‘FERNEYHOUGH SECOND STRING QUARTET Score #ool Performance Notes Tempi are to be understood as ideal values and may thus in practice be treated flexibly. It is important that a basic tempo be chosen which allows all detail working to be fully audible. Tempi relationships, on the other implies a Notation motto sul = “fosto ‘sul pont. as astr. tem - Duration: hand, are absolute. A modification of one or other tempo corresponding change of all others. one quarter-tone higher d = one quarter-tone lower three-quarters higher ob - three-quarters lower Vibrato Molto (rapid, not necessarily much wider than normal) Non Vibrato (assoluto!) increase degree of vibrato (both speed and width) gradual transition between one state and another turn bow so that string is set in motion partly by hairs, partly by wood of bow a very small: proportion of hair should be retained by all *col legno trattuto" actions, especially in upper register "Gettato": bounce bow on string (single bow action) whilst executing a glissando in left hand bow or pluck as near the fingers of the left hand as seems practical bow as near to the bridge as practical (occasional distortion allowable) without, however, touching it unless otherwise indicated all trills to be executed as rapidly and regularly as possible (approaching a constant "legato" effect) Where a dynamic indication appears in a box, the passage so designated should be performed with the technique appropriate to that dynamic (violence of movement, speed of bow change etc.) whilst producing an actual volume corresponding to the "normal" dynamic markings in the usual place in the text. execute a continuous "glissando" between the pitches given in left hand whilst alternating in right hand between the strings as specified on the separate lines appended below the stave. The string(s) involved in each case are indicated by the appropriate letter. approx. 11 minutesString Quartet —N0.2 » | Brian “Ferneyhdugh foa70 aks o a a furioso_o et ae 7 =< c= me ——t PRP pacer FOP Patel Bap go aa aso val a ——p i= 2 270 it ogi ‘etka —.56_seal semore , wth priate ps => & = pp et: _ ‘rcora furioso » ” = hn, Qe . vel t= == a ——tB ( uguate) Vin 0 : fit ost es ee = Q 1 @ o 3B o 56, ) . Peng Mtn ' ep Vin 0 (toe sz mp=mi=p SS Oe 4 Po mee SE ° oa a ee Edition Peters No. 7229 eae sub, {© Copyright 1981 by Hinsichsen Edition, eters Edition Led, London“ibe a Yin t ap eae p——— os ees Se 0 ao rage mo 7 Sto grec arm =A Eee SSeS et ott, {=HTS yesh a p= ppp PT Be tizgene ei =] a nae 4 (ajnczeate,valome of econ het dyer that of fooing note.pectin be tack » Fale on Va Cello A a fg ancora fyioso = Be a ii. SET ey a ARES int Vin t Vin 0 Ma Catto = pop ppp Pasar oS ==p fitter 2 a ot ,aS IF emt ste Tm (_——$——m seta me sft 7 — —; -—s—$ —ff am os eee subito i intimo PIPL pn pie oeaah— oo ES" = co plu ffuido _ if 3m | age Saeed Sais a bar SSF ™ = mt Sa SSS : § = _——— a foe t 7as a font ST —— Sf gt p Px9 alt ; lento Poco tenuto +e nee coe 7 a toy peste, =e fate oo Bochiss. raft P a | Seer — PPP ssa Free datas aes Cello fang teete ae = st — = P=" p=—pp aan» Sz age = = z se—t| 4 Fmt mp ——=tt i Dat epi via Cello * ~ oY SP Shiip—=mt=—P——=!=——ep seep —— FP a F.. 0 pil Lento w) Parmer — 009 0 Woe EE —— pt a, be “spp TS dndente Oy IE op ne ZEN SNeOS yf % = — pan me zz |B Cello = at ae ft cmt pat a f =—t seem = SF} sirepitoso co ratl Poco o ° oe et 2 7g | eh a ‘0 = uy Phare Sele -: ie Se ==. SS it i ci f oo Ri pt ee asubito vacitlando 2.63 Vin Vin fi Serpe seep ip —=>PP Sa =e ® = “ — tg sti! sp 5 eventsTempo gusto 2. ee say EF She a The Tie A = iia ; Cello taser ae = Seat = ma st-t tp stm ————st Pee ti ss Se vjolentelcon petulanzal Pe tall sempre SS oll, > SS eee tae a Vin ee l We gif beta Va pp) Cellofiom +456 MeN gy _ nd ne Foci vert, Pre thet pet spa Fd SSS oe FeO LEN pp ry Oy Qi 2 poe ways rp) ——=mp Ad) women BRS mp=p PP p pee es)Pg aS ‘PRP —==P=-PPP_ pp ) eet ae Vie ji = Cello molto lento rall BS Vin I — P Vin = U 2 sfeppp = ff) z e e— Via sfe-ppp : i) 2 es = Cello Sore =a oe ——————— rp eae Potro pop sae esa 2.56 rato e tumultueso »F ™ Vin i Vin 0 Via Cello = ee ' S rf ee, P. et ————— ft, _ ft i wie eee ™ Foe2 ” » yore, 0 Soa ees OD oS it ies ee tee Sen a cy —_—"n, om Vin =a mp F—P Vin Va Fae nn poe it Ppt mg IG Cello —+ 2.10 frenetic sy Vin I ————) I spetrale tan WEWi Fan te 0 ood ge ‘Sit tae ke 2 ene rr al ag elt re ning tater at oper toad Goa'habsiSig feached ofthe avant whi tage of ‘malate ees sand in hermice te be ple flo rae ies eee Frith te that “iP poe etreme” Iie eas athens wine SteinenstadY/ Wyhlen 1979/80