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INTRODUCTION
TEAM BRASS Repertore Books contain a wide variety of music in
popular styles, inc1uding T.V., Film, Classics, Folk and Jazz. The
Repertore Books have been specially designed to supplement the
TEAM BRASS Tutor Seres, and each repertoire piece is appropriate
to a particular level of attainment in the corresponding TEAM
BRASS Tutor.
Many of the repertoire pieces are arranged for ensemble. These are
basically duets, to which can be added independent (and inessential)
third and fourth parts. This book inc1udes 9 such arrangements for
horn trio, which may also be played as duets by omitting the lowest
parto In addition, all these piecesmay be played by a mixed brass
ensemble, using the relevant parts contained in the
Trombone/Euphonium Supplement. Optional third and fourth parts
for use with the trumpet duets, together with a conductor's score,
are provided in the Supplement.
Several pieces of jazz have been inc1uded, and these can be used as
a basis for improvisation - hints are provided on pages 4 and 5.
For ease of reading, the early jazz pieces are given a straightforward
l' J. Sorne
.rhythmic notation, viz. ~ ~ J rather than, say
suggested rhythmic interpretations are suppliedi br~kets.
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Jazz improvisation
The word 'improvisation' means that you have to make up your own
music as you go along. You might have already done this, perhaps
during your warm-up. One of the easiest ways, to begin with, is to
make up music using a few notes only, for example:
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Ex. (4) above, played with a swing, might go something. like this:
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You might now try to vary the notes, or the rhythms, until you have
built up quite a large catalogue of short phrases. Sorne short phrases
can be put together to make longer ones. Next, try playing your
phrases over the 12bar blues sequence below. Listen carefully to
how they fit (or don't fit!) with the keyboard. Change your notes if
they do not match the chords:Accompaniment lor piano or electronic keyboard on JAZZ ROCK
setting.
over e Bass
Blues notes
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You can use a mixture of scales if you wish. The really important
thing is to listen to yourself in relation to the chord sequence.
Sometimes your notes will grate against the chords - this is called
'dissonance' in music. Controlled dissonance is a very important part
of jazz, and it takes quite a lot of experience to learn how to use it
in a really effective way. To help yourself, record the 12bar chord
sequence (above) and spend many practice sessions experimenting
with improvisation.
~
You will also find it helpful to listen to records of the alltime great
brass jazz musicians. There are many to choose from, but one of the
best was LOUIS ARMSTRONG. You will find his recordings in any
reputable record shop.
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Index
TltIe
.Barcarolle
Brass suite
Coronation street
Dalias
Don't sit under the appIe tree
Down by the riverside
Dynasty
Farandole
God rest ye merry, gentIemen
God save the Queen
He's got the whole world in his hands
Introduction to 'BIue Danube'
Joy to the world
Kum-ba-ya
LittIe brown jug
Match of the day
Morning has broken
Neighbours
Ode to joy
Old Mac's jazz
Over the rainbow
The pink panther
Pomp and circumstance march No. 4
Prometheus theme
Scarborough Fair
Superman (theme from)
Theme from 'New World' Symphony
Theme from Symphony No. 1
Trumpet march
When the saints go marching in
The yellow rose of Texas
You only live twice
Page
11
18
22
19
11
28
30
19
10
16
14
10
24
31
16
20
12
17
21
29
22
21
27
20
23
23
30
26
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