Documentos de Académico
Documentos de Profesional
Documentos de Cultura
Picture 1:Moffat, C. (2007, November). Marilyn Face. Retrieved March 3, 2015, from
http://www.arthistoryarchive.com/arthistory/popart/Andy-Warhol.html
Picture 2:Hayes, H. (2014). Still Life. Retrieved March 1, 2015, from "Pop to Popism":
http://www.vacationsandtravelmag.com/Confidential923PopIntoPopism/1597/359/3/0/0/
Martin Sharp and Tim Lewis collaboration, still life was the appropriation of Van
Goghs sunflower and Andy Warhols Marilyn Monroe as a collage juxtaposing
pictures drawn from both iconic images of modern art history. The contrast of
traditional abstract expressionism of Sunflower and the realism of Marilyn Monroe
highlights the borders that originally Andy Warhol was challenging. Lewis and Sharp
met at the Art Exhibition, held at Bonython galleries, Sydney in 1973 Lewis and Sharp
both attended the Yellow House Gallery for the after party. At the yellow house Lewis
met Martin Sharp who became a long term friend and collaborator both artists
assisted in the creation of Still Life. Sharps psychedelic imagery responded to 1960s
counterculture and LSD experimentation and shows the influence of surrealism within
pop art. By composing Marilyns head onto a vase of Van Goghs Sunflowers makes
the statement of the centaury, questioning Womens role in society. Through a
historical context the sixties was a rise in feminism, the period where women after
being oppressed were finally taking a stand for their rights. Some argue that the sole
purpose of the work is to emphasize the movement that Warhol began as a precedent
through his Marilyn Monroe Prints and bringing in Still Life which highlights the
realism that traditional artists Vincent Van Gogh created and the consumerism Andy
Warhol represented to redefine what originality really means (Parker, 2012). The idea
of bringing an artists from traditional means of art-making and using a modern artist
like Warhol both expressing similar ideas of creating art that essentially has no
meaning and re-contextualizing it, bringing this art to a higher status itself defines
originality as only being original if the artist thought of it first.
Picture 1:Moffat, C. (2007, November). Marilyn Face. Retrieved March 3, 2015, from
http://www.arthistoryarchive.com/arthistory/popart/Andy-Warhol.html
Picture 2:Hayes, H. (2014). Still Life. Retrieved March 1, 2015, from "Pop to Popism":
http://www.vacationsandtravelmag.com/Confidential923PopIntoPopism/1597/359/3/0/0
Bibliography
Andy and OZ: Parallel Visions. (2007, December 30). Retrieved March 1, 2015, from A collaboration between the National Gallery of Australia
and The Andy Warhol Museum Gallery of Australia: http://nga.gov.au/AndyandOz/oz.cfm
Boland, M. (2014, November 1). Pop To Popism Review. Retrieved March 5, 2015, from
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Carlos, S. (2013, February 2). Van Gogh Gallery. Retrieved March 3, 2015, from
http://www.vangoghgallery.com/painting/sunflowerindex.html
Darwin, J. (2012, August). Andy Warhol's Marilyn. Retrieved February 29, 2015, from http://www.webexhibits.org/colorart/marilyns.html
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Parker, J. (2012). MoMA Pop-Art Appropriation. Retrieved March 14, 2015, from http://www.moma.org/learn/moma_learning/themes/popart/appropriation
Peters, J. (2014). Arty Factory - Pop Art History. Retrieved March 11, 2015, from
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Hardy, J. (2014). Marilyn's Ten Prints. Retrieved February 27, 2015, from https://www.pinterest.com/pin/54606214201867829/
Hayes, H. (2014). Still Life. Retrieved March 1, 2015, from "Pop to Popism":
http://www.vacationsandtravelmag.com/Confidential923PopIntoPopism/1597/359/3/0/0/
Marles, J. (2001). Frame of Still Life. Retrieved March 4, 2015, from https://www.pinterest.com/memememomomo/reference-imagesframes/
Moffat, C. (2007, November). Marilyn Face. Retrieved March 3, 2015, from http://www.arthistoryarchive.com/arthistory/popart/AndyWarhol.html
Prints, A. W. (2011). Marilyn Monroe, print of 4. Retrieved Febuary 26, 2015, from Melbourne Museum of Contemporary Art:
http://becuo.com/pop-art-andy-warhol-marilyn-monroe