Ronda Ensor

1.

Shelly Cashman Word 2013 Chapter 2: SAM Project 1b

Modify the documents Normal style by changing its font to Times New
Submission
#3 to 12 pt., and line spacing to double with no blank space
Roman,
font size
after
paragraphs.
Score is 100 out of 100

5/5

Update the font in the Normal style.

Update the font size in the Normal style.
Update the line spacing in the Normal style.
Update the space after paragraphs in the Normal style.
2.

Select all of the text in the document and apply the Normal style to it.

5/5

Apply a paragraph style.

3.

Insert a header: a. Insert a blank header at the top of the page. b. Rightalign the blank paragraph in the header. c. Type the text Jennings, press
the SPACEBAR, and then insert a Plain Number page number from the
Current Position gallery. d. Close the header view.

5/5

Insert a header.
Align header text.
Insert a text and a page number in a header.
4.

Center-align the title paragraph IMPRESSIONIST TECHNIQUE,

COMPOSITION, AND SUBJECT MATTER, change the case to Capitalize Each
Word, and then manually edit the word And so that it begins with a
lowercase letter.

5/5

Align a paragraph.
Change the font case.
5.

Select the body paragraphs starting with In the late nineteenth

century and ending with Pissarro, Boulevard Montmartre (1897) and
create a First Line indent at 0.5".

5/5

Create a First Line indent.

Create a First Line indent.
Create a First Line indent.
Create a First Line indent.
6.

On page two, move the insertion point to the end of the paragraph
Pissarro, Boulevard Montmartre (1897). Press the ENTER key to begin a
new line and then type a new body paragraph with the following text: By
the end of the nineteenth century, Impressionism was the major western
movement in visual arts. It combined innovations in technique,
composition, and content to present a fresh way of painting that captured
movement, the play of light on surfaces, and fleeting moments in modern
life.

5/5

Insert a paragraph of text.

7.

Change the Citations & Bibliography Style of the document to MLA

Seventh Edition.

5/5

Change the Citations & Bibliography Style.

8.

On page one, find the sentence The criticism gaveits name. Move the
insertion point before the period in that sentence and insert a citation

5/5

using the source information shown in Figure 1 below.

Create a citation.
9.

Edit the citation to add the page number 1.

5/5

Edit a citation.
10
.

Find the sentence In a paintingto reflect the fading sky. Move the
insertion point before the period in that sentence and insert a citation
using the source information shown in Figure 2 on the following page.

5/5

Create a citation.
11
.

Edit the second citation to add the page numbers 801-802.

5/5

Edit a citation.
12
.

Find the sentence People did not posein Degas The Dance Class.
Move the insertion point before the period in that sentence and insert a
citation using the source information shown in Figure 3 below.

5/5

Create a citation.
13
.

Edit the third citation to add the page number 1.

5/5

Edit a citation.
14
.

In the third body paragraph, move the insertion point after the period in
the sentence Paintings showeda landscape or building. Insert a
footnote with the text: Monets famous series of paintings of the Rouen
Cathedral actually have light as their subject.

5/5

Insert a footnote.
Enter text in a footnote.
15
.

Modify the Footnote Text style by changing its font size to 12 pt., the line
spacing to double, and adding a First Line indent at 0.5. Apply the
modified style to the footnote text.

5/5

Update the font size in the Footnote Text style.

Update the line spacing in the Footnote Text style.
Update the paragraph indent in the Footnote Text style.
Apply a paragraph style.
16
.

Select the three paragraphs starting with Renoir, Dance at Le Moulin de

la Galette (1876) and ending with Pissarro, Boulevard Montmartre
(1897). and create a bulleted list.

5/5

Format text as a bulleted list.

17
.

Move the insertion point to the end of page two and insert a manual page
break to create a new page three.

5/5

Insert a manual page break.

18
.

On page three, apply the Normal style to the first blank paragraph and
then center-align the paragraph. Type the title Works Cited, press ENTER,
and then left-align the blank paragraph.
Apply a paragraph style.
Align a paragraph.

5/5

19
.

Use the Insert Bibliography command to insert a list of sources.

5/5

Insert a bibliography.
20
.

Check the Spelling & Grammar in the document to identify and correct any
spelling errors. (Hint: Ignore proper names and French words. You should
find and correct at least 3 additional spelling errors.)
Run a Spelling & Grammar check.
Run a Spelling & Grammar check.
Run a Spelling & Grammar check.

5/5

Jennings 4
Ashley Jennings
Professor Larrimore
Art History 201
October, 14 2015
Impressionist Technique, Composition, and Subject Matter
In the late nineteenth century, the Royal Academy of Arts in France held a juried art show
called the Salon de Paris to select the years best works of art. When a group of artists including
Claude Monet, Pierre-August Renoir, and Edgar Degas began painting in Paris, the Salon jury
rejected them as painters of mere impressions. The criticism gave the Impressionist movement
its name (Douma 1).
Impressionist paintings are noteworthy because of their technique, composition, and
subject matter. Artists used short brushstrokes, pure unblended colors, and natural lighting. These
techniques favored the essence of the subject over details, and created a vibrant, spontaneous
effect. For example, Impressionist artists often applied pigments side by side, letting the viewers
eye mix the colors. In a painting such as Monets Impression: Sunrise, the shadows are blue and
purple to reflect the fading sky (Kleiner 801-802).
Impressionists composed their paintings to imitate candid photographs, which were
becoming popular at the time. Paintings showed a moment in time, such as the changing light on
a landscape or building.1 People did not pose, but were caught in the middle of action, as in
Degas The Dance Class (Metropolitan Museum of Art 1).
The technique and composition of Impressionist paintings suited their subjects, which
were typically landscapes and common, ordinary scenes of modern life. Landscape paintings
were created outdoors (en plein air) to record the painters impression of the scene and the ever1 Monets famous series of paintings of the Rouen Cathedral actually have light as their subject.
This file created specifically for Ronda Ensor

Jennings 5
changing light. Many Impressionist paintings depict the city of Paris after it was renovated
during the 1870s to feature wide boulevards, public spaces, and grand architecture. Following are
prominent Impressionist paintings that take Paris as their subject:

Renoir, Dance at Le Moulin de la Galette (1876)

Caillebotte, Paris Street, Rainy Day (1877)
Pissarro, Boulevard Montmartre (1897)

By the end of the nineteenth century, Impressionism was the major western movement in
visual arts. It combined innovations in technique, composition, and content to present a fresh
way of painting that captured movement, the play of light on surfaces, and fleeting moments in
modern life.

This file created specifically for Ronda Ensor

Jennings 6
Works Cited
Douma, Michael. Impressionism: The Innovstions and Influence. n.d. Web. 6 Oct. 2015.
Kleiner, Fred S. Gardner's Art through the Ages: The Western Perspective. Boston: Cengage
Learning, 2013. Print.
Metropolitan Museum of Art. Heilbrunn Timeline of Art History: The Dance Class. n.d. Web. 10
Oct. 2015.

This file created specifically for Ronda Ensor