. De tal forma
el modelo no se abre. Fijarse en
A para mayor claridad...

60
adelgazar un poco el
abdomen y el cuello.
Repetir atras.

64

61
62
repetir 60-61 para
las cuatro patas.
doblar a traves de todas las
capas.

63

66c
A

66b
A`

67
A

dar ultimos retoques:


modelar las patas,
curvar la cola y el
cuerno y dar mayor
volumen al abdomen.

66a
A`

!!!SIGUE VIVO!!!
El modelo de la foto esta plegado en humedo con papel Curious-Metallics de 120 gms.
Recomiendo que este modelo sea plegado en humedo con papeles apropiados de 120 gms o
160 gms. de dimensiones entre 20x20 y 30x30 cm2. Con un papel resistente se puede
plegar en seco hasta el paso 61. luego, se coloca el modelo dentro de un trapo humedecido
(al punto que al exprimir no salgan gotas de agua) por unos 10 minutos y asi se logra un
terminado con humedecido parcial.
No recomiendo mojar directamente el modelo por segunda vez, pues el agua se acumula
en los pliegues ya hechos y probablemente se rompa.

"$0-$"3
$"3"$0
by Alexander Oliveros
Olivero vila

20 X 20
Papel
Pa
ape
pel Can
Canson
nson 110
nson
11100 gr.
11
gr
W fo
Wet
folding
olding


Desplegar


Colapsar




En proceso



La solapa
debe quedar
arriba
Vista cenital
del paso
anterior






Marcar y
Colapsar





Vista
detallada
del paso
anterior



Desplegar
el modelo



Cambio
de color



180

En proceso
paso
pas
pa
a anterior
aso
antteerior
or







Levantar el
caparazon





Diseo:

Alexander Oliveros
Fotodiagramas:
Rui Roda
Diagramas
by Halle 2013

Crear las
antenas

Dar tridimensionalidad
al cuerpo









  
 
" # $ %&










 





 
















 

Common loon by Artur Biernacki

5
4

14
15

13
12

10

11

16 Open sink

21 Outside reverse fold

17 Outside reverse fold


20

18

19 Open sink

22
29 Open one layer.

23
28

27 Inside reverse fold.


24 Mountain fold
before the layer.
26
25

31
30

32

33 Inside reverse fold.

29-33

35 Squash fold and valley fold


to inside model.

36

34

37 Mark one layer.

41
40

42
39 Ouside reverse fold.

43

38

Valley fold to inside model.

44

40-47

49
48

47
50

51
46

55

50-54

52

54
53
45

50-53

59

58
60

57

Inside reverse fold

61

56

62

68

69

Model completed.

67 Crimp.

66 Inside reverse fold.

65

63

64

EVA

Si a la serpiente la hubieran
dejado contar su versin, bien
distinta sera la historia, pero a
ella nadie le pregunt, pues
bien sabido es que a los
escritores de ficcin nunca les
ha interesado validar las
fuentes.
El paraso, lo que se dice
entretenido, no era. Adn
soaba con montar un circo.
Deca que "poda dominar las
bestias" pero era claro que
aquello no gustaba a nadie.
Por un lado a stas poco o
nada les gustaba que tan
despectivamente las llamaran,
y por el otro es que aquello de
dominar no era para nada
cierto. Ellas se dejaban, pero
slo cuando queran. Adems,
la idea del circo a todos
resultaba ridcula pues quin
ira a verlo?

Pero ese era Adn. Se pasaba


de locura a locura, y de locura
a tontera. Como si fuera poco,
aquella alimentacin a base
de hortalizas lo mantena de
mal genio. Pero en eso hay
que ser honestos, que la idea
no haba sido suya, sino de Eva
que no paraba de leer libros
de dietas y de auto ayuda. Y
Adn no estaba tan gordo. Si
haba ganado algunos kilos, es
cierto, pero era normal con los
aos. Adems, si a eso vamos,
tampoco es cierto que la
manzana engorde de ms.
Bien saba la serpiente que era
Eva quien llevaba las hojas de
parra de la relacin, o como
dicen modernamente: los
pantalones. Y es que era sexy,
tanto como para despertar los
celos de Adn cada que ella le
deca que "tena que ir a
hablar con dios, que no
volviera hasta que lo llamara".
Es que adems Eva llegaba a
ser cruel, con una facilidad
que impresionaba.

Zoom sobre la parte


de adelante

Se evidencia un bonito
cambio de color

Volvamos al modelo
completo

Era provocativa, insista la


serpiente, tanto cmo para
poner nervioso a dios cuando
le deca que lo esperaba
"como la haban trado al
mundo", es decir, llena de
preguntas.
Un nuevo zoom sobre
Pero entre Eva y dios nunca
la base de la cabeza
hubo nada. A Eva le gustaban
los amantes que se olvidaban
de ellos mismos, que amaban
sin recato. Y dios siempre vive
preocupado de si mismo y del
que dirn, si hasta ngeles
tiene que le cantan todo el Hacemos
un hundido
da.
Si le hubieran preguntado a la
serpiente ella hubiera contado
que por eso Eva prefera su
reptil compaa. Que se
haban enamorado cuando le
haba hablado desde lo alto
del manzano. Que amaba el
ondular sinuoso cuando ella Reducimos y
bajaba hasta el piso y luego trabamos la
trepaba por sus piernas, cola al cuello
buscando dnde amarrarse
4
cmo las serpientes hacen.

Un escaln
diagonal

El modelo completo
Que cuando estaba en el
manzano la esperaba. Y que
cuando se vean no paraban
de hablar. Es verdad que a la
serpiente le pareca que Eva
no
requera
libros
de
autoayuda y mucho menos
libros de dietas, pero la oferta
literaria en el paraso era
francamente pobre.
Si alguien hubiera escuchado a
la serpiente, ella le habra
contado que cuando Adn
puso a Eva a escoger, atacado
por los celos que de dios
tena, ella no dudo en
segundo en irse al manzano a
buscar a su serpiente. Y que
dios, herido en ese orgullo
que tena a imagen y
semejanza de Adn, sinti que
la clera lo invada.
5

Enrollamos el cuerpo, y
damos un poco ms de
forma a la cabeza

La pataleta de Adn al
encontrarse engaado con la
serpiente tampoco ayud
mucho, pues como buen
patrn que era dios decidi
que no tena por qu
aguantarse las quejas del uno
y los desplantes insinuantes
de la otra y los ech a los dos
aunque con eso se qued sin
quien pagara arriendo por el
paraso.
Pero nada de esto cuenta la
serpiente. Pues desde que Eva
se fue ya con nadie habla. Sin
Eva en el paraso no hay ms
que soledad.

Dibujo,
jo, foto, y diagrama:
http://www.danielnaranjo.blogspot.com
aranjo blogspot com

Fish

by Hoang Tien Quyet


April 2014 - July 2014

1
2
3
4

5
6

11

8
10
9

22

21

23

20

24

25
26
19
Completed

18

17

16

13-18

12
13

14

15

Page 1

FOX

Victoria Serova (Russia)


Http://vs-origami.narod.ru
1

5-

10

Victoria Serova (Russia)


Http://vs-origami.narod.ru

Page 2 (fox)
12

11

13

45

14

16
15

17

18

19

Fold by specified lines to flat figure


squash fold

20

22

21

Petal fold

23

Unfold to step 20

squash fold

Pull down the outer layer

24

Victoria Serova (Russia)


http://vs-origami.narod.ru

Page 3 (fox)
25

27

26

Repeat steps 19-24

squash fold

30

29

28

Petal fold

31

Crease lines on the nearest flap

35

34

33

32

Unfold as at step 24

Crease lines

38

37

36

Pull out a layer

39

42

41

40

Pull out a layer

squash fold

43

Page 4 (fox)
44

Victoria Serova (Russia)


http://vs-origami.narod.ru
45

46

48

49

47

Crease the line from one point to


another one. Then flatten the right side.

51

53

52

50

Fold the left side to flat

56
55

52
-5
5

54

Crease the line on


the nearest layer

57

Page 5 (fox)

Victoria Serova (Russia)


http://vs-origami.narod.ru

60
59

58

62

61

Hide into the pocket. Repeat the


steps 59-61 on the other side
Pull out a layer from the tail

65

64

63

67

66

70

69

68

62-67

closed sink

71

73
72
Fold back the outer layer

90

74

a2
a1

Stretch to the sides connecting the points


(a1) & (a2) by the straight line

Page 6 (fox)

Victoria Serova (Russia)


http://vs-origami.narod.ru

75

76
a2

77
a2
b

a1

a1

a1

Fold again the piece by axis


so that the (a1b) line
continues the fox back

79

80

78

Raise up the nearest layer keeping


the tail and the head folded

Pull out the (d) flap forward and upward


changing the place of the (c) point as
shown

83

82

81

Tuck the corner

81

78Return the raised flap back and repeat


the steps 78-81 on the other side.

Swivel fold: moving both ears backward


outside reverse fold in parallel to bottom
edge. The mountain fold should go through
the (e) point. (e)

85

84

87

86

Hide the (j) flaps into the pocket


and tuck the parts that jut out.

88

89

90

Closed sink

91

Victoria Serova (Russia)


http://vs-origami.narod.ru

Page 7 (fox)

93

92

Reverse fold behind the foreleg. Move the back leg


apart so that to show the next step.

Form the forehead making the head voluminous. Pleat on one


layer under the foreleg.Repeat the same on the other
side.Outer reverse fold on the tail end.

95

94

Tuck one layer of the belly

97
96

Fold one layer on the back leg upward

Make the foreleg thinner.Inside reverse fold the


back leg between the 2nd and 3rd layers.

98

99

100

Inside reverse fold between the


2nd and 3rd layers.
Fix the bottom part of the back leg
inserting it into the pocket.

101

Fold the tail edge out making the


tail voluminous.

102







     

     

  

  ! !


  !" 
 !  # 

$#%   #  


  #

  !


  !  # 





 
   

 

  


 





  


 

 

 

 

 

  


 












 
!
$#
"#
 !

%#&'




+&(&,!#-&
&
-
"#
"&(
(# )*

+&,!#--&
&-







)! '"
#
  !" 


)*(& 


  !" #



  !" #

  !" (


& 




%!&'"
#

$!#







  !"
#"

 






 

!"#



$




%  &

' #



%#


* +"



#


) #






(

( 
+
$





 

*%
'( )"
##

'( $#"#
+##$),"
(&
,$#
-" ##

  
#






"%
"%&
$"$#$
"





 



!""#



  !"
 # 
$




$$# 




$
$)
,"

# *
-#


()*
) $*
&"+"

# 

. 
)


'$# 

%&$#

'-!!$


$


/ 

,*
$


%   / 
# 



%#+,+
!-#
./#
!!

0#!
'#*!
'

($)$'*
 !'

 



#
##  


'



%#&

$!"#


!"#



GUIGNOL

Humprechts
Star
1

Design and diagram by Christine Blasek


loosely based on the Bascetta-star
by Paolo Bascetta

4
5
6

go back to step 7

10
12
11

Attention! fold the front


layer only

kalami-kalami.blogspot.com

the finished star

15

two modules joined


fold 6 modules

14

flaps
pockets

13

pocket

module becomes 3d

kalami-kalami.blogspot.com

Monoplane

by Marc Kirschenbaum 2002

1. Precrease in half.

2. Rabbit ear both


sides.

3. Mountain fold the


top flap down.

5. Valley over the


other side.

6. Turn over.

7. Valley up two flaps. 8. Valley the top flap


over.

4. Valley over, such


that the corner hits
the edge.

8-10

9. Valley along the


angle bisector.

10. Unfold the pleat.

11. Repeat steps 810 in mirror image.

12. Rabbit ear the


top flap behind.

13. Rabbit ear again, allowing


the flap to be brought
forward.

14. Turn over.

15. Open out the bottom


flaps.

Crease A

16. Swing the flap down


while opening out the
sides and squashing flat.

17. Precrease, and then turn


over.

18. Valley the raw edge to


meet crease A.

18-20

19. Valley the raw edge


towards the outer edge.

20. Open out the pleat.

21. Repeat steps 18-20 in


mirror image.

22. Precrease with mountain


folds.

23. Crimp upwards while


mountain folding in half.

24. Pull out a single layer.

25. Valley down.

26. Wrap another single layer


around, as in steps 2425.

27. Precrease by swinging


the top flap over as far
as possible, and then
back.

29. Pull down two layers, to


reveal the center flap.
The top will not lie flat.

30. Open sink the flap


halfway.

24-27
28. Repeat steps 24-27
behind.

29-32

31. Undo the open-sink.

32. Raise the two flaps back


up.

33. Repeat steps 29-32 on


the lower hidden flap.

34. Swing the two small


outer flaps up.

35. Valley the raw corners


towards the outer edge.

36. Swing over the back flap.

37. Spread squash the two


flaps. Each flaps hidden
ridge will be squashed
as well.

38. Wrap around a single


layer at each side.

39. Turn over.

1/4

40. Open sink the trapped


corners along the
existing creases.

41. Swing the top flap to


the right, and the lower
flaps to the left.

43. Squash fold at each side.

42. Swing over a flap at each


side. Rotate 1/4 turn.

44. Squash fold each side, allowing the


right side to crimp upwards.

46

45. Closed sink the hidden flaps along


the angle bisector.

47

47. Wrap around a single layer to the


surface (closed sink). Repeat behind.

46. Valley over to match the edge


behind. Repeat behind.

48

48. Swing over three flaps at each side.

49

49. Swing over a layer, releasing the trapped


paper. Repeat behind.

50. Valley over to the intersection of edges.

51
51. Precrease the bottom corner. Repeat
behind.

52. Unfold.

54

53. Closed sink the bottom corners.

55

55. Narrow the flap along the angle bisector,


swiveling the excess paper underneath
the white single layer. Repeat behind.

54. Valley over to match the edge behind,


releasing the hidden trapped paper.
Repeat behind.

56

56. Wrap around a single layer to the surface


(closed sink). Repeat behind.

58
57

57. Swing over two flaps. Repeat behind.

58. Grasp the top flap and pull upwards,


allowing a pleat at the right to come
undone. Repeat behind.

Pleat A
59. Wrap the raw edge upward, using the
existing creases as a guide. You will have
to undo pleat A slightly to accomplish
this.

60. Valley the tip down.

61. Valley upwards.

62. Unfold.

Point A
63. Crimp the tip inwards. Point A should
fall in-between all of the layers at the
center.

64. Raise the back section upwards.

65. Rabbit ear, allowing the back flap to


swing to the forefront.

66. Wrap around a single layer to the surface.

67. Sink along the angle bisector.

68. Swing the center flap upwards.

66-67

69. Repeat steps 66-67 on the bottom.

70. Outside reverse fold.

71. Sink the corner, noting how it lies next


to the angle bisector precrease.

72. Sink again.

73. Reverse fold the tip.

74. Wrap around a single layer at each side.

75. Pleat the tail assembly forward.

76. Wrap around a single layer to the surface.

77. Slide out some paper. This will cause the


flap to stick out slightly.

78. Flatten the flap by pleating the colored


portion.

76-79

79. Mountain fold, wrapping around the


hidden thickness.

80. Repeat steps 76-79 above.

81. Mountain fold the top section.

82. Valley the top flap to meet the center


crease.

83. Precrease along the angle bisector on


the indicated flaps.

84. Precrease both flaps again along the


indicated angle bisectors.

85. Swing the flap back.

86. Closed reverse fold in and out along the


existing creases.

87. Reverse fold the flap. Do not crease too


sharply.

88. Slide a single layer out from each side


of the flap and then flatten.

Corner A

89. Pleat the flap, such that the mountain


fold hits corner A.

90. Undo the pleat.

91. Form an asymmetrical petal fold.

92. Squash the flap.

93. Twist the corner down, allowing the side


to swivel in.

94. Closed sink.

95. Squash fold.

96. Swivel fold.

97. Valley in, to make it flush with the flap


above.

98. Valley the corners to the center.

99. Swing over two flaps.

100. Open out the bottom flap.

101. Precrease.

102. Valley up.

103. Slide out a single layer from each side,


until the edges are straight.

104. Valley down while reverse folding the


sides.

105. Mountain fold the corners.

106. Mountain fold the sides.

82-106

107. Repeat steps 82-106 behind.

109. View of flap in upright


position. Valley fold.

110. Valley up.

108. Open out the flap, such that it is flat.

111.

Valley down.

110-112

112. Undo the pleat.

113. Repeat steps 110-112 in


mirror image.

114. Squash asymmetrically.

115. Squash fold.

116. Pull out the single layer.

117. Squash fold.

118. Precrease.

119. Rabbit ear.

120. Unsink the single layer.

121. Swivel upwards.

122. Twist the flap.

123. Valley fold.

124. Swivel fold.

125. Mountain fold.

126. Reverse fold.

127. Swivel fold.

128. Swivel again.

129. Mountain fold. Turn


over.

130. Mountain fold the two


flaps, and at the top.

131. Form the cowl into a


box shape, tucking the
side flaps into the
pockets created.

132. Swing the wings out at


90 degree angles.

133. Completed Monoplane


2002 Marc Kirschenbaum


 





)

  



!
'*





 "# $!

% &!$' #
 #(


















 

















 






 





 



 






 

 




 
























 





 




 











MODELO: Rana de Zaragoza


AUTOR: Fernando Castellanos
NIVEL: Medio
TIEMPO: 45 min.
CREACIN: Marzo 2013
RATIO: 0.40
2.

1.

3.

4.
5.

6.

7.

21.

19. Destrabar las dos esquinas.

18.

20.

17.

16. Hundido abierto.


15. Destrabar una capa.
Repetir detrs.
14.

13.

12.
8.

9.

10.
11.

22. Hundido abierto.


23.
24. Destrabar las dos esquinas.

25. Hundido cerrado.

28.
+

27.

26. Hundido cerrado en la pata delantera.


Hundido abierto en la pata trasera.

=
=

25 - 26

29.

36.
30.

35. Introducir las solapas


en los bolsillos.

31.

32.

34.

33.
29 - 32

=
=

44.

45.

43.

Abrir la capa de los ojos hasta que quede


perpendicular a la cabeza. Doblar las capas
la boca hasta que queden perpendiculares.
46.

42.

41.

37.

34 - 36

34 - 36

40.

38.

39.
=
=

47. Colocar patas y dedos en su posicin


y dar volumen al cuerpo.

48. Modelo Terminado.

FERNANDO GILGADO
SPAIN/2012
fernando.gilgado@gmail.com
www.flickr.com/gilgado

4
5

8
7

10

11
13
12

26

25

24

27

23

28
29

22
19
18
Repetir 15-20
simtricamente
21

20

17

14

15
16

33

32

34

31

Sacar el papel
35
30

36
37
38

39

Sacar el papel

42

40

41

53

52

Repetir 49-51
simtricamente
51

54
55

50

47

48
49

Estirar

46

43
45
44

Repetir 40-43
simtricamente

57
58
56

59

61

60

62

67

63

66

64

65

Repetir 55-61
simtricamente

79

78
77

80

Sacar
el papel
81
82

76

84

83

76

72

73
74

75

Doblar por estas


marcas en el paso 90
71

68

69

70

87

88

86

89

85

92

93

91
90

94

Doblar en el interior
por las marcas hechas
en el paso 72

95

96

98

97

Repetir 91-96
simtricamente

110

109

111

108
112

114
Paso 3-D
107

113
Repetir 99-111
simtricamente

106
105

104

99

103

102
100

101

Sacar el papel
Paso 3-D

116

119

118

117

115

120

124

123

122

121

128
125

126

127

La cola queda en 3-D

136

135

137

Sacar el papel
Solo la capa esterior
de cada lado

138

134

133

132

129

Repetir 128-132
detrs
131
130

141
140

139

Sacar el papel

142
143
144

145
150

146

147

148

FERNANDO GILGADO
SPAIN/2012
fernando.gilgado@gmail.com
www.flickr.com/gilgado

151

152

submarine by redpaper

1.

2.

3.

4.

5.

6.

7.

8.

9.

10.

11.

12.

13.

14.

15.

16.

17.

18.

20.

21.

19.

23.
24.

22.

26.
25.

27.

28.

29.

30.

31.

32.

33.

34.

35.

flat submarine

36.

37.

38.

Tetrahedron
Toilet
model&diagrams by
Go KINOSHITA
1

2
3

Begin with the


colored side up.
Fold and unfold.

Fold corner up to
halfway crease.
Unfold.

Fold and unfold.

Fold and unfold


another corner.

Fold and unfold


another corner.

Fold and unfold.


Turn over.

Make creases.

Fold using existing


creases.
2014 Go Kinoshita

16

15

17

Squash fold.

Fold two flaps up.

18
Pull out the
inside paper.

14
13

Petal fold.

Fold two flaps down.

Fold top corner


down and unfold.

10

12

11
Reverse fold.

Fold and unfold.


Fold corners up on
existing creases.

21

20

Like this.
Outside reverse fold on
the existing creases.

22

19

Fold and unfold.

Fold and unfold.


Turn over.

23

24
fold two corners up.

26
Like this.
Turn over.

25

Make creases a hexagon.


Fold and unfold.
2014 Go Kinoshita

35

34

36

33

Squash fold.
Fold and unfold.

Fold and Unfold.


Turn over.

32
31
30
Mountain fold .

Tuck flap into pocket of


the dark-colored layer.
Fold and unfold.

27
28

29

Unfold two corners.


Valley fold
one flap.
2014 Go Kinoshita

39

38

Petal fold.

40

37

Valley fold.

Valley fold.

41

42

Reverse fold.

43
Fold corner down.
Fold corner up.
Fold small triangles
and make small
tetrahedron.
Next diagrams are 3-d.

44

46

45

Fold small
tetrahedron up.
Like this.
Tuck colored triangle
flap into pocket.

Like this.

2014 Go Kinoshita

50
51
Fold the "toilet's seat"
down and the "cover".

49

Finished "tetrahedron toilet".


This model change into
the tetrahedron.

Closed-sink
tetrahedron's corner
on existing creases.

48

Fold the cover


down completery
and bring small
tetrahedron down
toilet's bottom.

Mountain fold
and make
big tetrahedron.

47

Tetrahedron.
Like this. Turn over.
2014 Go Kinoshita

TIBURN

by Fernando Castellanos
annnoooss


35 x 35
3
Papel Tant
Ta
ant

Marcar
la mitad




-1

10















Estirar de la
punta y
aplastar








Desplegar
p egar
hasta
has
a el
pasoo 16
ppas








**

***
Doble
zig-zag

*

**



*






Vista desde
abajo
del paso 29






Vista frontal
del paso 29








Zigzag llevando la lnea


que acabamos de doblar
hasta el punto
donde empieza la aleta.












Verr la
a referencia
eenn eel paso 441

39

-4










45-48



Volver a
cerrar



Abrir







TRABAJANDO LA CABEZA



Desplegar






Hundido por el pliegue


marcado anteriormente


Trabar
la punta





90




Deslizar la
punta




Bloquear la
aleta






Dar tridimensionalidad
al modelo

20 cms.

Creacin y diseo: Fernando Castellanos


Diagramas by Halle 2012

2015

2145- 8138

ORIGAMI
BOGOTA