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PABLOGONZALEZJAZEY
Born irr Tuctnn. Argentina n l98. Studied guitar at the School of
Musical \rts of thc Natitnal University of Tucumn

where he graduated

lus Gr.ri tlrr Prot'essor.


\ t t c n d e d l r n p ( ) r t r n tc ( ) L r s c s g r v c n b y J o s L u i s C o n t l e ( T u c u m n ) .
V i c t o r V i l l l r d u n g o s ( A r g e n t i n a ) . D o l o r c s C ( ) s t ( ) y a s( A r g e n t i n a ) . J o s L u r s
Rodrrgo (Sparnand Hopkinson Smith ( U.S.A.-Switzerland).
At the present teaches guitar at the School of Mustcal Arts of rhe

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N u t i o n r lU r r iv e r s i t y o f T u c r n r n .
" V i c l r r l l r "l \ . r ( v p r c i r l s r n r .(r) l A r g c n t l n i l ' s N < l r t h W e s t , w h i c h i s s u n g
s ' l l l l t t r e t v t h r r r . l c c ( ) r n p i u l r n l c n t( ) l l r " ( ' l . j u " ( L r t t l c d r u r u ) . l t s t h r e e p u r t
, lts poetry
t u r c r \ : l o r v u r t l r t s c h r r u e t c r r s t i rcy t h r t t r s :
i "
c \ p r c \ s c s a c l e e ri r n d t r a g r c : . r lt ' e e l i n g .
" [ ) r - r r r r c l lrn. rr p r c s s i t i n ' r s l n " A i r c d c V i c l a l i r " .t h a l r s t ( ) \ a y , t n u s ( b e

;f

.fr

{
!.

JAZEY
PABLOC'ONZAT"EZ

GUSTAVOKANIOR

RIVANO
GABRIEL

played with the Vidala's feeling ulthough it lucks lvrics. nor thc nrusicirl
s t r u c t u r e d o e s n o ( t r u e l v c o r r e s o o n d t ( ) i l t f t r ( l i t l ( ) n r lV r d a l i l .

vrcfoRvruADAN@s

OUIQUESINESI

GABRIEI RIVANO
(lrrrrdsorr of Acloltir Prcz Pocholo. bandonenista. composer and
con(luctor ol-one of the f irst Argentin Tango Orchestras, Cabariel RivanO

GUSTAVOK.ANTOR

w r sb t t r n l r B u e n t i s A i r c s i n l 9 5 l l .

W'crt trl
in
Srltu ( North
-uuitlrrist livrng
A r g e n t i n a ) . C i r a t J u u t e dt r o r n t h e " E s e u e l a S u p c r i o l d e M r . r s c l J o s i ' L . t r
C i u d i c e " . n ( ) w ' l n c h r r r g e o l t c u c h i n g C r r t : . r r[ ' o l k l t r r e ' lu s t c l r d ( ) r ' r c t t l c t l

u n d h a r n r o n y u n d e o r n p o s i t i r > nw i t h P e d r o A g u i l a r a n d i n S c h o o l o f F i n c

Argentine

t t > F t l l k l t r r r c C t ' n l r o : r t i o n sl t s a r n c s c h < l o l .

Studrcd bandorrerinwrth the 'naestro Binelli. Barletta and Mederos.


A r ' ( so l P a r r t i nu t [ ) a r i s . F l l r n c c .
S i n c c l t ) 1 . l 1 p. c r l o r r n c d r r r A r s c n t r t a . C h i l e . U r g u a y . B r a z i l .

B a s c d ( ) 1 1t h r \ p o s r t i o n . i s r t r a k i n g c < l l l c c i l o n i u l ! l P c l ' r r ) r i t c r , \ r u . ' r l t l l l e


r n u s i c a l t r l l c J r t t o n s .e s l ) e c i i l l l y t r i r C l u i t r r ' i l r U \ r c .t h e r t ( } s t1 - r o rl lt rr r '

. Sw r t z e r ' l r n d..S p a l . F r l r n c e . l t a l y , C e r r n n y . A u s t r i r . N e t h c r l a n d s .
1 3 c l g r u r t lt n d . l r p i r r r . l l l ( c g l r t c c l ! ' i . r n ( ) u st a n g ( ) g r ( ) u p s r n i t s d i f t ' e r c n t s t y l e s

r n s t r u r n e n to f t h e r c g r ( ) n .

t h c t v 1 - r c t r lt r r c h e r t l o l R o b c r t o P r r n s c r i .t a n g ( ) - J a z z I. ' u s i o n W l t h L u i a
1 3 o q l l r r t j l l r r t l o l l o \ , l g " r ' r . r \ .c \ p e r r n r e r r t a l t a n g o a n d t i l l k l r l r e w i t l
( ' u i l r t e t ( ) ( ' e t l r ' , r n ., , \ r r ( o n oA g r i . ( ' s u r l s c l l : r l r n t l J a i r n e T o r r c s .

A s u g u i t a r t s t .p l i t v s . r l t h e n r ( ) \ l L l r ' Li lt c ( l t , , n r e r ' ! h l r l l s . r l r r l l ! u l . u \
L ( ) l t c el t t r t ( i n gi r r l i r l k l t l . | ci l r g t t t i r l n l r , r \ r .e r n el r r r l i l l ge { ) n l l ) ( ) \ r l r ( l i l {\ ) l l l l c
I l l o s t p ( ) p u l u r c t l t t t p o r c t s .s t t e h s . A h c l

l t l c t 1 v . , ' \ t i t h t r l nYi tt t l t : r t l t tl t .

A g u s t i t t B a r t ' t t t sl u r d t l ( h e r s .P l a y : e l a s s r c l r S
l t rr l i t t n l r r : r c .l l s o .
'('Lullr"
A t l a c h e s l n t p ( ) r t r n c ct o l o c a l c ( ) l r p ( ) s c r \ . \ r . r L hi r \ ( i t r . t l r v , '

S r r r ee l 9 ( ) O . l t rt r r c c lh s o w , n g r ( ) u p . t h c C a b r i c l Q u i n t e t , w h i c l
p c l l r r l r r r c t l r r . r r r n livn l l r . c n o s A i r e s l r d i n M a r e l J ' 9 l F e s i v a [ .
A t J crl t r o n l l l - v . l o l n t c r l r d u o w r t h c l : i s s l c a l g u i t a r i s t V c t o r V i l l a d a n g o s ,

L e g u r z u n t O n , E d u t r d o F a l u . A r r r y P i ( t c r \ ( ) n .t J r t n q t r c t r r r h t r t r. u l r t l t r t l t c r ' : .

rvttrchplayed Piuzzolla i-lt1d


c l r s s r e i rt la n g o r n u s i c .

a n d n l a k c s c r c a t r v e i . l r r r n g e n t e nt ot t h c r r n l u \ r c .

[)lryctl blrrcloneorrln \e vcntccn rccordings. including two with hi


quintet "Cabrrcl Rivuno" and "Mestio", nd one with Vctor V
rlludangos. "Turtgo cn Consicrto"

D e v e l c l p sa n l n t e n s c m u s i c t e a c h r n g a c t r \ ' r t y .w i t h s p e c r a l c r n p h a s r s
i n r h y t h n r . r a s g u e a d o a n d A r g e n t i n e m u s i c ln ) ( ) d e
Is cornposing didactrc music. strnc ol thern will be pufrlrshetlrrr
H e l b l i n g E c l it o r s . . \ t r s t r i a .

l n t e g r a t c d rc l r r o o t ' b a n d o n e n e s t h a t p e r f o r m e d m u s i c b y B a c * ,
particrpatcd in the tilnr "l love you" directed by Marco Fcrrari. and
plaved.jaz-z with the band of Hermeto Paschoal in Rio de Janeiro. Brasil.

AAAXIMODIEGO PUJOT

A l s o w r o t e a c o n c c r t f o r b a r r d o n e < i n .g u i t a r a n d o r c h e s t r a w h i c h i

Born in Buenos Aires on Decembcr 7th. 1957. Craduated frt>m the


Conservtory "Juirn Jtise Castro" with ir rlcgrce ol'"Protesor Supcrior tlc

perfbrmed by Symphonic Orchestra of Tucumn

Cuitar"

In 1994.

in 1994.

rccrlrded it rlcw CD

o f . i a z . zf ' u s i o n b e t w c e n t u n g o a n d
B r i r s r l i a l r n r u s i c a n d r n a d e a t ( ) u r t r >E u r r > p e w i t h h i s q u i n t e t .

U r r d c r t o t l k l n s t r u n r c n t i t l s t u d i c s w r t h , \ l l r - c r lV r c n t c ( i l r s e t r n .
H o r a c i r C c b i r l l o s . A b e l C r r l e v a r o .L r l i a n a A r d r s \ ( ) n e y M i g r r c l A n g c l
Girollet.

B<rn in Buenos Aires in March

S t u d i e d h a r n r o n y u n d c o r n p t ' r s i t i o n u r . t t l c rt h e g L r i ral n e c o l t h c
" M r e s ( r o "L c n A r n e c l o .
As a guitarist und c()mposer. hc obtained the tirllowing .rwartls:
l97tt. lst. Spccral Mcntion

i n t h e N a t i o n u l C t > r r p e t r t r t l nl o l C t r i t i r r

S o l o i s t s o r g a n i z e d b y ' t h e C i I l c - t ( eA r r e n t i n l
l 9 l Jl .

OUIOUESINESI

Foulldlrton
) r ' g l n i z . c t hl r
l s t . p r r c i n t h e C o r n p o s i t i o r r C r l r r r p c t r ( i ( ) 1( 1

thc

Association of Musical Promo(ions.


l 9 l l l . l s t . p r i . / - cl n t h e " L u i s C i a n r r e o " C o r t t p o s r t r ( ) nC ( ) n r f l c t r l r ( ) r )

w'ith Liliana Morelli

l-lrd. 196O.Studied classical guitar

i:nd Patricia Labadie. Attended courses given b

\ b c l C r r r ' l c v a r < 1 .S t u d i e d i a t . t g u i t a r w i t h A l e j a n d r o M o r o , h a m o n y
c o r n p < l s i t i o nw i t h J r a nC a r l o s C i r i g l i a n o a n d J o r g e L u b r o u v e .

S i n c c l c . ) 7 1s. t i r r t e d c ( ) r l c e r t a c t l v i t y p a r t r c i p a t i n g i n i a z z a n d r o c k
b i r n c l " M r c l r cA t r i r r r r c l " " R r c c s " " D i n o S : r l u z z i Q u a r t e t l " . P l a y e c l i n . j ' a z . z
tcstrvul rn Zurrclr. Cologrre. Hurrrburg. Lcrlzig ard Bcrlrr.
I n l 9 t i - 5 f ' o ' n r c t lh i s o w n h r n c l" A l f < l r n b r a M a g i c a " . a t t e n d e d i n
M r ' d c l. l l r z z [ ] c s t r v l r l .

trlsunrzcd by the Associatron tor Culturrl irrccntivc

l r l ( ) l ( ( ) r ' c c o r . r l c tIl' i r s t ( ' l ) o r r " A l l i r n h r l

l 9 t 3i . l s l . p n e i n t l r e c < l m p e t i t i ( ) no f A r g e n t r r r cS o l o r s t s o [ r r r ' r z c rt lr r t f r e

l r r l 9 ( ) l s t i r r t c t ls o l o i r c t r v i t y a g i r i n . i n v i t e d t ( ) i t t l n g ( q) u i n t e t .

, A \ \ ( ) c r i t l i ( ) nl i r r C r r I t r r rln c e n t i v e .
l 9 l ( 2 . l r i n l r l r \ l( ) n t h c C l l r s s c l r S
l r i r r t r s (l ri u r l : r ( ' o r r r p et r l r r ) r (l l ( ) r | . r t l n

| l I ( ) t ) I i t t t c n ( l r ( l i n t h c I i | s t l r l t c l r ' l i ' t t i ( ) n Cllr r i t rE


I ncountcr'.
l { r ' r ' t r r ' r l elt(l ) ( l ) r

A r n e r r c r rp
r c r l o r r r r c r s) u r B ( ) g ( ) t iC. ' o l o r r r h r l .
l 9 l ' t ( r .l \ t . p n z c m t h c " C l r r c t i l u r M o r t d i i r l t l c l i r ( i L u t r u c " ( ! l r u . lr r r r c t r cr r r
the Cathegory ol Clussrcal Comp<lsition.
1989. The SUA YCA

( S y n d i c a t e o f A r g e n t i n e A u t h o r s r t ) d C ( ) n t p ( ) \ r s)

award u'rth the priz.eto the best Classcal Musrc Corrtposer ol the l99u
season.

Magtca".

VICTORVILLADANGOS
B o r n r n [ ] l c r r o s A r r c s r r r l 9 5 t t . S t u d i c d g L rl t a r a t " J u a n J o s C a s t r o "
Conservat()ry under instruction tl'M.H.Cmez- Crespo irnd then
c o n r u l e t c ds t u d i e sw i t h M . A . C r r o l l e t a n c lE . l s a c .
S i n c c l 9 f i 0 h a s i u l l ' il l e d a s i n t e n s e l a b o r a s a s o l o i s t , a n d a s p a r t o l

T h e w o r k s h a s b e e n p l a y e d b y i r r t e r n a t i ( ) n l l - g L l r t a r i s t si n i n r p o r t a n t
a u d i t < r r u m . s u c h a s t h e P u r c e l l R o o m . L o n d o n . . S a r n t eC h a p e l l c . P a r r s .
Association of Music

anr:

Friends, Valencia. University <lf Bordeau.\:

ehanber rnusic groups. perfbrming

in the principal Theaters in Buenos

Aires. nd more than a hundred cities in Argentine.


Gave

the first performance of concerto for guitar and orchestra

F o u n d a t i o n J u a n M a r c h . M a d r i d : M t s i c F u c t r l t y P u l e s t r r n a .B r l s r l : S a n

corlposed by Eduarclo Aleman with Banco Mayo Orchestra in Buenos

M a r t n C r l t u r a l C e n t e r . E l u e n r ' sA i r e s : c t c
-l'hc
w o r k o l " C l N C l O l ' ] l { E L U D I ( ) S " w c t c e c li t c c l b y L i r r r v c r s r r l
E d i t i o n i n t h e s e r i e s d i r e c l e d b y . l o h n l ) r i r r t c " ' l ' R f r S P I I ' . 7 . , 4 S

, Ai c s .

R I O P L A T T T N S F : S " l n d " E l - E C l A " r v c r c c d r t c d b v t r r li t r o r l l c l b l r r r l


( A u s t t > n a ) i n t h e s c r i e s d i r e c t e d b y M i r i r l s a l - r c lS i c w e r s ' S ( ) N \ l ' l N \ ' .
'1'IEMPO
DEL H()MtsRE". "SUl'fE EUENOS AIRES" nd "UL-t:(ilA

o n b r r r r l o l r c o r . ur ,l l d t h c o t l r c l w i t h S a u l M a r t i n o n l ' l u t e . P a r t i c i p a l e c l i n

u'cre edited bv Eclition H.


MUERTE DE UN TANCUERO'
L e r n t > r n e( P a r i s l . i l t h e s c r i c s d i r e c t c t j b v D e l i i [ i s t r u d i r .
POR LA

l ' c r . l i r r r r r c t rl r r J ; . r r ; . rlnt a. l y . [ 3 r - u s r lC. ' l l r l c u r t t l U r g u l y .


N l i l c l c t i r u r c i r s s c t l c t i l p e s . t w ( ) r s rs o l o i s t . o n e w i t h G a b r i e l R i v a n o
o t h e l t c n c l r s c s ,c a s s e t t c sa n d C D s o f c l a s s i c a n d p o p u l a r m u s i c .
( i r v i r r g c ( ) r . r ' s cus b o u t i n t p r ( ) v e r n e n t i n t h e c x e c u t i o n o f t h e g u i t a r
'fucumn,
and is also in charge
spon\()red by the National University of
o t ' c o r r r s c s o t ' g u i t a r i n t h e s c h r > r > l os f F i r r e A r t s J . J . C a s t r o a n d M a n u e l d e
F l r l l rr r l B u c n o s A i r e s .

VILLA PUEYRREDON
Allegretto

l' 'l

?
|

(rr

'=it
7l

T.
tt

T'

ma&J0

l7

tj l

CC

tt
ll

ri

mf

T.
tl

T T
| |

T'

ll

C o p y r i g h1t 9 9 ab y C E N D A IC U I T A RC O . ,L t d- T o k v o
i rightreserved
n t e di n J a p a n

f'(
r@l

T.T
rl
ll

to@

it

{l$i

tl
t

qrr

iT
t2
ll

i F\F ;lt v [rt-


mp>
rlw

??
tt lr

7l

=
TTTT
tttl
llll

'rrt r

--J

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?t t l? ?
ttl

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rl

rrllll

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=*n

T
I

T
I
I

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ll

p metaico

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-1
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>

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tl

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o
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v

11

yzt

tl+

bbI

et A
J

fi

1f a tempo/

0 994.3.4)

(Chasquido).
Golpedel pulgarde la rnanosderechasobrelas'oordonas
i-) .
+ - a p t f r o > f l E ( ' { & f g p( f l ( f t z + Golpecon dedosi, m, a y ch de la manosizquierdaen el aro,debajodel zoquete.
t r # 0 > 1 , 2 , 3 , 4{ ( " t f t t t # f j ( i v 2 a l ; J t f f R r (i ) l r l l( '
Golpedel pulgarde la manoderechasobrela tapa,arribade la trastrera.
+ H + A T ! ? h E a * 1 5 ( a L , b )

r[ (

"

I
I

" -1:

PLAZA ITALIA
M a x i m oP u j o l
@

Lento

q?

@
2102

O C o p y r i g h t1 9 9 4 b y C E N D A I C U I T A RC O . , L t d - T o k y o
All right reserved
P r i n t e di n l a o a n

qe

metalco

# + t,-7' t) t ,lfllj i: #"t n-l+lL^

yendo

al

puente

rrl irllrt 7i7

T
I

+'
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tF(

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rl

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:-l:-r r

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r,

7 (77
rtl

fiB
't
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a

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\m r t r ( r
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lrr-t

909

Ji*P

90

ffi

_) Tempo Io 0 2T

t .Je

rl)

| (C2)
I

g'o
\? rall.

u f-t
a tempo
@@

T4;
g

'@ ,@

Arm.19

Og

.14)
u 992.5

t
fl

'1n

d
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VILLA REAL

Maximo Pujol

Allegretto

$
d
i

q
4

TI

\Y/

t3

", ^"

tI

Ti

p sub

C2

c3 t
tpl

C5 C4

CI

tt u

A,

lp

l-,

t .

93'I

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\g-

C3

itu

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v

lv

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- -.

(07)

10 ?2

ai\
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gr

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I

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mp

I
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t-t

C.
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el
dl

TI

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08
0 10 ^,l p

lP

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et
d

EA

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7
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t;!

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\9

p sub.

T2 0 10
lp
0
,ta

mp
) C o p y r i g h rt 9 9 a b y C E N D A TC U t T , A R
C O , L r d- T < : k y ( )
r l l r i h tr e s e r v e d
' i l r r t e (t,n . l a p a n

d
d
d
d
d
d
d

fa/

*J-}j
itJ

r(
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..............-

,hf

@e

hw
rryf
I
mp pueue I

&

,hF
I

0l

sl t-L?t r
t-

qr

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7
ifr

fr"
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I-q

=rj,ai
L

rl.--l

W7
ll

12
lontano

,'\,,1
l--l

mp' met.

\.J

pi tttct.

---

Tempo Io
t Ifto/n L'-rrt - |
ptzz.(conunadelindice,comounapa)- -

stmil

's

p sub.
C5
. / l .

lp

ffi

C4

IP

v/

C3

q4

IP

r,o

Zl

lp

06

u.c

Ip

mp

\/<_-,
-

13

=g

t7'
t-

t:-/

>-/

/--/

(a tempo)

'0'Coa

-1
-8
-2
-

'.

=- .-.7==
f
-r1

rl\-_

.)

i-

{;--

-4
-3
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t-aa4

izi f)
o

7',

TT

6r,

(/r\(")
(comouna pa)

f i 9 9 4 . 32 1 )

==

rT
4
r3

re
a
re
4

a
a
II

a
a
r!

6
|'

r!

a
6
6

--T=r

Golpeconel pulgarde manoderechasobrela tapa, arribade litastrer't.


E + ni(" lFfarj ?tl!t' ilfJ( .
Goipeconel pulgarsobrelas bordonas(Chasquido).
h # H . l ? a f l t i . e { & l r t g f l( ( t + z + - i - ' ) "

Villa Pueyrredne,Plaza|talia y Viila Realson tresbarriosde BuenosAires que tienengran importanciaen mi historia
personal.En paticularVilla Pueyrrednque esel barrio dondenaci.Villa Realesun pequeobarrio veocinoen donde,en mi
juventud se hacianenormesfiess popularespara la pocade Carnaval.
La Plazaltaliaesun pequeo
Terrenoredonde
situadojustoen frentedelJardinZooigico
de BuenosAires.(MaximoPujol)

' r ' r . , /A 7 M i : b / ) ^ . - l r . | , l . >


| t r ) t . . l r t ) ' j , , t a r ' ' , , . 1j '.t v 1 ) 3 ) a ) u r l l , f L d ) + , t t : r j v ' < ; t t : *
t f r - c T b D , t r + ru: i r ' A L 1 ,
| > i t . a1 l ' l - . .: " f' : r . . . . v 7 ) r i J a a l i fr : , 1 . : t U t . < -l r . h - : . ) r t r a w f f i l ) h
lt)tf Ffslto \ I rr Llr .ii:"f _
a"1+'4

y t ) 7 t , J . * / s - /7 7 4 > 7 a 6 h m f t l i : t l r ti - / : L : 4 ' , - k / l ' l ) r i o , l . 5 a . $ j f i ' ( ' J .

1A

t+

KOKORO

{1

C a b r i e lR i v a n o

A Tempo Deciso J=130

0 6-,r

f-b2

CI5

dl

ql

ql
ql
d'l

>

lro
l \ y

'l

,2
i8/

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h
1

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tb

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@

c3

e+

4
I

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tb

c5T

b- \.1

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c3

>

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a=

rs z2

Lt: qr
o - , @@@ - '

O C o p y r i g h r1 9 9 4 b y C E N D A I C U I T A RC O . , L t d - T o k y o
All rightreserved
P r i n t e di n J a p a n

a
1
q
cl

I -'g

#*
15
I -t
4 -4
3 -3

-l
-4
-s

>:>

+
E Tr f i TT ' l
l|f

{-l-1.- - 2
FT

l-

Meno mosso e rubato

C.3-r

t
tt

16

PRIMERAIMPRESION
P a b l oC o n z a l e z
Gradually slower

,=58

1F ! )

?,

?'
I

q/

c 2-_-_-1

Graduailvslower

Graduallvslower

04r

g
g

d1
q

)=4O

Lightp

d'l
ql

fiG

Increasing
speedgraduaily

c4

1
1
q

c?
Graduallyslower )=52

)=62

C3

C2

@
1

w
Q4
-2

U.
I
I

O C o p y r r g h t1 9 9 4 b y C E N D A I C U I T A RC O , L t d All rightreserved
P r n t e di n J a p a n

1
1

Fast Light ..*. *.=2

TT

fo

Z'

ro
re

r3

a
a
a
a

r3

a
a
6

a
t?

ro
ro
qt
rt

Increasinglaudness

fx+koAl'.i r t
,*,i\=g6 Strummingwith closedhand

Slow Light )=4o

tr
.io*o

V
Graduallyslower

CZ

with the thumb

r*FE

tambora

?
?
n
?

19

vr

t o P a b l o l a r o u e z

ESTUDIONo.1

r
?

PUNAAND CALUYO

f,
7d

C u s t a v oK a n t o r

Larghetto (,=Gg)

f,t

t)

f,

T = Tambora,P = Percussion
Percussion
on thesings besidethe bridgewith the sideof the thum
and beatingon the bridgewith the indexor middlefinger,
almostsimultaneously
:
'
t
)
#
t
)
t

f
l
f
f
i
a f f i r f i c r f j 3 , L L L ' t - l H i t: f / : t J m f - C
l!^a't')

Ossia

1t)

t7

+llll (.

Tr
r

tambora

a
a

,ff--.

]l

p tambora

at

at
]|
]lt

=o

X' Coloyo (lmitating vicuas walking)l=80

a
It
at
at
at
2]

1,
lC

{t
2e
1,

]e
21,

>

CTCSC.

m.

>

ll o\
(20\

Ossia

O C o p y r i g h t1 9 9 4 b y C E N D A I C U I T A R C O . , L t d - T o k y o
All rightreserved
P r i n t e di n f a p a n

Irirsttime
Secondtime
Repetition
adlibitun.
l _rll r t :( r )r t ' L - fo

p tambo1J

20

\'--/'

>

o
sintile

:-

\---l-

\-_-/

.:i

a.L.lele

l---t----/-

:'o

2-

p|...-_--

\\-/
, :A1 \

,-q\---,

- - - , - )

I
'r

@___-_-J
I

a;-\------)
\1-l

- - - - J

-::::

Meno mosso
Melodyall on @ and@ string,

4t
{t

rt

t0

rt
rt
rt
rt
{t
rt
a

rlt

rt

l!'

Adagio(;=og)

a
a
e
('

c
e
e
t

e
o

piarto (ponticcello)

22

Free and expressive

=i

TT

=o.

p i n nrL(Don ttcctiir)

pp ponticceo-f.s.

.ocou
Meno mosso
Melodyall on @ and @ strings.

II

I
i
I

23

Very fast
U.FO.in thePuna.

T'

7I

lctgrcrri

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E d i t e da n d a r r a n q e df o r
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ELDtA aLJEMEaUIERAS
E d i t e da n d a r r a n g e df o r
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