Documentos de Académico
Documentos de Profesional
Documentos de Cultura
CCSS Anchor
Standard(s)
Prior Academic
Knowledge
Anticipated
Issues
Launch
5-10 Minutes
*Students must know the socio-political factors that contribute to a persons well-being
including housing, schooling, and political representation.
*Students must understand new vocabulary terms including oppression, marginalization, and
human rights.
*Students should be able to identify the components of a short story and be able to construct
one based on a prompt.
*Students should know how to conduct a Socratic discussion and come prepared with questions,
notes, and ideas about the text they read for homework.
*Students may not be able to fully grasp the meanings of race, ethnicity, nationality, or socioeconomic status and may not see how these contribute to a persons well-being.
-An exit slip will be given asking the differences between these concepts. Teacher should
provide a handout with quick definitions for any student that cannot correctly answer the exit
slip.
*Students may come to discussion ill prepared for Socratic discussion, which decreases the
effectiveness of the conversation.
-Teacher should check notes of students before engaging in discussion and if a student does not
have adequate annotations they must write the minutes for the seminar (take notes of main
ideas).
Instructional Strategies and Learning Tasks
Poetry Reading- kitchenette building by
Discussion Questions
Gwendolyn Brooks
*What is the tone of the poem?
*What dream is Brooks talking about?
We are things of dry hours and the involuntary plan, *How does this poem describe poverty?
Grayed in, and gray. Dream makes a giddy sound,
not strong
Gwendolyn Brooks, "kitchenette building"
Like rent, feeding a wife, satisfying a man.
from Selected Poems, published by
Harper & Row. Copyright 1963 by
But could a dream send up through onion fumes
Gwendolyn Brooks. Reprinted by consent
Its white and violet, fight with fried potatoes
of Brooks Permissions.
And yesterdays garbage ripening in the hall,
Flutter, or sing an aria down these rooms
Even if we were willing to let it in,
Had time to warm it, keep it very clean,
Anticipate a message, let it begin?
2
Instructional
Core Sequence
15- 20 Minutes
Socratic Seminar (15 minutes)- How Long Will I Cry Chapter 3 (p. 32-35)
Major Issues at Stake in Chapter
o Police treatment of community
o Funding police department
o History of black culture
o News reporting of police officers getting assaulted, shot, or killed
Discussion Questions
1. What unique perspective does Officer Moss possess on harassing people on the
corner? How might this perspective be forward-thinking or help the community?
2. What is the impact of ill-prepared police officers in certain neighborhoods? How come
they are so unprepared?
3. Why do you think it is not always reported when a police officer is shot/assaulted?
What does it say about our values and attitudes toward police?
4. What is Officer Moss perspective on black culture?
Feedback on Personal Narratives (15 minutes)- (Liz Lerman, 2003)
1. Split class into groups of four
a. One artist, two responders, one facilitator
i. Statements of meaning- How is what you just read meaningful to you?
(facilitator)
ii. Artist as Questioner- artist asks a few questions about his or her work
iii. Neutral Questions from Responders- factual or informational
iv. Permissioned Opinions- I have an opinion about ______, do you want to hear
it?
2. Repeat two to three cycles
Closure
15-20 Minutes
Poetry Exercise
For 5 minutes, make a list of abstractions (LOVE, HATE, DEATH, STRENGTH) and then for the next
5 make a list of sentences that turn each one into a concrete, aka a metaphor (a comparison
between unlike things that reveals their true nature). Then for 5 minutes pick one sentence as
4
Students with IEPs or 504 plans (include ESL/bilingual; learning disability; physical disability):
*Students will be given a hard copy of the text, kitchenette building, as necessary, and it will be projected
at the front of the room.
*Students will be given class notes, as necessary, in order to adequately follow the flow of the
instructional core.
*Students with slow processing speed during discussion will benefit from special signaling that allows
them to prepare for a question (cue pre-constructed).
*Students will be grouped behaviorally, thus allowing for multi-level critique and feedback. Students with
reading or speech difficulties can have text read to them or write down feedback.
Meeting the
Language
Demands
Poetic Tone- paired with synonym of feeling, followed up by question- what does the imagery do for you?
Race- explicit instruction, written on board, examples made clear
Ethnicity- explicit instruction, written on board, examples made clear
Nationality- explicit instruction, written on board, examples made clear
Socio-Economic Status- explicit instruction, written on board, examples made clear
Dominant- explained by the group having power, which group holds the most positions or makes the most
decisions
Subordinate- explained as the group subservient to the dominant power, which group tends to have less
power
Abstraction- poetry exercise given examples, love, hate, power
Assessments
Assess
ment
Type
Informal
Assessm
ent
Descript
ion
Socratic
Seminar
Planned
Modifications to
Assessments
Students can turn
in notes on
Evaluation Criteria
(What evidence of student learning related to the learning
objectives and central focus
does the assessment provide?)
*Quantity of speech (minimum checklist), Quality (connecting ideas
with text), Prompting Discussion Questions, Competency (knowledge
Participati
on
Informal
Formal
Feedback
Process
Participati
on
Journal
EntryPoetry
Exercise
reading for
preparation
points.
Students can have
text read to them
or write down
feedback.
Students can
record their
thinking process
for credit.
from readings)
*Performance in Role (assessing collaborative group dynamics),
Annotation of Text (marking up artists paper), Willingness to Give or
Receive Feedback
*Completion of Activity, Evidence of Thought Process, Quality (only if
given permission)
Resources
Brooks, G. (1963, January 1). Kitchenette building. Retrieved November 10, 2014, from
http://www.poetryfoundation.org/learning/poem/172080
Burroway, J. (2007). Imaginative writing: The elements of craft. New York: Pearson/Longman.
Harvey, M., Big Shoulders Books., & DePaul University. (2013). How long will I cry?: Voices of youth
violence.
Lerman, L., & Borstel, J. (2003). Liz Lerman's critical response process: A method for getting useful
feedback on anything you make, from dance to dessert. Takoma Park, MD: Liz Lerman Dance Exchange.
Race. (n.d.). Retrieved November 10, 2014, from
http://www.oxforddictionaries.com/us/definition/american_english/race