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Ms. DeLury
8 June 2015
AP Literature & Composition
Introduction
Georges Bataille, a noted French intellectual, once postulated
that above all, human existence requires stability, the
permanence of things (Bataille 59). Countless societies have
tried to embody this ideal, yet it remains elusive. Is this
because of human nature? It appears that the free will of an
individual is impossible to reconcile with the common good of a
society, hence making the stability human existence relies so
heavily on a seemingly impossible goal. Of course, the tradeof
between free will and the greater good, social stability, means
that attaining stability is theoretically possible, if free will is
undermined. That poses an array of difficult questions: is free
will worth the cost it accrues for a society's long-term
prospects? Is sacrificing free will a feasible solution to attain
immortality for a society? Brave New World, by Aldous Huxley,
raises all of those questions. Huxley was a British author,
fascinated with societal structures and their interplay with
personal rights and pleasure. Brave New World was his most
famous book by far. Its story of a dystopia that goes with,
rather than against, the human grain (Kass), along with its
unconventional structure and conception, clearly spoke to
readers. Brave New World is a book of its era; Huxley wrote it
in 1932, as technological advances and modern attitudes were
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coalescing
into
brand-new
world
society,
with
as-yet
consists
of
an
odd
mlange
of
structures
and
the
World
State
implements
controls
such
as
holds
so
dear.
Academic
inquiries
into
the
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are
essential.
Achieving
elevation
requires
founded
on
the
principle
that
individuals
are
all
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conformity.
That
conditioned
conformity
is
supposedly
ideal
collective
consciousness.
Of
course,
some
tradeof
must
be
present.
Because
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World
States
goal
(stability
and
permanence)
and
human.
After
all,
institutionalized
promiscuity
is
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the
subversive
influences
making
that
goal
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person
smart
enough
to
understand
the
fundamentally
humanity,
as
explained
in
detail
above.
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protagonist Johns love for Linda, his mother and fellow outcast
from the fordian society) will still lead to subversive influences,
such as when John lashed out in anger after his mothers death
by destroying a large supply of soma. Either way, love can
easily lead to subversive actions and nonchalance towards the
laws governing the society, and that is exactly what the World
State fears the most. Therefore, love is the second greatest
subversive influence the World State wants to avoid. Another
general possibility for subversion is any distinct individuality
and
the
exclusion
stemming
from
it.
The
greatest
demonstrating
the
vast
importance
of
those
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individual
stability
(Huxley
40),
and
that
the
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regimen
of
psychological
conditioning
continuing
fails
to
truly
understand
her
feelings,
impossibility
of
counteracting
subversion
in
all
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simple
yet
powerful
facts:
individual
rights
bring
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their
rights
and
base
accomplishment
on
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to
eventually
subvert
the
societyas
was
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explanation
of
fundamental
the
fordian
tradeof
is
societys
Mustapha
position
Monds
on
this
assertion,
they
heroically
assemble
group
of
other
heroic
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human rights. The end of Brave New World does not bring a
dramatic victory for a heroic protagonist, but rather a
systematic denial of the protagonists entire worldview and
their eventual suicide. Of course, Huxley decided to break so
significantly from the established mold for a good reason: his
government
is
diferent
from
those
presented
in
other
psychological
conditioning,
and
encouraged
individuals
from
being
unhappy;
and
the
constant
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and sex. Therefore, both are impossible, and the citizens all
end up loving their servitude. However, the three devices
mentioned do more than just help the citizens enjoy their
service: they take away the identity from the individuals
impressed by the World State. Castes are merely a cheap
impression of a true personality, serving to placate every
humans basic need for a foundational identity and little more.
The psychological conditioning and unending fog of sex and
drugs actually steal the citizens identities. They make them all
equal (within their castes) and take away any incentive for
actions outside of the World States approved ones. Anything
subversive, anything even outside of the ordinary, all are
eliminated and replaced with a common code of conduct. For
that reason, the social body system is, in the words of critic
Keith M. Booker, little more than a subtle form of tyranny and
subjugation, a utopian veil of universal happiness cloaking a
coercive agenda of oppression (Iatropoulos). In other words,
happiness cannot replace fundamental human rights, and
subjugation cannot allow identity. There is simply no way for
the World State to counteract the subversion as they need to in
order to maintain stability, while simultaneously guaranteeing
the basic human rights necessary to allow individuals to form
their own identity. Therefore, the fordian societys inhabitants
have
become...so
much
meat,
however
pneumatic
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well. In the World State, the citizens are undeniably happy, and
they clearly enjoy their lives; furthermore, the society itself is,
ironically, fairly egalitarian in that every individual has the
same opportunity to attain happiness. In a rights-driven world,
more like our own modern one, individuals are given the
latitude to do practically whatever they want and accomplish
whatever they work at, something that fordian men and
women could only dream of. Essentially, Brave New World
presents a choice: either our misery-ridden but still richly
human world, or the squalid happiness of the biotechnical
world to come (Kass). It seems to be an impossible choice,
with both virtues and sacrifices for both sides weighing pretty
much exactly equally. But of course, all societies must choose.
Conclusion: The Past and the Future
In Brave New World, Aldous Huxleys seminal dystopian novel,
the all-powerful World State creates a society in which stability
is the sole goal. However, in doing so, the State condemns
most, if not all, basic human rights and therefore robs its
citizens
of
their
personalities,
identities,
and
collective
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When
it
is
abridged
or
even
disregarded
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Word Count: 0
Works Cited
Bataille, Georges, and Annette Michelson. "Van Gogh as
Prometheus." The MIT Press 36 (1986): 58-60. JSTOR.
ITHAKA. Web. 3 Jan. 2015. <http://www.jstor.org/stable/778550>. Originally written in 1937
Buchanan, Brad. "Oedipus in Dystopia: Freud and Lawrence in
Aldous Huxley's Brave New World." Journal of Modern
Literature Summer 2002: 75-89. Rpt. in Children's
Literature Review. Ed. Dana Ferguson. Vol. 151. Detroit:
Gale, 2010. Literature Resource Center. Web. 17 May
2015.
Clareson, Thomas D. "The Classic: Aldous Huxley's 'Brave New
World'" Extrapolation Dec. 1961: 33-40. Rpt. in
Contemporary Literary Criticism. Ed. Carolyn Riley. Vol.
1. Detroit: Gale, 1973. Web. 17 May 2015.
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