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Keyboard 1/ Bright Lights, Big City re Conductor omic, Ove Gi Bright Lights, Big City sng PAUL S Company) a cou cocumang rchestration by JESSE VARGAS Fast Rock += 148 (Solo Gur 1) ——— HARD STRINGS & BASS ANALGG SWEEP S GursBuDrvKey 2) HUCK BEAT This is (Dr. Groove) ‘Mase roporation by Jron Vesely Copyright © 1999, 2008, 2004 Pout Scot Goodman (BMI) All ight Reserved Key. 1/Cond. Bright Lights, Big City -2— Bright Lights, Big City fon the scene at Heartbreak Downtown Man-hat-tan (Drs. cont. under Chuck) Nineteen Eighty-Four De - bauche-ry and drugs Cocaine in the bath rooms May - or Koch is vow - ing i clamp down on the down here in Heart-break Too much is__ne-ver e-nough! Key. 1/Cond Bright Lights, Big City -3— Bright Lights, Big City Or-di-nar-y people Drowning all their sortows as they spin out of control Los-ing their heart pla-cing their soul to this party e- pidemic This is get-ting ser This is get-ting ser - i - ous Wouldn't you say so Wouldnt you say so Ia Key. 1/Cond Bright Lights, Big City —4— Bright Lights, Big City “Jos Dsus4 DsusaiFe Em7 Ds Dsus4 Dsus Em? (Grr 1 Cue) nf (ves. FAv€) Ds. Osus4 DsusaiFh Em7 0s Dsus4 DsusaF# — Em7 [so] GAME] am not the kind of guy who place like this at this of the morning Sun - day mom-ing four A.M, Key. 1/Cond. should have cut need more blow Bright Lights, Big City —5— mar-ching Bright Lights, Big City clock but 1 said no. . Look at the dark ness, shine. SS oo eGr® abe wot TTd bevnea val 5 = ———— wt Key. 1/Cond Bright Lights, Big City —6— Bright Lights, Big City Right in - 10 Dsusarett TACET Bright lights, OsusaiF3 Em7 6 Key. 1/Cond. Bright Lights, Big City —7— Bright Lights, Big City PLAY| [STACC SYNTH SAW (PWM PERC) soon CEL 0 This is what you wanted is - alt it? All the fro - lie and the fren - zy, Ds, Dsus (Grey > sub mf 1 = lu - sion here, Key. 1/Cond Bright Lights, Big City -8— Bright Lights, Big City what you see is not what you get here. —-Dir- ty pre- tly New York Ci - ty Ds Dsus cs 59 hang on to each rush be - fore if ups and ° Emz, Look Gark ‘atthe (any | 1m) 907 FF aye mts ’ Key. 1/Cond. Bright Lights, Big City -9— Bright Lights, Big City ae Heart like a drum. ne Heart like Bright Bright Key. 1/Cond Bright Lights, Big City —10~ Bright Lights, Big City Bright Bright Yeah yeah. yeah__ Key. 1/Cond. Bright Lights, Big City —11— Bright Lights, Big City ; pro-blem’s I'm the kind of guy who's look ing for the kind of gist who'd ps (Gis) S MP Play Lay > Key. 1/Cond. Bright Lights, Big City —12— Bright Lights, Big City ver be here in a club like this time of the morning, this time of the morn - ing Sun-day mom-ing four A. MI look -ing for the kind of girl who day mom-ing four A. M. Key. 1/Cond. Bright Lights, Big City —-13— Bright Lights, Big City ate le ven for some croissants and cof - fee then we'd tennis with. ten = ais with E two of ten nis (Ke. 2) emg, Key. 1/Cond. Bright Lights, Big City—14— Bright Lights, Big City liza beth and Dennis who had got back from Ve~ nice. Tim liz a beth and Den- nis who had got back from Ve - nice E - tiz - a beth and en - nis got hack from Ve ~ nice. 3B > — a a a a ot ei | ? menace to myself, dan cing this close to heart break. ete = = E vb gy ees —— riz —<——— menstee t0 myself, m—— cing this close 16 heait—=" break Key. 1/Cond Bright Lights, Big City -15— Rit. Fall-inga - Bright Lights, Big City Ou got any = Ss as = — Ts Ste-vie Won - der blind?_ blow? D (Gr. 1 Cue) Key. 1/Cond. Bright Lights, Big City —16— Bright Lights, Big Ci Just a hit le 1 would-n't mind. spoon full 16 Key. 1/Cond, Bright Lights, Big City —17— Bright Lights, Big City Step in- 10 my of - fice. aiid e-verything they do. ++ Shaker & Tamb, Ta Key. 1/Cond. Bright Lights, Big City—18— Bright Lights, Big City Molto Rall. Su cleaned out the fou got any i“ (ictated) | (Solo Gur 1) Key. 1/Cond. Bright Lights, Big City —19— Bright Lights, Big City A Tempo - Medium Rock = J= 128 Good = bye (Grr 2) Segue As One 9 Keyboard V/ Bright Lights, Big City [2A | Conductor Loo os Back in the City sees : PAUL SCOTT GOODMAN Drug Girl, Orchestration by Ensemble) JESSE VARGAS Sami: Tal! Where yo been man? Fe Deen TACET Ta Jani! Alege tying toca a tf (Gir? & Bs.Cue) a a went a way just day to see my fam- ily, what a Em ‘Too many cocktails on the Music Preparation by Joron Vetaly Copyright © 1999, 2005, 2006 Poul Scot Goodman (Bl) All Rights Reserved 20 Key. 1/Cond. Back in the City -2— Bright Lights, Big City lawn dis-cussing so-do-my and aurele-ar_war. Em Enotrer yuppie puppy —par-ty in Connectticut, = e Tre global mekdowa has be - guvanT Wi te ginning insu 21 Key. 1/Cond. Back in the City ~3— Bright Lights, Big City burb FMaj7( Gee 1) 4 (=) 1 looked @=cross____ the bridge, I flew in - to a cab, 1 caught the ca) > A Comp, wi Rock’ fils 20 first rain back. q eee: 2 Key. 1/Cond, Back in the City —4— Bright Lights, ig Cit Grand Con wal SE tion here come 1 need the middle of your (souo} Grand Cen tral Staton here come I need the middle of your Em Key. 1/Cond. Back in the City -5— Bright Lights, Big City Andwhen I getihere walk easton Forty Second, tothat place where__the light hits—the FMaj? And Vil stand (Gur. Fu toes, and 1h seream atthe roof Gs Key. 1/Cond Back in the City —6— Bright Lights, Big City oH ———, + ie Hey did you miss me? Come ver and kiss me!____ El Great 10 be back Key. 1/Cond Back in the City -7— Bright Lights, Big City Back in the town__ where plen ty goes down, _We got plen ty (© go round tyg0es down ——Wegotple—> ty to wo f-1S0m— os 26 Key. 1/Cond. Back in the City -8— Bright Lights, Big City [4] Look at the peo ple TB Whoee — whoee (Gor) FMaj7 6 6 ‘Swar- ming round who-ee 27 Key. 1/Cond Back in the City -9— Bright Lights, Big City oo ‘one hun 28 Key. 1/Cond. Back in the City —10— Bright Lights, Big City go died__. stor = [a ee And looking out my penthouse 3 > > [ELECTRO SOFT AD GAT EIGHTY] EY A 29 Key. 1/Cond. Back in the City —11— window at the New York City skyline. say. honey bat es — ——————— — yeah, yeah Ws great t a8 Anh ce 48—____ St ro 30 Bright Lights, Big City by. you're all 10 be back__in the ci > Great back (Drs only) SS Key. 1/Cond Yeu its great, the ci-ty Backin the town_wheresuchplen Pl Fai? TACET 3 Back in the City -12— Bright Lights, Big City to be back in my > in my @ tygoes down.I'vegotplen - ty (0 go a-round,__ tygoes down — Wegotplen—— ce = tyto go 9-1oImb— | 31 Key. 1/Cond Back in the City ~13— Bright Lights, Big City &] There's money falling from the sky. B =s 51M, Nine-tden eighty Nine - ten ci-ghty - Your_ve4t Am Em PLAY a ——some, have fun. We're fly - ing 100 fast. Yoo fast SSS) —— fying / SES PNO (AGGRESSIVE) cro a 32 Key. 1/Cond. Back in the City —14— Bright Lights, Big City Run - ning 100 free = py just 0 be 33 Key. 1/Cond. Back in the City ~15— Bright Lights, Big City jumping too. far Jump-ing— too far Crashing the ledge Jump: ing too far Crash-ing_. the ledge Am? FMai7 34 Key. 1/Cond Back in the City —16— Bright Lights, Big City ccrash-ing the ledge Dancing on the erasing the eds Bin-thg oi the Dan-cing on the Em Key. 1/Cond. Back in the City —17— Bright Lights, Big City 36 Key. 1/Cond Back in the City -18— Bright Lights, Big Ci El a-round__ the around. the around. the Ten dol - lar > >> >> 37 Key. 1/Cond. Back in the City -19— Bright Lights, Big City drinks Nevertheless, Nevertheless, here we are, drinks drinks bar. Nevertheless, Em FMaj7 > > ae pS pos-si-ble it the more we want is wo get the more we want to ex The more im ble it is to get in e7 > the more we want to ex > >> suhito p> Key. 1/Cond. Back in the City -20— Bright Lights, Big City Nine - teen ei-ghty - fur_ Nineteen eighty ~ four (GUrS1B5) pm PLAY [MOTION PAD (FAZER PAD) 108 drugs make you feel the mus - ic and the == 2 B Nine - teen ei-ghty - four. > 39 Key. 1/Cond, Back in the City —21— Bright Lights, Big City —— —— + sic makes you want more drugs —— teen eixghty - four crese., poco a poco ——| Key. 1/Cond. Back in the City -22~ Bright Lights, Big City Cs) all [ need is one more popper one more vorka one more topsy —tur-vy humky do-ry manic TACET Diadd Oars Dsus (adda) Sf (GtesBoKey Yes) 7 8 Te S s ‘Tempo - Brighter Rock J= 152 pane magic high Listen 0 the voi - ces raging round inside your head just like a Men vb Listen to the voi - ces raging round inside your head just like a (Gus) OS, Dsus = pLay 9S 4 Key. 1/Cond Back in the City -23— Bright Lights, Big City mes- sage fiom the Vat-i - can. Were watching as you're slip-ping as youre Unis mes sage from the Vat-i ke watch-ing as_you're slip-ping as you're ° Em > = - MOTION PAD (FAZER PAD) Diadda) subito mp crese., poco a poco = - —— - = —— —- | ecg, ay ee one ee oe) ae Bp SSS SSS Se ee Mp ping in = 1 wiping, Ate you MW ing to be killing all he Key. 1/Cond Back in the City -24— Bright Lights, Big City dreams thar you are hi- ding? Skin - ny dip- ping slip- ping slid - ing when you W dreams that you are hi ding? Skin - ay dip - ping slip - ping. slid - ing when you (GursBsKey Dr) really should be fly-ing from heart ee reably should be Ay ing from heart break. 43 Key. 1/Cond. Back in the City -25— Bright Lights, Big City Wel - come Key. 1/Cond. Back in the City -26— Bright Lights, Big City lights JAMIE Look at the lights. dan-cing in the middle of the = dancing in the middle of the 4s Key. 1/Cond. Back in the City -27— Bright Lights, Big City u-ni-verse in Nineteen Eigh-ty Look at the lights. wnivere in Nineteen Eighty Gays——Laok athe lights —_ — Key. 1/Cond. Back in the City -28— Bright Lights, Big City dancing in the middle of the universe in Nineteen Eighty Look at the tights. Bright ddancing_ in the middle of the esse in Nineteen Eighty Four Look at the lights. — 47 Key. 1/Cond Back in the City -29— 48 Bright Lights, 8ig City Applause Segue Keyboard 1 / Bright Lights, Big City | 3 Conductor [ Uanie, Mary, SUNday Morning 6 AM swicaiiray Amanda, Mother, PAUL SCOTT GOODMAN i 7 Orchestration by Company) JESSE VARGAS — ‘ately «= 100 Moderately Unis Ws way after dark ___ Am — (Gir) (PIANO) = a= = =F Se oT 3s new day is dawn-ing Sun-day mom ing, ik — = : = —— = ide SE - we _ Ja a eee = bye ee eee ey Dpto Maric Preparation by Jaron Vesely Copyright © 1999, 2008, 2006 Foul Scot Goodman (8M!) ‘All Rights Retorved 40 Key. 1/Cond. Sunday Morning 6 AM —2— bik Bright Lights, Big City ‘Chuck: This is Chuck Bean onthe scene Jin Washington Square. (Key. 2: Elee. Pro) %0 TT (Ais. sust through) ‘Chock: (cont) where a shoe by a tree is a clue a5 vo who might be the ane who took Mary away. Have you seen her Jamie? 35 Golo Gur 2 Cue) 30 5 Mary: Jamie 3 (as) Key. 1/Cond. Sunday Morning 6 AM —3— student at N- ¥ Om c 1 was _ last seen in Washington Square Key 2) Bright Lights, Big City A rmiss-ing. Dm Dime wearing 2 gwenter and 51 Key. 1/Cond. @=) Please could you find me. please don't go. F 3 Sunday Morning 6 AM —4— Fsus4 F a [EERIE STRINGS HOLE STRING) 52 Bright Lights, Big City Please couldyou find me, please don't go. Foust % Key. 1/Cond. Sunday Morning 6 AM —5— Bright Lights, Big City Medium 'Latin' Groove #= 10 ‘Amanda: Jamie Jamie: Amanda. (gaa (Ke?) To. night—— to-night, TACET 53 Key. 1/Cond Sunday Morning 6 AM ~6— rs about it ali___in New Well spend the day. toget-her in Am? Bright Lights, Big City Le York Maga-zine ‘our bubble, making su- Dir Key. 1/Cond. Sunday Morning 6 AM ~7— Bright Lights, Big City man Gr sweet woud 18 Take a walk__. a-round_— the block. 88 ——, Pick up some—— supplies Hey. hus ea 55. Key. 1/Cond. Sunday Morning 6 AM ~8~ Bright Lights, Big City —— buy your Sun - day Times and come hoie soon Don't for-get_—_ 10 Gm7 Fm7 CMaj7 Am? g0 to Zi - 10's Smellof fresh__ baked bread. tums__ me on, (bring out) Gm7 Fm Maj PLAY. Isn'tthis a beautifuls Isn'tthis a beautiful Sun. aay? ounyy S Te CMai7 11. Comp. FMaj7 cMai7 Ss ae 56 Key. 1/Cond. Sunday Morning 6 AM -9— Bright Lights, Big City te] TL can see that Sun-day now. ‘mp (RHODESBELL BELLDH) fe p-P typer was hyper all day that day. And later thatnight, the words fell from the sky—— and 1 KL groove 7 Key. 1/Cond, Sunday Morning 6 AM —10— Bright Lights, Big City plucked them off the rooftops of | Manhattan ahd T wrote them down for you and 1 fong has it been. ar Re tor © a : oe meee! <1 a a nN oc <1 58 Key. 1/Cond Sunday Morning 6 AM —11— Bright Lights, Big City left me A-manda? Three months? May-be four? | don't count any: Gmr Fm? Am (Rhythm) I dont count a - ny-more. But wasn't that a beau-ti-ful Sun - But wasn't that a beau-ti-ful Si ft CMaj7 Lt Comp. 59 Key. 1/Cond, Sunday Morning 6 AM —12— Bright Lights, Big City Was-n't that a beaveti-ful Sun day? Wasn't that a beau-ti-ful Sun In our rag d * FMaj7 cMaj7 Freely Be - fore you became a model darting lit-tle hovel. threw a-way your no-vel Am Fm (Gre 283.) 60 Key. 1/Cond Sunday Slow Morning 6 AM —13— ly great Ameri-can no-vel At the (Key. 2) 700 107 [=] ory My —< end of chapter four. — Bright Lights, Big City typeristt hyper any Mother Jamie Jamies Mom, 108 = aS should be coming home at this time nS Of the morning heartbreak Sunday You te the kind of bay wh ele ——————— 7 ot Key. 1/Cond. Sunday Morning 6 AM —14— Bright Lights, Big City moming six A. M All messed up no place to go. so tell me what would Mother say? So Rit. Say pray what would brother say? | thinkitts time you facedthe fact your wife has run away A Tempo Come let_the dark ny hey. (Glee Bs. eb) bo ——— 7 ve Tie 62 Key. 1/Cond. Sunday Morning 6 AM —15— Bright Lights, Big City ©. pen__your eyes. va 12 @ ae 63 Keyboard 1/ Bright Lights, Big City Conductor 4 (Coma Baby, Mary O' Brien, Coma Baby Music ond ies by Mother, Company) PAUL SCOTT GOODMAN Orchestration by Fast Rock! J=170 : ff (G11 sole) Note: Keyboa that texture is Bit DES is Punk Rock ish 6 Fuck - ing. Fuck - ing BxM) Fuck - ing Music Proporation by Jaron Vesely Copyright ® 1999, 2005, 2004 Pou! Scott Goodman (8M) Al Rights Reserved ot Key. 1/Cond 7 Fuck Fuck Woke up Coma Baby -2- ing ing 0 grum - Woke up grum Feel.ing Feeling Bright Lights, Big City = - day morn = Mon - day mom ing. 7 Feeking lum - py. frum - py. Feeling lum - py. 65 Key. 1/Cond Coma Baby ~3— Bright Lights, Big City a — @ Read the pap whats the head - line? whats the head - line? (0r Pickup) [] oman Co-ima ba - by, Co-ma ba - by, [CHUCK] Monday mom - ing Co - Co-ma ba - by, 66 Key. 1/Cond. Coma Baby ~4— Bright Lights, Big City (Chuck: Will she ever see the ight of day’? Will Te - ver see. the light of day?, om Lying here_inMom - my'stum - my. Warmin stay. and s ee mom - ing blues a - way. cchase the Mon Er o oxy) r Save us from the Com c Om oT Key. 1/Cond. Coma Baby ~5~ fl Bright Lights, Big City 2 leenage terrorists. lottery winners teenage terrorists, lottery win-ners, Gs > > # Es = = Tea-beth Tay Teving night ~ mares, WE" on oh. planet, Ba liz-a-beth Tay li-ving ight. - mares, fon oth-er pla Gs 68 Key. 1/Cond Coma Baby ~6— Bright Lights, Big City 3 sfon-tan - © - ous hu - man com bus - spon-tan - ¢ - ous “Tan com bus a [=] oxey Co. ma ba - by. look at Ja look at Ja 6 Key. 1/Cond. through Sun —— through Sun day day. Coma Baby ~7— Late for work a ~ gain. Late for work a 70 Bright Lights, Big City the naugh the naugh Key. 1/Cond Coma Baby -8~ Bright Lights, Big City Fa ~ ther al Fa - ther al - ways oi the move (G.2)_— <<< 7 Key. 1/Cond Coma Baby -9- Bright Lights, Big City Newschoole - veryyear exw) 2 a We all___got our pro - lems ba- by! You hive got We all___got our pro - blems ba by! You have got to Dm com Cc Dm CDm 6 Tbove it, move on up. 7 Shim-my shim-ity gim-me gim-ime move on up Shim-my shim-my gim-me gim-me Ds > Key. 1/Cond. 8 build- ings made build -ings made of ‘Coma Baby-10— fire Gs Bright Lights, Big City and me-tal, and me-tal, = a - ny- thing you feel. a — a = ny- thing you > 2B Key. 1/Cond. Coma Baby—11— Bright Lights, 8ig City Le] Yeah yeah Yeah yeah Yeah yeah yeah —— whoa whoa whoa. Yeah yeah yeah (SAVAGE BALLET) Gtr. 2 solo over Drs. 7A Key. 1/Cond Coma Baby-12— Bright Lights, Big City (CHUCK — ¥ SS SS A pregsant mother in a 5 = Whoa wiioa Wor SS SS —— 7 whoa whoa — whos. —_—= Stuck - in - side the womb Who will live or die? (Drs, cont. under Chucky 75 Key. 1/Cond. Coma Baby~13— Bright Lights, Big City 7 Mo-thers give their lives so their chil - dren can sur sssss 16 Key. 1/Cond. Coma Baby-14— Bright Lights, Big City Rall. [WARY] Pease can you find me, = Gir. Feed Back, Prazy Cymbs, etc. s Slower-Molto Ra". al fine please don't go. Slow Fall ow 1 Keyboard 1/ Bright Lights, Big City [ Conductor (Clara, Jamie, ee Fact and Fiction 2252208 Orchestration by JESSE VARGAS Fact Checkers: Gotham Magazine Department of Fucual Verification. Medium Motown Groove J= 15 SS Om vs bom ba osm Boom ba a == —— om ba ba oom ba oom ba 1602) ‘Music Proporoion by Jaron Vesely Copyrigh © 1999, 200, 2006 Poul ScoH Goodman (8M!) ‘All Rights Reserved B Key. 1/Cond. Fact and Fiction -2— Bright Lights, Big City Yeah yeah yeah, Yeah yeah 79 Key. 1/Cond Fact and Fiction -3— Bright Lights, Big City fe] term-i-nal-ly f-puncau - al———=_ Your work is quite dys-func-ion- al Te had as much as 1 can take. 80 Key. 1/Cond. Fact and Fiction —4— Bright Lights, Big City Jamie: Im just a boy inthe city, Clara Give'a boy 2 break Oh no 90 10 no TF dont think. (Key. 2(Organ)) (hyth Piano) ab so Ja - mie, You cant. be adreamer in an of-fice that deals 81 Key. 1/Cond Fact and Fiction —5— Bright Lights, Big City tion Vm alk - in ba - by ba oom ba oom ba oom ba com ba oom _ba ea Key. 1/Cond Fact and Fiction -6— Bright Lights, Big City adic ~ tion Ombacom bacombacomba oom ba oom ba ‘Whoawhoawhoawhoawhoawhoawhoa! Comba —_bacombacomba oom ba oom ba Whoawhoawhoawhoawhoawhoawhoa! —— Mis - ter De ~ par mp $ (Guests) 83 Key. 1/Cond Fact and Fiction -7— Bright Lights, Big City mov - ing the French piece up an_ iss need it on my desk to - mor-row at 84 Key. 1/Cond. Fact and Fiction -8— Bright Lights, Big City han- dle it Ja mie? Tecan han-dle i Clara. >> >>> > 23]4 Tempo is - nt that com - pel - ling check - ing © = ther people's spell - ing Am (Gir. I Cue-Power Chonls) sim Key. 1/Cond Fact ond Fiction -9— Bright Lights, Big City T wish [ were in fic-tion, I'm so Grammar is-sit glamorous. dictionar-ies ei-ther. 6 F tired of sit - ting, wait -ing, won-dering where a - long the line E sim - ply stopped ae - cel-er-a- ting — fe mem-ber com ing here the ae > = 7 86 Key. 1/Cond. Fact and Fiction—10— Bright Lights, Big City first time for my in - ter-view. | thought of all sim. 6 the names that had been made here | pec-ted 10 leave fact F upstairs 10 fic - tion. The in-e-vi- tability of it all was con-vin (+ Bruins) 87 Key. 1/Cond, Fact and Fiction—11— Bright Lights, Big City Please could you read. my (Key 2 (Organ) | ——— pen in eu = = eve con et — = Amé 88 Key. 1/Cond. Fact and Fiction—12— Here's a 89. Bright Lights, Big City Clara: Depardicu, line Jamie Bright Lights, Big City Keyboard 1/ | Conductor | ame, I Hate The French _ srsoigrsty Fact Checkers) Orchestration by hie (con) Aten von, JESSE VARGAS 2130 De- pardiew, the res - tur-ant (Key 2: Accordian) He | spends his days in has - Music Proporaton by Joron Vesely Copyright © 1999, 2008, 2004 Pou! Scot Goodman (8M) All Rights Roterved 90 Key. 1/Cond. Hate The French -2~ Bright Lights, Big City ca - fes__. and ca- ba-rets, dri - ving me to tears, spelling's complete-ly {ro cious, His | tum of phrase ab - surd._| 10 pois. in 2 91 Key. 1/Cond. I Hote The French -3— Bright Lights, Big City He | thinks he's pret - « But his the 92 Key. 1/Cond. | Hate The French —4— Bright Lights, Big City [] I hate them | all From Tou] louse La Fuck.ing Tree to Charles De 19 0 I can't | stand the way they put that lit-te| thing a-bove the “E*. I hate the 93 Key. 1/Cond. | Hate The French -5— Bright Lights, Big City T French, 1 hate the French, 1 hate the | French, 1 hate the French. I hate the hate the French, 4, Key. 1/Cond. | Hate The French —6— Bright Lights, Big City Mon - siewr Vous 100 Mon - sieur De - par— dieu _ mak-ing my life (Grr.2) 9s Key. 1/Cond. | Hate The French -7— Bright Lights, Big City — 1_say_some-thing] en - we nous. Go. to | hell Jacques Brel, theEi - ffel y. Fact Checker: Jacques Brel is Belgian Like the wale, Key. 1/Cond. | Hate The French -8— Bright Lights, Big City ATEMPO French, their Beau - jo FACT CHECKERS| He hates the French. (Drs: March) cheese, their Paris breeze, their gay be] - Pi |- ere Cardin, your Cog Au vin has 7 Key. 1/Cond. | Hote The French —9— Bright Lights, Big City {got a fousy stench! | hate the] French | hate the} French. Thate the FACT CHECKERS| He hates the French We hate the French We hate hate the French! We hate the | French. 98, Key. 1/Cond. | Hate The French-10— Bright Lights, ig City [2] say that you have sa. voir faire can't see ny.where, The {Gur 1) . eee 2 50 world thinks you're petite aussi — 1 hate the eS &) French. Tha’s the } deal. Though 1 yee with wine ate - very (Key 2 Key. 1/Cond, | Hote The French—1— Bright Lights, Big City = part from that 1 have to say I've] ne -ver met a French Mensch, Trest_ my| case, I take the bench, I hate the | French! 5 4 S tou 100 Keyboard 1 / Bright Lights, Big City 7 | Conductor . (Michael, Amando, Jamie) Brother Msi ond ye by PAUL SCOTT GOODMAN Orchestration by d= 100 JESSE VARGAS es Be. AE Be (Solo Ger 1) mf (12-Steing Intro) [MICHAEL] ——— Brother, calling my. bro-ther. = : Ae SS] 595 4 —— 7 e = : Music Preparation by Juran Very Copyright ® 1999, 2008, 2006 Poul Sat Goodman (84!) Al Right Reserved 101 Key. 1/Cond Brother -2~ Bright Lights, Big City What the hell's go ing on with you? Biadai1) "Quarter Note’ Pulse-L.V. ve been calling for a week now.____-How's your wife, man? How's your job? ‘A(add2) Bsus e (add!) How's your life? Why don't you call me, bro-ther?. Ataad2) Bsus € Bsus AR 102 Key. 1/Cond. Brother —3— Bright Lights, Big City Next week is the an - ni-ver - sty e Bladai1) of our mo-ther—— dy - ing, brother I've been ty-ing to get—— you just to let__ Atadd2) Bsus E Bladat1) spread her ashes. on the lake. —— you know we're gon-na > (Ges) A(aad2) 103 Key. 1/Cond Brother —4~ not with-out____ you. > Ffen7(11) calling my. B7sus4 B Aladd2) Where are. you bro-ther?_. B7sus4 104 B A(add2) Bright Lights, Big City — brother, E 8 Aladd2) Key. 1/Con Brother —5— Bright Lights, Big City 2 If you see___my bro - ther could you ask. him please to call__me? That he (Gu. E> vo TACET - (uighter) BouslE SS = (Gir 1 Cue) owes it to our mot - her, that fm wait ing in Bucks Coun - ty. — rs 105 Key. 1/Cond. Brother —6— Bright Lights, Big City ES come to Marhat - tan Tim that please? Could you tell my oe 106 Key. 1/Cond. Bright Lights, Big City Brother, ——____ calking —my—____ brother. PLAY — B A(add2) B7sus4 € B Aladd2) SF Groove) + Tamb. 4 (Gr I Cue) A Slower — won't be com-ing home to-night Did you get_a ly - ter flight? Biadat 1) ee ee mp (Gtr. VB Only) lo7 Key. 1/Cond. Brother -8— Bright Lights, Big City stay-ing in Paris Im sory, 1 don't want to hut you. For how long? Bladd11) . Jamie: What are you saying? ‘Amanda: My career is really taking off here, amie. Jamie: Since when is modelling a fucking career ‘Amanda: Jamie. please. Jamie: Is there someone else? One day fl ex-plain.—— et | aaees | Fthasst1) (Dictate Chords to Gh. 2) 10x Key. 1/Cond. Brother —9— Bright Lights, Big City “Amanda: Thats not the point, bot yes. Jamie. Who? ‘Amanda: A photographer from Pars. Jamie: You said they were all gay. [AMANDA] Au-con - traire, oo | rarer, 109 Keyboard / Bright Lights, Big City [ Conductor 7A i (amie) | Hate the French ‘Music and lyrics by PAUL SCOTT GOODMAN (Reprise) oe Tempo hate the French, Gn mf +1, Bs, & Drs E> dith Pi - af to Pom-pi Yd rath-er have the English with their Moric Preporction by Joron Vesely Copyrigh © 1998, 2005, 2006 Paul Scat Goodman (8M) All Rights Reserved ho Key. 1/Cond, | Hate the French (Reprise) Bright Lights, Big City tea and Ju- di Dench, = Ma - rie Antoinette, bench that wench! I hate the a a > French, | hatetheFrench, {hate the French, I hate theFrench, | hate the French, | hate the French, I hate the accel. al fine ™p érese, poco a poco French, | hate the French, I hate the French, 1 hate the French, 1 hate the French, Keyboard 1/ Bright Lights, Big City | : Hy) Conductor | n oor Ld (amie, Tad, Elaine, Elise, Odeon Music and byrics by Theresa, Company) PAUL SCOTT GOODMAN Orchestration by Jews TESSE VARGAS (4 ¥-drums) ANALOG DIGITAL SEQ. (PWM EAI bet nae (Bs. Kev)" : (+ Gir 280) - de - om ‘Music Praporation by Jeron esaly Copyright © 1999, 2005, 2006 Poul Scom Goodmen (Mi) All Rights Reserved 12 Key. 1/Cond. Odeon -2— (+ Men 8vb) 13 Si Bright Lights, Big City Key. 1/Cond. Odeon -3~ Bright Lights, Big City @) know 1 should be work - ing but in - stead I'm bu - sy shrik- ing OF Ger 8) Dsusa nf [GaFTED) EE ee sete A EE drud-ger-y and drivel of re = sponsibility. oth eyes peeled for tonely girls, | ° em o lv 4 Key. 1/Cond Odeon —4— Bright Lights, Big City don't think that I'm see - ing None who might be in - ter-ested in Dsus © coming home wit (750) Cher -chez. (Key.2) les grammes, ab TACET Band Cont. Groove Key. 1/Cond. Odeon -5— Bright Lights, Big City les. grammes. My — con-nee tion let me down, he = had to leave town ‘SOFTPAD (PWM SOFT) he Key. 1/Cond. Odeon ~6— Bright Lights, Big City a Dsus | [ANALOG DIGITAL SEQ. [ewer ueaDy 7 Key. 1/Cond Odeon ~7— Bright Lights, Big City Are- n't you Aman - da’s husband hus - band? Wow she’s yum - my. Have - n't (Key 2 Cue) > > > > mp TACET no, we're not seen her for a while. Are you ° > > 1s Key. 1/Cond Odeon -8— Bright Lights, Big City sorry, she was hot weld like to get to Bo-li-vi-a right eb > wand Cont. Groove Dsusa no Key. 1/Cond Odeon -9— Bright Lights, Big City Band Builds mind fuck, — e- lee-tro-nix, ‘7 ‘8 Nice rush. cool buck. mind fuck, _€-- lee-tro-nix, (Key 2) ge (GurssBs10r8) 120 Key. 1/Cond. Odeon—10— Bright Lights, Big City =e See Qi and to-nix, Rea-gan-omix, —gim-me more ce-le-bri-ty. SSS : =) Cal-vin Klein, Mary Boone, and to-nix, Rea-gan-o-mix. Cal-vin Klein, Ma-ry Boone. en Th = == we dds dood oe d Food dda tS SVD Bas-quiat, Wolfgang Puck, Christy Brinkley, I-van Boesky, Steve Rubell and Jackie O oh @ 3 CI Bas-quiat, Wolf-gang Puck, Christy Brinkley, Ivan Boesky, "Steve Rubell and Jackie O oh 4 Om 2 Key. 1/Cond. Odeon—l1- Bright Lights, Big City On Dm (CHIFFLEAD. [ELAINE] spend a-bout half my life im bath-rooms late - ly. (Gitrs1Bs5Drs) Key. 1/Cond. Odeon—12— Bright Lights, Big City (Gurs1B31015) 123 Key. 1/Cond. Odeon—13— Bright Lights, Big City So ate we PLAY ab pa [PHASESTRINGS rea - dy to roll? B Where are We roll - Tage 124 Key. 1/Cond. Odeon—14— Bright Lights, Big City In - to the hean__________ of the night__ Pull Back-Slightly Slower Groove J= 135 Key. 1/Cond. Odeon—15— Bright Lights, Big City 7 = ver the ci ty tO night a mil ~ lion night inf (Gtrs/Bs4Drs) a clubs crave our cash Pa-nache, In fin-i-ty, De-sires,— G 6 —— Regimes, taking fe - Em 126 Key. 1/Cond. Odeon—16— Bright Lights, Big City male confection, 'm talking some - thing soft___and_sweet. in talking the e 6 o 6 lec - ti - ci-ty of — fem-i - nin than drugs, Key. 1/Cond. Odeon—17— Bright Lights, Big City the mag— awe ‘an-i-mal lust be-cause— 105 an-i-mal lust be-cause— FO erese. poco a poco PLAY & 104 105 Man made woman, wo - man made 107 108) Man made woman, wo - man made Om Emo 128 Key. 1/Cond Odeon—18— Bright Lights, Big City vi- ous. want to have to- night, = want to have to night. eezeees 129 Key. 1/Cond. Odeon—19— Bright Lights, Big City es want to have OT want to have z2pz —, —— sex to-night. Come ont Come on! Come on! sex 10- night Come on! D(aad2) 130 Key. 1/Cond Odeon-20- Bright Lights, Big City [20] Ecare] See him? [THERESA] D¢ada2) (Key 2Cue) Did her, 11 Key. 1/Cond. Odeon-21 2nd BY only) Bright Lights, Big City aa Ss SSS ° Did him. Did him. Did him. Did him. = SS = z == Did her Did her Did her Did her ete ——— , wig 33 333 Can you make—_ me cum? Dichim. Daher Gn youmnaRe=. mecum? Canyon make —mecum? ¥ + tt HT & S s (Fade) Dichim, Caryountke macum? — Canyou 132 Key. 1/Cond. Odeon-22- Bright Lights, Big City 7 r make me cum? Can you make me cuin? * Can you make ia |S a PLAY [ANALOG SYNTH. STR. (PWM STRINGS) } oo (Gr) Can you make me c Can you make me cum? Can you make me cum? Can you 133 Key. 1/Cond. Odeon-23— Bright Lights, Big City make me cum? Can you make me cum? Can you make me cum? Gin you make me cum? Can you make me cum? Can you make me cum? Can you 134 Key. 1/Cond Odeon-24— Bright Lights, Big City 4 a make me cum? Can you make me cum? Knobs and knock > ers, cum? D_Band: Rock Out on Chords! 3 <__* ~ tion, mi night blue 135 Key. 1/Cond Odeon-25~ Bright Lights, Big City you be Lanee__ by ny chance? cordial - ly—— in - vite FO bite it, ride it, slide it, gloss. 2 189 (Key 2Sust) 1% (Rhythm Sect: Building 16ths) + Gite. Acid Rock Solo Em Key. 1/Cond. Odeon—26— Bright Lights, Big City slide it, “light me up___ Make me for - get my whale Go = =, — .___ life sucks—— And 3 mitlion fueKS_ won't make that ight Eo want to have A E Zz Z tA — Rock Out! a —_ ies Organ (s+ Gn. Fray pedi 137 Key. 1/Cond. Odeon-27— Bright Lights, Big City to-night —— want to have nigh Come on —= want to have nig Come on!__ Tui E Diada2) PIANO] > 138 Key. 1/Cond Odeon—28— Bright Lights, Big City Diadd2) (Dictated Chords) aM] in Bob Hope tell a joke? + GtrsKey.2 170 7 Bg Key. 1/Cond Odeon—29— Bright Lights, Big City A Tempo-Slower 1 get something for you —, ficsy up. fy mother’s gonna kill a Fen wanna have 7a wanna have G(ada9) Key. 1/Cond. Odeon-30— Bright Lights, Big City Slow4 J=75 ise Good moming! TACET al fine ° 3 ver Jamie: Im late foe work. lise: im late for school Mother: Elise! What time is it? Fo-rest Hills, S + ShakeriGte.2 —<—S—S Jamie: Who's that? Elise: My mother. Jamie: How old are you? No. on, Gotta go! 7 lise: Wait, we divin Fourteen, have ex lst Sixteen, a Eightec 14 Keyboard 1/ Bright Lights, Big City 9 Conductor (Mother Happy Birthday, rei PAUL SCOTT GOODMAN Tt Orchestration by Darling rcetaon d= 130 [MOTHER] « — SS You were such a Tutt <7 fun-ny—_ boy. an aw ful ba racer " 2 Bm A ™P (Gi. 1 Cue) (Bs. Cue)? ‘Music Preperation by Joron Vesoly Copyright © 1999, 2005, 2004 Poul Scat Goodmon (8M) Al Rights Reserved 142 Key. 1/Cond. dar-ting Bm Happy Birthday Darling -2— ler-ri-ble scream - Bm A dows, But whenev-er Bright Lights, Big City beau-ti-ful drea - mer, Bm A you would put your Bm A Tire wouldn't be a Key. 1/Cond. Happy Birthday Darling -3— Bright Lights, Big Ci sno ther proud. to be_— your mother. 8m > A >A ° ft just fetr Hold__ my is ‘Are you__still holding__my hand? Key. 1/Cond. Happy Birthday Darling —4— Bright Lights, Big City 25 Happy Birth - day, dar - ting. Nine! 1 can't be-lieve_ it seems_ Ger.2 (8b) (Gir Cue cf ) S = TACET (4 Key 2: Shaker) ™p (Bs) yes - ter - day since came by c say your first hel - fo Hey. how a - bout ait 145 Key. 1/Cond Hoppy Birthday Dorling -5~ Bright Lights, Big City les on the ster-e-0. 146 Key. 1/Cond. from__. the = right Happy. birth ob day dar of (+ Key.2: Voiced B31) = you) sent cb pre ab Happy Birthday Darling —6— ling. Fif - teen! Yeah, o> ‘Ad:lib lite Piano fills my old type Bright Lights, Big City Can't be-lieve it ob Here's__ ter the one that ob N Key. 1/Cond. Happy Birthday Darling -7— Bright Lights, Big City been pin - ing read the book you tent ob (Ger) erTepe Tae ful, James now ther’s a voice. cb 148, Key. 1/Cond. Hoppy Birthday Darling —8— Bright Lights, Big City — your voree—— Hap- py birth Lite Fill ob 19 Key. 1/Cond. Happy Birthday Darling -9— Bright Lights, Big City wor - ried (Key 2: Warm Pad) Lighter Fm Hap-py birth - day. ob jimi 150 Key. 1/Cond. Happy Birthday Darling -10— Bright Lights, Big City does - n't with Dad be-ing a - way Ist Key. 1/Cond Happy Birthday Darling —11— ight Lights, Big Ci reach out 10 him Ja-mie ‘cause he thinks. that 1__don't love erese. poco a poco love you. Gbiaaa2) [=] Hap - py te wen ty one!__ day lar fing, Comp. (add 2as desired) (+B:3, GersByDrs as before) 12 Key. 1/Cond. Happy Birthday Darling —12— Bright Lights, Big City ation. eng = lish ma D —— I cant be - tieve. ° what you are new job at the Kan Phim — word__ oO D Key. 1/Cond. Happy Birthday Darling —13— Bright Lights, Big City tures if you can 6 heart Giada) Isa Key. 1/Cond. Happy Birthday Darling -14— Happy birth - day ling, hold! my hand, Hap-py bith - day aw D wt Rit. Bright Lights, Big City Hap-py birth - day d&r— Conductor _ (Coma Baby, Mary O'Brien, Missing Jamie) Keyboard 1/ Brigh Light, Big Cty [ ZN ‘Music and lyries by PAUL SCOTT GOODMAN Orchestration by JESSE VARGAS (PIANO) +V-Drums (water dripping) ™P (Heavy pedal throughout) TOMA BABY] co - ma ba - by, Music Praporation by Joron Vorly Copyright © 1999, 2005, 2006 Pou! Scom Goodman (BMI) ‘All Rights Reserved 136 Key. 1/Cond. Missing -2— Bright Lights, Big City mys tum my Warm in here, but want. to SS Mom - mys ly - ing. ———————===——. 137 Key. 1/Cond Missing -3— Bright Lights, Big City Mom - mys dy - ing. Mom - my might note So 158 Key. 1/Cond Missing —4— Bright Lights, Big City Wish = ington ao Fo s a 8 Key. 1/Cond Missing —5— Bright Lights, Big City #12-Ste rps. 160 Key. 1/Cond Missing —6— Bright Lights, Big City =) Please could you find me, please don't g0. (Gri) F Foust the efe Geet? ari Ad-lib Please could you find me, please don't go. Don't go. 16 Key. 1/Cond. Missing -7— Bright Lights, Big City Chuck: And in entertainment news: Amanda, the hotest model in America, just Mew into The Apple forthe MTTV Fashion Extravaganza! Have ‘you scen her Jamie? She's looking good 4D (Key Bs) . . [+] stowty see your face © ~ very-where, sense your skin, smell your hai, There's Dictated chords Om (Gir 218s) 7 no escaping where you are Where -e-ver I go, there you are. There you are 162 Key. 1/Cond al-ways knew maiz Missing -8— Bright Lights, Big City way. GMaj7_(GtrsiMsconty— FMai7G > > > TACET, that one day————_ you'd be on GMaj7 163 Key. 1/Cond. Missing -9— Bright Lights, Big City New Tempo Set Up (Dr. Pickup) ca = : Segue as One loa Keyboard 1 / Bright Lights, Big City [10 | Conductor L__] (Amanda) To Model Music ond iyries by PAUL SCOTT GOODMAN Orchestration by Latin Pop = 120 JESSE VARGAS AMai7 AbMaj7—GMaj7/A abntai7 > > Tair 2) HOT BRASS SECTION. VELO. FALL OFF (both hands) 3. f (is, cued throughout) AbMai7 |GMai7/A > Marie Preperation by Joron Vesely Copyright © 1999, 2005, 2006 Pou Scon Goodman (8M!) {All Rights Reserved 165 Key. 1/Cond To Model —2- Bright Lights, Big City model isto show the world the | power of the beam i - ful il Anta? Abwaj7| GMaj7in bata > - : ee AbMaj7 | GMaj7/A > 166 Bright Lights, Big City Key. 1/Cond bliss-ful state of cha - os and con ‘AbMaj7| GMai7/A, AbMai?| > > > > is__ to wal - low in ps 167 Key. 1/Cond men-o-pause___at twenty five._| To mo - del, GMai7 > — To Model —4— Bright Lights, Big City the | bien alk, AbMaj7| GMaj7/A > > > |. to | mo- del AbMaif GMaj7/a > AMai7 > >> > es ees 108 Key. 1/Cond To Model —5— Bright Lights, Big City Absai7_| GMaj7/A > - ver have to | go back tomy Kan - ss Ci-y ‘AbMaj7| GMaj7/A AbMaj7 > > 169 Key. 1/Cond. To Model —6— Bright Lights, Big Ci AbMai7_|GMaj7/Aa > . jamair\. (Suggested Latin Piano Solo-Ad-lib) ™ isto lose the fear 1 | al-ways-used__ to feel or fur- ture ‘abuiai7| GMaj7/A abmaiz > > > > >> > 170 Key. 1/Cond. To Model -7— Bright Lights, Big City a a t ¢ — a—— flash - lights, — the | cam - era wall, AMai7 abMaj? | GMaj7iA > SS Ss er #6 ( Key.2) m Key. 1/Cond To Model -8— Bright Lights, Big City pink cocaine in the upstairs lounge del, to| mo-del gets me GMai7 > sAbntai7| GMA Abwai7 = > ieee HOT BRASS SECTION-VELO. FALL OFF of abuiai7 | GMaj7iA > m2 Key. 1/Cond. To Model -9— Bright Lights, Big City 7 want to be some |- bod y?. (Gr.2) AMai7 we (Key. 2Cue) ‘Small Pao, Fill Dida't want 10 be some 173 Key. 1/Cond. To Mode! ~10— Bright Lights, Big City Re |} member when 1 met__you? Me, the (Gue.2) little flow-er girl. from Kan All my glos-sy mag-a - zines and. magic dreams of Su-dio | Fifty Four Amat Gmaiin (Key. 2 Cue) 174 Key. 1/Cond To Model -11— Bright Lights, Big City Momma said_—dont mar - ry you. He'll (Grr 2) run off like—— they al - ways do. Like | alll her hus - bands did be-- fore Key. 1/Cond To Model —12— Bright Lights, Big City Dol- lys nom on hus hum ber fou Abivai? > 176 Key. 1/Cond. To Model -13~ Bright Lights, Big City GMaj7/A subito p crese. poco a poco mov = ing east. FMai7/A > >> 7 Key. 1/Cond. To Model —14— Bright Lights, Big City lights, (Key 2Cue) 8 Key. 1/Cond. To Model ~15— Bright Lights, Big City lights HOT BRASS SECTION.VELO.FALL OFF) [HOTBRASS SECDONNEL a ( 12String) GMai7/0 abMaiq AMai7 abMaj7| Majin > > Sees >> > ‘ont. pno. solo high and tink ting (both hands) z AMai7 3 £ TL 2) maiz | _Seezestet Latin Piano Solo-Adtiy 179 Key. 1/Cond. To Model —16~ Bright Lights, Big City member when—we took that horse and] carriage through the park and walked i (Gites, cont. figure) Lunch at the Four Sea - sons, talk - ing | marriage andthe giving up=c & 180 Key. 1/Cond wed - ding (Key 2 Cue) fun-ny tit To Model —17— Bright Lights, Big City cock - tail tle hat. you wore when | walk-ing down the aisle. 181 Key. 1/Cond. To Model ~18— Bright Lights, Big City miss 182 Key. 1/Cond 2 model iso fin - ally AMaj7_ (Low voicings) (Gis, cont. figure) GMai7iA float up-on_—.the fan GMaj7/A tas sy I'm To Model —19— rid AMai7 183 Bright Lights, Big City noth-er side of me - that was in GMay7IA model isto shut AMaj7 GMaj7iA Key. 1/Cond. AMaj7 LIGHT pno. ils sparse! mom-ing when 1 GMai7/a 103 To Model -20- Bright Lights, Big City the | world out-side my window ev-ery Gajzia ©- pen up my eyes__ to see Mai? to mo-del is com |- plete GMai7/a AMaj7 GMai7ia, 184 Key. 1/Cond To Model -21— Bright Lights, Big City Rall. al fine See me a-ny day. GMaj7iA cain, mo - del- ling on M. 185, Keyboard 1 / Bright Lights, Big City 1 Conductor 7 (Jomie and So Many Little Things Music and ives by PAUL SCOTT GOODM, Company) Orchedrtion By JESSE VARGAS Colla Voce fon the porch of our house in Bucks Coun-ty. The [PIANO] warmth of the folks by the fire in-side. The hammock I swung on while fig-uring out that the world was too wide that 'd ne-ver fit in, Hidden from 1. Momsny. Alwways on the Music Praporation by Jaron Vesoly Copyright © 1999, 2005, 2006 Pou! Scot Goodman {BMI All Rights Retarved 186 Key. 1/Cond. So Many Little Things -2— Bright Lights, Big City ten, Tempo _J= 225 outside look-ing. in So ma-ny lit-tle things. Am(GrrI Cue) TACET fe] ma-ny little things 1 misplaced my keys Am om? (Gus /Bs/Drs) 187 Key. 1/Cond. So Many little Things —3— Bright Lights, Big City The —bal-ance of my check hook Fatal? rne-ver what it seems. So much ti-ny trivia. Em Am, Like the color of my socks at school Like those Om7 188 Key. 1/Cond. So Many Little Things —4— Bright Lights, Big City vicious little fin-gers point-ing out my otherness Fei? Em So ma-ny little things. So ma-ny little things. — E (@Key.2) FMaj7 189) Key. 1/Cond. So Many litle Things —5— Bright Lights, Big City El Back at our apartment the memories lurk like dust balls Am Stace.+ Muted in the corner of her clo-set. FMaj7 I find bits of sat-in strewn a round___ Man = hat Em Am 190 Key. 1/Cond. So Many little Things -6— Bright Lights, Big City —— So many little things —_ Re-cords on the ste - re Elvis Costel-lo. 1 191 Key. 1/Cond. So Many Little Things -7— Bright Lights, Big City —— know this. world Kill ~ ing you So ma-ny little things know this world kill - ing you know this world kill — ing you a PLAY So ma-ny lit-tle things. 192 Key. 1/Cond So Many Little Things ~8— Bright Lights, Big City ie (Gir 2) At least the big things declare open combat _on you No sni-ping trom FMaj7 Light Arps. on days like these. TACET 193 Key. 1/Cond. ‘So Many Little Things —9— Bright Lights, Big City t=] — ma-ny little shings—— 1 mis-place my keys Key? 1 don't wan-na go home. MOM + BW] My 194 Key. 1/Cond. list-en for the ec-ho So Many Litle Things ~10— Bright Lights, Big City Who needs the mem! - brother of a melan-cho-ly silence 195 Key. 1/Cond, So Many Little Things —11— Bright Lights, The presence of her ab-sence. me - lancho ly si-lence ma + lancho - ly si-lence FMaj7 PLAY € sssss ss Sets eS oe ste 196 Key. 1/Cond So Many Little Things —12— Bright Lights, Big City many little things. So ma-ny little. things. Am mp & TACET AL FINE, 197 Key. 1/Cond. So Many Little Things —13— Bright Lights, Big City To ~ night 1 should__. stay with some (Grr.2) Jaimie: *So Jamie, for $10, 000 dollars, what could you have Sid 1o your mother before she died?” Family Feud. 198 Key. 1/Cond. So Many Little Things —14— Bright Lights, Big City Rit. Slowly So many little things. Faaj7(#1) 199 | J Keyboard 1/ Bright Lights, Big City [2 Conductor . . . id lusic and lyrics res Back in the City 2. seins OTESSE VARGAS Freely Monstrous e-vents are scheduled for to- Monstrous e-vents are scheduled. A119) ol! 11 | [ 1 got a date___at half past Music Preperation by Jaron Vesely Copyright © 1999, 2005, 2006 Pou! Scott Goodmon (8M!) ‘All Rights Reserved 200 Key. 1/Cond. Back in the City 2 —2— Bright Lights, Big City eight with Nat-a- lie and Slinky In-ga Before it's late | want 10 have them wrapped around my pinky ‘Cont. Rock Piano lieks-keep it funky"? Ats9) Em7 201 Key. 1/Cond. Back in the City 2 -3— Bright Lights, Big City Teed a favor Jamie. My cousin Vicky, she's in town to night ar Think you'll like her fla-vor, SO coud you entertain her? Kings Head__ at Nine FMAIT gc) Key. 1/Cond Back in the City 2 —4~ Bright Lights, Big City cocktail or three. Could you _ do that__.for me, Ja whoop dee doo: a phi - losophy ma - jar. at Gs FMai7 > > gram in it, man, And she's quite. FMaj7 > > ese > > > Princeton U. Get up and get back in Weel = sy, Time Ge a Em sR > 203 Key. 1/Cond. —— Wo get back_on the town. a Back in the City 2. —5— Em A a ty goes down, 1 got pl as en-ty 0 go a round. 8 204 ea Bright Lights, Big City Back in the town__where such plen Miz Attacca Keyboard 1/ Bright Lights, Big City 13 7 Conductor ; | (Vicky) Kindness ee PAUL SCOTT GOODMAN Orchestration by JESSE VARGAS eee Slow Folk Rock += 85 b= TACET til M6 (Key. 2) 5 (2) cen so Sse a Well it was my fa - ther real - ly, in-di-rect-ly spea - king, Dad-dy i offn — a J ——SSS SSS SS Se ann Se SS i a == ot = —_— SSS = 2s 7 tae 2s 22 esas — ve-ter fend pS sophy but be | ved by aster phil-o-so-phiceal ool — ae ak 4 a yen: 6 Music Preparation by Jaron Vesely Copyright® 1999, 2005, 2006 Poul Seon Goodman (6MI) ‘All ight Reserved 205 Key. 1/Cond Kindness -2— Bright Lights, Big City Dad was in invest - ment bank ing. A Ver-ry pro- per. al - ways thank-ing | peo-ple. He was king t me. cen Dsus sit on his knee__when hed get home He'd say to me, A Asus Asys? A A Asus A AZ AASUs A 206 Key. 1/Cond. Think of what the chm (+ Acoust. Gte.2) Kindness -3— world could be Fn =, tocach ot - her. Bright Lights, Big City if we could just___ be Chm kind — Se Se SS SS SS SSS thought a-bout— what Dad - dy SSI 1| thooght ehout__the thoughts —-in my head. At _ = = = =| PIANO) PLAY Key. 1/Cond. Kindness -4— Bright Lights, Big City twelve 1 found. this book by Jung:——Con| - sidering Thoughts__of Mo - dem_ Man. (Gir. 1 Cue) ge A Asus Asus? Asus A “ eS SS sing. delve into__the hu» man psyche. And} when my mus.ing got Dsus2 208 Key. 1/Cond. Dad- dy said just. do—— what you Asus? Asus think of what the world. could Fn cm tocachot- her. (adda) Kindness —5— Bright Lights, Big City can Asus? Asus A we could just be kind cn Dad-dy found > a-noth Folk Piano Fill: 209 Key. 1/Cond. Kindness Bright Lights, Big City > rman, Dad - dy founda _ much = young-er 1 came home to find Asus? Mommy flail - ing, wail ing at the wall. (Lighter 210 Key. 1/Cond Kindness -7— Bright Lights, Big Cit there's not e-nough| kind - ness in the wo Dad-dy’s ly- ing on a beseH— now with | Glo-ri - a the stewardess. His TACET A qd (Grr 1 Cue) tra - dic - wins spilling out new tight A Key. 1/Cond. Kindness -8~ Bright Lights, Big Ci So much for his iff__on kind PLAY As before A (+ Bandy mark it downto hu - man blind - ness But] I don't mind that migh—cause | love him. 1 ie suse say. Nice jeans Dad, just to be kind — Key. 1/Cond. Kindness -9— Bright Lights, Big City think of what. the world could be___ if we could just be kind cam Ft chen yadda) —— <> Folk Piano Fit. not enough 213 Key. 1/Cond. Kindness —10— Bright Lights, Big City kind - ness Gsus2iA New Tempo-Fast 3 (Conduct) Segue as One 24 Keyboard 1 / Bright Lights, Big City 4 | | Conductor li i Vom, Vik Perfect Feeling. siztsrite ‘ompany) Orchestration by JESSE VARGAS In 1 (Feels like 6/8) {Solo Gur 2 Cue) Music Preporation by Jaron Vesely Copyright © 1999, 2005, 2008 Peal Scot Goodman (8M) Al ighs Reserved 215 Key. 1/Cond. Perfect Feeling —2— don't meet that be - ne-vo-lent > > > ——_ sur - prised fan = hat-tan, > tn look at those freekdes. (Men Bvb for entre song) as Sparse (every 4-bars) Bright Lights, Big City 216 Key. 1/Cond. Pertect Feeling —3— Bright Lights, Big City did-n't know they made them a-ny - move. eH the vil - lage eve = ning. A(add2) Key. 1/Cond. in a mill Perfect Feeling —4— Bright Lights, Big City The phi - lo D(ada2)sim. Think a-bout what Plato said: there fore Key. 1/Cond. Perfect Feeling —5— Bright Lights, Big Ci You send me reel 2-bar ill: — What a per-fect feel - ing. What a per - fect [4] cm (Solo Gr 2 Cue) 219 Key. 1/Cond Perfect Feeling —6— Bright Lights, Big Ci ASUS2 Folk Piano Fill 220 Key. 1/Cond Perfect Feeling —7— Bright Lights, Big City shine. D¢aas2) {Lt Fills Sparse (every 4-bars) the vill - age— Key. 1/Cond. Perfect Feeling -8— Bright Lights, Big City Vicky: You're a writer Write mea letter. vening. ‘A(add2) GAMIF] One in a mill D(acd2) sim. —— green for go. ' in the pink. Chm 2m Key. 1/Cond. Perfect Feeling -9— Bright Lights, Big City JANIE] —— Kissing a phi - lo-so- pher—__ colors the way rs 100 10 102 [es you think. What a per fect feel - ing What a per - fect —== What a per-fect feel - ing ——__ What a per - fect What a per - fect ct What a. per - fect 223, Key. 1/Cond. Perfect Feeling -10— Bright Lights, Big City [rae] What a per - fect P (Heavy Pedal) 18 120 12 1 123 Segue As One 224 Keyboard 1/ Bright Lights, Big City 4A Conductor — . : . Lo ton! Bright Lights Big City 2, wis Tess VARGAS Slowly Isn't this re-freshving, me not Dsusartt o mp TACET (Gir } Cue) con some bath-room floor? m7 ending up an evening in a co-matose un-concious stu-por suse ba : ce 0S Dsus Music Preparation by Joron Veily Copyright© 1999, 2005, 2006 Poul Scot Goodman (8M [All RightsReserved 225 Key. 1/Cond, Bright Lights Big City 2 -2- Bright Lights, Big City Yeah, 1 like this BbMaj Rit. A Tempo ‘Cause to - night, night 1am hap-py. 0s wh Em7 to night 1 am hap = py. To - ot Em7 Segue As One 26 Keyboard 1/ Bright Lights, Big City | Conductor \ 15 : i od (Clore, Jenie) You Couldn't Handle It, veces, Orchestration by Hard Driving Rock = 125 "ESSE VARGAS ———_ You could-n't han = dle it, Jam - ie, You could-n't TACET tll M21 + Gues/Key.2Drs ft ae iotOf Cher *Criretr err x —— han - dle it, Jam - ie These proofs. are a mess Em raf’ (olay for rehearsal only) A ‘Muse Prepareton by Joron Vesely Copyigh © 1999, 2008, 2008 Pou Seat Goodman (8!) ‘A igh Reserved 27 Bright Lights, Big City Key. 1/Cond. You Couldn't Handle It ~: 3 3 3 lectoral district in France incor - rectly identified In-ex - cus-able Jan Em c ——— fifty years of pub-li-ca- tion Em (Key. 2: rings) 2 “Crrrecerr What a-bout our rep-u- ta - tion? —S only iss-ued one re-trac-tion c Em Key. 1/Cond. You Couldn't Handle It Do you know how I han-dle it Jam - ie. (Key. 2: B-3) (Lestie On) Tre ren An Bright Lights, Big City seri-ous this is Jamie? You could-n't You could-n't —han- dle it Jam aaa ee : =] Se Tve given you___ the be-ne-fit of the doubt be -fore__— bat not to - 29 Key. 1/Cond. You Couldn't Handle It Bright Lights, Big City Out of Time T would like to know what you have to. say. Bo Out of Time ATEMPO. mp (Ged) my Ot 3 230 Key. 1/Cond You Couldn't Handle It —5— Bright Lights, Big City Week-nights__ know what it's like Te seen you before. clutch ~ ing your drink, String (mary Wait - ing for some PR. SS 3 7 NOT In ime-"In the backgroud” 21 Key. 1/Cond. You Couldn't Handle It Bright Lights, Big City (emairy —_——— How didi 232 Keyboard 1/ Bright Lights, Big City [15a | Conductor (Clara) My Son Music ond lyrics by PAUL SCOTT GOODMAN Orchestration by JESSE VARGAS Colla Voce Jamie: Your son? Dylan's thirteen ndw. (Gre 1 Cue) Om7, ™? ya lives with his Dad. big In his Mi-chi-gan howe a good___. wife, Music Proportion by Jaron Vesely Copyright © 1999, 2005, 2006 Pou Scon Goodman (BMI) ‘All Rights Reserved 233 Key. 1/Cond. My Son -2— Bright Lights, Big City miss him to - day and to- mor row and 1 al-ways, Tempo J=95 will when he left Twas era - 2y7 a) FMai7 (VERY sparse comping) _p_ (+B, Acoustic Gtr 2, Key 2) a, ‘gone, Belle-view de- pressed. No ~ cmai7(9) 24 Key. 1/Cond. even my (Solo Gir. 1) could My Son ~3— Bright Lights, Big City break through my dark - ness. No FMai7 cchem-i-cal_im-bal lets a day and I'm 25 Key. 1/Cond. My Son —4— 236 Bright Lights, Big City Keyboard V Bright Lights, Big City 16 | Conductor | | (od emi} Wednesday weenie JESSE VARGAS Jamie: | presume I'm fred Clara: Effective immediatly Tm sony Jamie Rubato (Tad enters) Wednesday, middle of the Hold fora moment! (Gre 2 solo) a (Free (Key, 2 solo-Giass Pad) ™m > nf ‘Tempo-Fasy Rock Je u6 Everybody's on the! Music Preparation by Joron Vesely Copyright © 1999, 2005, 2006 Poul Seat Goodman (BMI) [Al Rights Reserved 237 Key. 1/Cond. Wednesday -2— Bright Lights, Big City Somewhere you want 10 go some - where. (Key. 2: B33) TTD > but you've ab-so-lute-ly no - thing 238 Key. 1/Cond. Wednesday -3— Bright Lights, Big City envery Other person has a job besides you. Evvery o-ther person has a (Gir.2), YY (swoRLaTaER EARLY 3} % life besides you. Isn't that depressing baby? — Whoopdee - doo. 3 239 Key. 1/Cond Wednesday —4~ Bright Lights, Big City Wednes-day middle of the Mondays I got In- ga or nf Bard arooves ala ‘Steely Dan! 3 Tuesdays Ma-ry Lou ‘Thursday Frida a Saturday Sunday Sue But oe orev Key. 1/Cond. Wednesday -5~ Bright Lights, Big City this day ifr gogo ko cause all well ever need this Wednesday's in this lit-tle vial TACET al tine [se] Came eA Drain-o___ Drainro for the brv0. 241 Key. 1/Cond. Wednesday —6— Bright Lights, Big City Rit. Drift a- way Wednes - day ____ mid-dle of the (Chuck: People! Segue 242 Keyboard 1/ Conductor (Amanda, Jamie, Models, Company) Driving Disco = 128 Bright Lights, Big City Cc Wi ll ‘Music and tyries by amera Wa paul SCOTT GOODMAN Orchestration by Chuck: People! This is Chuck Bean an the scene at Rockefeller Cente for the MTV uuravaganza Stamng A da hot new thang. There's Versace! With Oscar Ae a Renta and Simon le BonBlon from Duran Duran Duras. Are you hungry Tike the wolf, man?" This is Chuck Bean on the scene where fashion and music meet. where the word onthe stret is you better look good if you want to 0 fa. VAMP (Las x only) day's su-per-mo-del is the new su-perstar (Gir!) Music Proporation by Joron Vesely Copyright © 1999, 2008, 2006 Paul Sct Goodmon (8!) All Rights Reserved 243 Camera Wall -2— Bright Lights, Big City Key. 1/Cond. MODI (4 Key) @ = Walk to-wariS=— the cam - era Su-permo- del is the [STRING PAD GTRINGY)] nd cont. groove 10 best job in the world Walk (o-wardS— the cam - era's Cathe” Key. 1/Cond. Camera Wall -3— Bright Lights, Big City Don't know how—— | got in-to that.__ OR no Didn't want__ to get in-to that. Oh oh =] — = sitting in. my dress. - ing. room Fm staring im the mir - ror at 1 PLAY Bm a nf (RoEDANCEE OTH BOOST) Key. 1/Cond. Camera Wall -4~ Bright Lights, Big City aS = don't knoW—— Whe So many dif - ferent i - ma-ges of G Bm | me a-ppear - ing dis - a-ppear-ing. © Who are you? 6 ——— ae, — can be a vix - en, Lean be a vamp. A pri cess or a jun - kie, vir 0 Em ore (Gre) owe Key. 1/Cond Camera Wall -5— Bright Lights, Big City — gin or a vamp— Bend me, ny way you want me 6 T- mage me up_— and ~ era willl tell who I oe you who I Jamie: Amanda! ‘Tat: Jamie, take it easy, Walk to-war&— the cam ~ bat cra a Key. feo Camera Wall —6— Bright Lights, Big City thy - thm of a beat that [___dont re + cog- nize. In - swinging (0 a Bm side Tm—— a mess. m higher than__a kite.__Please tell me 6 Bm is it day__or night?_And God 1____ hate this dress. weight oss, » (SACRE) Key. 1/Cond. face lift, nose job, plastic me. Camera Wall -7— siki-cone, novocaine, Look and see 249 and the Bright Lights, Big City plastic fea - tures, plas. tie beau -ty, camera willl tell you who 1 Camera Wall -8— Bright Lights, Big City Here | fo Key2) __ = — Walk to-wards—— the cam - era wall Supermo — del is the [STRING PAD STRINGYD Bm, Band cont. groove ach us go oh oh oh best job in the world 38 59 60 8 ‘Jamie: Amanda! You remember me? Your husband? Amunda! Why did you leave without saying goodbye? What did I do to make you not love me? Answer me Amanda. Iced toknow! Answer me!! Sper sio Walk to-wardS—— the cam (GirsSymh_ Bass) 250 Key. 1/Cond. Camera Wall -9— Bright Lights, Big City (Chuck: Tis ig Chuck Bean on the scene : Rockefeller Center A isrption in he crowd! Tad: We have go to get ut of here! Cokel out x-hustand stalking Amanda? era wall the camera wall ——— the cam = era wall Key. 1/Cond. Camera Wall-10— & worry about me. tm doing fine. (MODELS (BV. W_] Walk towards the MOTHER & MICHAFT] Don't worry. (SWEEPPAD] 7% Bm Band Groove thru end. Lmightdraw the line, Coulda woulda shoulda, yes we slow mo! towards the 252 Bright Lights, Big City | could write a book. all knowthat one don't__we. It's that Key. 1/Cond psycho killer look, its the Camera Wall—11— Bright Lights, Big City Chuck: This is Chuek Wean on the scene fact that |___mistook myself for MARY, COMA, + BV. W.2) 253 Inside Jamie's head ‘Where didi all go bau? How did it come to this? someone else. Key. 1/Cond. Camera Wall-12— Don't wor 254 Bright Lights, Big City hhee hee hee hee hee. Key. 1/Cond. Camera Wall-13— Bright Lights, Big Ci Voi-ces getting loud Wi-vi-an Mar-ching Pow ~ der. (M4 falsero) Hap - py birth ~ day dar 255 Key. 1/Cond Comera Wall-14~ Bright Lights, Big City I lie down, [might die If I Tie down, 1 might die, Don't (Breaths) 256 Key. 1/Cond Camera Wall-15— Bright Lights, Big City (e] worry about me. Tm doing fine. I dow'tneed you bro - ther, BV W.1(@ MOTHER)| Don't_wor ry. Don't worry. Can Jamie find. [MARY.COMA, FBV W2] Warm in here I BVM MICHAEL | Dor't__worry about me Tdon't need Bm [SYNTH FX W/SWEEP(GLACY) Play with ALL Synth FX...experimént holding down chords Should sound very nightinarish ang distorted but ethereal! 287 Key. 1/Cond Camera Wall—16— [don't need you mo - ther. 4 don't need this job, Jamie save Tdon't need Tdon't need 258 Bright Lights, Big City I don't need no wife Key. 1/Cond. Camera Wall-17— Bright Lights, Big City T don't need. I don't_ need, __ 1 don't need, I don't need.___ Don't worry about me. Vm doing fine worry about mea I'm doing fine I could write a book. am e7 259 Key. 1/Cond. [might draw the fine. 1 omight draw the line —— all know that one dont we. all know that one dont we. 102 Camera Wall-18— 260 Bright Lights, Big Ci Coulda would-a would-a shoulda, cho kill-er psy-cho kill-er 7 103 Key. 1/Cond. Camera Wall~19— Bright Lights, Big City fact that |__ mistook myself for someone else. For someone else fact + Cosmic FX, 261 Keyboard 1/ Bright Lights, Big City 8 | Conductor 18 (Michael, Vie, Heart and Soul Maio sy PAUL SCOTT GOODMAN Mother} Orchestration by f JESSE VARGAS Moderate 4 4= 88 (Gr) 4+ Shaker (Key. 2) ow Music Praporotion by Joron Veraly Copyright ® 1999, 2008, 2008 Poul Scot Goodinon (8M) {All Rights Reserved 262 Key. 1/Cond. Heart and Soul —2~ Bright Lights, Big City [MICHABL Christ - mas mom - ing, cold and frosty Low voicings Sparse Comp. ee Hudaling un - der Bs Team see—_us now neath the tree. etn Mom - my al ways loved cuddling Mom Key. 1/Cond, you more log-i-eal ~ Heart and Soul -3— Bright Lights, Big City than me. (Gur. 2) FMaj7(11) ‘BF Note: This is JUSTa sketch pno. part. Comp. as desired-keep it light! = that was way be-yond___._con-trol. ly_spea - king, 264 Key. 1/Cond. Heart and Soul —4— “Hill 1 let__things fed FMaj7(11) (Groove cont) 265 Bright Lights, Big City Heart and Soul —5~ Bright Lights, Big City Key. 1/Cond de - cade la - er, Christ ~ mas mom - ing. (Key 2(83)) ‘Sparse Comp. - Low voicings Ican see you now Tam wait - ing by the Three hours a - ter you said you'd call 266 Key. 1/Cond. Heart and Soul -6~ Bright Lights, Big City for- give you once a = gain. IL The ° (Gee. 2) Fence FMai7(11) re ti-eal - ly spea - king, I'm— still wait-ing for that call, 267 Key. 1/Cond. Heart and Soul —7— Bright Lights, Big City comes to you the “Causebrother, when it worderingwhat to do. Maj7(11) = — SSS = and the tends to- wards___ mer vy Fhm7 ABIT More Intensity = = : : ~y towards. love 268 Key. 1/Cond. Heart and Soul -8— Bright Lights, Big City =~ heart and_— my dream of____ life. Caddo) Diadds) Heat and > (Groove cont) Ive been dream - ing lit - te child = ren Sparse Comp. - Low voicings Key. 1/Cond. Heart and Soul -9— Bright Lights, Big Cit mak- ing mess - 8 - on theirdun - ga-rees__. and dress -es, Fine through holes, 270 Key. 1/Cond. Heart and Soul—10— Bright Lights, Big City —— —— sO phi-cal - ly-spea - king, if 1 share my dreams with you, J 47 — [MIGHAET] where the maybe wecould find—— 5 placesomewhere. —~ Key. 1/Cond Heart and Soul —11— Bright Lights, Big City tends to- wards mer and the tends to- wards___mer —— towards_ Fm Lite” SG m2 Key. 1/Cond. Heart and Soul —12— Bright Lights, Big City = loves. (eo Coe es eo) ee Ce dream “of. lif loves heat’ and soul in. my (adds) (adds) er, Heart and_— soul Where the Heart and. soub— Where the Fn zie Fn7/E Fin 23 Key. 1/Cond. Heart and Soul~13— Bright Lights, Big City tends towards___mer - cy and the tends to-wards___mer - cy and the Fam E(aad2) ABIT More Intensity ag Pe orate ee Nerve. heat’ and__— soul Sx a towards love And the heart and Flin Cladd9) m4 Key. 1/Cond. Heart and Soul—14— Bright Lights, Big City — dream of _..__ life dream ‘of fe D(ades) =I Heart and, Heart and, Heart and Heart and 275 Key. 1/Cond. Heart and Soul—15— Bright Lights, Big City Rall. Faster-Tempo di ‘Brother’ Heart and (Solo Bs) * Attacea 216 Keyboard 1 / Bright Lights, Big City 8A Conductor | (Michael, Jamie) Brother 2 Music and ies by PAUL SCOTT GOODMAN Orchestration by JESSE VARGAS calling my. What the hell's go. ing on with you? ‘Music Peporoton by Joron Vesely ‘Copyright © 1999, 2005, 2006 Fou! Scot Gooden (8M) All Rights Reserved 27 Key 1./Cond. Brother 2 -2- Bright Lights, Big City Ive been calling for a week now. oa Yeah, 1 know. (Key. 2-sneak in) ——————————— why don't you call me back? I don't get it This week is the an-ni-ver - sity Beada11) Light Comp-1.¥. 278 Key 1./Cond. Brother 2 -3— Bright Lights, Big City of our mother dy - ing, brother I've been try-ing to get you just. (0 let__ ‘Aladd2) Bsus E (addi) — You're gon-na spread her on the lake —— A(ada2) 29 Key 1./Cond. Brother 2 —4~ Bright Lights, Big City But not without you. Ffm7(11) Bro - ther, calli B10 - ther, hing my. 8 Aladd2) 87sus4 8, A(adda) 280 Key 1./Cond. Brother 2 —5— Bright Lights, Big City Jamie! Face it Bsus > (Grr 1 Cue) a 2 GtrvByDrs. Agitated & Rhythmic Ws been tough on all___of us. with it somehow. Be aman, ADE BsuslE E Bouse Ps ps ae = a an: 281 Key 1./Cond. Brother 2 —6— Bright Lights, Big City You can do that can't_—_ you, br-ther? 1 gota go Look. dont. Agr (ey 2 Happy b-day Daring hen) > Hey! Mis-ter Won - der-ful, — who —— be an ass - hole, Mi - chacl ‘Ad-lib: This is just a guideline. Keep it building-supportt 282 Key 1./Cond. Brother 2 -7— Bright Lights, Big City gavlopped in from New York for the last act of Mom fife ™ SP 8 = (Gre 2, Bs. Key 2) $ TACET es Attacca all 283 Keyboard 1/ Bright Lights, Big City 9 | Conductor (Mother, Jamie, Mummies at the Met/ Moric and lyrics by PAUL SCOTT GOODMAN Coma, Mary, Company!” SO Many Little Things (Reprise) °jz"sfer' Bright Rock J= “0 Come on boys, PLAY pm in Sipeseses isis + aand $—— ([FRCELEC PRO] mf fa - mily out-ing—— Ten For-ty Five__ from Lam - Graad2) Bm A bert - New Jer - sey to Penn Sta 8m A Grada2) tion Ex press. — Music Preparation by Joron Vesely Copyright © 1999, 2005, 2006 Pou! Scot Goodman (BMI) All Rights Reserved 284 Bright Lights, Big City Key. 1/Cond. Mummies / So Many (Rep.) = Lets get dressed and put. some eggs and BE con in those tum-mies— Bm A G8 Glade) Then it's all Bm Gladd2) Mommy used to take me to see Mummies at the Met, Met, Mummies at the Met, Met Mommy used to take me to see Mummies at the Met, Met, (Gtr Soo an _ f _[FARDBOW SIRS] 4+ ssKey 2: Timp 285 Key. 1/Cond. Mummies / So Many (Rep.) -3— Bright Lights, Big City (JAMIE for m. 19 and 20 ONLY) Mommy used to take me to see Mummies at the Met, Met, Mommy used to take me to see Mommy used to take me (see © Mummies at the Met, Met. Mommy used to take me 10 see Mummies at the Met, Met, Mommy used to take me to see Mummies at the Met, Met, Mummies at the Met, Met, Mommy used to take me (see Mummies at the Met, Met, 286 Key. 1/Cond. Mummies / So Many (Rep) -4— Bright Lights, Big City Mommy used to take me to sce ‘Mummies at the Met, Met, Mommy used to take me to see Mommy used to take me to sce Mommies at the Met, Met, Mommy used to take me (0 see gone SSS SS Mummies at ie mec Mommy used t0 take me 10 see — —— aS eS xe ¥ err Mu-mmies at the Met, Met, Mommy used (0 take me 10 see Mu-mmies at the Met, Met, es = ar | 7 —-— 287 Key. 1/Cond. Mummies / So Many (Rep.) Bright Lights, Big City Mo-mmy used to take me Mo-mmy used to take me many little things So many lit-tle birds [FAT POLY SYNTH GXD] 288 Key. 1/Cond, Mummies / So Many (Rep.) —6— Bright Lights, Big Ci singing in the sun year a-go to-night still bright. 289 Key. 1/Cond. Mummies / So Many (Rep.) —7— Bright Lights, Big City So many little words fly-ing out the win - dow, dis - solving in the sun - light Molto. Rit 290 Key. 1/Cond Mummies / So Many (Rep.) Bright Lights, Big City Mom, let me give you mor-phine___________@ take a - way the = (tod. Whee if TACET 2 3 Attacca 291 Keyboard 1/ Bright Lights, Big City [, 20 | Conductor Are You Still Holding clece! (Mother) H d PAUL SCOTT GOODMAN Orchestration by My Han ae aiee Quasi-Tempo I's embarassing, this pain 1 feel, it doesn't matter an-y- solo Em PIANO] { mp (Ride sft peda in verses) People waste their time being embarassed __ Em oD We're ondy husnan af ~ ter al ‘Ate you still holding my hand? Amz, 6 ° (adda) ‘Marie Peparotion by ren Vesely Copyright © 1999, 2005, 2006 Pou Som Goodman [8hl) All igh Retoved Key. 1/Cond Are You Still Holding My Hand -2~ Bright Lights, Big City Promise youll ne-ver let ‘This pain I'm feel-ing 6 o is like when you were born Td never felt such pain. Am? Not tll now, that is. Em sm. Light Quasi: Arps. (Nor Too neSY) Key. 1/Cond. Are You Sill Holding My Hand —3— Bright Lights, Big City —— We're on-ly husman af - ter all Ate you still holding my Am s ° Tempo-Slight Pulse Pro-mise you'll ne - ver 6 ° B 2 =F Have you had maay. 7 2 Key. 1/Cond Are You Still Holding My Hand —4— Bright Lights, Big City ‘There's still so mU@hto know, Back Om Quasi-Tempo —— Grease) Re-spon - si-bil-i-ties to theliv-ing, allel Not till now, that is, Em This life this love Were on- ly hu-man af ter all, — ° Amn? oe 3 o Key. 1/Cond Are You Still Holding My Hand Bright Lights, Big City Are you still hold-ing my hand? coming more delicate 6 ° Gada2) Poco Rall. s Keyboard 1/ Bright Light, Bia Cty [oqyp | Conductor h LJ Michael, Jamie) Music and iris by Brother 3 ay Orchestration by JESSE VARGAS Easy 2 4=72 Optional Repeat g (Gir 1 Cue) ng oS one Octo - ber, she was rak ~ ing leaves. in the gar-den, wearing your ski team jack Six si-7es 100 big. 10 Music Proporation by Jaron Vesely Copyright® 1999, 2005, 2006 Poul Scot Goodmon (8M!) All Right Reserved 207 Key. 1/Cond. Brother 3 Bright Lights, Big City see her fallen leaves smell - ing the 1 re-mem-ber dri - ving home from college, she was bak-ing bread: in the kitcheh, D (2442) in D (Keep it sparse) 19(05) 298, Key. 1/Cond. Brother 3 Bright Lights, Big City She was not so. good in the kitchen. The bread got burned, but I D o(aae2) ate wo_sli-ces anyway. with but-ter and jam, — (adda) ow Tiss Mom, A-man-da left me, "4 1 just. got fi-red, Gm TACET a 299 Key. 1/Cond. Brother 3. —4— Slow and Freely Re-spon-sibil-i-ties (othe living, & (Gu. 2Cue) Not till now, that is. Were only husman after all PLAY 300 Bright Lights, Big City This life, this love Ate you still hold-ing my G D Very Lightly! Key. 1/Cond. Brother 3. —5— Bright Lights, Big City Are you still holding__my hand? Promise you'll ne-ver—_ let go. Ate you still holding my D Cada2) S D Cada) 6 -~, = vr tet go 3 = 3 = — = = = 7 a ad . hand? WH youll ne ve kt go C(add2) o Music Preperation by Jaron Vesely Copyright © 1999, 2008, 2008 ‘Al Righh Re 303 | Scot Goodman (8M) ed Key. 1/Cond Back in the City 3 -2— Bright Lights, Big City rife with the life of expec - ta-tion a ft So wet your lips and get your hips in se- mi he-avy ro ta — 304 Bright Lights, Big City Key. 1/Cond. Back in the City 3 To quote the off ver na-cwlar, Band cont. groove to-night will be spectacular. A me-ga_ par - ty in a down-town loft, (Key 2) Westie On) FMA GuriBs.) 305, Key. 1/Cond Back in the City 3. —4— Bright Lights, Big City and soft ( Gwe. 2 8b) Oh, and by the way, A-man da will be there. Get up and get back___in The “ci FMai7 A cRbythoy Dr Pickup. Key. 1/Cond, Back in the City 3 Bright Lights, Big City to get back on. the Back in the town where such plen ty goes down. We got plen a Fai? Ge > = what you Key. 1/Cond. Back in the City 3 Bright Lights, Big City ee Band builds through end...! A 308 Key. 1/Cond Back in the City 3. -7— Bright Lights, Big City back in the ci ‘Cestie On) Ygu are ey fe ch cefe ef ee fe ef eefe cE te 309 Key, 1/Cond. Back in the City 3 Bright Lights, Big City Segue as One 310 Keyboard 1/ Bright Lights, Big City {> Conductor 22 : : (Jamie, Amanda, S M f ecedtee erent tay in My Life seeder ee JESSE VARGAS (Dr Pickup) 3 (2) pono Hey Jamie, — Aim AU) Ear __ Esust a TACET 7 5 = : aes Music Prapevaion by Joron Vesely Copyright © 1999, 2005, 2006 Poul Scot Goodman (3M) All ight Reserved 3 Key. 1/Cond. Stoy in My life -2~ Bright Lights, Big City vicky Paul: tm Paul This is my fi-can - ce. Hey Aman ~ da E Esuse GD) some-thing Ja We're on-ly hu-man af - ter Agen) nt it amazing? Is - n't this in (Gtr 2Key.2) Key. 1/Cond. Stay in My Life -3~ Bright Lights, Big City cred-i-ble? Quite a-larm-ing, this feeling of not feel-ing —_an-y-thing_at all? Gs ‘The way you twirl your hair through your fin-ger - tips, your kiss on my lips sudden-ly Emo meaningless to me now. No need to say stay in my BA. 313 Key. 1/Cond. Stay in My Life —4— Bright Lights, Big City — na na, agit) Es 7 Na__na nana na___na nana” na___na na__na ——. Na__na na nana Na__na na e2 A ag) 314 Key. 1/Cond Stay in My Life -5— Bright Lights, Big City RC What time is it? Where are you? What you do-ing now? Its late 1 want to (Key 2) g Em9_(Girs.) ™P TACET 1 miss__ you to. miss you 315 Key. 1/Cond. Stay in My life —6— Bright Lights, Big City T got your let-ter yes-ter-day. You write so beau-ti-ful-ly Jaanie. There is spill-ing from you. Stay in my 316 Key. 1/Cond. Stay in My Life -7— Bright Lights, Big City Stay in my life. Stay in my Stay in my life. Stay in my life ‘9 nana na. A sim, AHI) ma na na na Nana na £2 Aten) 317 Key. 1/Cond. Stay in My Life ~ Bright Lights, Big City —— Na__ na na § Em (Gir.2) a ce TACET al fine Cateh them 318 Key. 1/Cond. Stay in My Life -9— Bright Lights, Big City [MOTHER] Catch them, a Agent) 319) Keyboard 1/ Bright Lights, Big City Conductor Bright Lights Big City 3 (amie, Company] Music and lyties by PAUL SCOTT GOODMAN Orchestration by Slowly JESSE VARGAS Ds. Osusd Dsusar Ds Dsusa Dsusairtt of (Ger 1 Cue) not the kind of guy who should be com- ing home at this time of the mom ing, sun - rise. Sun - day mom-ing six A.M, Manic Preparation by Jaron Vesely Copyright © 1999, 2005, 2006 Pou! Scott Goodman (841) [AI Rights Reserved 320 Key. 1/Cond. Bright Lights Big City 3 one clos - er PLAY day there's a Sun day com - ing hy = per with the fire ofthe Come tet the dark - ness (Gu) a fo 4 PS cKespinig abe 321 Bright Lights, Big City when my ty per _might be once a - gain. Key. 1/Cond. Bright Lights Big City3_ -3— Bright Lights, Big City Come light__ up eee bright lights, oi Molto Rall. --------~ ral ale b r [=] A Tempo look at the words falling from the sky. Go (Gir. 1 Cue) 2 322 Key. 1/Cond. Bright Lights Big City 3 —4— Bright Lights, Big City METALLIC MOTION (OMNIFLOW)] ALL: Heartbreak Frolic Fremy Drugs Fact Fiction.etc + Key 2SFX + Gur. 2SFX accel. poco a poco 2 3 Eo 8 nf’ <8, poco a poco 0s Dsus. wt Em7 36 ‘7 mtltr tir Cfitrriy 323 Key. 1/Cond. Bright Lights Big City 3. —5— Bright Lights, Big City Lez} Giaie) Come let the dark Come let the dark shine 8 ie (adda) 8 Yop <1 ~ 324 Key. 1/Cond. Bright Lights Big City3_ —6— Bright Lights, Big City Right in ——3. i 1s heey Is eal 325 Key. 1/Cond. Bright Lights Big City 3. -7— Bright Lights, Big City a Bright + Gtr. 2, Drs. & Key. 2 326