The trailer is in a non-linear narrative format, the events dont follow each other and arent in sequence, this is used to show glimpses from different episode across the upcoming new series of Hollyoaks. In terms of sound, the opening few shots have little dialect and background music before developing into a louder environment with fast paced music and lots of shouting and arguing between characters in the series. At the start of the trailer, everything seems peaceful and tranquil, there is a wedding which gives connotations of love and togetherness, this is the start of Todorovs Equilibrium theory, with it being normal at the start of the trailer before dis-equilibrium kicks in and the main characters relationships become fragile. The trailer also includes codes from Roland Barthes narrative theory. There are action codes where the bus is coming up behind one of the characters, this implies danger and we as the audience expect him to possibly be hit by it. The trailer also leaves an enigma code with the crashed car, it leaves an extra question for the audience as when we see the crash, and we expect to find out that one of the characters has been badly injured or possibly died. This is used as an open narrative to leave us on the edge and a cliff hanger for the actual series. We as the audience will want to watch to figure out what happened. The end of the trailer goes against Todorovs theory as there is no restored equilibrium, only questions left for the audience to ask. There are a few cultural codes within the trailer. For example with the marriage, they dont actually have to show the whole wedding, all they need to show is the bride walking down the aisle and expect the audience to understand a wedding is taking place. The crashed car can also work as a symbolic code for danger and recklessness (possibly drunk driving) arising new meanings for the series. In terms of camera angles and editing, a montage is used towards the end to show all the characters and their facial expressions in a matter of seconds, this shows the audience exactly which characters are expected to be seen in the series, with usually the characters appearing first in the montage being the main stars of the show. The montage also shows in detail the expressions and the majority of the characters look concerned and shocked, this makes the audience want to find out what they are looking at or what they have heard. Alex Metcalfe The extreme close up is used to really detail the faces. Non-diegetic background music is used throughout the trailer with it working with the trailer by speeding up as the scenes became more intense. The trailer begins with exposition before leading into development and then complication where the true feelings and relationships that were hidden now start to arise, leading through the montage to the climax of the car crash, the resolution is shown where the woman goes to softly kiss the man before the trailer comes to a close. There is also plenty of over the shoulder shots showing flowing back and forth conversation between characters. The codes and conventions of a soap opera trailer are all shown, such as multi strand narratives, situations from different points of view, exaggeration of issues, violence and aggressive nature and last of all stereotypical character. However, we are not shown one central location where the characters all meet, we are shown scenes in the household, the hospital and even a birds eye view in the middle of a field. There is personal identity and very informal language used such as slang and colloquial dialect, something that is often associated with soap operas.