Julia Words & Music by John Lennon & Paul MeCartney c Am? Em G Gm? Gm AT Fs is fre ah gh hee Mame E z FE if | OTE ey Fmt Bm Ams Em7 Ems = Emaug) Em* Cmajr a 7 an tf Te f EE FE BE HEED apo second fret c Am? Em Chorus 1 Half of what I say is meaningless, Cc Am? Em GC But I say it just to reach you, Ju ~ lia. c Am7 Gm7 Gm? Az Fo Fm? Verse ft Ju - lia, Ju - lia, ocean child, calls me, c amt? Em GC So I sing a song of love, Ju - lia. c Am7 Gm7 Gm? A7 Fo Fm7 Verse 2 Ju - sea-shell eyes, windy smile, calls me, Cc Am? Em G C So I sing a song of love, Ju - lia. Bm c Bridge Her hair of floating sky is shimmering, Am7 Amé Glimmering Em? Emé Emaug Em* In the sun. c Am? Gm7 Gm A7 Fo Fm7 Verse 3 Ju ~ lia, morning moon, touch me, mt Em Gc So Ising a song of love, Ju - lia. © Copyright 1968 Northern Songs Al Rights Reserved, lteratonsl Copyright Secured,chorus 2 coda Cc Am? Em ‘When I cannot sing my heart, c Am? Em G C Tecan only speak my mind, Ju - lia. c Am? Gm7 Gm? AT Fo Fm? Ju - lia, sleeping sand, silent cloud, touch me, Cc Am7 Em GC Am7 So sing a song of love, Ju - lia, Gm7 Gms AT Mm, — Fo Em? Calls me, c Am7 So I sing a song of love Em Cc For Ju - Tia, Em ¢ Ju - fia, Em G Cmaj7 Ju - tia, 203Lady Madonna ‘Words & Music by Jokm Lennon & Paul McCartney G Dm7 a7 Intro Verse 1 Bridge 1 Verse 2 Link 204 A D A D Lady Madonna, children at your feet, A D FGA Wonder how you manage to make ends meet. D A D ‘Who finds the money when you pay the rent? A D FGA Did you think that money was heaven sent? Dm7 Gr Friday night arrives without a suitcase, c Am? Sunday morning, creeping like a nun, Dm? Gr Monday's child has learned to tie his bootlace. Cc Bm7 E’sus4 E7 See how they run. A DoA D Lady Madonna, baby at your breast, A Dd FGA Wonder how you manage to feed the rest. lav lav |a dD |Faa |i © Copyright 1968 Northern Songs. ‘A Rights Rested, Intrnasonal Copyright Secured.solo Verse 3 Link Bridge 2 Verse 4 Coda lomz | a7 le am7—|omz | a7 | Cc Bm7 E’sus4 £7 See how they run, A D A Do Lady Madonna, lying on the bed, A D FGA Listen to the music playing in your head, lav janv |aob |reali Dm7 a7 Tuesday afternoon is never-ending, c Am? Wednesday morning, papers didn’t come Dm7 a Thursday night, your stockings needed mending: c Bm E7sus¢ E7 See how they run, A DOA D Lady Madonna, children at your feet, A D F GAS Asus? Adim AY Wonder how you manage to make ends meet. Jar Asus | adim asusza a |]Let It Be Words & Music by stn a a c Am Fmaj7 F ie He EE Intro Verse 1 Chorus 1 Verse 2 206 lo a lam Fmyreic ce |rc |i c G When [find myself in times of trouble, Am Fmaj? Fo Moser Mary comes to me, Fc Speaking words of| dom, letit be, c And in my hour of a Am Fmaj7 FS She is standing right in front of me, Cc G Fc Speaking words of wisdom, let it be. Am. ce F Let it br let it be, lt it be, lt it be, GS Fe ‘Whisper words of wisdom, let it be c G And when the broken hearted people Am Fmaj7 Fe ui in the world agree, G Fc Frere will be an an let it be. c For though they may be parted there is Am Fmaj? F6 sau a chance that they will see. G FC There will be an answer, let it be. ‘© Copyright 1970 Northern Songs AIL Rights Reserve, lntrnitonal Copyright Soctredchorus 2 Solo Chorus 3 Verse 3 Chorus 4 Am CIG oF c Let it be, let it be, let it be, let it be, G Foc ‘There will be an answer, let it be. Am cIG OF c Let it be, let it be, let it be, let it be, G Fe Whisper words of wisdom, let it be. |r c larc |F ¢ lere | Eco lam F leg e 4 Am CG F Cc Let itbe, let it be, let it be, let it be, sc Fc Whisper words of wisdom, let it be. Cc G ‘And when the night is cloudy, Am Fmaj? Fo ‘There is still a light that shines on me, c _ o Fe Shine until tomorrow, let it be. c G wake up to the sound of music, Am Fmaj? Fs Mother Mary comes to me, c G FC Speaking words of wisdom, let it be. Am ciG oF c Let it be, let it be, let it be, let it be, G Fo ‘There will be an answer, let it be. Am CGF c Let it be, let it be, let it be, let it be, G eFC ‘There will be an answer, let it be. Am CGF c Let it be, let it be, let it be, let it be, G F Whisper words of wisdom, let it be. lr c larc J 207Intro Verse 1 Chorus 1 Bridge 1 208 Like Dreamers Do Words & Music by John Lennon & Paul McCartney cr Fe 7, Ga ug og DIT Gi |g A Fim Bm frat 3 irteeey frst + rr 5 fae A] a Rp cém — D B7 Adim: ASig “We ef Hip HR Sina F Ct Fe D7 | G Dé Gt EF A Fim I, I saw a girl in my dreams Bm Clim & And so. itseems that will love her. A Fém ‘Oh you, you are that girl in my dreams, Bm cim E And so. itseems that will love you. A ct And I waited for your kiss, Bm 7 ‘Waited for the bliss Nc. A Like dreamers do. DE And I, A LLL Bm BT Oh, I'll be there, yeab, ev ‘Waiting for you, you, you, you, you, you. {© Copyright 1964 Nene Songs. All Rights Reserved. Intemational Copyright SecuredPie 2 Chorus 2 Verse 3 Chorus 3 Coda A Fim You, you came just one dream ago, Bm cim & And now I know that I will love you. A Fim Oh, I knew when you first said hello, Bm cm & That's how Iknow that I will love you. A cir And I waited for your kiss, Bm ev Waited for the bliss NC, A Like dreamers do. DE AndI, A LLL Bm 87 Oh, I'll be there, yeah, & Waiting for you, you, you, you, you, you. A Fim You, you came just one dream ago, Bm Cim E And now I know that I will love you. A Fém Oh, [knew when you first said hello, Bm Cim & ‘That's how. [know that I will love you. A ci And I waited for your kiss, Bm e Waited for the bliss NC. A Like dreamers do, Adim A ‘Oh, like dreamers do, Adim A Like dreamers do. \agim | & ctv # ov |G De Gt vl A | 209Little Child Words & Music by John Lennon & Paul McCartney er AT Fer B E chr Harmonica w je le |i a Verse 1 Little child, little child, A = Little child, won't you dance with me? B7 av T'm 0 sad and lonely. Fe? B Baby take a chance with me. e Verse 2 Litle child, lite child, A ev Litde child, won’t you dance with me? a7 Av T’'m so sad and lonely. Fir 87 E Baby take a chance with me. & B87 Bridge 1 If you want someone to make you feel so fine ev Then we'll have some fun when you're mine, all mine, FHT B So come on, come on, come on! 118 Verse 3 Little child, tittle child, A e Little child, won’t you dance with me? B7 ar T'm so sad and lonely. Ft? B7 E 210 Baby take a chance with me. (© Copyright 1963 Northern Songs AN Rights Resoved, International Copyright Secure,solo ridge 2 Verse 4 ler ler ler jer lar lar | ler ler jer lar |e |or | & BT When you're by my side, you're the only one, e Don’t you run and hide, just come on, come on, FHT B Yeah, come on, come on, come on, e Little child, little child, A E Little child, won’t you dance with me? a7 AT I'm so sad and lonely. Fav B87 E ce Baby take a chance with me, oh yeah, Fir Br Ee oi Baby take a chance with me, oh yeah, Fav 87 Ee cir Baby take a chance with me, oh yeah. Fade out 21Intro Chorus 1 Chorus 2 Bridge 212 Love Me Do Words & Music by John Lennon & Paul MeCantney Love, love me do, G c You know [love you. G c Pil always be true, So please _ NC. G CG c Love me do, _ oh, love me do. G Cc Love, love me do, G c You know I love you. G c Pil always be true, So please _ NC 8G oC OG c Love me do, — oh, love me do. oD Someone to love, Cc G Somebody new. o Someone to love, Cc G Someone like you. (© Copyright 1962 MPL Commutiations Limited, 1 Scho Square, Londo W1 Al Rights Resaeved.lncaratonal Copyright Securehorus 3 jolo Chorus 4 a c Love, love me do, G c You know I love you. G c Pil always be true, So please —_ N.C. G c G Love me do, _ oh, love me do. Love, love me do, G c You know I love you. G c T'llalways be true, So please NC. G c G c Love me do, — oh, love me do. G c I: Yeah, tove me do, c 6 Oh, love me do. Repeat to fade 213Sitar intro Verse I Chorus 1 Verse 2 Chorus 2 Link 24 Love You To Words & Music by George Harrison cs co tty 5 Fos les cs los ad lib. cs cs Each day just goes so fast, cs cs Tturn around, it’s past, ce cs cr cs oc7 cs You don’t get time to hang a sign on me. Bb cs Bb cS Love me while you can, Bb cs Bb cs Before I'm a dead old man. ce cs A lifetime is s0 short, cs s A new one can’t be bought, ce cs c ce c7 cs But what you've got means such a lot tome, Be cs Bb cs Make love all day long, BP cs Bb cs ‘Make love singing songs. kes les les co lo 4 Ad lib, Sitar solo © Copyright 1966 Norther Soogs A RightsReserved, International Copyright Secured.verse 3 Chorus 4 Coda B cs Bos Make love all day long, Ba cs B> CS Make love singing songs. co cs There’s people standing round, ce cs Who'll screw you in the ground, ce Cc cr ce ‘They'll fill you in with all their sins, cr cs. You'll see. Bb cs Bh cs Tl) make love to you, B cs Bb cs If you want me to. kes les les cs A Sitarad tib. to fade 215Intro Chorus 1 Verse 1 Verse 2 Link 1 216 Lovely Rita Words & Music by John Lennon & Paul McCartney iy Sah @ Be ‘Tune guitar down one semitone le ja le |e |i B A Lovely Rita meter maid, E B . Lovely Rita meter maid. & D A Lovely Rita meter maid, E B7 Nothing can come between us, cm Fe B7 When it gets dark, I tow your heart away. E A Standing by a parking meter, D G ‘When I caught a glimpse of Rita E B7 Filling in a ticket in her little white book. E A Ina cap, she looked much older, ° 6 And the bag across her shoulder E Br ‘Made her look a little like a military man, |e cim Fim B ll (© Copyright 1967 Norhem Songs. All Righs Reserved. Interatonal Copyiaht Secured.(horas 2 Solo Verse 3 Verse 4 Link 2 Chorus 3 Outro E DOA Lovely Rita meter maid, £ 87 May | enquire discreetly, cim Fe B7 When are you free to take some tea with me? Bsus! B Ah. le vale sv lcmrt |e or | Rita! E A ‘Took her out and tried to win her, D G Had a laugh, and over dinner E B7 Told her I would really like to see her again. E A Got the bill and Rita paid it, D @ ‘Took her home, I nearly made it, E 87 Sitting on a sofa with a sister or two. | cém Fim B ll Oh. e o A Lovely Rita meter maid, E B7 Where would I be without you? cim Fa ‘B) Give us a wink and make me think of you. B A Lovely Rita meter maid, E B Lovely Rita meter mai \am | am 27Lucy In The Sky With Diamonds Words & Music by John Lennon & Paul MeCastney AS AIG ASIFE Dm/F A Av ER Dm Dmc BP c F bn ome Ge im Intro as laa = | aset =| ome | A Ay oAS FS Verse 1 Picture yourself in a boat on a river, A ay AG F With tangerine trees and marmalade skies. a AT AS Fo Somebody calls you, you answer quite slowly, A A AS Dm Dmic A girl with kaleidoscope eyes, Bb c Pre-chorus 1 Cellophane flowers of yellow and green, F B ‘Towering over your head. c a Look for the girl with the sun in her eyes, D And she’s gone. Go Cc D Chorus 1 Lucy in the sky with diamonds, e c D Lucy in the sky with diamonds, e c D Lucy in the sky with diamonds, DOA Ah-ah. © Copyright 1967 Northern Songs. All Rights Reserved. International Copyright Secured 218pre-chorus 2 Chorus 2 Verse 3 Chorus 3 w av AS Fo Follow her down to a bridge by a fountain, A AT AS F Where rocking horse people eat marshmallow pies. A ar as Fe Everyone smiles as you drift past the flowers, A ay AS Dm mic That grow so incredibly high. __ BP c Newspaper taxis appear on the shore, F BS ‘Waiting to take you away. c G Climb in the back with your head in the clouds, D And you're gone, G c D Lucy in the sky with diamonds, G c D Lucy in the sky with diamonds, G c D Lucy in the sky with diamonds, DA Ah-ah. w Picture yourself on a train in a station, A AT AS F With plasticine porters with looking glass ties. a ar as FS Suddenly someone is there at the turnstile, A AT As Dm The girl with kaleidoscope eyes. G c D F: Lucy in the sky with diamonds, G c D Lucy in the sky with diamonds, G c D Lucy in the sky with diamonds, DA Ah-ah. il Repeat to fade 219Intro Magical Mystery Tour Words & Music by John Lennon & Paul McCartney D A oc GiB Gm/B ie Ge te Fh fh DIA . B . B7 AS Dm7 Hi | EB fa BS D la E Spoken: Verse 1 Bridge 1 220 (Roll up, roll up for the Magical Mystery Tour, Step right this way!) E G a Roll up, roll up for the Mystery Tour. — G A Rol! up, roll up for the Mystery Tour, E Roll up, __ (and that’s an invitation,) G A Roll up, for the Mystery Tour. E Roll up, (to make a teservation,) 6 A Roll up, __ for the Mystery Tour. D pic ‘The Magical Mystery Tour oe Gm/B> Is waiting to take you away, DIA A ‘Waiting to take you away. ‘© Copyright 1957 Norther Sones AM Rights Reserved. International Copyright Socure,forse 2 (Verse 3 | G A Roll up, roll up for the Mystery Tour E G A Roll up, roll up for the Mystery Tour. E Roll up, (we've got everything you need,) e A Roll up, —_ for the Mystery Tour. E Roll up, —— (satisfaction guaranteed,) G A Roll up, —— for the Mystery Tour. oD oc ‘The Magical Mystery Tour GIB Gms Is hoping to take you away, DIA A Hoping to take you away. ls le |rtmz | rtm | (Mystery wip) fe |e | rm |Ftm7 atm7|a jar ll EG iN ‘Ab, —_ the Magical Mystery Tour. E G A Roll up, —_roll up for the Mystery Tour, E Roll up, (and that’s an invitation,) s A Roll up, for the Mystery Tour, E Roll up, (to make a reservation,) 6 A Roll up, for the Mystery Tour. 221Bridge 3 Bridge 4 Coda 222 D bic ‘The Magical Mystery Tour GB Gm/B) Is coming to take you away, DIA AS Coming to take you away. D orc ‘The Magical Mystery Tour op Gm! Is dying to take you away, Dia as Dying to take you away, D ‘Take you today. __ jo lo | [komz |om7 |omz | pm? Repeat to fadeMaxwell's Silver Hammer Verse T Chorus 1 Link Words & Music by John Lennon & Paul McCarey D pct B87 Em Em7 AT ae ee HEE e A Fuct = Bm DTA i Et Ge i D pict Joan was quizzical, B7 Em Em Studied pataphysical science in the home. ze Late nights all alone with a test-tube, D Av Oh, oh-oh oh. D Dict BT ‘Maxwell Edison, majoring in medicine, Em Em? Calls her on the phone: 2 > ow “Can I take you out to the pictures, Jo-o-o-an?” i But as she’s getting ready to go, i A knock comes on the door. D Bang, bang, Maxwell’s silver hammer 7 Came down upon her head, a Clang, clang, Maxwell’s silver hammer Em aT DAD Made sure that she was dead. |p Fact | pm ovale lo I [© Copyright 1969 Northern Songs AI Rights Ressred. International Copstght Secured 223Verse 2 Chorus 2 Solo Verse 3 224 Dope 87 Back in school again, Maxwell plays the fool again, Em Em7 Teacher gets annoyed. av D AT Wishing to avoid an unpleasant sce-ee-ee-ene, D pict B87 She tells Max to stay when the class has gone away, Em Em7 So he waits behind, ar Doar Writing fifty times, I must not be s0-0-0-0. e But when she turns her back on the boy, AT He creeps up from behind, D Bang, bang, Maxwells silver hammer 7 ‘Came down upon her head, UG lang, clang, Maxwell’s silver hammer Em ar Made sure that she was dead. lo |o ler le | lar lar jemmar jo |) {o Fact lemowmle lo — |i D pet Br PC. Thirty-One said, “We've caught a dirty one,” Em Em7 Maxwell stands alone, ar Painting testimonial pictures, D AT Oh, oh-oh oh.ont. Chorus 3 Coda D Dict BT Rose and Valerie, screaming from the gallery, Em Em7 Say he must go free. Av D Ar ‘The judge does not agree, and he tells them so-o-0-oh. e But as the words are leaving his lips, AT A noise comes from behind. Dd Bang, bang, Maxwell’s silver hammer e7 ‘Came down upon his head, ar Clang, clang, Maxwell’s silver hammer Em Ay Made sure that he was dead. D Wo-wo-wo-woh, pole ler jar jar | em7 ar D FHC? Bm DIAG DAD Sil-ver ham-mer man. pand| 225Martha My Dear ‘Words & Music by John Lennon & Paul McCartney c Mas Em Em7 a FB G Fads G7 Bm7 fh fa ait cn) Fer Ev Gmaf/A Gmaj?—C/B ae AE 4 GER OE Capo third fret Intro {co jeer lem emalo | |@ Fadds | G7 Fmajr| G7 Fmaj7| G a7 || c Verse 1 Martha my dear, B7 Em Em7 A Though I spend my days in conversation, D G Please remember me. Fadd? qa Martha my love, Fmaj? qr Don’t forget me, Fmaj? cr Martha my dear. Bm? Emadde Verse 2 Hold your head up, you silly girl, D Look what you've done. Asus? A When you find yourself in the thick of it, Asust A Fé? Bm? Help yourself to a bit of what is all around you, Emadds Silly girl. © Coppright 1968 Northern Sones AI Rights Reserved, Katerntional Copyright Secure, 226verse 4 Verse 5 Coda Bm gr - Take a good look around you, : Bm" er ‘Take a good look, you're bound to see Gmaj7/a ‘That you and me Gmaj7 Bm7 Were meant to be for each other, Emadd? Silly girl. le |cpr jem emwalo | \@ Fada | G7 Fmay7| G7 Fmaj7| G G7 || Bm7 Emadd9 Hold your hand out, you silly girl, D See what you've done. Asust A When you find yourself in the thick of it, Asust A Fer Bm7 Help yourself to a bit of what is all around you, Emadd? Silly girl. lea ec | c Martha my dear, By Em —Em7 A ‘You have always been my inspiration, D G Please be good to me. Fadd? qr Martha my love, Fmaj? qr Don’t forget me, Fmaj? a7 Martha my dear, cop ca ca |c 1 227Mean Mr Mustard Words & Music by John Lennon & Paul McCartney ev a c ct ov a LOL igen 1% AB RE RE / = i Verse 1 Mean Mr. Mustard sleeps in the park, Shaves in the dark \ ( ‘Trying to save paper. er —— Sleeps in a hole in the road. o cH or / Saving up to buy some clothes. 87 Keeps a ten bob note up his nose, E7 7 B7 Such a mean old man, 7 c7 Br ‘Such a mean old man. i « [ Verse 2 Riis sister Pam works in a shop, / She's a go-getter. } a” / or ci She never stops, ‘Takes him out to look at the ueen, or TT cit cr “7 Only place that he’s eyér bee’ i i Always shouts out ay obscene, ev c7 BA Such a dirty old man, > er c7 BT Dirty old man, {© Copyright 1969 Nonhern Songs \ Al RightsReserved, iterational Copyright Secured 228Old Brown Shoe ‘Words & Music by George Harrison ; Ff a « im “Gat Ab Fidim G7 i \ fe BH FRE intro ce ler |e |e || | cr Jerse 1 want a love that’s right, | But right is only half of what's wrong. Dm7 | T want a short-haired girl ‘Who sometimes wears it twice as long. F Fr Chorus 1 Now I'm stepping out this old brown shoe, aS ar Baby, I’min love with you, F T'm so glad you came here, Eaug Am It won't be the same now, I'm telling you. Link | er | er ll c Verse 2 ‘You know, you pick me up from where Some tried to drag me down, Dm7 And when I see your smile Replacing every thoughtless frown. (© Copyright 1969 Harisongs Limited All Rights Reserve, Tnternational Copyright Secured 229Chorus 2 Bridge 1 Solo Bridge 2 Verse 3 230 F Fr Got me escaping from this zoo, a> ar Baby, I’m in love with you, F I'm so glad you came here, Eaug Am ‘Tt won't be the same now, I’m telling you. G If I grow up, I'll be a singer, F Wearing rings on every finger, G Not worrying what they or you say. F Plllive and love and maybe some day, Fédim Gc @ Who knows, baby, you may comfort me, —__ \er eo |o je | lomz = fom = | om = |om | lr | er | ab lar | lr Jeaug [am jam — || 6 Tmay appear to be imperfect, F My love is something you can’t reject, I’m changing faster than the weather, F Ifyou and me should get together, Fédim Ga a ‘Who knows, baby, you may comfort me. ___ cr T want that love of yours, ‘To miss that love is something I'd hate. Dm7 Tl make an early start, I'm making sure that I'm not late.F Fr chorus 3 For your sweet top lip I'm in the queue, AY ar Baby, I’m in love with you, F T’'m so glad you came here, Eaug Am It won't be the same now when I'm with you. F I'm so glad you came here, Eaug Am It won't be the same now that I'm with you. Coda Iker ler loz | ov 4 Kev cr le | ez A Repeat to fade Tula, tu ru tu, Tula, tu ru tu. 231Intro Verse 1 Verse 2 Bridge } 232 Michelle Words & Music by John Lennon & Paul MeCariney cm Cmimaj) cm? = cms Fm —-Fmadd® wile wee te as ve Fmr Gs c Fm? Bs Agim ee = ff aa Be G pts cm Ei? a a gee ie in tg “aR om Capo fifth fret cm* Cmimaj7)| m7 cms | Fm Fmadds Fm Fm7*| Gs {| c Fm? Michelle, ma belle, Ble Adim G These are words that go together well, pie G My Michelle. c Fm? Michelle, ma belle, Bis ‘Adin G ‘Sont les mots qui vont trés bien ensemble p79 G ‘Trés bien ensemble. cm Llove you, 1 love you, love you, B7 A ‘That's all 1 want to say, oe cm Until I find a way, Cm Cmimaj?) Cm7 Gms Twill say theonly words I know Fm Fmadd? Fm Fm7 G5 ‘That you'll un der - stand, (© Copyright 1965 Northern Sones. All Rights Reserved. Intemational Copyraht Secured.verse 3 pridge 2 Solo Bridge 2 Verse 4 Solo As Verse 2 cm Ineed to, I need to, I need to, EW a [need to make you see, or cm Oh, what you mean to me. Cm* Cmimaj?) Cm? cms Until T do P'm hoping you Fm Fmadd? Fm Fm?" G5 Will know whatl mean. cm Fm7 Tlove you, lee | adim |e pela I cm Twant you, Lwant you, T want you, er as T think you know by now, a cm I'll get to you somehow. Cm* Cmimaj) Cm? Cms Until I do Tm. telling you, Fm Fmadd9 = Fm Fm?* GS So you'll — un - der - stand, c Fm? Michelle, ma belle, Bio Agim G Sont les mots qui vont trés bien ensemble 79 G ‘Tres bien ensemble, m* Cmimaj7) Cm7 cms And I will say the only words I know Fm Fmadd? Fm Fm7* G5 That you'll un - der - stand, c My Michelle. Jem [pie [adim = [Gove | Jem | pie | Fade out 233Intro Verse 1 Verse 2 Bridge 1 234 Misery Words & Music by John Lennon & Paul McCartney G c E G The world is treating me bad, c am G Misery. c F Pm the kind of guy c F Who never used to cry, G ‘The world is treating me bad, — c Am Misery. F Pye lost her now for sure, F 1 won't see her no more, G It’s gonna be a drag, c Misery. Am c I'll remember all the little things we've done, am 6 Can’t she see she'll always be the only one, Only one. ‘© Copyrigh: 1963 Nochorn Songs AIL Rights Reserved, lremational Copyiaht Securedjise 3 wridge 2 verse 4 Cc F Send her back to me, c F Cause everyone can see, GS Without her I will be c In misery. Am c I'll remember all the little things we've done, Am G She'll remember and she'll miss her only one, Lonely one. c F Send her back to me, c F *Cause everyone can see, G Without her I will be c In misery, Am C Am Oh, in misery, ooh, c My misery, Am c La, la, 1a, la, la, la, misery. 235Intro Verse 1 Link 1 Verse 2 Link 2 236 es Mother Nature's Son Words & Music by John Lennon & Paul MeCartney Bm Bm? Bm) ED Gp Hoan Hee thee Oh ah cree cape cee" eae aie Dmaj? cm i Bm Bm lems es |p |o |o |v |i D> ap D Born a poor country boy, Bm = Bm? Bm6 ES Mother Nature’s son. A DIA A All day long DAA DAA pA pom leo D || I'm sitting singing songs for everyone. lo om? |@m vl D G/D D Sit beside a mountain stream, Bm Bm7 Bms £9 See her waters rise. A DIAA DIMA DIA Lis-ten to the pretty sound A DA Dom |ap oD |i Of music as she flies oD GID D Do do, do do do do, do do do do, do. aD D Dmajr Do do do do, do do do do, do, bo co cm|o | Do dodo. ‘© Copyright 1968 Northezn Songs. AML Rights Reserved. International Copyright Seewedverse 3 Link 3 Instrumental Coda > oop D Find me in my field of grass, Bm Bm? Bms £9 Mother Nature’s son. A DIMA DIA Sway-ing dais-ies A DAA DA 0 om |G | Sing a lazy song beneath the sun. D qo D Do do, do do do do, do do do do, do. GD D Dmaj7 Do do do do, do do do do, do. D7 GID Gm D Do do do, yeah, yeah, yeah. !o ep |e 0 |Bm Bm7 | Bms es | laDAADA|ADAADIA|D Dm | aD D || D pm? GD 7 Ah ____ Mother Nature’s son. 237Verse 1 Verse 2 238 No Reply ‘Worls & Music by John Lennon & Paul McCartney Ge c Am Em A Dm F Chis Ga GT RE Nc. Fs This happened once before, 6 c When I came to your door, no reply. Fe They said it wasn’t you, Ge c But I saw you peep through your window. Am Em Fmaj?_ Em Isaw the light, T'saw the light, Fs know thet you saw me, Ge c Cause I looked up to see your face. Fe I tried to telephone, Gs Cc They said you were not home, that’s a lie. FS *Cause T know where you've been, Ge Cc I saw you walk in your door. Am Em Fmaj?7_ Em Inearly died, Inearly died, Fs Cause you walked hand in hand Gs Cc With another man in my place © Copyright 1964 Nortom Sones. All RightsReserved, Iterational Copyright Secure.pridge verse 3 c = A If Lwere you, Vd realise that I Dm F c Love you more than any other guy. gE A And T'll forgive the lies that 1 Dm F c Heard before, when you gave me no reply. FS Ttried to telephone, Gs Cc ‘They said you were not home, that’s a lie. FS se I know where you've been, Gc And I saw you walk in your door, Am Em Fmaj? Em Inearly died, Tnearly died, °C Fs *Cause you walked hand in hand Gs c With another man in my place. Am Em Fmaj? Céi/s No reply, no reply. 239Norwegian Wood Words & Music by John Lennon & Paul McCaniney Cade GiB Dm G Em? gy Gl ap Fa FE Intro Verse 1 Middle 1 Verse 2 240 Capo second fret kb pv |ocade aslo | D Tonce had a girl, Or should I say Cadd? G/B D She once had me? Do She showed me her room, Isw’tit good, Cadd? G/B D Nor-wegian wood? Dm @ She asked me to stay and she told me to sit anywhere. Dm Em7 So [looked around and I noticed there wasn't a chair. D Tsat on a rug Biding my time, Cadd? G/B D Drinking her wine. (© Copyright 1965 Northern Songs. A) Rights Reserved, International Copyright Secured,cont. Instrumental Middle 2 Verse 3 instrumental D We talked until two, And then she said, Cadd? G/B D “Tt’s time for bed.” Fo |o |ocawes|o 4 Dm G She told me she worked in the morning and started to laugh. Dm Em7 A Ttold her I didn’t and crawled off to sleep in the bath. D And when I awoke Iwas alone, Cade GiB D ‘This bird had flown, D So lita fire, Isn't it good, Cadd? G/B D Nor-wegian wood? o lo |ocadeas|o I 241Not A Second Time ‘Words & Music by Sohn Lennon & Paul McCartney D bv Am Bm Em ah ae & a ae 6 E Verse 1 You know you made me ery, 6 E I see no use in wondering why, D c oo J cried for you. G E Verse 2 ‘And now you've changed your mind, c E 1 see no reason to change mine, D Am D My erying is through, oh, Am Bm Bridge 1 You're giving me the same old line, G Em I'm wondering why. Am ‘You hurt me then, you're back again, Bm 07 Em No, no, no, not a second time. Solo jam lem |@ lem | jam [am |am [or | lem lem || 1 Copyright 1963 Nother Songs ‘AI Rights Resteved, International Copyright Secured, 242yerse 3 verse 4 Bridge 2 Outro s E ‘You know you made me cry, G E 1 see no use in wondering why, D GoD Tried for you, __ yeah. SG E. And now you've changed your mind, G E 1 see no reason to change mine, D Am D My crying is through, oh. Am Bm You're giving me the same old line, 6 Em I'm wondering why. Am ‘You hurt me then, you're back again, Bm D7 Em No, no, no, not a second time. Nc. GE Not a second time, GE Nota second time, — GE No, no, no, no, no. __ Fade out 243Not Guilty ‘Words & Music by George Harrison Esus* Em7 Em Am Am/G ‘Am/F? B87 a 7 HE BE it Ge af Bi G Dm7 Gsust} Gm Emé —-BYsus¢-——B* Ame E i ogee iki ae ie Intro Esust Em? Em|em | Esust. Em? Em|Em || Am = Am/G Am? Verse 1 Not guilty 8 Em Of getting in your way, B7 &7 While you're trying to steal the day. Am Am/G Am/F# Not guilty, o em And I’m not before the rest, Br Dm T'm not trying to steal your vest. a Bridge 1 1am not trying to be smart, Gsust Gm Tonly want what I can get. Em? me T'm really sorry for your ageing head, Breust ar But like you heard me said, Am = Am/G Am/F* Verse 2 Not guilty. 87 Em No use handing me a writ B7 G Dm 244 While I’m trying to do my bit, 3 Publishing BV/Oeps Publishing Limite, ‘All Rights Reserved, nterntial Copyright Seared.pridge 2 solo Verse 3 Bridge 3 Coda e7 I don’t expect to take your heart, Gsus4 Gm Tonly want what I can get. Em? Ems T'mseally sorry that you're under-fed, BYsus4 Br But like you heard me said, Em Em7 Not guilty. | esust Em7em|em — | |am Amve | Anve* | Em? Emé | Em7Ems | Jam AmG | Ane | Em? Ems | Em7 Ems | Am/E Em || Am AmiG. AmiF# Not guilty B7 Em For looking like a freak, BT — Making friends with every Sikh, Am = Am/G AmiF# Not guilty, B87 Em For leading you astray ev G Dm On the road to Mandalay. e Twon’t upset the apple cart, Gsus+ Gm Tonly want what I can get. Em? Ems T'm really sorry that you've been misled, B7sus? 87 Am But like you heard me said, not guilty. Kesuss em7 em | esust em? em ‘Lem lem Jem | em [em |em | eoust Em? Em | Esust Em? Em| Ikem [em lem |em Repeat ad lib, to fadeEm 999 Nowhere Man Words & Music by John Lennon & Paul McCartney Gm D A G Fém fr ri is 3; ae Verse 1 Verse 2 Bridge 1 Solo Verse 3 246 Capo second fret 's a real Nowhere Man, Sitting in bis Nowhere Land, Em Gm D Making all his Nowhere plans for nobody. D A Doesn't have a point of view, G D Knows not where he’s going to, Em Gm D Isn’the a bit like you and me? Fim G Nowhere Man, please listen, Fim G ‘You don’t know what you're missing, Fém Em? Nowhere Man, the world is at your command. jo ja je \o | jem lem jo |o | D A He’s as blind as he can be, e D Just sees what he wants to see, Em Gm D Nowhere Man, can you see me at all? (© Copyright 1965 Northern Songs [All Rights Reserved, International Copyright Secured ar wdridge 2 verse 4 Bridge 3 Verse 5 Fim G Nowhere Man, don’t worry, Fém G ‘Take your time, don’t hurry, Fém Em? ar Leave it all till somebody else lends you a hand. D A Doesn't have a point of view, G D Knows not where he’s going to, Em Gm D Isn’t he a bit like you and me? Fim G Nowhere Man, please listen, Fém G ‘You don’t know what you're missing, Fém Em7 ar Nowhere Man, the world is at your command, D a He’s a real Nowhere Man, G D Sitting in his Nowhere Land, Em Gm D Making all his Nowhere plans for nobody. Em Gm D Making all his Nowhere plans for nobody. Em Gm D Making all his Nowhere plans for nobody. 247Ob-La-Di, Ob-La-Da Words & Music by John Lennon & Paul McCartney E E D Fém7 Ar A ome Intro Verse 1 Chorus 1 Verse 2 Chorus 2 248 Capo first fret la la la la | A E Desmond has a barrow in the market place, E7 A ‘Molly is a singer in a band, D Desmond says to Molly, gisl, I like your face, A Vs A And Molly says this as she takes him by the hand. A = Fim? Ob-La-Di, Ob-La-Da, life goes on, bra, A E A La-la how their life goes on. A E Fém7 Ob-La-Di, Ob-La-Da, life goes on, bra, A E ry La-la how their life goes on. A E Desmond takes a trolley to the jeweller e A Buys a twenty carat golden ring. store, D Takes it back to Molly waiting at the door, A —E A And as he gives it to her, she begins to sing: As Chorus 1 (© Copyright 1968 Norther Songs All Rights Reserve. nerntional Copyright Secured,Middle T Yerse 3 Chorus 3 Middle 2 Verse 4 Chorus 4 D Ina couple of years, ‘A Asus? A AT They have built a home sweet home. D a couple of kids running in the yard AIE & Of Desmond and Molly Jones. A — Happy ever after in the market place, a A Desmond lets the children lend a hand, D Molly stays at home and does her pretty face, A E A And in the evening she still sings it with the band, As Chorus 1 As Middle 1 A E Happy ever after in the market place, a A Molly lets the children lend a hand. D Desmond stays at home and does his pretty face, A E A And in the evening she’s a singer with the band, A E Fim? Ob-La-Di, Ob-La-Da, life goes on, bra, rN E A La-la how their life goes on. A E Fim? Ob-La-Di, Ob-La-Da, life goes on, bra, A E Fem? Larla how their life goes on, And if you want some fun, E A Take Ob-La-Di-Bla-Da. 249Intro Verse 1 Chorus 1 Verse 2 250 Octopus's Garden Words & Music by Ringo Starr c e Am F Ame ae Tae ES om ae @ 8 e “ Bd gis EH Sal ES Capo fourth fret lo @lo@ le lam lr |e | Am Pd like to be under the sea, F G In an octopus’s garden in the shade. c Am He'd let us in, knows where we've been, F G In his octopus’s garden in the shade, Am, ama T’d ask my friends to come and see F G An octopus’s garden with me c Am T'd like to be under the sea F G Cc In an octopus’s garden in the shade. c Am ‘We would be warm below the storm F G In ow litte hideaway beneath the waves, c am Resting our head on the sea bed F G In an octopus's garden near a cave. © Copyright 1969 String Music Limited ‘AIL Rights Resorye. International Copyright Secured.cont. Chorus 2 Solo Verse 3 Chorus 3 Am Am/G ‘We would sing and dance around, ¥ G Because we know we can’t be found. c Am T'd like tobe under the sea F G c In an octopus's garden in the shade, \F om | BS le | ‘Ab, ah, ab. Ah, ah, ah. \F lom |B ce |e a |i Ab, ah, ah. Ah, ah, c Am We would shout and swim about F G ‘The coral that lies beneath the waves. c Am Oh, what joy for every girl and boy, FF G Knowing they're happy and they're safe. Am AmiG ‘We would be so happy, you and me, F G No-one there to tell us what to do, c Am Td like to be under the sea F 6 Am Am/G In an octopus’s garden with you, F G Am Anv/G In an octopus’s garden with you, F G c BC In an octopus’s garden with you. 251Oh! Darling Words & Music by John Lennon & Paul McCartney aug A E Fém7 ae] el oa a eo ev Ay F “le El Ee Intro Eaug A E Verse I Oh! darling, please believe me, Fem? D T'l never do you no harm, Bm7 E9 Believe me when I tell you, Bm ogo A DAE TJ never do you no harm, A E Verse 2 Oh! darling, if you leave me, Fem? D T'll never make it alone, Bm? Eo Believe me when I beg you, Bm7 i= A DA AT Don’t ever leave me alone. D F Bridge 1 When you told me you didn’t need me anymore, A ar Well, you know I nearly broke down and cried. B ‘When you told me you didn’t need me anymore, E F — Eaug ‘Well, you know I nearly broke down and died. (© Copyright 1969 Northem Songs All Rights Reserved, International Copyright Seca. 252verse 3 Bridge 2 Verse # A = Oh! darling, if you leave me, Fim? D I'll never make it alone. Bm? Eo Believe me when Itell you, Bm7 Eo A D T'll never do you no harm. A ar (Believe me, darling.) D F When you told me you didn’t need me anymore, A ar Well, you know I nearly broke down and cried B When you told me you didn’t need me anymore, E F E Eaug Well, you know I nearly broke down and died. A E Oh! darling, please believe me, Fim? D Tl never let you down. (Oh, believe me dau Bm? eo Believe me when I tell you, Bm? ES A DA BH AT T'll never do you no harm. iB.) 253Intro Verse 1 Chorus 1 Verse 2 Chorus 2 254 One After 909 Words & Music by Jobn Lennon & Paul McCartney oF och Te Ge fit i {er |e |e |e jer |e | ev My baby says she’s travelling On the one after 909. I said, “Move over, honey, I’m travelling on that line.” 87 NC. Isaid, “Move over once, a7 NG. Move over twice, @ ‘Come on baby, don’t be cold as ice.” B7 Said she’s travelling Fir 87 On the one after 909. 87 I begged her not to 0, And I begged her on my bended knee, You're only fooling around, Only fooling around with me. ‘As Chorus 1 © Copyright 1970 Northern Songs. AIL Rights Reserved, Internationa] Copyright Securede bridge T Verse 3 Chorus 3 Instrumental Bridge 2 Verse 4 Chorus 4 Coda aa 87 Pick up my bags, run to the station. 7 Fay Railman says, “You've got the wrong location.” Er B7 Pick up my bags, run right home, cr Fer ‘Then I find I've got the number wrong. 87 Well, said she’s travelling On the one after 909. I said, “Move over, honey, I'm travelling on that line.” As Chorus 1 ker |e (a |B ler | ler ler ler lew |e |e | As Bridge 1 Br Well, she says she’s travelling On the one after 909. I said,“Move over, honey, I'm travelling on that line.” As Chorus 1 (87) Far ‘She said she’s travelling on the one after 90, Fir 87 Said she’s travelling on the one after 909. 255Intro Verse 1 Verse 2 Chorus 1 256 Only A Northern Song Words & Music by George Harrison Soma [p> a le 4 A If you're listening to this song, . Bm7 ‘You may think the chords are going wrong, a But they’re not, D He just wrote it like that. A When you're listening late at night, | Bm? ‘You may think the band are not quite right, e But they are, D They just play it like that, E Bm7 G ci It doesn’t really matter what chords I play, FA What words I say, Bm Fe7 Or time of day itis, D oA E ‘Cause it’s only a Northern Song. © Copyright 1968 Nester Sones. Ad Rights Reserved, Inerntional Copyright SecuredLink Chorus 2 Verse 3 Outro fa la la la lem | lemz ler je |o jo | E Bm7 a cH Itdoesn’t really matter what clothes I wear, Fir Or how I fare, Bm Fir Or if my hair is brown, DOA E When it’s only a Norther Song. A Ifyou think the harmony m7 Is a litte dark and out of key. 7 You're correct, D There's nobody there. le pm la cH |r |pmz |r | D A E And I told you there’s no-one there. Jala ja la [em | Bm | ler le |o |o |e Bm |e ce | (re lem |r loa |e || Fade out 257Intro Verse 1 Verse 2 Bridge 1 258 ‘ed P.S. | Love You Words & Musie by Jobn Lennon & Paul McCartney —m Bm BL c G cH D AsI write this letter, G c7 D Send my love to you, G cH D Remember that I'll always A D Be in love with you Do Em D Treasure these few words till we're together, A Bm Keep all my love forever, A Bb PS. Tove you, cD You, you, you. D Em D T'll be coming home again to you love, A Bm ‘Until the day I do love, A B> P.S.Ilove you, ep You, you, you. Ga DB As I write this letter, G D Send my love to you, G D Remember that I'll always A D Be in love with you. (© Copyright 1962 MPL. Communications Limited, 1 Soho Square, London WI ‘All Rights Reserved. stration Copyrightverse 3 Bridge 2 Verse 4 D Em D ‘Treasure these few words till we're together, A Bm Keep all my love forever, A Bb PS, [love you, c Dp You, you, you. G D As I write this letter, (oh,) G@ D Send my love to you, (you know I want you to) G D Remember that I'll always, yeah, A D Be in love with you, D Em Do Pll be coming home again to you love, A Bm Until the day T do love, A Be P.S.Tlove you, c D ‘You, you, you, Bc oD ‘You, you, you, Bbc D I love you. 259Intro Link Verse 1 Verse 2 260 Paperback Writer Words & Music by John Lennon & Paul MeCartney or G c ge a NC. Paperback writer, paperback writer. ler le le la || sc Dear Sir or Madam, will you read my book, It took me years to write, will you take a look? It’s based on a novel by a man named Lear, And I need a job, So I want to be @ paperback water, Paperback write, G It'sa dirty story of a dirty man, And his clinging wife doesn’t understand. His son is working for the Daily Mail, It’s a steady job, c But he wants to be a paperback writer, sc Paperback writer. Ne. Paperback writer, paperback writer. © Copyright 1966 Northern Songs. [AI/Rights Reserved. International Copyright Secured.Link verse 3 Verse 4 Link Coda It’s a thousand pages, give or take a few, T'llbe writing more in a week or two. I can make it longer if you like the style, I can change it round, c And I want to be a paperback writer, G G7 Paperback writer. G If you really like it, you can have the rights, It could make a million for you overnight, If you must return it, you can send it here, But I need a break, Cc And I want to be a paperback writer, G Paperback writer. Ne. Paperback writer, paperback writer, ler la la |e | G Ik Paperback writer, paperback writer. #] Repeat to fade 261Verse I Verse 2 Chorus 1 Verse 3 262 Penny Lane Words & Music by John Lennon & Paul McCartney Bocém7 Fé? Bm? Gms Gmaj? fet SHE Fivsust A Act ctmz Ftv In Pemy ane there isa barber showing photographs Bm7 Of ev'ry head he’s had the pleasure o know, Gimzs Gmaj7 And all the people that come and go, Fi7gus4 Fi7 F#7sus? FFT Stop and say hello. B chm? Fe7 On the comer is a banker with a motorcar, Bm? ‘The little Children laugh at him behind his back, Gimrs Gmaj7 And the banker never wears a mac F#7sus4 Fir In the pouring rain, ~ very strange. A ACE D Penny Lane is in my ears and in my eyes, A ACE D ‘There beneath the blue suburban skies Fe? Isit, and meanwhile back. Cim7 FT In Penny Far there is a fireman with an hourglass, Bm? And in his pocket is a portrait ofthe Queen, (© Copyright 1967 Norther Sonss. AV RightsReserved, Iterations! Copyright Secure,solo chorus 2 Verse 4 Verse S Chorus 3 Gimis, Gmaj? He likes to keep his fire engine clean, Fi7susé F7 Fizsus¢ FHT I's a clean machine. |B | cim? Fi |B | em | | Gtm7s | Gmaj | Fésust re? fe || A Alct D Penny Lane is in my ears and in my eyes, A Ace oD Full of fish and finger pies Fer In summer, meanwhile back... cém7 Fi? Behind the shelter in the middle ofthe roundabout B Bm7 ‘The pretty nurse is selling poppies from a tray, Gém7s Gmaj? And though she feels as if she’s in a play, Fivsust F!7 Fi7gust FAT She is anyway. Ckm7 Fer In Penny Fae the barber shaves another customer, Bm? We see the banker sitting waiting fora trim, Gémi's Gmajr And then the fireman rushes in F#7sus4 Fav E From the pouring rain, — very strange. A act D Penny Lane is in my ears and in my eyes, A Act D ‘There beneath the blue suburban skies Fe7 Tsit, and meanwhile back. B Bt E Penny Lane is in my ears and in my eyes, B BiDt E There beneath the blue suburban skies.. B Penny Lane. 263Intro Verse 1 Link 1 Verse 2 Link 2 264 Piggies D A Bm 7 Fer Em G om eS BE a TRE HEE HERE Capo sixth fret D A Have you seen the little piggies crawling in the dirt? D A Bm ev And for all the little piggies, life is getting worse, Bm =v A Always having dirt to play around in jon a loa | D A D A Have you seen the bigger piggies in their starched white shirts? D A Bm E? ‘You will find the bigger piggies stirring up the dirt Bm e a Always have clean shirts to play around in, |p a |p Fe [I © Copyright 1968 Harrisonge Limited, AN Rigi Reserved, Jnerational Copyeght SecuredEe solo Verse 3 Coda Em Fer In their sties with all their backing, s D A They don’t care what goes on around, Em Flr In their eyes there’s something lacking G A ‘What they need’s a damn good whacking! lp a lo a Jo a [om er | lem ev la lon a loa | o A Everywhere there’s lots of piggies, living piggy lives, D A Bm er ‘You can see them out for dinner with their piggy wives, Bm = A Clutching forks and knives to eat their bacon, {> a |om a |om a lez a | | no. les |e i} (One more time.) 265Please Please Me Words & Music by John Lennon & Paul McCartney Fim Clim ar RETR fe Intro Verse I Chorus 1 Verse 2 Chorus 2 266 e AE GAB Last night I said these words to my gil, E AE I know you never even try, girl. A Fem Come on, come on, chm a Come on, come on, Ee A Please please me, woh yeah, B Ee AB Like I please you. E AE GAB ‘You don’t need me to show the way, love, E AE Why do I always have to say, love. A Fim Come on, come on, cim a Come on, come on, E A Please please me, woh yeah, B E Like I please you. (© Copyright 1962 Dick James Music Limite, 47 British Grove, London Wi. ‘All Rights Reserved. ncational Copyright Seated.Bridge Verse 3 Chorus 3 A T don’t want to sound complaining, B E But you know there’s always rain in my heart, A Ido all the pleasing with you, B E It’s so hard to reason with you, A B e AaB Oh yeah, why do you make me blue? — AE GAB Last night I said these words to my girl, E AE I know you never even try, girl. A Fim Come on, come on, cim ow Come on, come on, E A Please please me, woh yeah, B Like I please you. E A Please please me, woh yeah, (you) B Like I please you, E A Please please me, woh yeah, (you.) BE GCBE Like please you.“Intro Verse 1 Verse 2 Chorus 1 Verse 3 268 Rain kt mF dba Lesage & ba eas Cadd9 G5 Gsus2/a in EA ER 6 le le 6 ll ita to Er G If the rain comes, © oD 6 ‘They run and hide their heads. c DG ‘They might as well be _ dead, cada s If the rain comes, if the rain comes. 6 When the sun shines, c DG They slip into the shade, c DG And sip their lemonade, Cadds G ‘When the sun shines, when the sun shines. Gs Gsust4 Gs Rain, Tdon’t mind. gs Gsusz/4 gs Shine, the weather's fine. 6 Ican show you ec oD 6 ‘That when it starts to rain, © bp @ Everything's the same, Cadd? G Tean show you, I can show you. (© Copyright 1966 Nonherm Sones. All Rights Reserved. Intemational Copyrilt SecsredGs Gsusza_ GS Rain, I don’t mind. Gs Gsus2/4 Go Shine, —— the weather’s fine. a Can you hear me c Do G ‘That when it rains and shines, ec op G It’s just a state of mind? cada Can you hear me? G Can you hear me? Ike |e 6 le 4 Repeat ad lib. to fade 269Polythene Pam ‘Words & Music by John Lennon & Paul McCartney D A E 87 c cim aa P et ge OOH A} «a Tatro Io a le |p a |e i} DA E Verse 1 Well, you should see Polythene Pam, D A Ei ‘She's so good-looking, but she looks like a man. G B7 Well, you should see her in drag, dressed in her polythene bag, cop E Yes, you should see Polythene Pam, c D E Yeah, yeah, yeah. Link jo a le lo a le ll D A E Verse 2 Get a dose of her in jackboots and kilt, D A E She’s killer-diller when she’s dressed to the hilt. G 87 She's the kind of a girl that makes the News of the World, c D E ‘Yes, you could say she was attractively built, c D = Yeah, yeah, yeah. Link |p a le lo a le i} Solo ko a le lo a A Play 4 times le le Je |o lem |eve i} Oh look out! 270 © Copyright 1969 Northern Songs. All Rights Restved. International Copyright SecuredRevolution 1 Words & Music by John Lennon & Paul McCartney G Fer Intro Verse 1 Chorus 1 Verse 2 la ja la la le | A You say you want a revolution, D ‘Well, you know, A We all want to change the world. You tell me that it’s evolution, D Well, you know, E We all want to change the world. Bm E But when you talk about destruction, Bm G A FIT _e Don't you know that you can count me out, in, A D Don’t you know it’s gonna be alright, AD Don’t you know it’s gonna be alright. AD Don’t you know it’s gonna be alright. ler ler || A You say you got a real solution, D Well, you know, A We'd all love to see the plan. (© Copyright 3968 Northem Songs. ‘Al Rights Reserved. Intemational Copyright Secured. 271cont. Chorus 2 Verse 3 272 (Ba-oh shoo-be-doo-wop) (Ba-oh shoo-be-doo-wop) You ask me for a contribution, D Well, you know, E We all do it when we can, Bm _-— But if you want money for people with minds that hate, Bm G AFT E All [can tell you is, brother, you have to wait. A D Don’t you know it's gonna be alright, A D Don’t you know it’s gonna be alright. AD Don’t you know it’s gonna be alright. le je || A You say you'll change the constitution, D Well, you know, We'd all love to change your head. (Ba-oh shoo-be-doo-wop) (Ba-oh shoo-be-doo-wop) You tell me it’s the institution, D Well, you know, E You'd better free your mind instead. (Ba-oh shoo-be-doo-wop) (Ba-oh shoo-be-doo-wop) Bm E But if you go carrying pictures of Chairman Mao, Bm G AFT E You ain’t gonna make it with anyone an - y - how.Chorus 3 Coda A oD Don’t you know it’s gonna be alright, A D Don't you know it’s gonna be alright A D Don’t you know it’s gonna be alright. ler le || A (Oh shoo-be-doo-wop.) D Ah-alah-ah, A D Ah-ah-ah-ah, i Ah-ah al - right, DA Alright, alright, D Alright, alright, A Alright, alright! ad lib. 10 fade 273Revolution (Single Version) Words & Music by John Lennon & Paul McCartney A 7 D BrvF# G Fe Bis AB sec et Beat t 2 GRE Te fT NA RG Capo first fret Intro a la ja le A Verse I You say you want a revolution, D Well, you know, A We all want to change the world You tell me that it’s evolution, D Well, you know, 7 We all want to change the world. BmiFt &7 But when you talk about destruction, BmvFt Goa Ff Don't you know that you can count me out. & AD Chorus 1 Don’t you know it’s going to be alright, A D AOD Alright, alright. je ler | A Verse 2 You say you got a real solution, oD Well, you know, a We'd all love to see the plan. ‘© Copyright 1968 Northern Songs. All Rights Reserved. International Copyright Secwred, 274a cont. Chorus 2 Solo Verse 3 | Chorus 3 Coda (A) You ask me for a contribution, D Well, you know, E7 We're all doing what we can. BmiFt e But if you want money for people with minds that hate, BmFt G a Fe All can tell you is, brother, you'll have to wait, As Chorus 1 la ja la lo Io | ler le le ler | A You say you'll change the constitution, D Well, you know, A ‘We all want to change your head. You tell me it’s the institution, D Well, you know, E You'd better free your mind instead. BmiF* &7 But if you go carrying pictures of Chairman Mao, Bart G a Fe You ain’t gonna make it with anyone an - y - how. As Chorus 1 A D Alright, alright, A oD Alright, alright, A D Alright, alright, 7 Bis AS Alright, alright! 275Intro Verse 1 Verse 2 276 Rocky Raccoon Words & Music by John Lennon & Paul McCartney Am? Ovsust OF a c cB. am fi fm gi in # amt amt || Am7 Now somewhere in the black mountain hills of Dakota Disust o7 There lived a young boy named Rocky Racoon-na @ c And one day his woman ran off with another guy, cB Am7 Hit young Rocky in the eye, Rocky didn’t like that, Disus4 bv He said, “I'm gonna get that boy.” Gr So one day he walked into town, c cB Booked himself a room in the local saloon. Am7 D7sus¢ o7 Rocky Racoon checked into his room, GT c CB Only to find Gideon's Bible. Am? D7sus4 D7 Rocky had come, equipped with a gun, Gr c ce ‘To shoot off the legs of his rival. Am7 D7sus+ or His rival, it seems, had broken his dreams, a c cB By stealing the girl of his faney. ‘Am? Drsus¢ or Her name was Magill, and she called herself Lil, Ga c cB But everyone knew her as Nancy. © Copyright 1968 Nonbern Songe. ‘A Rights Reserved. uemationl Copytiht Secured.Verse 3 Piano break Verse 4 Verse 5 Am7 Disust ob Now she and her man, who called himself Dan, G7 c cB Were in the next room at the hoe-down. Am7 D7sus4 D7 Rocky burst in, and grinning a grin, G7 c cB He said,“Danny boy, this is a showdown,” Am7 Dvsus4 or But Daniel was hot, he drew first and shot, Gr c cre And Rocky collapsed in the comer. kam? | o7sust ov lar lo ce 4 Am? D7sus4 pr Now, the doctor came in, stinking of gin, G7 c CB And proceeded to Tie on the table. Am? He said, “Rocky, you met your match,” Drsus4 br And Rocky said, “Doc, it’s only a scratch, ar And I'll be better, I'll be better, Doc, c cre As soon as Tam able.” Am? D7sus4 o7 Now Rocky Racoon he fell back in his room, @ c cB Only to find Gideon's Bible. Am? Disust or Gideon checked out and left in no doubt og c cB ‘To help with good Rocky’s revival. | am7 | D7sust v7 | G7 |e ce | (Do do do do do do do do do) etc. Am? | pzsuss 7 (Come on Rocky boy.) (Come on Rocky boy.) la ce ale ! 277Intro Verse 1 Chorus 1 Link Verse 2 Chorus 2 278 Run For Your Life ‘Words & Music by John Lennon & Paul McCartney Bm 6 FA A mete a HE TREE D | i) I > Well, Pd rather see you dead, litle git], Bm ‘Than to be with another man. D You'd better keep your head, little girl, Bm Or I won't know where I am. Bm E ‘You'd better run for your life if you can, little girl, Bm E Hide your head in the sand, litte girl, Bm G Catch you with another man, Fé Bm ‘That's the end, little girl i) lo I D Well, you know that I'm a wicked guy Bm And I was born with a jealous mind. D And I can’t spend my whole life trying Bm Just to make you toe the line. ‘As Chorus 1 {© Copyright 1965 Northern Songs. All Rigs Reserved, International Copyright SceuredSolo Verse 3 Chorus 3 Link Verse 4 Chorus 4 Coda \o lo s D a D I D Let this be a sermon, Bm I mean everything I said, D Baby, I'm determined, Bm And I'd rather see you dead. Bm — You'd better run for your life if you can, litte girl, Bm x Hide your head in the sand, little girl, Bm G Catch you with another man, Ft Bm ‘That's the end, little girl. |o |o I D I'd rather see you dead, little girl, Bm ‘Than to be with another man. D You'd better keep your head, little girl, Bm Or you won't know where 1am, Bm E ‘You'd better run for your life if you can, little girl, Bm E Hide your head in the sand, little girl, Bm G Catch you with another man, Ft Bm That’s the end, little girl. lo |p ko AD Repeat to fade Na-na na. Na-na 279Intro Verse 1 Chorus 1 Link Verse 2 Chorus 2 280 Savoy Truffle Words & Music by George Harrison oe iH hm aa He feel | e7 je I Nc. ev Cream tangerine and montelimar, FE A A ginger sling with a pineapple heart, 6 B A coffee dessert, yes, you know it’s good news: Em Emaug Em5 But you'll have to have them all pulled out Emaug CG After the Savoy truffle. | er | er I Ne. e Cool cherry cream, nice apple tart Ft A feel your taste all the time we're apart, a 8 Coconut fudge really blows down those blues: Em Emaug Emé But you'll have to have them all pulled out Emaug C G After the Savoy truffle. © Copyright 1968 Harsongs Limited Al Rights Reserved, International Copyright SecuredBridge 1 Solo Chorus 3 Bridge 2 Verse 3 Chorus 4 Pt Em A ‘You might not feel it now, Asust A But when the pain cuts through, G B You're going to know, and how. Em ry ‘The sweat is gonna fill your head, Asus* A G B ‘When it becomes too much, you'll shout aloud. .. fer le ler ler |re |r | la ta le ‘te Ise |e |i Em Emaug Ems But you'll have to have them all pulled out Emaug CG After the Savoy truffle, Em A ‘You know that what you eat you are, Asus! A GB But what is sweet now, tums so sour. Em A We all know Ob-la-di-bla-da, Asust A GB But can you show me where you are? 7 Cream tangerine and montelimar, Fa A A ginger sling with a pineapple heart, « B A coffee dessert, yes, you know it’s good news: Em Emaug Ems But you'll have to have them all pulled out Emaug CG After the Savoy truffle. Em Emaug Ems But you'll have to have them all pulled out Emaug CG After the Savoy truffle. 281Intro Verse 1 Verse 2 Bridge 1 282 Sexy Sadie Words & Music by John Lennon & Panl McCartney HE Oe Sh ge Gp Bm am? my maya ie GE Re EE ser ae ce po la Fe |r mo |i G Fe7 Bm Sexy Sadie, what have you done? c D Gori You made a fool of everyone, —__ Cc D G FHT You made a fool of everyone, —__ - Do G Sexy Sadie, oh, what have you done? Ga Ft7 Bm Sexy Sadie, you broke the rules. Cc D G FaT ‘You laid it down for all to see, D G Fi7 You laid it down for all to see. F bo GS Sexy Sadie, oh, you broke the rules. G Am? Bm? Cmaj7 One sunny day the world was waiting for a lover, G Am? Bm7 Cc She came along to turn on everyone. AT AMT G Sexy Sadie, the greatest of them all. (© Copyright 1968 Northern Songs. All Rigs Reserved. Intemational Copyright Secured.GFF? Bm yerse 3 Sexy Sadie, how did you know? Cc D G Fey \ ‘The world was waiting just for you, Cc D G Fer | ‘The world was waiting just for you, —__ F ov G Sexy Sadie, oh, how did you know? Go FAT Bm | verse 4 Sexy Sadie, you'll get yours yet, | c Do GF { However big you think you are, Cc D G FH? However big you think you are, 1 F ov GS Sexy Sadie, oh you'll get yours yet. i G Am? Bm? maj? | Bridge 2 We gave her everything we owned just to sit at her table. | G Am7 Bm7 C | Just a smile would lighten everything. ar ay G Fa Sexy Sadie, she’s the latest and the greatest of them all. Coda km [ce o |e Fr | Ooh, le D lo Fe ‘She made a fool of everyone, How ever big you think you are, lr oy |G Ft | Repeat to fade Sexy Sadie. Sexy Sadie. 283Sgt. Pepper's Lonely Hearts Club Band Words & Music by John Lennon & Paul McCartney ar cr G7 Fr bv G Bb ee Gh A oF Intro | az ay ler | er I Gr AT Verse 1 Tt was twenty years ago today, c qa Sergeant Pepper taught the band to play. av They've been going in and out of style, 7 or But they're guaranteed to raise a smile. ar So may I introduce to you o ‘The act you've known for all these years: a cr ar Sergeant Pepper’s Lonely Hearts Club Band. Link lero le jer lpr fr « a cr 6 Chorus We're Sergeant Pepper's Lonely Hearts Club Band, co 7 We hope you will enjoy the show. G BP cr G Sergeant Pepper's Lonely Hearts Club Band, ar v7 Sit back and let the evening go. c qr Sergeant Pepper's Lonely, Sergeant Pepper’s Lonely, Ay c G7 ‘Sergeant Pepper's Lonely Hearts Club Band, (© Copyright 1967 Northern Sones AIL Rigs Reserved. International Copyright Secured 284Bridge Verse 2 Coda Pe c It’s wonderful to be here, Fv Its certainly a thrill, c7 You're such a lovely audience, o7 ‘We'd like to take you home with us, We'd love to take you home. @ ar I don’t really want to stop the show, cr G7 But I thought you might like to know, Ar ‘That the singer’s going to sing a song, cr a And he wants you all to sing along. ar So let me introduce to you cr ‘The one and only Billy Shears, G7 cr a And Sergeant Pepper’s Lonely Hearts Club Band, yeah! le le ! 285Sgt. Pepper's Lonely Hearts Intro Verse 1 Verse 2 Coda 286 FE D oe He fh He Ee ae Club Band (Reprise) Words & Music by John Lennon & Paul MeCartney Ab Bb G c | Drums tor 4 bars || F le le le l F a B F We're Sergeant Pepper’s Lonely Hearts Club Band, BE F ‘We hope you have enjoyed the show. AY Bb F Sergeant Pepper's Lonely Hearts Club Band, G c We're sorry, but it’s time to go. B F ‘Sergeant Pepper’s Lonely, Sergeant Pepper's Lonely, e D ‘Sergeant Pepper’s Lonely, Sergeant Pepper’s Lonely. G BS c G Sergeant Pepper's Lonely Hearts Club Band, c G We'd like to thank you once again. G B c 6 Sergeant Pepper's one and only Lonely Hearts Club Band, A D It’s getting very near the end c G Sergeant Pepper’s Lonely, Sergeant Pepper’s Lonely, A c G Sergeant Pepper's Lonely Hearts Club Band. |B le le 1 © Copyright 1967 Northern Songs. Al Rights Reserved, Itermational Copyright SecuredSun King Words & Music by John Lennon & Paul McCartney & Be Es FIG c maj? —_ toe ode Tas He ay EE Gm7 F Em7 cr Es rere ae fh EET He HR Intro le le le le I} rimz | rém7 ps | es E A Play 3 times FIG Ah, ____ © Cmaj7 Gm7 Az Chorus Here come the Sun King, © Cmaj7_ Gm? Az Here come the Sun King, F pb? Everybody's laughing, F D7 Everybody's happy, c Em7 c7 oF Here come the Sun King, Fim? Bs Es E Verse 1 Quando paramucho mi amore defelice carafon, Fim? Bs ES E Mundo paparazzi mi amore chicka ferdy parasol, Fim? Bs ES ES Cuesto obrigado tanta mucho que can eat it carousel © Copysigh 1969 Northem Songs Al Rights Reserved Intemational Copyright Secured 287She Came In Through The Bathroom Window Words & Music by John Lennon & Paul McCarey A D Dsust Fim a c real st A D_ Dsust D Verse 1 She came in through the bathroom window, A Fm D Dsus4 D Protected by a silver spoon. A Fim D _Dsusé But now she sucks her thumb and wonders D By the banks of her own lagoon A Dm Bridge 1 Didn’t anybody tell her? A Dm Didn't anybody see? __ Gr Cc GB Am? Sunday's on the phone to Monday, a coo; “Tuesday's on the phone to me. w D Dsus# D Verse 2 She said she'd always been a dancer, A Fém D Dsus* D She worked at fifteen clubs a day, A Fém D Dsus4 And though she thought I knew the answer, D Well, I knew what I could not say. (© Copyright 1969 Northern Songs All Rights Reserved, International Copyright Secnred 288Verse 3 Bridge 2 A D Dsus D And so I quit the police department, A FKm D Dsus+ D And got myself a steady job. A Fém D Dsus+ And though she tried her best to help me, D She could steal, but she could not rob. A Dm Didn't anybody tell her? A Dm Didn’t anybody see? qr Cc GIB Am™ Sunday’s on the phone to Monday, ar c ‘Tuesday's on the phone to me, A Oh yeah. 289Intro Verse I Verse 2 290 She Loves You Words & Music by John Lennon & Paul McCartney Em AT c G Em? a OEE ny ooh OF fe Bm D cm D7 Gs em She loves you, yeah, yeah, yeah, 7 She loves you, yeah, yeah, yeah, c G She loves you, yeah, yeah, yeah, yeah. «@ Em? You think you lost your love, Bm D Well I saw her yesterday — yi — yay. G Em? It’s you she’s thinking of, Bm D And she told me what to say — yi — yay. G Em She says she loves you, and you know that can’t be bad, cm D Yes, she loves you, and you know you should be glad. G Em7 She said you hurt her so, Bm D She almost lost her mind, G Em? But now she says she knows, Bm D You're not the hurting kind. G Em She says she loves you, and you know that can’t be bad, cm D Yes, she loves you, and you know you should be glad. Ooh. {© Copyright 1963 Northern Songs. AUD Rights Reserved. ternational Copysieht Seoured,Chorus 1 Verse 3 Chorus 2 Em She loves you, yeah, yeah, yeah, av She loves you, yeah, yeah, yeah. cm With a love like that, ov G You know you should be glad. S Em7 You know it’s up to you, Bm D I think it’s only fair. G Em7 Pride can hurt you 100, Bm D Apologise to her. s Em Because she loves you, and you know that can’t be bad, cm D Yes, she loves you, and you know you should be glad. Ooh. Em She loves you, yeah, yeah, yeah, Ay She loves you, yeah, yeah, yeah. cm With a love like that, o G Em ‘You know you should be glad. cm Ne. ‘With a love like that, D G Em You know you should be glad. cm Ne. With a love like that, or G You know you should be glad. Em Yeah, yeah, yeah, c Ge Yeah, yeah, yeah, yeah. 291Intro Verse 1 Verse 2 Bridge 1 292 She Said She Said Words & Music by John Lennon & Paul McCartney G D Em a Capo first fret | ar ar i Ay GD She said, ay G Dp “I know what it’s like to be dead. AT OG I know what it is to be sad.” ar G D ay And she’s making me feel like I've never been born, jar a@ |p aw | aT GoD Isaid, ar GD “Who put all those things in your head? ar G oD Things that make me feel that I'm mad, ar G D av And you're making me feel like I’ve never been born.” lar o@ |p av | ar G ar She said, “You don’t understand what I said.” G ar Isaid, “No, no, no, you're wrong, Em A? When I was a boy DoW D Everything was right, everything was right” {© Copyright 1966 Nonbern Songs. A Rights Reserved. International Copyright SecuredVerse 3 | | Bridge 2 Verse 4 Coda a GoD I said, —____ AT G D “Even though you know what you know, Ay G D I know that I’m ready to leave, AT G D AT *Cause you're making me feel like I've never been born.” jar a |p av | ar G ar She said, “You don’t understand what I said.” _ ar Tsaid, “No, no, no, you're wrong, Em AT When I was a boy DA D Everything was right, everything was right.” a) Tsaid, a a) “Bven though you know what you know, rn) know that I'm ready to leave, ar G D a “Cause you're making me feel like I've never been born.” jar a |p av || az She said, (she said,) “[ know what it’s like to be dead,” (1. know what it's like to be dead,) “T know what it is to be sad,” (Lknow what itis to be sad,) “[ know what it’s like to be dead.” Fade out 2937 She's A Woman Words & Music by John Lennon & Paul McCartney ov av Ev cim Fe D E me gate Ga fr ae Tr Intro Verse I Verse 2 294 er ler |or |or lar lar lar jar | ar or ar My love don’t give me presents, ov Ay Tknow that she’s no peasant, 07 Only ever has to give me love forever and forever. ar or nN My love don’t give me presents, E7 Turn me on when I get lonely, 7 ar People tell me that she’s only foolin’, ov AT EP Iknow she isn’t. av o7 ar She don’t give boys the eye, o7 Av She hate to see me cry, o She is happy just to“hear me say that J will never leave her, Av D7 Ar She don’t give boys the eye, Ev She will never make me jealous, o7 aT Give me all her time as well as lovin’, br AT Don’t ask me why. (© Copyright 1964 Norther Songs AL Rights Reserved. International Copyngh Seeured,Bridge 1 Verse 4 Coda cim Fe She's a woman who understands, cim Dog She's a woman who loves her man, As Verse 1 far far lar lar lor lor | lar lar ler lor lar ler |) ctm Fe She’s a woman who understands, cm DoE She’s a woman who loves her man. ar pb ar My love don’t give me presents, o7 AT {know that she’s no peasant, or Only ever has to give me love forever and forever. ar o7 ar My love don’t give me presents, = ‘Turn me on when I get lonely, br ar People tell me that she’s only foolin’, ov AT I know she isn’t. ar She’s a woman, she’s a woman, D7 ar She’s a woman, she’s a woman... Fade out 295Intro Verse 1 Verse 2 Chorus 1 296 She's Leaving Home Words & Music by John Lennon & Paul McCartney Ee Bm Fem? cém7 SE ay ae FY? Bisust BB Bmp A 7 i iar ie le le je le | E Bm Fém7 cm? Fiz ‘Wednesday moming at five o’clock, as the day begins. Brsus4 B Silently closing her bedroom door, B7sus4 B Leaving the note that she hoped would say more. E Bm Fém7 Clim? Fez She goes downstairs to the kitchen clutching her handkerchief. B7sus4 B Quietly tuning the back door key, Brsus4 B Stepping outside she is free, E She (We gave her most of our lives) Js leaving (Sacrificed most of our lives) Bm/D (C#m7) Home. (We gave her everything money could buy.) Cim7 Fe She’s leaving home after living alone (Bye, bye) cém7 Fi For so many years. (© Copyright 1967 Nosthem Songs. AD Rights Reserved. Intermtional Copyright SecuredVerse 3 Verse 4 Chorus 2 | Verse 5 Chorus 3 E 8m Fim7 cém7 Fer Father snores as his wife gets into her dressing gown. Brsus4 B Picks up the letter that’s lying there. Brsus4 B Standing alone at the top of the stairs. E Bm Fim She breaks down and cries to her busband, cim7 Far “Daddy, our baby's gone!” B’sus4 B “Why would she treat us so thoughtlessly? B7sus* B How could she do this to me?” E ‘She (We never thought of ourselves) Is leaving (Never a thought for ourselves) Bm/D (ckm7) Home. (We've struggled hard all our lives to get by.) cém7 Fe She’s leaving home after living alone (Bye, bye) cém7 Fi7 For so many years. E Bm Fim? cim7 FT Friday morning at nine o'clock, she is far away. Brsust B Waiting to keep the appointment she made, BYsus4 B Meeting a man from the motor trade. — She (What did we do that was wrong?) Is having (We didn’t know it was wrong) Bm (C#m?) Fun, (Fun is the one thing that money can’t buy) cém7 Far Something inside that was always denied (Bye, bye) C#m Fiv For so many years. cmt Fa7 She’s leaving home. A £ (Bye, bye.) 297Something ‘Words & Music by George Harrison F EB GD c cmaj7 cr RE HE Arm Alona) Am? i i De A ChmiG? — Fém7 NE ° “aay GEA GR TR FRB Intro F eG || c cmayr Verse 1 Something in the way she moves cr F FE Attracts me like no other lover. or G ‘Something in the way she woos me. Am ‘Amimaj?) T don’t want to leave her now, Am? be You know I believe, and how. |F eben | c cmaj7 Verse 2 Somewhere in her smile she knows cr F Fre ‘That I don’t need no other lover. or G Something in her style that shows me. Am: ‘Am(maj?) I don’t want to leave her now, Am? De You know I believe, and how. lr Bomla ll © Copyright 1969 Harisones Limited, Al Rights Reserved, Inereatonal Copyright Secured. 298,Bridge Solo Verse 3 Coda A cémigt Fim? AE You're asking me will my love grow, DG A I don’t know, I don’t know. A cémiat Fim? AE ‘You stick around now, it may show, Do oG c I don’t know, I don’t know. lo lemarler |r relor |e | | Am Amimaj | Am7 oo |F e+ ap || © ‘mal? Something in the way she knows, c F FE And all T have to do is think of her. br e Something in the things she shows me. Am Amimaj?) T don’t want to leave her now, Am? pe ‘You know I believe, and how. |F camila |r ome 1 299Strawberry Fields Forever Intro Chorus 1 Verse 1 Chorus 2 300 ir Words & Music by Join Lennon & Paul McCartney Ee Emaj? Fim De at ee eR te tes os ne TR te it “Sa ae A em ; Fém i om ie oe Capo frst fret le ema |e7 | Fim es | ar | w ‘Let me take you down, Em? Cause I’m going to Strawberry Fields. Fi Nothing is real, D Fir And nothing to get hung about. D A Strawberry Fields forever. & Emaj?__ &7 Living is easy with eyes closed, Fém E D ‘Misunderstanding all you see. Ee a It's getting hard to be someone, Fim But it all works out; D E DA It doesn't matter much to me. As Chorus 1 (© Copyright 1967 Northern Songs AI Rights Reserved, International Copyright Secured,Verse 2 Chorus 3 Verse 3 Chorus 4 Coda e Emaj’_ oe No-one I think is in my tree, Fém E D mean, it must be high or low, 2 A ‘That is, you can’t, you know, tune in, Fém But it's all right. D E DOA ‘That is, I think it’s not too bad. As Chorus 1 E Emaj7 ET Always know, sometimes think it’s me, Fim E > But you know, I know when it’s a dream. E A think a ‘No’, [mean a*Yes’, Fém But it’s all wrong. D E DOA ‘That is, I think I disagree. (a) Let me take you down, Em? *Cause I'm going to Strawberry Fields. ad Nothing is real, D Fa7 And nothing to get hung about, D A Fim Strawberry Fields forever, D a Strawberry Fields forever, D E D Strawberry Fields forever. ka la la A Repeat to fade 301Intro Verse 1 Verse 2 Bridge 302 Taxman Words & Music by George Harrison pris c a7 cr G7 7 “tel oe a taal a 4) | pr | ov I br prés Let me tell you how it will be: 7 p7ie There’s one for you, nineteen for me, pr c *Cause I’m the Taxman, @ bp Yeah, I’m the Taxman, ov brs Should five percent appear too small, ov prto Be thankful I don’t take it all. br c *Cause I’m the Taxman, or o Yeah, I'm the ‘Taxman, __ br (if you drive a car, car,) I'll tax the street, cr (If you try to sit, sit,) T'l tax your seat, bv (if you get 100 cold, cold,) FN tax the heat, cr (if you take a walk, walk,) I'll tax your feet. o7 ‘Taxman! © Copyright 1966 Northern Songs A) Rights Rested, International Copyright Secured,Solo Verse 3 Verse 4 Solo lor | prs ov |r lor lor | prs or || © "Cause I'm the Taxman, ao oy Yeah, I'm the Taxman. ov Don’t ask me what I want it for. pe opr (A-ah Mister Wilson!) If you don’t want to pay some more. prs opr (A-ah Mister Heath!) c *Cause I’m the Taxman, aso? Yeah, 'm the Taxman, br Now my advice for those who die, prea oO (Taxman!) Declare the pennies on your eyes. p79 o7 (Taxman!) c ‘Cause I'm the Taxman, a7 oor Yeah, I'm the Taxman, Fr ‘And you're working for no-one but me. \o7 |r | pats pv | me.) (Taxman!) lor lor jor | pro || Fade out 303Intro Verse t Chorus 1 Verse 2 Chorus 2 Bridge 1 304 Tell Me What You See Words & Music by John Lennon & Paut McCartney G cad Gr or . 1 é eR ei cat 6 ic I G cadd D 6 Ifyou let me take your heart, cad? G Iwill prove to you, cade DG We will never be apart cad? DG If P'm part of you. Cade? 6 cadde 6 Open up your eyes now, tell me what you see, cadd?G Cad? DG It is no surprise now, what you see is me. G cad? D 6 Big and black the clouds may be, Go Cadd9 G Time will pass away, Cadd9 D G If you put your trust in me, Caddo Do G Pl make bright your day, Cadd9 G Cadds G Look into these eyes now, tell me what you see, Caddo G Caddo D G Don’t you realise now, what you see is me? G7 Cc Tell me what you see. © Copyright 1965 Nonthera Songs. AIDRighss Rested, Inleratonal Copyright Secured,Verse 3 Chorus 3 Bridge 2 Verse 4 Chorus 4 GS Cadd? D G Listen to me one more time, Cadds G How can I get through? Cadd9 D G Can’t you try to see that ’m Cada —D G Trying to get to you? Cadao G Caddo 6 Open up your eyes now, tell me what you see, Caddo G Cad? DG Itis no surprise now, what you see is me. or c ‘Tell me what you see. le |p Je le | @ cadd? 0 6 Listen to me one more time, cad G How can I get through? Cadd? DG Can’t you try to see that I’m c D6 ‘Trying to get to you? Cadd9 G Caddo GS Open up your eyes now, tell me what you see, cada G cas DG tis no surprise now, what you see is me. Gi Cc a Mmm-mmm-mmm-mmm-nmm, 305Intro Chorus 1 Verse 1 Chorus 2 306 Tell Me Why ‘Words & Music by Jobn Lennon & Paul MeCartney om wt a7 BIT Asust AG Em7 A hal a ttt lem a lem a lem a |i Em7 A D Tell me why you cried, Em? A D Em7 And why you lied to me. A D Tell me why you cried, Em? A D Em7 A And why you lied to me. D Bm Well I gave you everything Thad, Em av But you left me sitting on my own, D Bm Did you have to treat me ob so bad? Em AT AILI do is hang my head and moan, A Dd Tell me why you cried, Em? A D Em7 And why you lied to me. A D Tell me why you cried, Em7 A D Em’ A And why you lied to me, ‘© Copyright 1964 Northern Songs. All Rights Reserved, International Copyright Secured.Verse 2 | Chorus 3 Bridge Chorus 4 D Bm Ifit’s something that I’ve said or done, Em Ar Tell ane what and I'l apologise. D Bm If you don’t, I really can’t go on, Em ar Holding back these tears in my eyes. D Tell me why you cried, Em7 AD Em? And why you lied to me. A D Tell me why you eried, Em? A Do And why you lied to me. @ Well I beg you on my bended knees, ru If you'll only listen to my pleas, 8m Is there anything I can do? Em? *Cause I really can’t stand it, ay D I'm so in love with you. N.C. D Tell me why you cried, Em? A D Emr And why you lied to me. A D Tell me why you cried, Em? A Bm BIT Asust As D And why you lied to me 307Intro Verse 1 Chorus 1 Verse 2 Chorus 2 308 Thank You Girl Words & Music by John Lennon & Paul McCartney av G dD Bm ifm Fl fe: | az le AT OG Oh, ob, D G D G You've —_ been good to me, oD AT D G ‘You made me glad when I was blue. DG DG And — eternally, D AT dD Til always be in love with you, G Ay OG And all I gotta do is thank you girl, av ‘Thank you girl. dG D G 1 could tell the world — D aT dp Ga A thing or two about our love. oG DG T__ know little girl, D AT D Only a fool____ would doubt our love, G AT OG And all I gotta do is thank you girl, av Thank you girl. (© Copyrigt 1963 Nonhern Songs. A Rights Reserved, Interostional Copyright Secured Em| Bridge Chorus 3 Link Verse 3 Chorus 4 Bm D Av Thank you girl for loving me the way that you do, (Way that you do,) Em AT D ‘That's the kind of love that is too good to be true, G Ay OG And all 1 gotta do is thank you girl, Ay Thank you girl. | ar le I a G Oh, oh, DG Doo You've been good to me, Dd ar D G You made me glad when I was blue. dp G DG ‘And — eternally, Da D I'll always be __ in love with you, G 7G And all I gotta do is thank you girl, ar ‘Thank you girl. | a \e a7 G@ DGDG Qh, oh, oh! a’ G DGDG Oh, oh, oh! av GD Oh, oh!That Means A Lot Words & Music by John Lennon & Paul McCartney E Am Fem? a7 att fr aS A B Gt cém — c#m(maj?) fat fea “GR ie Intro le le I E Am 4 Verse 1 | friend says that your love won't mean @ lot, Am Fém7 B7 But you know that your love is all you've got. G Am G Fim? B7 At times, things are so fine, and at times they're not, g A But when she says she loves you, B That means a lot le E l (lot.) E Am E Verse 2 A friend says that a love is never true, Am Fim? 87 But you know that does not apply to you. G Am G Fim7 B7 A touch can mean so much when it’s all you've got E A And when she says she loves you, 8 That means a lot. le le \ (lot.) (Love can.) {© Copyright 1965 Nonhem Sones. ‘All Rights Reserved Inirmational Copyright Secure. 310E Gi Cim Bridge Love canbe, deep inside, E Gt Cim Love can be, suicide, cémimaj) E B7 Can't you see you can't hide chm Gt What you feel when it’s real? E Am E Verse 3 A friend says that your love won't mean a lot, Am Fém? 87 But you know that your love is all you've got. 6 Am G Fim? 87 ‘A touch can mean so much when it’s all you’ve got, E A But when she says she loves you, B E ‘That means a lot. Ctm — Cémimaj) E cém Coda Can't you see, yeah, Cémimaj?) E Cém FE cant you see, yeah. BuhThe Ballad Of John And Yoko Intro Verse 1 Chorus 1 Verse 2 312 Words & Music by Jlnn Lennon & Paul McCartney e A sr es nar ih San +t HE + Tee le le Standing in the dock at Southampton, ‘Trying to get to Holland or France. e ‘The man in the mac said, “You've got to go back.” ‘You know they didn’t give us a chance, Christ! You know it ain't easy, You know how hard it ean be. The way things are going, “They're gonna crucify me. E Finally made the plane into Paris, Honeymooning down by the Seine. Ev Peter Brown called to “You can make it OK, ‘You can get married in Gibraltar, near Spain.” {© Copyright 1969 Noster Sons. AM Rights Reserved, International Copyright SecuredChorus 2 Verse 3 Chorus 3 Bridge Verse 4 ‘As Chorus 1 E Drove from Paris to the Amsterdam Hilton, ‘Talking in our beds for a week. E7 ‘The newspeople said, “Say what you doing in bed?” I said, “We're only trying to get us some peace.” As Chorus 1 A Saving up your money for a rainy day, Giving alJ your clothes to charity. Last night the wife said, “Oh boy when you're dead, 87 ‘You don’t take nothing with you but your soul.” Think! E Made a lightning trip to Vienna, Eating chocolate cake in a bag. 7 ‘The newspapers said, “She’s gone to his head, They look just like two gurus in drag.” A Christ! You know it ain’t easy, E You know how hard it can be. e7 The way things are going, 313Verse 5 Chorus 5 Coda 314. E Caught the early plane back to London, Fifty acorns tied in a sack. Er ‘The men from the press said, “We wish you success, It’s good to have the both of you back.” A Christ! You know it ain’t easy, E ‘You know how hard it can be. B7 ‘The way things are going, E They're gonna crucify me. 87 The way things are going, E ‘They're gonna crucify me. jer |e le le |The End Words & Music by John Lennon & Paul McCartney Intro Link Verse 1 Solo Piano link Coda D 8 E 87 ar opr 2 Gea Sel Gi ce pe 80cm ; aed a HE Ge EE alo ple ala. aerle7 ane. Drums || AD BE Oh yeah! AM right! A Ce Ate you gonna be in my dreams tonight? | Drumstorsbars la7 jor far | or ar oOo? Love you, love you, Jove you, love you, ar or Love you, love you. Play 3 times kar [or lar for fa fr (Love you, love you, love you, love you, love you, love you.) la A I A ‘And in the end, GIA The love you take F Dm7 G7 Cc Is equal to the love you make, Dic Cm7 FIC C Ah. © Copyright 1969 Noster Sones Al Rights Reserved, Intemational Copyright Secure. 31s.Intro Chorus 1 Verse 1 Chorus 2 316 The Continuing Story Of Bungalow Bill Words & Music by John Lennon & Paul McCartney G Fm a7 if gh fe ET = Emadds | (Emadds) | (Emadd® | (Emadd) ca c Hey, Bungalow Bill, Fm c What did you kill, Fm 6 Bungalow Bill? AE A Hey, Bungalow Bill, Dm A What did you kill, Dm E Bungalow Bi 5 Am Amc F 6 ‘He went out tiger hunting, with his elephant and gun. Am Amic F G In case of accidents, he always took his mom. E 6 Am Fm He’s the all-American, bullet-headed, saxon mother’s son. Nc. (All the children sing!) ‘As Chorus 1 (© Copyright 1968 Nontbera Songs. All Rights Reserve. Intemational Copyripht Securesverse 2 Chorus 3 Verse 3 Chorus 4 Am Am/C F G Deep in the jungle, where the mighty tiger lies, fm AmiC F GS Bill and his elephants were taken by surprise. E G Am Fm So Captain Marvel zapped him right between the eyes, NA (All the children sing!) c G c Hey, Bungalow Bill, Fin c What did you kill, Fm G Bungalow Bill? A E Hey, Bungalow Dm A What did you kill, Dm E Bungalow Bill? Am Amic F G ‘The children asked him if to kill was not a sin: Am Amic F G “Not when he looks so fierce,” his mommy butted in. & a am Fm If looks could kill, it would have been us instead of him. NC. (All the children sing!) Ik As Chorus 1 Repeat to fade 317Intro Verse I Chorus 1 Verse 2 318 The Fool On The Hill Words & Music by John Lennon & Paul McCariney | ps | ps I DS EmiD Day after day, alone on a hill, D6 Em/D ‘The man with the foolish grin is keeping perfectly still. Em7 ay But nobody wants to know him, ad Bm7 They can see that he’s just a fool. Em7 AT ‘And he never gives an answer; Dm Dmaug Dm But the fool on the hill Dmaug Sees the sun going down, cz ‘And the eyes in his head Dm Dm7 Dé See the world spinning round. De Emp Well on the way, his head in a cloud, Ds Em/D ‘The man of a thousand Voices talking perfectly loud. Em? aa But nobody ever hears him, Ds Bm? Or the sound he appears to make. Em? Ar And he never seems to notice; © Copyright 1967 Northern Songs A) Righs Reserved Interationsl Copyright Seewed.Chorus 2 » Solo Verse 3 Chorus 3 Verse 4 Chorus 4 As Chorus 1 kos [ps | emo | emo Em? AT And nobody seems to like him, De Bm? ‘They can tell what he wants to do. Em7 AT And he never shows his feelings; Dm Dmaug Dm But the fool on the hill Dmaug Sees the sun going down, c And the eyes in his head Dm Dm7 See the world spinning round. De Em/D (On, oh, De Em/D "Round, ‘round, “round, ‘round, *round.) Em? ar And he never listens to them, Ds Bm7 He knows that they're the fool. Em? ar ‘They don’t like him; Dm Dmaug Dm The fool on the hill Dmaug Sees the sun going down, or And the eyes in his head Dm Dm? See the world spinning round. De FO on, Em7/D ’Round, ‘round, ‘round, *Round, and...) ‘Repeat to fade 319Intro Verse 1 Chorus 1 Verse 2 320 The Inner Light Words & Music by George Harrison ps D or Gm ~~ Emp Em. Capo frst fret kos lo» [oa lon |os > po a Without going out of my door, D pb? En/D can know all things on earth. D D7 Em Without looking out of my window, D aD can know the ways of heaven, GID D The farther one travels, v7 The less one knows, > oo oD ‘The less one really knows. fos | ps bs | ps Ds D o7 Em/D Without going out of your door, D bv GID ‘You can know all things on earth, Do or Em Without looking out of your window, D o7 GD You can know the ways of heaven. (© Copyright 1968 Northern Songs. Al Rights Reseed. International Copyright SeouedChorus 2 Verse 3 Coda po oo D ‘The farther onc travels, o ‘The less one knows, D GID DB ‘The less one really knows. D jo |b Arrive without travelling D See all without looking, Do all without doing. Io |p |@ [os |@s los | 321The Long And Winding Road Words & Music by John Lennon & Paul McCartney wom gia fm “ae 8 on ors By we aa Capo first fret Bm GIA Verse I ‘The long and winding road, D o7 G That leads to your door Fim Bm Will never disappear. Em Ay cio T've seen that road before: G Fim Bm It always leads me here, Em AT A7sust D Lead me to your door. Bm GIA Verse 2 ‘The wild and windy night Dow «a ‘That the rain washed away, Fim Bm Has left a pool of tears Em ay cD Crying for the day. Go Ftm Bm ‘Why leave me standing here? Em A? Avsust D Let me know the way. (© Copyright 1970 Norton Songs. All Rights Reserved. lverstional Copyight Seoured 322Bridge 1 Verse 3 Bridge 2 Verse 4 DIA G Many times I’ve been alone, DF Em Av And many times I’ve cried. DIA SG Anyway, you'll never know Dirt Em av ‘The many ways I've tried, Bm GIA And still they lead me back oD a To the long winding road. Fim Bm ‘You left me standing here Em AT co A long, long time ago. G Fem Bm Don’t leave me waiting here, Em AT ATsus4 D Lead meto your door Ito @ | ot em ar | Bm GIA But still they lead me back oO ov SG To the long, winding road, Fém Bm You left me standing here Em ar co A long, long time ago. G Fém Bm Don’t keep me waiting here, Em AT D Lead me to your door. GIA oo (Yeah, yeah, yeah, yeah.) 323The Night Before Words & Music by John Lennon & Paul MeCartney D F qr ar c Verse 2 Bridge I 324 D c ‘We said our goodbyes, Gc oA (Ah, the night before,) D c Love was in your eyes, s A (Ah, the night before,) Bm Gms Bm ams Now today I find, you have changed your mind, oD a o Fa Treat me like you did the night before. D Cc Were you telling lies? se A (Ah, the night before.) D c Was I so unwise? G A (Ah, the night before.) Bm Gmé Bm Gmé ‘When T held you near, you were so sincere, D or D ‘Treat me like you did the night before. Am ov G@ cGG Last night is the night I will remember you by, Bm & AT When I think of things we did, it makes me wanna ery. (© Copyright 1965 Northern Songs Al Rights Reserve. International Copyright SecuredVerse 3 Solo Verse 4 Bridge 2 Verse 5 D c We said our goodbyes, G A (Ah, the night before,) D Cc Love was in your eyes, G A (Ah, the night before.) Bm Gms Bm Gmé Now today I find, you have changed your mind, D a DFG Treat me like you did the night before, yes... ko c lo la 4 Bm Gmé Bm Gms ‘When I held you near, you Were so sincere, D G7 D Treat me like you did the night before. am 7 G ci G Last night is the night J will remember you by, Bm e7 ar ‘When I think of things we did, it makes me wanna cry. D c Were you telling lies? G A (Ah, the night before.) D c ‘Was I so unwise? Ga a (Ah, the night before.) Bm Gmé Bm Gme When I held you near, you were so sincere, > a D ‘Treat me like you did the night before. F D Like the night before. 325Intro Chorus 1 Verse 1 Chorus 2 326 The Word Words & Music by John Lennon & Paul McCartney prio G7 Asust A tee Pat ie Gsust G E mA |ore | pe || pris Say the word and you'll be free, Say the word and be like me. a Say the word I'm thinking of, p79 Have you heard? The word is love. Asust A Gsust G It’sso fine, it’s sun ~ shine, pris It’s the word love. D Caddo In the beginning, I misunderstood, F G But now I’ve got it, the word is good. prio Spread the word and you'll be free, Spread the word and be like me. Gr Spread the word I'm thinking of, bra Have you heard? The word is love. Asus! A Gsus+ G Isso fine, it’s sun - shine, Drs It’s the word love. ‘© Copyright 1965 Northern Songs. All Rights Reserved, International Copyright SecuredVerse 2 Chorus 3 Verse 3 Chorus 4 Solo Coda D Cadds Everywhere I go I hear it said, G In the good and the bad books that I have read. As Chorus 1 D Cadde Now that I know what I feel must be right, F G I'm here to show everybody the light. pris Give the word a chance to say, ‘That the word is just the way. or It’s the word I'm thinking of, pris And the only word is love, Asus4 A Gsust G I'sso fine, it’'ssun - shine, prs It's the word love !> |case|F [a | pvt | prio prio Say the word love, cr Say the word love, prio Say the word love, Asus* A Gsust G prio Say the word love. |o |eadds|F | Fade out 327There's A Place Words & Music by John Lennon & Paul McCartney A chm 57 Gin Ca ie Mere ag TH! Fim CimiGt FH Ge GR GRE Intro le la le la 5, E> Bi Verse 1 Isaplace where I can go, A E When I feel low, cm B87 When I feel blue, Gém AY And it’s my mind, e aA And there’s no time Fim cimiGt When I'm alone. Verse 2 I E Think of you A E And things you do A E Go round my head, cém Br ‘The things you've said, A B87 Like, ove only you, —_ (© Copyright 1963 Nomeen Songs All Rights Reserved, International Copyright Secured 328| Bridge Verse 3 Coda Ccim Fe In my mind there’s no sorrow, E Giz Don't you know that it’s so? cim Fe There'll be no sad tomorrow, E Gt? ctm Don't you know that it’s so? Nc. There E A E Isaplace where [can go, A E When I feel low, tm Br When I feel blue, Gim at And it’s my mind, E A ‘And there’s no time —__ Fim CtmiGé When I’m alone, NCE OA ‘There's a place, —E A There's a place, eA ‘There’s a place, eA F there's a place. Repeat to fade 329Intro Verse I Verse 2 330 Things We Said Today Words & Music by Jokn Lennon & Paul McCartney Am c c7 F Ea a il oe Be A B7 = Ee me | am Am Am = Em Am Em am ‘You say you will love me if I have to go. Em am Em Am ‘You'll be thinking of me, somehow I will know. c cr ‘Someday when I’m lonely, F B Wishing you weren't so far away, Am Em Am Em am Then I will remember things we said today. Am = Em Am Em Am ‘You say you'll be mine, girl, till the end of time, Em Am Em Am ‘These days, such a kind girl seems so hard to find. c cr Someday when we're dreaming F B ‘Deep in love, not a lot to say, Am Em Am Em A Then we wiil remember things we said today. (© Copyright 1964 Nesthern Sones Al Rights Resse. Intemational Copyright Secured.Bridge 1 Verse 3 Bridge 2 Verse 4 Coda A D ‘Me, I'm just the lucky kind, B7 er A Love to hear you say that love is love, D ‘And though we may be blind, B7 BI Love is here to stay. And that’s: Am Em Am Em Am Enough to make you mine, girl, be the only one. Em Am Em Am Love me all the time, girl, we'll goon and on, c cr Someday when we're dreaming, F Bb Deep in love, not a lot to say, Am Em Am Em A Then we will remember things we said today. As Bridge 1 Am = Em Am Em Am Enough to make you mine, girl, be the only one. Em Am Em Am Love me ail the time, girl, we'll go on and on. c cr Someday when we're dreaming, F Bb Deep in love, not a lot to say, Am Em Am Em ‘Then we will remember things we said to-day. Fam lam [am | Am (day.) Repeat to fade 331a Intro Verse 1 Chorus 1 Verse 2 332 Think For Yourself Words & Music by George Haurison Am Dm Bb c cr Eye! br ta Ep ae at aia & ar | or I Am Dm T've got a word or two B c G7 ‘To say about the things that you do. Am Dm ‘You're telling all those lies B c @ About the good things that we can have Am If we close our eyes, cr Do what you want to do, qr And go where you're going to, Eve! ‘Think for yourself, vv aq "Cause I won't be there with you. Am Dm Left you far behind B c qq ‘The ruins of the life that you have in mind. Am Dm And though you still can’t see, Bb © I know your mind’s made up, G7 Am You're gonna cause more misery. (© Copyright 1965 Northern Songs. All Rights Reserved, Inernational Copyright Secured,Chorus 2 Verse 3 Chorus 3 Chorus 4 cr Do what you want to do, er And go where you're going to, vB! ‘Think for yourself, pb? a7 “Cause I won't be these with you, Am Dm Although your mind’s opaque, Bb c ‘Try thinking more, G7 If just for your own sake. Am om ‘The future still looks good, B c a And you've got time to rectify Am A\ll the things that you should, o Do what you want to do, ar And go where you're going to, Eph ‘Think for yourself, or Gr *Cause I won't be there with you. or Do what you want to do, a And go where you’re going to, Eb/B> ‘Think for yourself, pr cy G7 *Cause T won't be there with you. Eb/B> Think for yourself, p7 cr a7 "Cause I won't be there with you. 333Intro Verse £ Verse 2 3u4 This Boy Words & Music by John Lennon & Paul McCartney Dt Dada D Bm7 ae HY Dmajr fre © mm i's pb Dadd? p* | Bm? | Em? al Dmaj? Bm? Em? That boy —__ A Dmaj? Bm? ‘Took my love away, Em7 A Dmaj7 Bm7 “Though he'll regret it someday, —— Em7 N.C. But this boy A NC D Bm? Em7 A Wants you back again, Dmajy Bm? Em? That boy —_—_ A Dmaj? Bm7 Isn't good for you, Em? A Dmaj? Bmr ‘Though he may want you too, —_— Em7 N.C. This boy A N.C D De ‘Wants you back again, 1© Copyright 1963 Neatbezn Songs. ‘All Rights Reserve. Tnternational Copycght SecuredBridge Verse 3 Coda G Fir ‘Oh, and this boy would be happy, Bm D Tust to love you, but oh my-hi: s eo That boy won't be happy a Nc. Till he’s seen you ery. Dmaj?_ Bm? Em7 ‘This boy A Dmaj?_Bm7 Wouldn’t mind the pain, Em? A Dmaj? Bm7 ‘Would always feel the same, Em? N.C. If this boy A NC. D Bm? Em7 A Gets you back again. Oma’ Bm7 Em? A This boy, Dmaj? Bm7 Em7 A IE This boy, AL Repeat to fade 335Ticket To Ride Words & Music by John Lennon & Paul McCartney A Bm E Fém ov Gmaj7 ev RR I Ee AEE Intro ja ola ala A Verse 1 I think I’m gonna be sad, I think it’s today, yeah! Bm ‘The girl that’s driving me mad is going away. Fém o ‘She’s got a ticket to ride, Fim Gmaj? She's got a ticket to ride, Fim E A She's got a ticket to ride, and she don’t care. A Verse 2 She said that living with me was bringing her down, yeah! Bm E She would never be free when I was around, Fim ov She's got a ticket to ride, Fim Gmaj7 She's got a ticket to ride, Fim e A She's got a ticket to ride, and she don’t care. br Bridge 1 I don’t know why she’s riding so high. 336 She ought to think twice, & She ought to do right by me. br Before she gets to saying goodbye, She ought to think twice, E ‘She ought to do right by me. © Copyright 1965 Northern Songs All RightsReserved. International Copy SecuredVerse 3 Bridge 2 Verse 4 A I think P’'m gonna be sad, I think it’s today, yeah! Bm E The girl that’s driving me mad is going away, yeah! Fém 7 Ah, she’s got a ticket to ride, Fim Gmaj? She’s got a ticket to ride, Fim E a She’s got a ticket to ride, and she don’t care. 7 Tdon’t know why she’s riding so high, She ought to think twice, e @ She ought to do right by me, o7 Before she gets to saying goodbye, ‘She ought to think twice, E She ought to do right by me. A She said that living with me was bringing her down, yeah! Bm = She would never be free when I was around. Fém br She’s got a ticket to ride, Fim maiz She’s got a ticket to ride, Fem E a She's got a ticket to ride, and she don’t care. A |} My baby don't care. 4 Repeat to fade 337Tomorrow Never Knows Words & Music by John Lennon & Paul McCartney Intro jo jo © o | c Verse 1 ‘Tum off your mind, Relax and float downstream, cn c Itis not dying, itis not dying, c Verse 2 Lay down all thought, Surrender to the void, cn c Itis shining, itis shining. Cc Verse 3 That you may see ‘The meaning of within, cu c It is being, it is being. Soto le le ic A Repeat ad lib. c Verse 4 That love is all And love is everyone, cH c Itis knowing, it is knowing, © Copyright 1966 Northam Sougs Al RightsReserved. Ineratonal Copyright Secured, 338Verse 5 Verse 6 Verse 7 c That ignorance and hate May mourn the dead ci c Itis believing, itis believing. c But listen to the Colour of your dreams, cn c Tris not living, itis not living c Or play the game existence to the end cH Cc Of the beginning, of the beginning, cw Cc Of the beginning, of the beginning, cH c Of the beginning, of the beginning, cn c Of the beginning. 339Intro Verse Chorus 1 Link Verse 2 340 Two Of Us ‘Words & Music by John Lennon & Paul MeCartney G _& oa Am? oo 1 HB E a ad ies He E jm |@ Ie je | G ‘Two of us riding nowhere, c GB Amz Spending someone’s hard-eamed pay. @ You and me Sunday driving, c G/B Am? So Not arriving on our way back home. Db c G We're on our way home, D c G We're on our way home, c Ga We're going home. lo lo ia le | G ‘Two of us sending postcards, Cc GIB Am? Writing Jetters on my wall. G ‘You and me burning matches, Cc GIB Am? G Lifting latches, on our way back home. {© Copyright 1969 Northern Songs. ‘All Rights Reserved. Intemational Copyright SecuredChorus 2 Bridge 1 Verse 3 Chorus 3 Bridge 2 Verse 4 Chorus 4 Coda D c G We're on our way home, D ce G We're on our way home, c S We're going home. Bb Dm ‘You and I have memories, Gm7 Am o7 Longer than the road that stretches out ahead. G ‘Two of us wearing raincoats, Cc GIB Am7 Standing solo in the sun G ‘You and me chasing paper, Cc GIB Am7 G Getting nowhere on our way back home. D c Gg We're on our way home, D c Gg We're on our way home, c G We're going home. BE Dm ‘You and I have memories, Gm7 Am ov Longer than the road that stretches out ahead. 6 ‘Two of us wearing raincoats, Cc GIB Am? Standing solo in the sun. 6 You and me chasing paper, Cc GIB Am7 Ga Getting nowhere on our way back home. As Chorus 3 l@ |@ ke le |e |e 4 Repeatto fade 341Verse 1 Chorus 1 Verse 2 Chorus 2 342 Words & Music by John Lennon & Paul McCartney Em? Ame = Em 87 AE . gem aa Ge GRE aH cmay A D G Brsust a7 a ie fr? frp f ae SBS aR Capo second fret Em? AE It’s been a long time, Am/E Em B7 Em Now I’m coming back home, Em? AIE T've been away now, Am/E Em B7 Em Oh, how I’ve been alone. Ge Cmaj? Ge Cmaj?_ Ge maj? Wait till I come back to your side, Gs oBy Em We'll forget the tears we cried. Em? AVE But if your heart breaks, Am/E Em B7 Em Don't wait, tum me away, Em? AE And if your heart's strong, Ame Em B7 Em Hold on, I won't delay. GS Cmaj? Gs Cmaj?7_ GS Cmaj7 Wait till I come back to your side, cB? Em We'll forget the tears we cried. © Copyright 1965 Norther Songs All Rights Reserved. Intemational Copyright SecuredBridge 1 Verse 3 Chorus 3 Bridge 2 Verse 4 Chorus 4 Verse 5 a o I feel as though you ought to know a Em ‘That I've been good, as good as I can be. A D And if you do, I'll trust in you, Ss Bisus' B7* And know that you will wait for me. Em? WE It's been a long time, Am/E Em 7 Em Now I'm coming back home, Em? AVE T've been away now, Am/E Em 57 Em Oh, how I’ve been alone. GS mai? Gs maj? G8 Cmaj? Wait till 1 come back to your side, Gs By? Em We'll forget the tears we cried. As Bridge Em? WE But if your heart breaks, Am/E Em 87 Em Don’t wait, turn me away, Em? AE And if your heart’s strong, Am/E Em 87 Em Hold on, Twon’tdelay. As Chorus 3 Em? AE It’s been a long time, Am/E Em B87 Em Now I'm coming back home, Em? A/E Pve been away now, AnmV/E Em 87 Em Oh, how I’ve been alone. 343Verse 1 Chorus 1 Verse 2 Chorus 2 344 We Can Work It Out Words & Music by John Lennon & Paul McCartney D Dsus4 e G A 7 EF a iy Bm BmA Fisust FI = Bm/G —_BmiFt te ge SS 8 El ae D Dsus D Try toseeitmy way, Dsus4 c D Do I have to keep on talking till I can’t go on? Dsus* D ‘While you see it your way, Dsus+ c D Rua the risk of knowing that our love may soon be gone. a D ‘We can work it out, a A ‘We can work it out, Dsust D » chink of what you're Sa). me. Dsus# D You can get it wrong and still you think that i's alight Dsus D Think of what I'm say - ing, __ Dsus4 c D We can work it out and get it straight, or say goodnight. S D We can work it out, cS A We can work it out. ‘© Copyright 1965 Northern Songs. ‘All Rights Resrved. Intemational Copyright SecuredBridge 1 Verse 3 Chorus 3 Bridge 2 Verse 4 Chorus 4 Bm BmA G__ Fé7sust Life is very short, and there’s no time —_ Faz Bm Bm/A Bm/G Bm/F* For fussing and fighting, my friend. Bm BmiA G Fi7sus4 Thave always thought that it’s a crime, —_ Fi7_ Bm Bm/A Bm/G BmiFt So I will ask you once a - gain. D Dsus4 D Try to see itmy — way, Dsus4 c D Only time will tell if I am right or Tam wrong. Dsus4 D While you see it your way, Dsus4 c o ‘There's a chance that we might fall apart before too long. G D We can work it out, S A We can work it out. As Bridge 1 D Dsus‘ D Try to seeitmy way, Dsus4 c D Only time will tell fT am right or I am wrong. Dsust 0 While you see it your way, Dsus? c D ‘There's a chance that we might fall apart before too long. G D We can work it out, 6 A ‘We can work it out. lo |b q 345What Goes On Words & Music by Jobn Lennon, Paul McCartney & Richard Starkey & a7. AT B7sus4 87 Am wy ORB ea & ca Intro lever le \ e Chorus 1 What goes on ___ in your heart? a" What goes on __ in your mind? e7 You are tearing me apart, Ay When you treat __ me so unkind. B7sus+ B7* E What goes on in your mind? Ed Verse 1 ‘The other day T saw you Am AsT walked along the road, 7 But when I saw him with you Am I could feel my future fold B7 ev I's so easy for a girl like you to lie 87 Tell me why. Chorus2 —— AsChorus 1 (© Copyright 1965 Nocher Songs. AIRighs Reserved. Inoratons! Copyigt Secured, 346Verse 2 Solo Verse 3 Chorus 3 Coda Ev ‘met you in the morning, Am Waiting for the tides of time. ev But now the tide is turning, Am Ican see that I was blind. B7 ev It’s so easy for a girl like you to lie B57 ‘Tell me why. ev What goes on ___ in your heart? ler lar e le | ler far fer Ser \ E7 Tused to think of no-one else, Am But you were just the same, = ‘You didn’t even think of me Am ‘As someone with a name a er Did you mean to break my heart and watch me die? B87 Tell me why. As Chorus 1 ler \e E 1 347Intro Verse 1 Verse 2 Bridge 1 348, What You're Doing Words & Music by John Lennon & Paul McCartney D G Bm Em A a t STS a ctr Ht HH ff Drumsfordbars |p |e | d G D 6 Look what you're doing, D 6 I'm feeling blue and lonely, Bm G Would it be too much to ask of you, DG What you're doing to me? D 6 ‘You got me running D s And there’s no fun in it, Bm 6 Why should it be so much to ask of you, D What you're doing to me? c Bm Pe been waiting here for you, e Bm Wondering what you're gonna do, Em And should you need a love that’s true, A It's me. ____ © Copyright 1964 Norther Songs. AI Rights Reserved. International Copyright Secure.Verse 3 Solo Bridge 2 Verse 4 Coda Dd G Please stop your lying, o G You've got me crying, girl, Bm cs Why should it be so much to ask of you, D G What you're doing to me? lo je |b | ar | lpm la |e lo \ G Bm {’ve been waiting here for you, G Bm Wondering what you're gonna do, Em ‘And should you need a love that’s true, A Tes me. D sc Please stop your lying, D G You've got me erying, girl, Bm G Why should it be so much to ask of you, D What you're doing to me? G D What you're doing to me? ao 0 «@ What you're doing to me? D Drums |prums |(a) | | ko lar i) ler Repeat to fade 349)What's The New Mary Jane? Words & Music by John Lennon & Paul McCartney D GB GmBh a7 Gia A Asus? Intro !D @B Gms | a7 | D ce Gms | a7 ll D GIB Gm/B) A7 Verse 1 She looks as an Afri-can queen. D G/B Gm/B> AT She eating twelve chapattis and cream. D GIB Gm/B> AT She taste as Mon - go - lian lamb, D GIB Gm/B> Av She coming from Alde -be - ran, GA A Asus? A Chorus 1 ‘What a shame Mary Jane had a pain at the party. GIA ‘What a shame Mary Jane, A Asus? A ‘What a shame Mary Jane had a pain at the party. D GB Gm/B> Az Verse 2 She like tobe married with Yeti. D GIB G/B) aT He grooving such cookie spagh - etti. D G/B Gm/B) AT She jmping asMexi-can bean, G/B Gm/Bb A7 To make that her body more thin, Chorus2 As Chorus 1 Dd GiB GmiB> ar Verse 3 She catch Patagonian pan - cakes, D G/B Gm/Bb AT With that one and gin party makes, (© Copyright 1968 Nomthem Songs. Alt Rights Reserved. International Copyripn Secured 350cont. Chorus 3 Chorus 4 Instrumental Coda D G/B Gm/B> Az She having always good contacts, D G/B Gm/Bb a7 She making with apple and contract. aa A Asus? A What a shame Mary Jane had a pain at the party. GIA ‘What a shame Mary Jane, A Asus? A What a shame Mary Jane had a pain at the party. (ATI together now!) GIA A Asus? A What a shame Mary Jane had a pain at the party. GTA What a shame, A Asus? A ‘What, what a shame Mary Jane had a pain at the party. CTIA ‘What a shame, what a shame, A ‘What a shame Mary Jane had a pain at the party. GTA What a shame, what a shame, what a shame, A What a shame Mary Jane had a pain at the party. Ad lib. with sound effects. Fa aadae A add? | A Add? A Aadds ‘] Repeat ad lib. D G/B GmyB) Av She looks as an Afri-can queen. D G/B Gm/Bb A7 She taste as Mon - go - lian lamb. Sound effects GA ‘What a shame Mary Jane, A Asus? A What a shame Mary Jane had a pain at the party. (All together now!) Continue as Chorus 3 and fade out to sound effects. 351Chorus 1 Verse 1 Chorus 2 Verse 2 Chorus 3 352 When | Get Home Words & Music by John Lennon & Paul MeCariney ar o7 ar Am “ee "ae RE TE a c a N.C. A? Woh-ah, woh-ah, br ce I got a whole lot of things to tell her am When I get home. cr Fr ‘Come on, out my way, co Fr Cause I’m a-gonna see my baby today, c7 ‘7 a I've got a whole lot of things I've gotta say to her. As Chorus 1 cr Fr Come on if you please, cr Fr T've got no time for triviality, o7 Fr G7 I've got a girl who's waiting home for me tonight. N.C. AT Woh-ab, wob-ab, br or I got a whole lot of things to tell her Am When I get home. (© Copyright 1964 Northern Songs All Rights Reserved. International Copyright Secured,Bridge Verse 3 Chorus 4 cr ‘When I’m getting home tonight, am I'm gonna hold her tight, cr Am I'm gonna love her till the cows come home. F G Tet I'll love her more F G Am & ‘Till 1 walk out that door, again. cr 7 Come on, let me through, cr Fr T’ve got so many things I've got to do, cr fr at T've got no business being here with you this way. ar Woh-ah, woh-ah, b7 aq T got a whole lot of things to tell her ar When T get home, yeah. Db? Gr I got a whole lot of things to tell her c When I get home. 353Intro Verse I Link Bridge 1 354 When I'm Sixty Four Words & Music by John Lennon & Paul MeCariney c Fe G Gr c Hl Te ah eh im Fm A or Am Ev Dm cm ini i i Me i Capo first fret le le |rele le |e | c When I get older, losing my hair, GS Many years from now, Gr Will you still be sending me a valentine, NC. «c Birthday greetings, bottle of wine? c IfT'd been out till quarter to three, rod F Would you lock the door? Fm c A Will you still need me, will you still feed me, b7 Gr cGc ‘When I'm sixty-four? Jam lam |e jam | Am e You'll be older too. Am Dm And if you say the word Fog c 6G Tcould stay with you. ‘© Copyright 1967 Nerthern Songs. ‘All Rahs Reserved. ernsional Copyright Secured.Verse 2 Bridge 2 Verse 3 Coda c Teould be handy, mending a fuse G ‘When your lights have gone. or You can knit a sweater by the fireside, Nc. © Sunday mornings, go for a ride, c Doing the garden, digging the weeds, c7 F Who could ask for more? Fm oC Will you still need me, will you s o7 G7 cac When I’m sixty-four? Am Every summer we can rent a cottage G Am In the Isle of Wight, if it's not (0 dear, = ‘We shall scrimp and save. am Dm Grandchildren on your knee, FOG c G Vera, Chuck and Dave. c Send me a postcard, drop me a line, G Stating point of view. G7 Indicate precisely what you mean to say, No. © Yours sincerely, wasting away. c Give me your answer, fill in a form, cr F Mine for evermore, Fm A Will you still need me, will you still feed me or oe cGe When I'm sixty-four? le |e |r aleee 355While My Guitar Gently Weeps Intro Verse I Bridge 1 Verse 2 356 ‘Words & Music by George Harrison Am Am/G = DS/FF F | am amG | pet | F | | am s D E I Am AMG — DIFF F Took at you all, see the love there that’s sleeping, Am 6 De While my guitar gently weeps. Am AMG = DYFR OF Tlook at the floor, and I see it needs sweeping, Am G c org Still my guitar gently weeps. __ A cm Fim fm Tdon’t know why — nobody told you Bm E How to unfold your love. A cim Fim ctm Idon't know how someone controlled you, Bm. E ‘They bought and sold you. Am AmiG DOA OF Hook at the world and I notice it’s turning, Am G DE While my guitar gently weeps. Am AmiG Dore oF With every mistake, we must surely be learning, Am 6 coe Still my guitar gently weeps. —__ © Copyright 1968 Harrisongs Limite, Al Rights Reserved. Interational Copyright SecuredSolo Bridge 2 Verse 3 Outro am | ame oye | F | lam |6 lo le | Jam | ame | port | F | | am 6 le le ll a ctm Fém cim Tdon’t know how you were diverted, Bm E "You were perverted too. a tm Fim cim Idon’t know how you were inverted, Bm E No-one alerted you. Am An/G DOE F Took at you all, see the love there that’s sleeping, Am a DE ‘While my guitar gently weeps, Am Am/G DFE F Took at you all. Am G c E Still my guitar gently weeps. jam |ame =| nore | F | | am |e |p le | jam |ame [ore | F | jam |6 le le | Fam | ame |ovre | F | | am le le le 4 Repeat to fade 357Why Don't We Do It In The pr ar Intro Drums for 3 bars Ne. o7 Verse 1 Why don’t we do it in the road? Why don’t we do it in the road? Gr Why don’t we do it in the road? br Why don’t we do it in the road? AT No-one will be watching us, aq br Why don’t we do it in the road? Verse 2 As Verse 1 NC, D7 Verse 3 Why don’t we do it in the road? ‘Why don’t we do it in the road? CJ Why don’t we do it in the road? v7 Why don’t we do it in the road? ar G7 No-one will be watching us, NC. ov Why don’t we do it in the road? (© Copyright 1968 Nonthern Songs A Rights Reserve. Intemational Copyright Secured 358Intro Verse 1 Link Verse 2 Link Verse 3 Wild Honey Pie Words & Music by John Lennon & Paul McCartney Gr Fr &7 eb rots i fe tee tes irs or Hal” Ef EE EE | er FP le ez lor |i or Honey Pie, Honey Pic. lar |r Ev ely | pr l| a7 Honey Pie, Honey Pie. ler |r eevip || qr Honey Pie, 7 Honey Pie, or Honey Pie, Fr Honey Pie, Gr Love you, Honey Pie. © Copyright 1968 Noreen Songs ‘Al Rights Reserved. International Copyright Secured, 359With A Little Help From My Friends Words & Music by John Lennon & Paul McCariney c DE Intro Bil- ly Shears. z B Fim7 Verse I What would you think if I sang out of tune, a7 x Would you stand up and walk out on me? B Fém7 Lend me your ears and I'll sing you a song, B7 E And I'll try not to sing out of key. D a — Chorus 1 Oh, I get by with a little hetp from my friends, D a E Mm, I get high with a litle help from my friends, A — B ‘Mm, I'm gonna try with a little help from my friends. — B Fém7 Verse 2 What do I do when my love is away? By E (Does it worry you to be alone?) B Fém? How do I feel by the end of the day? By (Are you sad because you're on your own?) {© Copyright 1967 Neuter Songs. All RightsReserved. Inemational Copyright Secured, 360,Chorus 2 Bridge 1 Verse 3 Chorus 3 Bridge 2 Chorus 4 D rN E No, I get by with a little help from my friends, Db A — Mm, I get high with a little help from my friends, A E Mm, gonna try with a little help from my friends, Ctm7 FF Do you need anybody? E D A I need somebody to love. ci? FF Could it be anybody? E D A I want somebody to love. E B Fém? ‘Would you believe in a love at first sight? 87 E ‘Yes I’m certain that it happens all the time. B Fim? ‘What do you see when you tum out the light? B87 E I can’t tell you, but I know it’s mine. D A E Oh, I get by with a little help from my friends, D A E Mm, get high with a little help from my friends, A a Oh, I'm gonna try with a little help from my friends. As Bridge 1 D A E Oh, I get by with a little help from my friends, oO A E ‘Mm, gonna try with a little help from my friends, A E Oh, I get high with a little help from my friends. D A Yes I get by with a little help from my friends, c DE With a little help from my friends, —_ 361Within You Without You Words & Music by George Harrison cs c Csust hin Gey inte Csus? Capo first fret Intro Fea [es jes lea leo do © Csus¢ C5 C7 Verse 1 We were talk-ing c Csus2 C ‘Csus4 C About the space be - tweenus all, Csus4 C5 C7 And the peo-ple c Csus? C Csus4 C Csust C Who hide themselves be - hinda ——wallofillu - sion, Csus4 Never ~ glimpse the truth, Csust C7 ¢ Csust C Then it’s far too late, when they pass away. —— Cc Csust C5 C7 Verse 2 We were talk-ing Cc ‘Csus2 C Csus4 C About the love we all would share Csusé co C7 When we find it, c Csus? C Csust © Totry ourbestto —holdit there. Csust C ‘Csus¢ cr With our — love, with our love Cc CsustC c7C ‘We could save the world, if they only knew. © Copyright 1967 Nowher Songs AILRights Reserved. Intemational Copyright Secured 362Bridge 1 Solo Verse 3 Link Bridge 2 cs Try to realise it’s all within yourself, c Csust C No-one else can make you change. os And to see you're really only very small, Cc Csus4 C Csus2 ‘And life flows on within you and with - out you fea lies jes lier A Play 8times les |e es | © Csust C7 We were talk-ing © Csus? C Csust C About the love that’s goneso cold Csust © C7 And the — peo-ple Cc Csus2 C Csus4 C Who gain the world and lose their soul, Csus4 C They don’t know, Csust C ‘They can’t see, Csust © C7 © Are you one of them? los Jes los les |os jes |os |i cs When you've seen beyond yourself, . C Csust c ‘Then you may find peace of mind is wait-ing there. cs And the time will come when you see we're all one, © Csust C Csus? And life flows on within you and with - out you. 363Verse 1 Verse 2 Chorus 1 Verse 3 364 Yellow Submarine Words & Music by John Lennon & Paul McCartney c G D Am p7 ap ti d ae = ‘Tune guitar down one semitone D c G In the town where I was born, Em Am C o Lived a man who sailed to sea, G D oc G And he told us of his life, Em Am oC 7 In the land of submarines. G D Cc G So we sailed up to the sun, Em Am c ov Till we found the sea of green, G D c G6 And we lived beneath the waves, Em Am CD In our yellow submarine. s D We alll live in a yellow submarine, Yellow submarine, yellow submarine. We al lve ina yellow submarine, Yellow submarine, yellow submarine @ 0 ca And our friends are all aboard, Em Am Cc b7 Many more of them live next door, G D c ce} D And the band begins to play. © Copyright 1965 Nortern Songs. ALRighs Reserved, Ineratonsl Copyright Secure,Link Chorus 2 Instrumental Verse 4 Chorus 3 le clo el G D We all live in a yellow submarine, 6 Yellow submarine, yellow submarine. D We all live in a yellow submarine, G Yellow submarine, yellow submarine. \o cle emjam clo e| |p cle emjam clo all @ o c G6 AS we live a life of ease, Em Am c oo Every one of us has all we need, a) c a Sky of blue and sea of green, Em Am Cc D7 In our yellow submarine. s D We all live in a yellow submarine, Yellow submarine, yellow submarine {k We all ive in a one submarine, Yellow submarine, Sellow submarine. ‘Repeat to fade 365Yer Blues Words & Music by John Lennon & Paul McCartney ar G B7 A D im ea i fp Verse 1 Verse 2 Bridge 1 Verse 3 366 E ‘Yes, I'm lonely, wanna die, AT E ‘Yes, I'm lonely, wanna die, G IfLain’t dead already, B7 E AE B87 Whoo, girl, you know the reason why, = In the morning, wanna die, AT — Inthe evening, wanna die, G Iflain't dead already, 87 — AEB ‘Whoo, girl, you know the reason why. E NC. My mother was of the sky, DENG. My father was of the earth, D ENC. ButI am of the universe, E7 And you know what it’s worth, ar E P'm lonely, wanna die, G Wlain’t dead already, B7 E AE Bs Whoo, girl, you know the reason why. © Copysiaht 1968 Nontean Songs AL Rigs Reserved. Intemational Copyright Secured.Bridge 2 Verse 4 Verse 5 Solo Verse 6 E NC. ‘The eagle picks my eyes, DENG. ‘The worm, he licks my bones, DE NC. Feel so suicidal, ev Just like Dylan’s Mr. Jones. ar E Lonely, wanna die, G IfTain't dead already, B7 E AE Bs Whoo, girl, you know the reason why. ENG. Black cloud crossed my mind, DE NC, Blue mist from my soul, DE NC. Feel so suicidal, ev Even hate my rock and roll. Ar E ‘Wanna die, yeah, wanna die, G Iflain’t dead already, Br E AE B7 Whoo, girl, you know the reason why. le Je Je le Jar lar | e le le |e lea lesrll e le le je far jar | le le |o Ie |e | E (es, I'm lonely, wanna die, ar E Yes, I’m lonely, wanna die, G Iflain't dead already, B7 EAE Br Girl, you know the reason why.) Fade out 367Yes It is Words & Music by Jobn Lennon & Paull McCariney = FemT BT D ‘CimiGt 2 F th mee ate ae eR fe cim er Bm Fém FR Gt 8% = z sm Ae fie GE Intro le E A Ftm? 7 Verse 1 Tf you wear red tonight, E A oD Br Remember what I said tonight, ctmict a For red is the colour that my baby wore, > Ctm ‘And what's more, it’s true, & Yes itis. E A Fim? B7 Verse 2 Scarlet were the clothes she wore, = A D B87 Everybody knows I’m sure, ChmiG? A Twonld remember all the things we planned, D cim Understand, it’s true, E Ev Yes itis, it’s true, (E7) Yes itis. (© Copyrish 1965 Northern Sones Al Rights Resteved, International Copyright Secure, 368Bridge 1 Verse 3 Bridge 2 Verse 4 Bm E A Fim Tcould be happy with you by my side, Bm E— If I could forget her, cém But it’s my pride, E Yes itis, yes itis, Fi BT Oh yes itis, yeah. E A Fém7 B7 Please don’t wear red tonight, E AD BF This is what I said tonight, CémiG? A For red is the colour that will make me blue, D cém In spite of you, it’s tre, E Yes itis, it’s true, ia Yes itis. As Bridge 1 E A Fém? B7 Please don’t wear red tonight, E A D B7 This is what I said tonight, CtmiG? A For red is the colour that will make me blue, D ctm In spite of you, it’s true, E Gt Yes itis, it’s true,Yesterday Words & Music by John Lennon & Paul McCartney Fém7 87 Em Env/D — Cmaj? br Gore 98 = & F Be Hh Gy A c D c Em/B Ams aR Ey Eat a Intro Verse I Verse 2 Bridge 1 370 ‘Tune guitar down 1 tone co lo | Gs Fém7 Yesterday, 87 Em Em/D All my troubles seemed so far away, maj? D7 @s srt Now it looks as though they're here to stay, Em? A c Gs Oh, Ibe - lieve in yesterday. os Fem? Suddenly, B7 Em Em/D 1’m not half the man [used to be, maj” o7 Gs GSFt ‘There's a shadow hanging over me, Em? A c Go Oh, yesterday came suddenly. Fim7 B7 Em D C* Why she had to go Em/B Amé ov Gs T don’t know, she wouldn't say. Fém7 B7 Em D co 1 said some-thing wrong Em/B Amé Dr GS Now I long for yesterday. © Copyright 1965 Northen Sones. [Al Rights Reserved. Intemational Copyright SecuredVerse 3 Bridge 2 Verse 4 gs Fim? Yesterday, 87 Em Em Love was such an easy game to play, Cmaj7_ 7 Gs Gort Now I need a place to hide away Em7 Ac Gs Oh, Tbe - lieve in yesterday. Fém7 B7 Em D Ct Why she had to go Em/B Amo D7 Gs T don’t know, she wouldn’t say. Fim7 87 Em DO oc I said some-thing wrong Em/B Amé Dr G5 Now [long for yesterday, Gs Fm? Yesterday, B7 Em EmiD Love was such an easy game to play, maj? D7 Gs GSR? ‘Now I need a place to hide away, Em7 A Cc GS Oh, Tbe - lieve in yesterday, G Ay Ct GS Mmm. amYou Can't Do That Words & Music by John Lemon & Paul McCartney Gr cr p7te or B7 “oma el “are fs an fae Em Am Bm D Fr Fer af em ie a Intro @ le \o | ar I a Verse 1 1 got something to say that might cause you pain, If Tcatch you talking to that boy again, cr T’'m gonna let you down Gr And leave you flat, pre Because I told you before, or aor Oh, you can’t do that. ar Verse 2 Well, it’s the second time I’ve caught you talking to him, Do I have to tell you one more time, I think it’s a sin. cr T think [Il let you down, (let you down,) ar And leave you flat. (Gonna let you down and leave you flat.) pris Because I've told you before, C7 G7 Oh, you can't do that, (© Copyright 1964 Norther Songs. AID Rights Reserve. Inesnational Copyright Secured. 372Bridge 1 Verse 3 Solo Bridge 2 Verse 4 B87 Em Everybody's green____ Am Bm Gr ’Cause I’m the one who won your love. By Em But if they'd seen __ Am You talking that way, Bm D ‘They'd laugh in my face. or So please listen to me if you wanna stay mine, I can’t help my feelings, I'll go out of my mind, cr I'm gonna let you down, (let you down,) or And leave you flat. (Gonna let you down and leave you flat.) pre Because I've told you before, o G7 oo” Oh, you can’t do that. \e |e le je le so | jer je |or le |e le il As Bridge 1 a So please listen to me if you wanna stay mine, I can’t help my feelings, I'll go out of my mind, co I'm gonna let you down, (Jet you down.) @ And leave you flat. (Gonna let you down and leave you flat.) prs Because I’ve told you before, cr G7 Fr Fv G7 Oh, you can’t do that. 373You Know My Name (Look Up The Number) Words & Music by John Lennon & Paul McCartney Fim G A Bf Gh i av Dirt ae Ga Flaug oeahel pris pegs Intro |eo |act lo rimla a lo Fin ia a | G Féaug Bm 9 Verse 1 You know my name, look up the number. G D Em? A ‘You know my name, look up the number. D Ffm G A You, you know, you know my name, D Fém G a 3 ‘You, you know, you know my name. NC (spoken) Good evening and welcome to Slaggers, o Featuring Denis O’Bell Em7 And Ringo, Hey, Ringo! D Let’s hear it for Denis! Ha-hay! Em? {Good evening.) G Féaug Bm 9 Verse 2 You know my name, better look up my number. S DoE A ‘You know my name, that’s right, look up my number. (© Copyright 1967 and 1970 Norther Songs. Al Rights Reserved. Intestinal Copyright Secured 374Verse 3 Verse 4 (spoken) Verse 5 D DFA G A You , you know, you know my name, D DFA G A You , you know, you know my name, G Féaug You know my name, ba-ba-ba-ba-ba-ba-ba- Eo Look up my number. 6 D You know my name... hah! Em7 A ‘That’s right, look up my number. oD Em7 Oh, you know, you know, you know my name, D Em7 You know, you know, you know my name, G Huh huh buh buh, Ffaug Bm You know my name, ba-ba-ba-pum, es Look up the number. G D Em A You know my name, look up the number. D Em7 A You, you know, you know my name, baby, D Em7 A ‘You, you know, you know my name, D aT ‘You know, you know my name, D ar ‘You know, you know my name. Ob let’s hear it! NC. Go on, Denis, let’s hear it for Denis O’Bell. D Dire c A You know, you know, you know my name, D DIF G A Youknow, youknow, you know my name, ane. Ffaug N.C. You know my name, look up the number, Bm N.C. E9 N.C, G You know my name, — 100k up the number, D Em? A You know, you know my name, look up the number. 375Verse 6 Outro Sax solo 376 dD DiF* You know my name, 6 A You know my number too, D DIFA ‘You know my number three, G A And you know my number four, D DFA You know my name, G Gidim You know my number too, A ‘You know my name, You know my number, De What’s up with you? Ha! NC. You know my name, ‘That's right. ‘Yeah... |p prt |a a |v or la a | Vocal ad ti, le |rauglem les lao lem la |) p rim|a A |p Fim|a a | Gc |rtuglam les |@o lem la || jo Fimla a |p Fimla a | > Ftm |G Gédim | a7 az poYou'll Be Mine ‘Words & Music by John Lennon & Paul McCartney A Ev ctm av 87 . Bdge i He HO ERY q Capo first fret Intro jan lage | A ctm Fém a Verse 1 When the stars fall at night, you'll be mine, yes I know = opr You'll be mine, until you die, aA You'll be mine. A Cim Fim a Verse 2 And so all the night, you'll be mine, you'll be mine. 7 pb rN And the stars gonna shine, you'll be mine, ar Now. 7 Spoken My darling, when you brought me that toast the other morning, A av I, I looked into your eyes and I could see p7 A National Health eyeball 87 And T loved you like Thave never done, = Thave never done before. A cém Verse 3 Yes, the stars gonna shine Fém A. And you'll be mine, and you'll be mine. e 7 A You'll be mine, and the stars gonna shine. ‘© Copyright 1950 & 1995 MPL. Comennications Limite, 1 Soho Square, London WIV 6BQ. ‘All Rights Reserved. International Copyright Secured 377You Know What To Do Words & Music by George Harrison D A E Bm Bmimaj7) HE Ga Intro \o \o A gE Verse 1 When I see you, I just don’t know what to say, A E like to be with you every hour of the day. Aa £ Chorus 1 Soif you want me, AE Just like I need you, a D You know what to do. A E Verse 2 I watched you walking by, and you looked all alone, A E T hope that you won't mind if I walk you back home. AE Chorus2 And if you want me, AE Just like [need you, A D You know what to do. Bm Bridge 1 Just call on me when you are lonely, Brij?) I'll keep my love for you only. A D T'll call on you if I'm lonely too. (© Copyright 1964 Dick Jemes Music Limited, 47 British Grove, London WS, ‘A Rights Resorved, Intemational Copynahe Secured, 378Verse 3 Chorus 3 Bridge 2 Verse 4 Chorus 4 Coda A E Understand, I'll stay with you every day, A E Make you love me more in every way. AE So if you want me, AE Just like I want you, A DB You know what to do. Bm Just call on me when you are lonely, Bmimaj?) T'll keep my love for you only. A D T'll call on you if I’m lonely too, A e Understand, I'll stay with you every day, a E Make you love me more in every way. AE So if you want me, AE Just like I need you, A D You know what to do. 379Intro Verse 1 Chorus 1 Verse 2 Chorus 2 380 You Like Me Too Much Words & Music by George Harrison BE o Am |e | o7 |e I @ Am Though you've gone away this morning, c a ‘You'll be back again tonight, Am ‘Telling me there'll be no next time Cc Ga If I just don’t treat you right. Bm7 bz ‘You'll never leave me and you know it’s true, 6 c D *Cause you like me too much and Tike you. Am ‘You've tried before to leave me, c qr But you haven't got the nerve, Am ‘To walk out and make me lonely, c Gr Which is all that I deserve. Bm7 7 You'll never leave me and you know it’s true, G ig D *Cause you like me too much and I like you. © Copyright 1965 Norther Songs. AI Rights Reserved, Imeratonal Copyright Secured.Bridge 1 Verse 3 Chorus 3 Solo Bridge 2 Verse 4 Chorus 4 Coda Em? a7 Treally do, Bm7 av And it’s nice when you believe me. Em? Av ov Ifyou leave me: Am T will follow you and bring you c G7 Back where you belong, Am *Cause I couldn’t really stand it, c or I'd admit that I was wrong. Bm? ov Twouldn’t let you leave me, "cause it’s true, G c po” *Cause you like me too much and I like you. le le |e le le le lo |e lor |or | |p | on G c D *Cause you like me too much and I like you. As Bridge 1 Am Iwill follow you c or And bring you back where you belong, Am *Cause I couldn’t really stand it, c a7 Td admit that I was wrong. Bm7 pr I wouldn't let you leave me, ‘cause it's true, G c o Cause you like me too much and I like you, c D me too much and I like you. |e or la 1 381You Never Give Me Your Money Words & Music by John Lennon & Paul McCartney Dm? ar c Fmaj7 Intro Verse 1 Verse 2 382 Jamz | m7 a \c | emer lens exlam lam Am? Dm? ‘You never give me your money, a c You only give me your funny paper, Fmal? Bm7's E7 ‘And in the middle of negot - i - ations Am ‘You break down. ‘Am? pm I never give you my number, Gr c Tonly give you my situation, Fmaj? Bm7bs £7 ‘And in the middle of invest - i - gation Am ciG G I break down, © Copyright 1969 Nonthern Songs. AI RightsReserved. Ineenational Copyright SecuredBridge Link Verse 3 Coda c & Out of college, money spent, Am cr See no future, pay no rent, F G c All the money’s gone, nowhere to go. c ev Any jobber got the sack, Am or Monday morning tu ing back, F G c Yellow lorry slow, nowhere to go. B F c But oh, that magic feeling, nowhere to go! Bt F Cc Oh, that magic feeling, nowhere to go! Nowhere to go! ke |e le A Play 3 times A, ooh, |p7 | eb7 ar | c7 az | 7 cz | Fe Wz | a7 F#7 G7 Gi? || A B One sweet dream, Cc E A Pick up the bags and get in the limousine. Dm GiD Soon we'll be away from here, Am/D GD A Step on the gas and wipe away that tear away, B co GB At One sweet dream came true today, c GB A Came true today, c GB AY Came true today, c GB A Yes it did. co GB ? One two three four, five, six, seven, x All good children go to heaven... Repeat to fade 383Intro Verse I Verse 2 384 You Won't See Me Words & Music by John Lennon & Paul McCartney 87 Dm AT fe Ee EE Ddim DIE e 5 Spread lo a |a I A a oD oA When I call you up, your line’s engaged, 87 DOA Thave had enough, so act your age. AT dD Dm A We have lost the time that was hard to find, 27 And I will lose my mind DA If you won’t see me, (You won't see me,) DOA ‘You won't see me. A Br DOA I don’t know why you should want to hide, By oD A But I can’t get through, my hands are tied. a7 Dm a Lwon’t want to stay, I don’t have much to sa 87 But I can tum away, DA And you won't see me, (You won't see me,) DOA ‘You won't see me. © Copstight 1965 Northern Songs Al Rights Restreed, International Copyright SecwredBridge 1 Verse 3 Bridge 2 Verse 4 Coda Bm Dm* Daim A Time after time, you refuse to even listen, 87 Dre ev Twouldn’t mind if 1 knew what I was missing, A BT D A Though the days are few, they're filled with tears, BoD A And since I lost you, it feels like years, av D oDm A ‘Yes, it seems so long, girl, since you've been gone, 87 And I just can’t go on, DA Tf you won't see me, (You won't see me,) DA ‘You won't see me. As Bridge 1 A 87 o A ‘Though the days are few, they're filled with tears, a op A ‘And since I ost you, it feels like yeurs, a7 =D ODm A ‘Yes, it seems so long, girl, since you've been gone, Br And Tjust can’t go on, DA If you won't see me, (You won't see me,) DA You won't see me, (You won't see me.) ba | er D A Repeat to fade 385You're Going To Lose That Girl Chorus 1 Verse 1 Chorus 2 Verse 2 386 Words & Music by John Lennon & Paul McCartney £ cim Fém a7 Gt me 3 4 & F A i HERE (eE) [rors gonna lose that girl, (tm (Yes, yes, you're gonna lose that girl.) (F?m) (87) { You're gonna lose that girl, (Yes, yes, you're gonna lose that g E Ge If you don’t take her out tonight, Fem She’s gonna change her mind, BY { (She’s gonna change her mind.) E Gi And I will take her out tonight, Fam as Iwill treat her kind. gr (i'm gonna treat her kind.) As Chorus 1 E Ge If you don’t treat her right, my friend, Fém [you gonna find her gone, 7 (You're gonna find her gone,) E Gt *Cause I will treat her right and then Fam (oun be the lonely one. 7 (You're not the only one.) 1© Copyright 1965 Northern Songs. AU) Rights Reserved. ntesnatonal Copyright SecuredChorus 3 Bridge 1 Solo Chorus 4 Bridge 2 Verse 3 Chorus 5 E { You're gonna lose that girl, cém (Yes, yes, you're gonna lose that girl.) Fm 87 {vo "re gonna lose_______ that _ girl, (Yes, yes, you're gonna lose that girl.) Fam D You're gonna lose (yes, yes, you're gonna lose that girl.) c G Pll make a point of taking her away from you, (Watch what you do,) yeah. ° F ‘The way you treat her, what else can I do? ke lat etm ler As Chorus 3 As Bridge 1 As Verse 1 E { You're gonna lose that girl, cém (Yes, yes, you're gonna lose that girl.) Fim B7 { You're gonna lose that girl, (Yes, yes, you're gonna lose that girl.) Fém D A E You're gonna lose _______ that girl 387You've Got To Hide Your Love Away Words & Music by Jolin Lennon & Paul McCartney G — Dsus# Fada? D a Te Dsus Fada? C G Verse 1 SHeretstand, Read in hand, c Fadd? ‘Tum my face to the wall. G _ Deust Fadd? CG i she’s gone Ican’t go on Fadd? CD Feeling two foot sina G Dsus Fadd9C G Verse 2 Evywhere peo - ple stare, Fadd? C Each and ev'ry day, G Deust Fadd? CG Teun see them laugh at me, Fadd? C D DIC DIB DIA ‘And Uhear them say! GS Cc Dsus? D Dsus? D Chorus 1 Hey, you've got to hide your love away. __ s © Dsust D Dsus? D Hey, you've got to hide your love away. (© Copyright 1965 Northern Songs AI Rights Rested. Intertational Copyright Secure, 388Verse 3 Verse 4 Chorus 2 Flute solo s Dsus’ Fadd9 CG Howcanl ev - en try? c Fadd9 Lean never win, G Deus! Fadd9C G Hearing them, see - ing them c Fada? CD In the state I'm in, — Ga Dsust Fadd9C G How could she say t0 me c Fadd? © Love will find a way? a Dsus! Fadd? C G Gather round, all you clowns, © Fadd? © D DIC DIB DIA Let me hear you say: —_—___ G c Dsust D Dsus? D Hey, you've got to hide your love away, G c Deus D Dsus? 9 Hey, you've got to hide your love away. —__ G Dsust Fadd2 c G|C Fade ¢ | GDsust Fad? c G|c Faac|e ff 389Your Mother Should Know Intro Verse £ Verse 2 Link L Words & Music by John Lennon & Paul McCartney Am Fmaj7 ATE Dm @? c , oe 2 na BH ay BEE ay bv ev E Fmaj/G . oe alae fe GE GG lam fam Am Fmaj7 Let’s all get up and dance to a song ATE Din ‘That was a hit before your mother was born. G7 c cB AT Though she was born a long, long time ago, o ‘Your mother should know, a c Your mother should know. = Sing it again. a ray Let’s all get up and dance to a song ATE Dm ‘That was a hit before your mother was born. a c cB AT ‘Though she was born a long, long time ago, or ‘Your mother should know, @ c ‘Your mother should know. le lam | Fmaj7 | Faz |Fmaale |e |i {© Copyright 1967 Northern Song. ‘All Rights Reserve. ntemational Copyright SecuredVerse 3 Link 2 Verse 4 Am Fmaj? Lift up your hearts and sing me a song ATE Dm ‘That was a hit before your mother was born, G7 c ciB OAT ‘Though she was born a long, long time ago, 7 Your mother should know, a c Your mother should know. av bv Your mother should know, a c Your mother should know. Je | am | Fmaj7 | maj? | Fmajza | a Sing it again... Am Fmaj? Da da da da da, da da da da ATE Dm Da da da, da da da da, da da da da. er c crear ‘Though she was born a long, long time ago, o q Your mother should know, (your mother should.) c Ar ‘Your mother should know, ye - eah. ov Gq Your mother should know, (your mother should,) c Ay Your mother should know, ye - cab. o7 a Your mother should know, (your mother should,) c Your mother should know, ye - eah. 391Discography This discography is of all British Beatles recordings in the order of their release. All CDs released! up to publication of this book are also indicated. ‘The singer of each song is shown in brackets. Album and EP titles, and A-sides are shown in bold. 1962 ‘Love Me Do (Paul]/P.S. I Love You (Paul) PARLOPRONE R 4019, PRODUCED: GEORGE MARTIN TRELEASHD: OCTOBER 5195 RE-RELEASED AS PARLOPHONE CDSR #918, NOVEMBER 1988 1963 Please Please Me ( John)/ Ask Me Why (John) PARLOPHONE R188, PRODUCES: GEORGE MARTIN "RELEASED JANUARY (2,196 -RE-RFLEASED AS PARLOPHONE CD3R 4583, NOVEMBER 1988 From Me To You (John and Paul)/ Thank You Girl (John and Paul) TARLOPHIONE R 3015, PRODUCED: GEORGE MARTY y LEASED: APRIL TY (88 RERELEASED 4s PARLOPONE CDAK set NOVEMIBER 1988 ‘Please Please Me’ PARLOPHONE PCS 3042, PRODUCED: GEORGE MARTIN 'RELEASED® APRIL (903 [RE-RELEASED PARLOPHONG CDP? #6422, FEBRUARY 1967 T Saw Her Standing There (Paul)/Misery (John and Paul)/Anna (John)/Chains (George)/Boys (Ringo)/Ask Me Why (John)/Please Please Me (John)/Love Me Do (Paul)/P.S. I Love You Paul}/Baby It’s You (John}/Do You Want To Know A Secret? (George)/A Taste Of Honey (Paul)/There’s A Place (John and Paul)/Twist And Shout (John) She Loves You (John and Paul)/ T'll Get You (John and Paul) RELEASED: AUGUST 28,1968 ASHD AS PARLOPHONE CD52 5053, NOVEDIBER 1088 “The Beatles’ Hits’ PARLOPKIONE GEP got, FRODUCED GEORGE MARTIN From Me To You/Thank You Girl/ Please Please Me/Love Me Do RERE ‘Twist And Shout” PARLOPHONE G2P #882. PRODUCED: GEORGE MARTIN RELEASED. SEFTEMBER 1963, ‘Twist And Shout/A Taste Of Honey/ Do You Want To Know A Secret?/ There's A Place I Want To Hold Your Hand (John and Paul)/‘This Boy (John and Paul) PARLOPHONE k s08s. PRODUCED: GEORGE MARTIN RELEASED. NOVIAIDER 2, 168 IRE-RELEASED AS PARLOPHONE G3R Sit, JANDARY 1988 ‘The Beades No. PARLOPHONE GEP ga, PRODUCED: GEORGE MARTIN RELEASED: NOVEMBER 1963 I Saw Her Standing There/Misery/ Anna/Chains ‘With The Beatles’ PARLOPHONE PCS 2015. PRODUCED. GEORGE MARTIN, RE-RELUASED AS PARLOPHONE CDP? 46436 2, FEBRUARY 1987 It Won’t Be Long (John)/All Pvc Got To Do (John}/All My Loving (Paul)/Don’t Bother Me (George)/Little Child (Joln)/Till There Was You (Paul)/Please Mr Postman (John)/ Roll Over Beethoven (George)/Hold Me Tight (Paul)/You Really Got A Hold On Me (John)/I Wanna Be Your Man (Ringo)/ Devil In Her Heart (George)/Not A Second ‘Time { John}/Money (John)1964 ‘All My Loving? PARLOPHONE ARLOMONE OHFEDL PRODUCED GaoRca NRTHN RERETEASED 2 BRED PERRA No Reply (John)/I'm A Loser (John)/ AES a hhy/Money/ Baby's In Black (John plus Paul)/Rock And 9: hove You Roll Music (John)/I'll Follow The Sun Can’t Buy Me Love (Paul)/ (Paul)/Mr Moonlight ( John}/Kansas City You Gan’t Do That (John) (Paul)/Eight Days A Week (John and Paul)/ PARLOPHONE R114, PRODUCED: e ‘Words Of Love (John and Paul)/ Re-RHLEASED AS FARLOMIONE CDR TaJasuaRy 19g, Honey Don’t (Ringo)/ Every Litde Thing (John plus Paul)/I Don’t Want To Spoil The ; ‘Long Tall Sally’ : Party ( John)/What You're Doing (Paul)/ PMELOMONE GEFEN 2RODUCED GHORGEMARIIN pens Bods Pytng To Be Miy Bale (George) 1 Call Your Name (John)/Slow Down (John and Paul)/Long Tall Sally (Paul)/Maichbox (Ringo) 1965 Ticket To Ride (John)/ Yes It Is (John phis Paul) AHard Day’s Night (John plus Paul)/_FASto*HoNr ‘Things We Said Today (Paul) RE-RELEASED aS PARLOPHONE x 160, PRODUCED: GHORGE.ALARTIN RELEASED JULY 10161 ‘Beatles For Sale No. 1° -RB-RELEASED A FARLOPHONE CDR 3160, FEBRUARY 1989 ‘A Hard Day’s Night? PARLOPHONE 20S 488, PRODUCED: CEORGE RELEASED JULY 10, 1066 IE-RELEASED As PARLOPHONE CD!” 40072, FEBRUARY 1967 PARLOPHONE GEP §931, PRODUCED: GEORGE MARTIN TRELEASED® NPRIL 6, 1985, No Reply/I'm A Loser/ Rock And Roll Music/ Fight Days A Week nN A Hard Day’s Night (John plus Paul)/ ‘Beatles For Sale No. 2” I Should Have Known Better (John}/ PaRLORHONe Giro ORUCHD GEORGE ARTIS IeT ell (John and Paui)/P'm Happy Just To py Follow The Sea/Baby's In Black/ Dance With You (George)/And I Love Her akon? (Paul)/Tell Me Why (John, Paul and Dany I The Pz George)/Can’t Buy Me Love (Paul)/ [Rants Want-To'Spoll The Patty Any Time At All (John)/T'll Cry Instead Help! (John)/I'm Down (Paul) (John)/Things We Said Today (Paul)/ ARLOPTONEI 305 PRODLCED GORGE SIAR When I Get Home (John)/You Can’t Do mes That (John)/P'Il Be Back (John and Paul) “Help!” PARLOPHONE 1S 3071, PRODUCED: GEORGE MAREN Teel Fine ( Johin)/She’s A Woman (Paul) x gezsassy 98 PARI OMHOND COP 101992, APRIL 87 ca ieee Help! (John)/The Night Before (Paul)/ ARARLEASED) sR 5200, FEBRUARY 186° You've Got To Hide Your Love Away (John)/ ‘A Hard Day’s Night No. P I Need You (George)/Another Girl (Paul)/ nemoncong irene FeamucHh cweciownn You're Gonta Love That Gis (John)/ I Should Have Know Better/IfI Fell/ Temas On LeRet hee ‘Tell Mc Why/And I Love Her You Like Me Too Much (George)/ ‘A Hard Day's Night No.” Tell Me What You See (John plus Paul)/ ranvortowron ete fRopucED:czonceuanris ve Just Seen A Face (Paul)/Yesterday eA Ne St (Paul}/Dizzy Miss Lizzy (John) Any Time At AII/T'll Cry Instead/ Things We Said Today/When I Get Home‘Rubber Soul” PARLOPHONE PGS 3¢75. PRODUCED: GEORGE MARTIN TELLS: DECEAIRER 08) BI-RELEASED AS ARLOPMONE CD? 4402 APRIL 1887 Drive My Car (Paul)/Norwegian Wood (John)/You Won’t See Me (Paul) /Nowhere Man ( John)/Think For Yourself (Paul)/ ‘The Word (John plus Paul)/Michelle (Paul}/ What Goes On (Ringo)/Girl (John}/ I'm Looking Through You (Paul}/ In My Life (John)/Wait (John plus Paul)/ If Needed Someone (George)/ Run For Your Life (John) Day Tripper (John plus Paul)/ ‘We Can Work: It Out (Paul) "RELEASED: DECEMBER 3, [955 RE-RELEASED AS PARLOPHONE.CD2R 998, APRIL 1069 ‘Beatles Million Sellers’ PARLOPHONE GE? 946, PRODUCED: GEORGE MARTIN She Loves You/I Want To Hold Your Hand/Can’t Buy Me Love/I Feel Fine 1966 "Yesterday? FARLOPHONE CEP M8. PRODECED: GEORGE MARTIN Act Naturally/You Like Me Too Much/ Yesterday/It’s Only Love Paperback Writer (Paul)/Rain ( John) PARLOPHONE R552 PRODUCED. CHORGE MARTIN RELEASED JUNE 0 905 [RERELEASED AS PARLOPMONE COAR 432, APRIL 1809 ‘Nowhere Man’ PARLOPHONE GEP #932. PRODUCED: GEORGE ARTIN SED: JULY 6, 1966 Nowhere Man/Drive My Car/Michelle/ You Won't Scc Me ‘Revolver’ PARLOPHONE POS 705, RODUCED. GEORGE MARTIN RELEASED. ALCUST 2 lose RE-RELEASED AS PARLOPMONE CDP? sel 2 APRIL 1807 Taxaman (George)/Eleanor Rigby (Paul)/ I'm Only Sleeping (John)/Love You To (George)/Here, There And Everywhere (Paul}/ Yellow Submarine (Ringo)/She Said She Said (John)/Good Day Sunshine (Paul)/ And Your Bird Can Sing (John/ For No One (Paul)/Doctor Robert (John]/ 1 Want To Tell You (George)/ Got To Get You Into My Life (Paul)/ ‘Tomorrow Never Knows ( John) Eleanor Rigby (Paul)/ Yellow Submarine (Ringo) PARLOPHONE R488 PRODUCED: GEORGE IARUIN RELEASED: ACOUST 2, 1966 RERELEASED AS PARLOPHONE CDR 2408. MAY 929 ‘A Collection Of Oldies... But Goldies’ PARLOPHONE FCS 7015. PRODUCED. GEORGE MARTIN IRELEASHD: NOVEMBER (366 She Loves You/From Me To You/ We Can Work It Out/Help!/Michelle/_ Yesterday/I Feel Fine/ Yellow Submarine/ Can't Buy Me Love/Bad Boy/ Day Tripper/A Hard Day's Night/ Ticket To Ride/Paperback Writer/ Eleanor Rigby/I Want To Hold Your Hand 1967 Penny Lane (Paul)/ Strawberry Fields Forever (John) PARLOPHONE tsi, PRODUCED: GEORGE MARTIN ‘RELEASED: FEBRUARY 17,1057 RsRELEASED AS PARLOPHONE CD3R S970, MAY 188 ‘Sgt. Pepper’s Lonely Hearts (Club Band’ PAR} OPHONE 70S 787, PRODUCED: GEOROKAIARIN TRELLASED JUNE 18 [RD-RELEASED AS PARLOPGONE CoP) i422 Sgt. Pepper’s Lonely Hearts Club Band (Paul and John)/With A Little Help From My Friends (Ringo)/Lucy In The Sky With Diamonds ( John}/Geuing Better (Paul)/Fixing A Hole (Paul)/She’s Leaving Home (Paul)/Being For The Bencfit Of Mr Kite (John)/Within You, Without You (George)/When I'm Sixty Four (Paul)/ Lovely Rita (Paul)/Good Morning, Good Morning ( John)/A Day In The Life (John and Paul) All You Need Is Love ( John)/ Baby You're A Rich Man (John) PARLOPHONE R 362. PRODUCED: GEORGE MARTH RELEASED, JOLY ioe [RE-RELEASED AS PARLOPHONE COR 3620 JUNE 130, Hello Goodbye (Paul)/ Am The Walrus (John) PARLOMHONE 85655, PRODUCED. GEORGH MARTIN TLLASED: NOVERER 110 URILEASED AS PARLOPHONE CD38 JUNE 1963‘Magical Mystery Tour’ *RODLCED: GEORGE MARTIN DECEABER lo ORAL FRACRSIN LP FORMAT AS POTE 75) DECLAMER 4 1878 RE RELRASHD AS PARI OMIONE COPY Hine? 2, OCTOBER 1967 Magical Mystery Tour (John and Paul)/ Your Mother Should Know (Paul)/ 1. Am The Walrus (John)/The Fool On ‘The Hill (Paul)/Flying (instramental)/ Blue Jay Way (George) 1968 Lady Madonna (Paul)/ The Inner Light (George) PARLOPHONER 375, PROBE CED: GEORGE MARTIN TRELEASEDY MARGH [3,1 RY-RELEASED AS PARLOPHONE C3 5075, JULY 1959 Hey Jude (Paul)/Revolution (John) {APPLE R3722, RODUCED: GEORGE MARTIN RE-RELEASED AS PARLOPHONE CDSR 3722, JULY 1989, ‘The Beatles? (The White Album) APPLE PCS 7081/50, PRODUCED: GEORGE MARTIN RELEASED NOVEMBER 1968, [RE-RELFASED AS PARLOPHONE CD37 164499 ‘Yellow Submarine’ APPLE PCS 00, FRODUCED: GEOKGE MARTIN IU-RELEASED AS PaRLOPMONE CORY 46445 2 Yellow Submarine (Ringo)/Only A Norther Song (George)/Alll Together Now( John, Paul, George and Ringo)/ Hey Bulldog (John)/It’s All Too Much (George)/All You Need Is Love (John) ‘The other side of the albu featured film music by the George Martin Orchestra 1969 Get Back (Paul)/ Don’t Let Me Down (John ) APPLER 5777, PRODUCED: GEORGEMART RE-RELLEASHD AS PARLOPHONE CDSR 5177, AU ‘The Ballad OfJohn And Yoko (John)/ Old Brown Shoe (George) RELEASED: MAY 30, 1969 RE-RELEASED AS FARLOPHOME CDSR 9785, AUGUST 1089 ‘Abbey Road? APPLE FCS 7088, PRODUCED: GE {ED AS PARLOPHONE CDI 1900 soe MARTIN Back In The U.S.8.R. (Paul)/ j Dear Prudence ( John)/Glass Onion (John)/ Come Together ( John}/Something (George)/ Ob-La-Di, Ob-La-Da (Paul}/ Wild Honey Pie (Paul)/The Continuing Story Of Bungalow Bill (John)/ While My Guitar Gently Weeps (George)/ Happiness Is A Warm Gun (John)/ Martha My Dear (Paul)/T'm So Tired (John)/Blackbird (Paul)/ Piggies (George)/ Rocky Raccoon (Paul)/Don’t Pass Me By (Ringo}/Why Don’t We Do It In The Road, (Paul)/1 Will (Paul)/Tulia (John)/ Birthday (Paul)/Yer Blues (John)/Mother Nature's Son (Paul)/Everybody’s Got Something To Hide Except Me And My Monkey (John)/Sexy Sadie (John)/Helter Skelter (Paul)/Long Long Long (George)/Revolution | (John)/ Honey Pie (Paul)/ Savoy Trulile (George)/ Gry Baby Cry (John)/Revohution 9 {instrumental)/ Goodnight (Ringo) Maxwell’s Silver Hammer (Paul)/ Oh! Darling (Pani) Octopus’s Garden (Ringo)/T Want You ~ She’s So Heavy (John)/Here Comes The Sun (George)/ Because (John, Paul and George}/ ‘You Never Give Me Your Money (Paul)/ Sun King (John, Paul and George}/ Mean Mr Mustard (Paul)/ Polythene Pam (John)/She Came In Through The Bathroom Window (Paul)/Golden Slumbers (Paul}/Carry That Weight (John, Paul, George and Ringo)/ The End (Paul)/ Her Majesty (Paul) Something (George)/ Come Together (John) [APPLE R381, PRODUCED: GEORGE MARTIN TRELEASED: OCTOBER 31,1969 RE-RELEASED AS PARLOPHONE COSA 3514, SEPTEMBER 10891970 Let It Be (Paul)/You Know My Name (Look Up The Number) (John and Paul) APPLE S882, PRODUCED: GEORGE MARTIN RELEASED: MARCH 61970 RE-RELEASHD AS PARLOPHONE CDSR 3839, SEPTEMBER 1989 ‘Let Tt Be? APPLE Bos 10%, PRODUCED: GEORGE MARTIN LYS JOHNS AND PHIL SeecTOR WALEED: May 1070 [RE-RELDASED AS PARLOMIONE CDP 10179. OCTORER 1987 Two Of Us (John and Paul)/Dig A Pony (John)/Across The Universe (John)/ T Me Mine (George)/Dig It (john)/ Let It Be (Paul)/Maggie Mae (John)/ T've Got A Feeling (Paul)/One After 909 (John and Paul)/The Long And Winding Road (Paul)/For You Blue (George)/ Get Back (Paul) 1973 ‘The Beatles/ 1962-1966? APPLE POSP 717. PRODUCED. GEORGE MARTIN RELEASED. MAY 3, (513 RE-RPLEASED AS PARLOMITONE SEACD 2911, SEPTEMBTR 1909 Love Me Do/Please Please Me/ From Me To You/She Loves You/ IWant To Hold Your Hand/ All My Loving/Can't Buy Me Love/ A Hard Day’s Night/And I Love Her/ Eight Days A Week/I Feel Fine/ Ticket To Ride/Yesterday/Help!/ You've Got To Hide Your Love Away/ We Can Work It Out/Day Tripper/ Drive My Car/Norwegian Wood/ ‘The Beatles/ 1967-1970" APPLE POSP 718, PRODUCED. GEORGE MARTIN AND PHIL SPECTOR RELEASED: MAY 3.1075 RE-RELEASED AS PARLOPHONE BEACD 2512, SEPTEMBER 1083 Strawberry Fields Forever/Penny Lane/ Set. Pepper's Lonely Hearts Club Band/ With A Little Help From My Friends/ Lucy In The Sky With Diamonds/ A Day In The Life/All You Need Is Love/ TAm The Walrus/Hello Goodbye/ ‘The Fool On The Hill/Magical Mystery Tour/Lady Madonna/Fiey Jude/ Revolution/Back In The US.S.R./ While My Guitar Gently Weeps/Ob-La-Di, Ob-La-Da/Get Back/Don’t Let Me Down/ The Ballad Of John And Yoko/Old Brown Shoe/Here Gomes The Sun/Come ‘Together/Something/Octopus’s Garden/ Let It Be/ Across The Universe/ ‘The Long And Winding Road 1976 ‘Rock ’n’ Roll Music’ PARLOPHONE PCSP 719. PRODUCED: GEORGE MARTIN 'RBLEASED, JUNE 14,1976 (CURRENTLY UNAVAILABLE OW cD) Back In The U.S.S.R./ ‘Twist And Shout _PARLOPHONE R 6016, PRODUCED: GEORGE MARTIN [RELEASED: JUNE 25, 1976 Nowhere Man/Michelle/In My Life/ Girl/Paperback Writer/Bleanor Rigby/ Yellow Submarine1977 ‘The Beatles Live! At The Star Club In Hamburg, Germany: 1962” LINGASONG LNLI RELEASED: NAY 1, 1977 (CURRENTLY UNAVAILABLE ON cD) ‘The Beatles At The Hollywood Bowl’ PARLOPHONE EMTY 4, FRODUCED: VOYLE GILMORE ‘AND GHORGE MARTIN RELEASED. MaY b.12?7 (CURRENTLY UNAVAILABLE ON CD) ‘Love Songs’ PARLOPHONERCSP 721. PRODUCED: GEORGE MARTIN RELEASED: NOVEMDER 2, 1977 CURRENTLY UNAVAILABLE ON CD} 1979 ‘Hey Jude” PARLOPHONE 1S 7194. PRODUCED: GEORGE RELEASED: MaY (979 (CURRENTLY UNAVAILABLE ON €D) ‘Rarities’ PARLOFHONE PCM 1001, PRODUCED: GEORGE MARTIN 'RELRASED: SEPTEMBER 1979, (CURRENTLY UNAVAILABLE ON CD) 1980 ‘Beatles Ballads’ PARLOPHONE POS 7214, PRODUCED: GEORGE MARTIN RELEASED: OCTOBER 1980, (CURRENTLY UNAVAILABLE ON CD.) ‘Rock *n’ Roll Music vol. 1” MEP 50806, PRODUCED: GEORGE MARTIN RELEASED: NOVEMBER 1200, (CURRENTLY UNAVAILABLE ON cD, ‘Rock ‘n’ Roll Music vol. 2” ‘FP 50307. PRODUCED: GEORGE MARTIN RELEASED: NOVEMBER 1580 (CURRENTLY UNAVAILABLEON cD) 1982 ‘Reel Music’ PARLOPHONE-PCS 7210, PRODUCED: GEORGE MARTIN. RELUASED. MARCH 1982 {CURRENTLY UNAVAILABLE ON CD) ‘20 Greatest Hits” PARLOPHONE PCTC 269, PRODUCED: GEORGE MARTIN (CURRENTLY UNAVAILABLE ON CD) 1988 ‘Past Masters’ PARLOPHONE BPM 1. PRODUCED: GEORGE MARTIN RELEASED: MARCH 1986, RE RELEASED 43, PASTMASTERS VOL, |, PARLOPHONE CDAPM! AND. PASTMASTERS VOL. 2, PARLOPHONE CDBPM 2. MARCH 1988 Vol. Love Me Do/From Me To You/Thank You Girl/She Loves You/T'll Get You/I Want To Hold Your Hand/This Boy/Komm, Gib Mir Deine Hand/Sie Liebt Dich/Long Tall Sally/I Call Your Name/Slow Down/Matchbox/I Feel Fine/She’s A Woman/Bad Boy/Yes It Is/I'm Down Vol. 2 Day Tripper/We Can Work It Out/ Paperback Writer/Rain/Lady Madonna/The Inner Light/Hey Jude/ Revolution/Get Back/Don’t Let Me Down/ ‘The Ballad Of John And Yoko/Old Brown Shoe/ Actoss The Universe/Let It Be/ You Know My Name (Look Up The Number)1994 “The Beatles Live At The BBC” APPLE 724389179626 RELEASED: NOVENGER 1904 Dise One Beatle Greetings (Speech)/From Us To You/Riding On A Bus (Speech)/I Got A Woman (John)/ Too Much Monkey Business ( John)/Keep Your Hands Off My Baby/Til Be On My Way (Paul)/Young Blood (George)/A Shot Of Rhythm And Bhues/Sure To Fall (In Love With You) (Paul)/Some Other Guy/Thank You Gitl/Sha La La La Lal (Speech)/Baby, It’s You (John)/That’s All Right (Mama) (Paul)/Carol (John)/Soldier Of Love (John)/A Little Rhyme (Speech)/Clarabella (Paul)/I'm Gonna Sit Right Down And Gry (Over You)/Crying, Waiting, Hoping (George)/Dear Wack! (Speech)/ You Really Got A Hold On Me (John)/To Know Her Is To Love Her (John)/ A Taste Of Honcy {Paul)/Long Tall Sally (Paul)/I Saw Her Standing There (Paul}/The Honeymoon Song (Paul}/Johnny B. Goode (John)/Memphis, Tennessee/Lucille (Paul)/ Can't Buy Me Love/From Fhiff To You (Speech)/Till There Was You (Paul) Dise Two Grinsk Dee Night (Speech)/A Hard Day's Night/Have A Banana! (Speech)/1 Wanna Be Your Man/Just A Rumour (Speech)/ Roll Over Beethoven/All My Loving/ ‘Things We Said Today/She’s A Woman/Sweet Little Sixteen ( John)/ 1822! (Speech) Lonesome Tears In My Byes (Jobn}/Nothir’ Shakin’ (George)/ ‘The Hippy Hippy Shake (Paul)/Glad All Over (George)/I Just Don’t Understand/ So How Gome (No One Loves Me)/ I Feel Fine/I'm A Loser/Everybody’s Trying To Be My Baby/Rock & Roll Music/ Ticket To Ride/Dizzy Miss Lizzy/Medley: Kansas City, Hey! Hcy! Hey! Hey!/Sct Fire To That Lot (Speech)/Matchbox/I Forgot ‘To Remember To Forget/Love Those Goon Shows (Specch)/I Got To Find My Baby (John}/Ooh! My Soul (Paul)/Ooh! My Arms (Speech)/Don’t Ever Change (George)/ Slow Down/Honey Don’t/Love Me Do Baby It’s You/I'll Follow The Sun/ Devil In Her Heart/Boys RELRASED: NARCH 20 1993 1995 ‘Anthology APPLE 72598 3444525 RELEASED: NOVEMBER 1995 Disc One Free As A Bird (John)/We Were Four Guys... (Speech)/That'll Be The Day/In Spite OFAll The Danger/Sometimes Pd Borrow... (Speech)/ Hallelujah, I Love Her So/You'll Be Mine (John)/Cayenne (Paul)/First OF AM... Speech}/My Bonnie/ Ain't She Sweet (John)/Cry For A Shadow/Brian Was A Beautiful Guy... (Speech)/I Secured Them. (Speech)/Searchin’/Three Gool Cats (George)/The Sheik Of Araby/ Like Dreamers Do (Paul)/Hello Little Girl (John)/Well, The Recording Test... {Speech)/Besame Mucho/Lave Me Do/How Do You Do It (John)/Please Please Me/One Afier 909/Lend Me Your Comb/Tll Get You/We Were Performers... (Speech)/I Saw Her Standing There/From Me To You/Money {That’s What I Want)/ You Really Got A Hold On Me/Roll Over Beethoven Dise Tivo She Loves You/Till There Was You/Twist And Shout/This Boy/I Want To Hold Your Hand/Boys, What I Was Thinking... (Speech)/Moonlight Bay/Can’t Buy Me Love/All My Loving/You Can't Do “That/And I Love Her/A Hard Day's Night/I Wanna Be Your Man/Long Tall Sally/Boys/Shout/T'll Be Back/ You Know ‘What To Do (George)/No Reply/Mr Moonlight/Leave My Kitten Alone (John)/ No Reply/Eight Days A Week/Kansas City, Hey! Hey! Hey! Hey! Free As A Bird/I Saw Her Standing There/This Boy/Christmas Time (Is Here Again)1996 ‘Anthology I? PPLE 724583 448 2 LEASED: MAREH 1905 Disc One Real Love (John)/Yes It Is/I'm Down/You've Got To Hide Your Love Away/If You've Got Trouble/That Means A Lot/Yesterday/Tt’s Only Love/I Feel Fine/Ticket To Ride/Yesterday/Help!/ Everybody's Trying To Be My Baby/ Norwegian Wood (This Bird Has Flown)/ I'm Looking Through You/12-Bar Original/Tomorrow Never Knows/Got To Get You Into My Life/And Your Bird Can Sing/Taxman/Eleanor Rigby/ I'm Only Sleeping/Rock & Roll Music/ She's A Woman Dise Tuo Strawberry Fields Forever/Penny Lane/ A Day In The Life/Good Morning, Good Morning/Only A Norther Song/ Being For The Benefit Of Mr Kite/ In The Sky With Diamonds/ Within You, Without You/ Sgt. Pepper’s Lonely Hearts Club Band (Reprise)/You Know My Name (Look Up ‘The Number)/I Am The Walrus/ ‘The Fool On The Hill/ Your Mother Should Know/The Fool On The Hill/ Hello, Goodbye/Lady Madonna/ Across The Universe Real Love/Baby’s In Black/ Yellow Submarine/ Here, There & Everywhere AOPLECOR G25 RELAASED MARCA 1996 ‘Anthology I? Rust: OCORER te Disc One A Beginning/ Happiness Is A Warm Gun/Helter Skelter/Mean Mr Mustard/Polythene Pam/Glass Onion /Junk/Piggies/ Honey Pie/Don’t Pass Me By/Ob-La-Di, Ob-La-Da/Good Night/Cry Baby/Blackbird/Sexy Sadie/ While My Guitar Gently Weeps/Hey Jude/ Not Guilty/Mother Nature’s Son/ Glass Onion/Rocky Raccoon/What’s The New Mary Jane (John and George, with Yoko)/Step Inside Love/Los Paranoias/ Tim So Tired/I Will/Why Don’t We Do It In The Road/Julia Disc Teva I've Got A Feeling/She Came In Through The Bathroom Window/Dig A Pony/ Two Of Us/For You Blue/Teddy Boy (Paul)/Medley: Rip It Up; Shake, Rattle & Roll; Blue Suede Shoes/The Long And Winding Road/Oh! Darling/All Things Must Pass (George)/Mailman, Bring Me No More Blues ( John)/Get Back/ Old Brown Shoe /Octopus’s Garden/ Maxwell's Silver Hammer/Something/ Come Together/Come And Get It/Ain’t She Sweet ( John)/Because/Let It Be/ 1Me Mine/‘The EndAll 194 songs written and sung by The Beatles, specially arranged by Rikky Rooksby from the actual recordings, in the original keys. Each song includes chord symbols, yet chord boxes and complete lyrics. Plus a playing guide and a full discography. US. $24.95 ISBN-19:978.0.6940-2729- IS8N-10. O-634-02229-6 Mn 999) Ih | I HL.00306349 a PhAdue oO NARD* o