Abrir el menú de navegación
Cerrar sugerencias
Buscar
Buscar
es
Change Language
Cambiar idioma
Idioma
English
español
(seleccionado)
português
Deutsch
français
Русский
italiano
român
Bahasa Indonesia
Más información
Cargar
Lea gratis durante 30 días
¡Te damos la bienvenida a Scribd!
Cargar
Idioma (ES)
Scribd Perks
Invitar a amigos
Preguntas frecuentes y ayuda
Ingresar
Saltar el carrusel
Carrusel anterior
Carrusel siguiente
¿Qué es Scribd?
Libros
Audiolibros
Revistas
Podcasts
Partituras
Documentos
Snapshots
La Catedral (A. Barrios)
Cargado por
Ivan Semenzato
100%
(7)
100% encontró este documento útil (7 votos)
2K vistas
12 páginas
Información del documento
hacer clic para expandir la información del documento
Descripción:
La Catedral (A. Barrios)
Fecha en que fue cargado
Mar 07, 2016
Derechos de autor
© © All Rights Reserved
Formatos disponibles
PDF o lea en línea desde Scribd
Compartir este documento
Compartir o incrustar documentos
Opciones para compartir
Compartir en Facebook, abre una nueva ventana
Facebook
Compartir en Twitter, abre una nueva ventana
Twitter
Compartir en Linkedin, abre una nueva ventana
LinkedIn
Compartir por correo electrónico, abre un cliente de correo electrónico
Correo electrónico
Copy Text
Copiar enlace
¿Le pareció útil este documento?
100%
100% encontró este documento útil, Marcar este documento como útil
0%
A un 0% le pareció que este documento no es útil, Marcar este documento como no útil
¿Este contenido es inapropiado?
Denunciar este documento
Descripción:
La Catedral (A. Barrios)
Copyright:
© All Rights Reserved
Formatos disponibles
Descargue
como PDF o lea en línea desde Scribd
Marcar por contenido inapropiado
Descargar ahora
Guardar
Guardar La Catedral (A. Barrios) para más tarde
100%
(7)
100% encontró este documento útil (7 votos)
2K vistas
12 páginas
La Catedral (A. Barrios)
Cargado por
Ivan Semenzato
Descripción:
La Catedral (A. Barrios)
Copyright:
© All Rights Reserved
Formatos disponibles
Descargue
como PDF o lea en línea desde Scribd
Marcar por contenido inapropiado
Guardar
Guardar La Catedral (A. Barrios) para más tarde
100%
100% encontró este documento útil, Marcar este documento como útil
0%
A un 0% le pareció que este documento no es útil, Marcar este documento como no útil
Insertar
Compartir
Imprimir
Títulos relacionados
Carrusel anterior
Carrusel siguiente
Napoléon Coste - Veinticinco Estudios para Guitara, Op. 38
Tarrega Recuerdos de La Alhambra
AGUSTÍN BARRIOS - MANGORÉ - Music for guitar Vol º 3
Preludes-Tarrega
AGUSTÍN BARRIOS LA CATEDRAL
Una Limosa Por El Amor de Dios
Agustin Barrios
La Catedral Agustín Barrios Mangoré Stover
Manuel M. Ponce Obra Completa Para Guitarra Miguel Alcazar.
barrios-Un-Sueno-En-La-Floresta.pdf
Un Dia de Noviembre
Francisco Tárrega - Libro Completo
Capricho Árabe
La Catedral Agustin Barrios Mangore. Arr Alirio Diaz
La Catedral Barrios Stover
Agustin_Barrios_-_Doce_piezas_para_guitarra.pdf
BARRIOS, A. - Música para guitarra VOL III.pdf
Antonio de Cabezon - Tiento del Primer tono.pdf
933FA65D178D8957670852B7AF41B7E5
12 Famous Guitar Duos, Tr Llobet
Descargar ahora
Saltar a página
Está en la página 1
de 12
Buscar dentro del documento
AGUSTIN BARRIOS MANGORE LA CATEDRALBiography Of Agustin Barrios Mangore Agustin Pfo Barrios (b. May 5, 1885, d. August 7, 1944) was the greatest Vvirtugso guitarist/composer of the first half of the present century. Born in the small town of San Juan Bautista de las Misiones in Paraguay into a large family which esteemed both music and literature, he began to play the guitar at a very early age. He received his primary education in a Jesuit school where he utilized his guitar in the study of harmony. His first formal instructor, Gustavo Sosa Escalda, introduced young Agustin to the Sor and Aguado methods, as well as pieces by Tarrega, Vifias, Arcas, and Parga. By the age of 13 he was recognized as a prodigy and given a scholarship to the Colegio Nacional in Asuncién where, in addition to music, he distinguished himself in mathematics, journalism and literature, He also studied calligraphy and was a talented graphic artist. Barrios, a great lover of culture, was quoted as having said, “One cannot become a guitarist if he has not bathed in the fountain of culture.” In addition to Spanish he also spoke Guarani, the native tongue of Paraguay. He read French, English and German and was keenly interested in philosophy, poetry and theos- ophy. He exercised daily and enjoyed working out on the high bar. He was warm, kind-hearted and spon- taneous. Musically he was a tremendous improviser, and many stories are told of his completely spontaneous improvisations (many times in concert). His astounding creative facility enabled him to compose over 300 works for the guitar! In his music we find truly inspired creativity combined with a total technical dominion of the guitar's harmonic capabilities. His knowledge of harmonic science enabled him to compose in several styles: baro- que, classic, romantic and descriptive. He composed preludes, studies, suites, waltzes, mazurkas, tarantellas and romanzas, as well as many onomatopoetic works describing physical objects or historical/cultural themes. His most famous piece, Diana Guarant, reenacted the War of the Triple Alliance which took place in Paraguay in 1864, complete with cannons, horses, drums, marching, and explosions! He also played a good deal of popular music, many of his finest compositions based on the song and dance forms found throughout Iberoamerica (cueca, choro, estilo, maxixe, milonga, pericon, tango, zamba and zapateado). In 1932 he began to bill himself as “Nitsuga Mangoré — the Paganini of the Guitar from the Jungles of Paraguay.” Nitsuga (Agustin spelled backwards) and Mangoré (a legendaty Guarani chieftain who resisted the Spanish conquest) were used by Barrios for several years, after which he dropped this pseu- donym to become simply Agustin Barrios Mangoré. In addition to Paraguay, Barrios lived in Argentina, Uruguay, Brazil, Venezuela, Costa Rica and El Salvador. In these countries, as well as Chile, Mexico, Guatemala, Honduras, Panama, Colombia, Cuba, Haiti, Dominican Republic and Trinidad, he concertized continually from 1910 till his death. From 1934-36 he was in Europe, playing in Belgium, Germany, Spain and England. Pethaps over a hundred of his works still survive, either in manuscript or on the many 78 rpm records he made (over 30 records on 4 different labels). In addition to his own works, he played hundreds of other pieces, including all the standard works in the guitar repertoire up to that time (transcriptions of Bach, Haydn, Mozart, Beethoven, Chopin, Albéniz, Granados, as well as works of Sor, Aguado, Giuliani, Costé, ‘Tarrega, Torroba and Turina). One can appreciate in Barrios Mangoré a logical expansion of techniques defined by masters such as Sor and Tarrega, carried to an even higher level of expressiveness and technical expertise. The legacy of his genius is a priceless one for all lovers of the guitar. Richard Stover sl 1s4NOTES FOR BARRIOS’ LA CATEDRAL LA CATEDRAL, one of Barrios Mangore’s great masterpieces, was originally written c. 1914 in ‘a 2-movement form: Andante Religioso and Allegro Solemne. The inspritation for these movements came from an experience Barrios had in the Cathedral of San Jose in Montevideo, Uraguay. Passing by the church one day, he heard from within the music of J. S. Bach being played on the mighty cathedral organ. The Andante Religioso represents this impression. Upon its termination, Barrios then leaves the serene, religious atmosphere of the cathedral and once again walks out into the busy street... the bustling, hurried temporal world. The Allegro Solemne represents this contrasting impression. In 1938, in Havana, Cuba, Barrios created the Prelude, subtitled “Saudade,” dedicated to his wife Gloria. He then added this Prelude to the Andante Religioso and the Allegro Solemne. In this 3-part form he played the piece during his final years. Many versions of LA CATEDRAL have been located, all of which contain slight variations. ‘These differences are included for the player's consideration. 184La Catedral (The Cathedral) Preludio “Saudade” AGUSTIN BARRIOS MANGORE A Edited by RICHARD D. STOVER aie 2a st is4 ‘ Po S 4. % in, in “e ® In, o oF © 1979 by BELNIN MILLS PUBLISHING CORPORATION ‘All RihtsAsigned tp ond Controle by BEAM ME UP MUSIC, eo CHRPBELWIN IN Mil, FL 32014 ‘International Copyright Secured Made in US.A. All RightsAndante Religioso qe x Lig 24 ze ! S154Allegro Solemne Se St 154© = Meese can be ommited if desired. Stis4SL 1s41" POSSIBLE VARIATIONS Andante Religioso "1 oii 2 f If these variations (14, 16) are played, then the Andante Religioso will be shortened | measure, equalling 24 measures instead of 25 as given. NOTE: If altcred, measure 16 becomes measure 15, etc. Simile measures 13, 14 and 15, Meas. 14: ‘Meas. 20: Meas. 21:Both these variations are possible. Meas, 12-13: ‘Meas. 11 & 25 may be omitted (on Record Odeon No, 210 itis omitted). ‘Meas.( 42) Meas.(43) Meas. (71) (2 -meagure variation):
Búsquedas relacionadas
La catedral barrios
Barrios
Documentos similares a La Catedral (A. Barrios)
Carrusel anterior
Carrusel siguiente
Napoléon Coste - Veinticinco Estudios para Guitara, Op. 38
Cargado por
ZenUtria
Tarrega Recuerdos de La Alhambra
Cargado por
luisdbf
AGUSTÍN BARRIOS - MANGORÉ - Music for guitar Vol º 3
Cargado por
portalguarani
Preludes-Tarrega
Cargado por
Steven Truong
AGUSTÍN BARRIOS LA CATEDRAL
Cargado por
Pedro Siete Cuerdas
Una Limosa Por El Amor de Dios
Cargado por
motelin
Agustin Barrios
Cargado por
Jorge Figueroa
La Catedral Agustín Barrios Mangoré Stover
Cargado por
Juan Carlos Miranda Diego
Manuel M. Ponce Obra Completa Para Guitarra Miguel Alcazar.
Cargado por
Juan Carlos Miranda Diego
barrios-Un-Sueno-En-La-Floresta.pdf
Cargado por
Melting Snowflake
Un Dia de Noviembre
Cargado por
Peter Barrow
Francisco Tárrega - Libro Completo
Cargado por
rodolfo rodriguez
Capricho Árabe
Cargado por
Javier Montero Boza
La Catedral Agustin Barrios Mangore. Arr Alirio Diaz
Cargado por
René Pelayo
La Catedral Barrios Stover
Cargado por
David Raquita
Agustin_Barrios_-_Doce_piezas_para_guitarra.pdf
Cargado por
Sandys Vargas
BARRIOS, A. - Música para guitarra VOL III.pdf
Cargado por
ValenciA
Más de Ivan Semenzato
Carrusel anterior
Carrusel siguiente
Antonio de Cabezon - Tiento del Primer tono.pdf
Cargado por
Ivan Semenzato
933FA65D178D8957670852B7AF41B7E5
Cargado por
Ivan Semenzato
12 Famous Guitar Duos, Tr Llobet
Cargado por
Denis Mazzola
Valses Poeticos
Cargado por
Jonas Everaert
Títulos relacionados
Carrusel anterior
Carrusel siguiente
Napoléon Coste - Veinticinco Estudios para Guitara, Op. 38
Tarrega Recuerdos de La Alhambra
AGUSTÍN BARRIOS - MANGORÉ - Music for guitar Vol º 3
Preludes-Tarrega
AGUSTÍN BARRIOS LA CATEDRAL
Una Limosa Por El Amor de Dios
Agustin Barrios
La Catedral Agustín Barrios Mangoré Stover
Manuel M. Ponce Obra Completa Para Guitarra Miguel Alcazar.
barrios-Un-Sueno-En-La-Floresta.pdf
Un Dia de Noviembre
Francisco Tárrega - Libro Completo
Haga clic para expandir títulos relacionados
Navegación rápida
Inicio
Libros
Audiolibros
Documentos
, activo
Contraer sección
Calificar
Útil
100%
100% encontró este documento útil, Marcar este documento como útil
No útil
0%
A un 0% le pareció que este documento no es útil, Marcar este documento como no útil
Contraer sección
Compartir
Compartir en Facebook, abre una nueva ventana
Facebook
Compartir en Twitter, abre una nueva ventana
Twitter
Compartir en LinkedIn, abre una nueva ventana
LinkedIn
Copiar dirección de enlace en el portapapeles
Copiar dirección de enlace
Compartir por correo electrónico, abre un cliente de correo electrónico
Correo electrónico