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Made Matter of Empty
Made Matter of Empty
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made matter
of empty
yosman botero
OBRAS
ARTWORKS
/
artista plstico
EXPOSICIONES
UNIVERSIDAD DE ANTIOQUIA.
2010 Cultura visual y territorio. Ciudad Paisaje Naturaleza. Museo el Castillo. Medelln
2010 Arte Actual de lo Figurativo a lo Abstracto. Galera Naranjo y Velilla. Medelln
2009 Taller 7. Medelln
DISTINCIONES
2009 Mencin Segunda Bienal de Artes Plsticas COMFENALCO Medelln Antioquia
2008 Mencin Saln Departamental de Artes visuales Medelln Antioquia
2007 1er puesto. Premios Nacionales de Cultura Universidad de Antioquia
Saln Nacional de Artes Visuales
2006 Finalista. Congreso Madrid Escenario Mundial de la Creatividad Universidad
Camilo Jos Cela. Madrid Espaa.
FERIA DE ARTE
2012 ART SHANGHAI / LAP Latin American Pavilion & The International Wing, Shanghai
10 - 14 de mayo
made matter
of empty
The diversified nature of contemporary art allowed to
introduce new meanings in art practices that have been
identified many times with a typology of the sign, the index.
The index nature of art after the seventies based much of its
meaning in the physical relationship with the referents; this is
with prosaic objects of reality. This significance allows the
artwork to act as traces or signs of an object to which they
relate. Art then, as a trace, is an indicator that signifies an
object. This feature that appears to identify a large part of
contemporary art is due to its link with the process of vision
hierarchy under the representation of the photographic.
The desire of representation of the art anxious fauna that is in the artwork depends substantially of the
vaccum and the concealment that direct the gaze. The work of the drawing, despite of revealing certain
immediacy of the line, shows a slow and careful process that links his work to the physical connection to
its referent, and at the same time faces the undo, the deletion that make part of creative metaphor both
from the artist that shapes the artwork and the viewer that shapes senses. Is clear the reference in Made
Matter of Empty to hyper-realism and photo-realism from the eighties and nineties in Colombia, but his
glance at the processes of experience and the selfless participation of the galleries visitors, allow us to see
in their simulations not so much a revitalization of virtuosity or illusionism, as has boldly pointed out Efrn
Giraldo of Oscar Muoz, but they put in that index nature of the photographic a reflection on the
traumatic condition of the contemporary aesthetic experience.
BOGOT D.C
Galera La Cometa
Carrera 10 N 94A-25
Tel: +57.1.601.9494
DIRECTOR
Esteban Jaramillo
subdirector
Nicols Jaramillo Gutman
texto
Carlos Mario Vanegas
FOTOGRAFIAS
Yosman Botero
FERIAS
Natasha Molina
COLABORACION
Angelica Aramendiz
Paloma Jaramillo
William Cortes
Jorge Jaramillo
Edwar Maje
Carmenza Mendieta
Sandra Montenegro
Patricia Olier
Paola Gmez