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C. P. E. Bach’s reputation as a writer of keyboard music was established by the two sets of sonatas that were published in 1742 and 1744: the Prussian and Württemberg sonatas, respectively. Both are fine sets, containing much innovation for their time, although the later Württemberg sonatas are arguably the more interesting, featuring a wider variety of musical textures and compositional techniques. The latter set also includes more sonatas in minor keys, which prove to be a more effective vehicle for expressing the emotion and feeling of Empfindsamkeit.
C. P. E. Bach’s reputation as a writer of keyboard music was established by the two sets of sonatas that were published in 1742 and 1744: the Prussian and Württemberg sonatas, respectively. Both are fine sets, containing much innovation for their time, although the later Württemberg sonatas are arguably the more interesting, featuring a wider variety of musical textures and compositional techniques. The latter set also includes more sonatas in minor keys, which prove to be a more effective vehicle for expressing the emotion and feeling of Empfindsamkeit.
C. P. E. Bach’s reputation as a writer of keyboard music was established by the two sets of sonatas that were published in 1742 and 1744: the Prussian and Württemberg sonatas, respectively. Both are fine sets, containing much innovation for their time, although the later Württemberg sonatas are arguably the more interesting, featuring a wider variety of musical textures and compositional techniques. The latter set also includes more sonatas in minor keys, which prove to be a more effective vehicle for expressing the emotion and feeling of Empfindsamkeit.