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HOW TO
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P.67
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Zeiss
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FEATURES
52 BEYOND THE
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By Peter Kolonia
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HOW TO MAKE GREAT PICTURES MARCH 2014 VOLUME 78, NO. 3
MARCH 2014 POPULAR PHOTOGRAPHY 5 POPPHOTO.COM
NEXT
13 WE WANT THIS Panasonics
Leica-branded, Micro Four Thirds portrait
lens will definitely find a place in our studio.
14 JUST OUT Sonys newest Alpha,
a party printer, 35mm f/1.8 DX Nikkor,
updated Samsung ILC flagship, and more.
16 ROUNDUP The latest generation
of wearable cameras may suit your style.
SHARE
19 PHOTO CHALLENGE
A gaggle of high-spirited five-year-olds takes
this months (birthday) cake.
20 MY PROJECT He explores what
it means to be a fashion animal.
22 I, PHOTOGRAPHER On the
street where you live: a Google shooter!
24 LETTERS Your thoughts on aspect
ratios, dusty camera sensors, and Nikons
awesome D5300.
26 YOUR BEST SHOT A tiny
sea creature, lovely bouquet, and fleet of
beached boats win Marchs top prizes.
HOW
33 CREATIVE THINKING
Put on your thinking cap if you want to
succeed in photo illustration.
34 FIX IT FAST Flip the format to
energize a lackluster composition.
36 TRAVELING
PHOTOGRAPHER Visit Floridas
Sanibel Island for some of the countrys
best seashell, surf, and bird photography.
38 LIGHTING Try stroboscopic lighting
to supercharge your party pictures.
40 SOFTWARE WORKSHOP
Use Lightroom to make creatively satisfying
and surprisingly inexpensive photo books.
44 YOU CAN DO IT Discover how
the right background and lens can help
with extreme sports action.
LAB
67 DSLR TEST Nikon Df This retro
beauty has classic looks and cutting-edge
performance, but wheres the video?
72 ILC TEST Fujifilm X-E2 With
better color and res, this X cam rocks.
76 LENS TEST Zeiss Otus APO
Distagon T* 55mm f/1.4 ZF An ab-
normally large normal lens with style.
78 LENS TEST Rokinon 16mm f/2
ED AS UMC CS This well-priced APS-C
ultrawide could wean you from autofocus.
DONT MISS . . .
8 EDITORS LETTER
10 SHOWCASE
90 TIME EXPOSURE
94 BACKSTORY
POPULAR PHOTOGRAPHY (ISSN 1542-0337) (USPS 504-890), March 2014, Volume 78, Issue 3, is published
monthly by Bonnier Corporation, 2 Park Ave., New York, NY 10016. Periodicals postage paid at New York, NY and
additional mailing offices. Authorized periodicals postage by the Post Office Department, Ottawa, Canada, and
for payment in cash. POSTMASTER: Send address changes to Popular Photography, P.O. Box 420235, Palm Coast,
FL 32142-0235; www.PopPhoto.com/cs. If the postal service alerts us that your magazine is undeliverable, we
have no further obligation unless we receive a corrected address within one year. Publications Mail Agreement No.
40052054. Return undeliverable Canadian addresses to: IMEX, P.O. Box 25542, London, ON N6C 6B2. SUBSCRIP-
TION SERVICES: Visit www.PopPhoto.com/cs to manage your account 24/7.
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THE TOUGHEST FILTERS ON THE PLANET.
EDITORS LETTER
Its Not About Nostalgia
On the surface, the two cameras we subjected
to lab and feld tests this month have little in
common. The Nikon Df has the workings of a
top-of-the-line full-frame DSLR in a body that
harkens back to the classic flm SLRs of the 1970s;
Fujiflms rangefnder-style X-E2, while drawn on
familiar lines, wears its retro look less famboy-
antly than other APS-C-format interchangeable-
lens compacts in Fujiflms X series. The much
larger Nikon far outweighs the Fujiflm. And the two carry price tags about
$1,300 apart. Theyre certainly not meant to compete with one another.
Yet these two cameras have more in common than their sensors 16 mil-
lion or so pixels. In the larger scheme, both the Df and the X-E2 reward more
advanced photographers not only with the sheer quality of their images (in
terms of resolution, low noise, and color accuracy) but in the control and
fexibility they provideparticularly in their adaptablity to older lenses.
Nikon quite self-consciously designed the Df for the kinds of photogra-
phers who prefer hard (as opposed to menu-based) control of all of a cam-
eras exposure settingsand who may have legacy Nikkor glass that they
havent been able to mount directly on a digital camera before. In his test
report on page 67, Philip Ryan explains the mechanics of the Dfs backward-
compatible lensmount and the simple steps youll need to take to match
vintage lenses to this high-end DSLRs exposure system. Its too bad that
Nikon doesnt make a split-screen optical viewfnder anymorethis tool,
long ago standard in SLRs, makes focusing manually a snap.
Fujiflm, on the other hand, did not create the X-E2, tested on page 72, to
cater to lens collectors. Yet with the right adaptor, rangefnder optics from
other camera systems work very well on this mid-level ILC. (The X-E2 is not
unique in this compatibilityRyan often uses old rangefnder lenses on
ILCs, but they dont work with DSLRs.) In addition, Fujiflm made manual
focusing much easier by improving its focus-peaking system and creating a
digital split-screen setting for its electronic viewfnders.
By the way, manual focus isnt just for decades-old glass. Even autofocus
lenses generally allow manual override for critical focus, and DSLR videog-
raphy has opened up a new market for manual-only optics. In fact, both of
the lenses we tested this month focus solely manually.
The whole point of interchangeable-lens cameras, DSLRs and ILCs alike, is
the opening up of your optical options. Take advantage any way you can!
NEWSSTAND The Nikon Df flaunts its
classic good looks in Satoshis photo, but
this photographic tool, tested on page
67, is made for heavy use.
SUBSCRIBER Richard Bernabe shot this
dead camel thorn tree in the clay pan of
Deadvlei in Namibias Namib-Naukluft
National Park. Plan your tour, page 46.
POPPHOTO.COM 8 POPULAR PHOTOGRAPHY MARCH 2014
FOR CUSTOMER SERVICE AND SUBSCRIPTION QUESTIONS,
such as Renewals, Address Changes, Email Preferences, Billing and Account Status,
go to: PopPhoto.com/cs. You can also call 800-876-6636, email us at
popularphotography@emailcustomerservice.com, or write to Popular Photography, P.O.
Box 420235, Palm Coast, FL 32142-0235
EDITOR-IN-CHIEF MIRIAM LEUCHTER
ART DIRECTOR Jason Beckstead
SENIOR EDITOR Peter Kolonia
SENIOR EDITOR Dan Richards
FEATURES EDITOR Debbie Grossman
TECHNICAL EDITOR Philip Ryan
TECHNOLOGY MANAGER Julia Silber
ASSOCIATE EDITOR Matthew Ismael Ruiz
GROUP PHOTO EDITOR Thomas Payne
ASSISTANT PHOTO EDITOR Linzee Lichtman
DESIGNER Wesley Fulghum
EDITORIAL COORDINATOR Jae Segarra
CONTRIBUTING EDITORS Laurence Chen, Tim Fitzharris,
Lori Fredrickson, Ian Plant, Jeff Wignall
POPPHOTO.COM EDITOR Stan Horaczek
ASSISTANT ONLINE EDITOR Dan Bracaglia
IN MEMORIAM Herbert Keppler
EXECUTIVE VICE PRESIDENT ERIC ZINCZENKO
PUBLISHER ANTHONY M. RUOTOLO Anthony.Ruotolo@bonniercorp.com
ASSOCIATE PUBLISHER, MARKETING Michael Gallic
FINANCIAL DIRECTOR Tara Bisciello
PHOTO AND TRAVEL MANAGER Sara Schiano Flynn
NORTHEAST ADVERTISING OFFICE
Shawn Lindeman, Frank McCaffrey, Chip Parham
AD ASSISTANT Amanda Smyth
MIDWEST MANAGERS Doug Leipprandt, Carl Benson
AD ASSISTANT Lindsay Kuhlmann
WEST COAST ACCOUNT MANAGER Bob Meth
AD ASSISTANT Sam Miller-Christiansen
DETROIT ADVERTISING DIRECTOR Jeff Roberge
MANAGER Edward A. Bartley
AD ASSISTANT Diane Pahl
DIGITAL SALES MANAGER Adam Miller
ADVERTISING COORDINATOR Irene Reyes Coles
DIRECTOR OF CUSTOM SOLUTIONS Noreen Myers
GENERAL MANAGER DIGITAL BUSINESS DEVELOPMENT Shannon Rudd
DIGITAL OPERATIONS DIRECTOR Rochelle Rodriguez
DIGITAL CAMPAIGN MANAGERS Amanda Alimo, Wilber Perez
DIGITAL SALES MANAGER Elizabeth Besada
DIGITAL SALES COORDINATOR Mojdeh Zarrinnal
GROUP SALES DEVELOPMENT DIRECTOR Alex Garcia
SALES DEVELOPMENT MANAGERS Kate Gregory, Kelly Martin
GROUP CREATIVE SERVICES DIRECTOR Ingrid M. Reslmaier
MARKETING DESIGN DIRECTORS Jonathan Berger, Gabe Ramirez
ASSOCIATE ART DIRECTOR Sarah Hughes
DIGITAL DESIGN MANAGER Steve Gianaca
GROUP EVENTS AND PROMOTIONS DIRECTOR Beth Hetrick
PROMOTIONS AND EVENTS DIRECTOR Michelle Cast
ASSISTANT EVENTS & PROMOTIONS MANAGER Vanessa Vazquez
EVENTS COORDINATOR Christine Detris
CONSUMER MARKETING DIRECTOR Bob Cohn
RETAIL SINGLE COPY SALES: PROCIRC RETAIL SOLUTIONS GROUP Tony DiBisceglie
HUMAN RESOURCES DIRECTOR Kim Putman
PRODUCTION MANAGER Betty Dong
CORPORATE PRODUCTION DIRECTOR Jeff Cassell
GROUP PRODUCTION DIRECTOR Laurel Kurnides
CHAIRMAN Jonas Bonnier
CHIEF EXECUTIVE OFFICER Dave Freygang
EXECUTIVE VICE PRESIDENT Eric Zinczenko
CHIEF CONTENT OFFICER David Ritchie
CHIEF FINANCIAL OFFICER Nancy Coalter
CHIEF OPERATING OFFICER Lisa Earlywine
CHIEF MARKETING OFFICER Elizabeth Burnham Murphy
CHIEF HUMAN RESOURCE OFFICER Leslie Glenn
CHIEF BRAND DEVELOPMENT OFFICER Sean Holzman
VICE PRESIDENT, CONSUMER MARKETING John Reese
VICE PRESIDENT, CORPORATE COMMUNICATIONS Dean Turcol
GENERAL COUNSEL Jeremy Thompson
THIS PRODUCT
IS FROM SUSTAINABLY
MANAGED FORESTS
AND CONTROLLED
SOURCES.
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10 POPULAR PHOTOGRAPHY MARCH 2014
P
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R
Y
A
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SHOWCASE
*
NIKON Df
POPPHOTO.COM POPULAR PHOTOGRAPHY 11
I WISH I HAD A RIVER
Popular Photographys technical
editor, Philip Ryan, happened upon
this holiday projection on the side
of the Saks Fifth Avenue building
in New York City. Shot handheld at
night, the slow shutter speed led
to a funky effect for some of the
virtual skaters. Leaning against
a utility pole, he used the Nikon
Df and a 50mm f/1.8G Special
Edition AF-S Nikkor lens. The
exposure was 1/30 sec at f/4.5,
ISO 6400. For our full test of the
Nikon Df, see page 67.
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THE HOTTEST NEW STUFF AND THE TECHNOLOGY TRENDS BEHIND IT
AN 85MM lens, with its medium-
telephoto length and face-
flattering compression, sits high
on many a portrait photographers
list of go-to glassespecially when
PANASONIC
LEICA
42.5MM
F/1.2
Micro Four
Thirds format
Nine-blade
aperture
14 elements
in 11 groups
Power O.I.S.
$1,600, est.
street
panasonic.net
two aspherical, one ED, and
one UHR element. Stabilized by
Panasonics Power O.I.S. system,
it sports a Nano coating to reduce
ghosting and flare. Minimum
focusing distance is just 1.64 feet
with a 29-degree angle of view.
Expected to street for $1,600,
this lens sure looks pricey. But if
it performs as well as its sibling,
Panasonics Leica 25mm f/1.4,
were sure to be pleased.
WE WANT THIS
TINY
TELE
Panasonics ultra-fast
Leica portrait lens
it also has a large maximum
aperture to help blur out the
background. This Leica-badged
42.5mm Micro Four Thirds lens
from Panasonic is equivalent to
a full-frame 85mm, and with the
aperture opening up to f/1.2, its
among the brightest optics for
Panasonic and Olympus ILCs.
The 3-inch long, 15-ounce,
all-metal barrel houses 14 lens
elements in 11 groups, including
POPPHOTO.COM MARCH 2014 POPULAR PHOTOGRAPHY 13
14
15
SONYS LIGHT LITTLE ALPHA ILC
A NIKON PRIME THATS FAST AND WIDE
TAKE YOUR FINGER OFF THE SHUTTER
16
14 POPULAR PHOTOGRAPHY MARCH 2014
ONE
LINE
SONYS FIRST hint at the
merging of the NEX and Alpha
lines may have been the Alpha
7 and 7R, but with the release of
the new Alpha 5000, its official.
A natural progression from
the NEX-5 line, this E-mount
interchangeable-lens compact
sports a 20.1MP APS-C sensor
powered by Sonys BIONZ X
processing engine. With no
viewfinder, composing is done
on a tilting (90 degrees up or
Sony retires the NEX name
for new budget Alpha ILC
Sony Alpha 5000
$598, street, w/ 1650mm f/3.55.6 lens
store.sony.com
NEXT
*
JUST OUT
PARTY PRINTS
An instant Wi-Fi printer for smartphones
WANT TO BE the most popular
person at the party? Bring an
instant camera. But what about
the millions of photos we take
with our phones? Fujifilms
Instax Share SP-1 is a battery-
powered wireless printer that
makes 2.4x1.8-inch prints from
your smartphone photos.
Take a picture with the Instax
Share app on your smartphone,
and the printer spits out 254-
dpi prints on Fujifilm Instax
Mini instant color film about 16
seconds later. It has all kinds of
cool features for personalizing
your prints, and it can connect
to eight different phones at the
same time. Now thats a party!
down), 3-inch LCD.
The a5000 uses Near Field
Communication (NFC) to
connect to smartphones and
tablets via Wi-Fi. A suite of
Sony claims
the Alpha
5000 is the
lightest ILC
with Wi-Fi.
Fujifilm Instax Share SP-1
$200, estimated street
www.fujifilmusa.com
Liquid Shutter
To expose images
received by Wi-Fi
onto instant film, the
Fujifilm Instax Share
SP-1 uses an RGB LED
exposure light with a
liquid crystal shutter.
Commonly used in
3D applications, this
shutter consists of a
single pixel that turns
on and off, allowing
light to pass through
and react with the
developing chemicals
in the film.
INSIDE TECH
>
If $200
for that new
Fujifilm Instax
Share printer
seems steep,
try Polamatic
4.0, a $1 iOS
app that lets
you watch your
iPhone photos
develop.
>
If you want
to photograph
at any of the
83 city parks
throughout
Kansas, youll
now have to
fork over $50
for a 5-day
permit.
custom Sony PlayMemories
apps can be downloaded to the
camera, including a remote to
control shutter and exposure
settings from an iOS or Android
device with the app installed.
The a5000s 4-frames-per-
second burst rate isnt ideal for
sports or other fast subjects, but
the cameras sensor is sensitive
up to ISO 16,000 and captures
video at up to 1920x1080i60/p24.
Conveniently, the battery can
be charged in the camera using
a USB cable.
POPPHOTO.COM POPULAR PHOTOGRAPHY 15
full-frame equivalent boasts 11
elements in 8 groups, Nikons
Silent Wave autofocus motor,
and its Super Integrated coating
to reduce ghosting and flare. The
lens offers a 63-degree viewing
angle and focuses at 9.8 inches.
OVER THE past few years, Nikon
has steadily updated its lineup
of f/1.8G prime lenses. The most
recent, the 35mm f/1.8G ED, is
also the last, joining models at the
28-, 50-, and 85mm focal lengths.
Those lenses offer fast apertures
at reasonable price points, and
the 35mm is no differenta
comparable f/1.4 from Nikon
streets for $1,000 more.
Formatted for Nikons DX
(APS-C) DSLRs, this new 52.5mm
FAST AND WIDE
Nikon completes update of its f/1.8 primes
> GoPro is
getting its own
channel on
Microsofts
Xbox One
service this
spring, but will
eschew
user-generated
content in favor
of videos
commissioned
by the action
camera
company.
> AIMe is a
new camera
mount from
Jigabot that
uses a
beacon to
automatically
control the
positioning of a
mounted
camera.
> Adobes
Creative Cloud
has an update.
New features
include
Photoshops
new
Perspective
Warp, Linked
Smart Objects,
and
3D-printing
capabilities.
The update is
free for current
Creative Cloud
subscribers.
> Oh, the
places your
hidden camera
will go! A
falcon grabbed
an egg-shaped
camera, taking
an aerial video
of a penguin
colony. The
camera is
being used to
film BBC Ones
PenguinsSpy
in the Huddle.
THE NX STEP
Nikon 35mm f/1.8G ED
$597, street
nikonusa.com
MAKING SENSE OF NOISE
The European Union's Joint Research
Center recently won an award for a
research paper that explores the use
of sensor pattern noise to identify
the camera used to create an image.
Identifying a camera through noise
has been looked into in the past, but
the JRCs paper explores the ability of
law enforcement to use images shared
through social networks to identify the
owner of a specific camera.
THE LOWDOWN
THE NEW flagship of Samsungs
DSLR-styled line of ILCs, the
NX30 upgrades its predecessor,
the NX20, with a 20.3MP
sensor first seen in the
NX300. New features
include a pull-out,
tilting, 2,359K-dot
electronic viewfinder
paired with a swiveling,
tilting, 3-inch, 720x480-
pixel rear touchscreen.
Sensitivity ranges
from ISO 10025,600,
and its DRIMeIV processor
captures up to 9 frames per
second in continuous shooting
mode. Built-in Wi-Fi lets you use
your smartphone as a remote
viewfinder or transfer device,
and the latest Adobe Photoshop
Lightroom is included.
Shown here on the camera,
Samsungs new 1650mm f/2
2.8 S ($1,299, street, as a kit) is
even more interesting. Opening
up to f/2 at the wide end, its the
fastest ILC zoom lens available.
A new Samsung NX
body and speedy zoom
Samsung NX30
$999 with 1850mm f/3.55.6 OIS
www.samsung.com
All About Me
MeFinder app for iOS
Appealing to the
narcissist in all of us,
Kooboodles MeFinder
app automatically finds
photos of you on your
friends devices and
makes it easy to swap
them for your pictures
of your friendsor hunt
down pictures you want
deleted. The app has you
photograph yourself, then
invites your friends to join.
If they accept, it scans
their phones for pictures
of you (and vice versa).
After they are identified,
the app transfers the
photos between phones.
Visit mefinderapp.com to
sign up for early access.
POPPHOTO.COM
>Hasselblad
announced
its new
50-megapixel
H5D-50c
medium-
format
camera, the
first medium-
format model
to use a
CMOS sensor.
> A group of
Brigham Young
University
students are
aiming to
turn human
vanity into
charity with
SelfiePolice, a
movement that
encourages
people who
post selfies to
donate $1 to
the education
charity Vittana.
> Fujifilm
celebrated its
80th birthday
with a teaser
image of
its newest
X-mount ILC,
a DSLR-styled
model with
lots of physical
dials and
buttons. Be
sure to check
next months
Pop Photo for
more details.
> Nikon
recently
announced
that it has
produced more
than 85 million
lenses for its
full range of
interchange-
able lens
cameras.
FOR DSLRS that can capture
4K video (Canon EOS-1D C)
or massive RAW files (Nikon
D800), a fast, high-capacity
memory card is an essential
tool to get the job done.
Lexars newest CompactFlash
cards fit the bill, claiming
theoretical transfer speeds
of up to 160MBps (1066X) in
capacities up to 256GB ($970)
and up to 120MBps with the
800X 512GB ($1,500) cardsfast
enough for painless transfer
of a card full of 50MB RAW
files or 4K video. Lexar also
announced 3333X CFast 2.0
cards in capacities up to 256GB,
but youll have to wait a bit to
use onethere are currently no
camera models on the market
that utilize the brand-new
CFast 2.0 specification.
Lexars new CF cards bring
speed to high capacity
TOOLBOX
500MBps
SOURCE: Lexar
Looxcie 3
$
100 Connect this 1.8x1.8-inch square to the
Internet via Wi-Fi, and you can livestream video directly to Facebook. It
records up to 1.5 hours of HD video at 1920x1080p30 directly to its
internal memory, but also takes micro SD cards as large as 64GB.
Panasonic HX-A100D
$
224 The most action-cam-
like model of the bunch, the HX-A100D has a lens that connects
by cable to the rest of the unit, allowing for creative placement. It
provides a very wide 160-degree angle of view.
Narrative
$
279 This clip-on camera captures two geotagged
photos per minute, recording orientation data that allows for upright
viewing regardless of how it is arranged on your body. Photos are
stored in the cloud and viewed via an iOS or Android mobile app.
Vergence Labs Epiphany Eyewear
$
299
At first glance, the Epiphany appears to be a pair of spectacles.
But the frames hide a discreet camera, USB port for charging
and transfer, and a button to adjust the tint of the eyeglasses.
Autographer
$
399 Meant to be worn around the neck,
the Autographer has five sensors that are meant to detect when you
are doing something interesting, then automatically take a photo. It
connects to smartphones via Bluetooth and computers via Wi-Fi.
Google Glass
$
1,500 This augmented-reality device is
essentially a limited-edition prototype of a wearable smartphone. The
camera can be triggered by voice, capturing video or stills
while using a heads-up display for directions and controls.
WE LOVE action cameras for their versatility and durabilitythey
go places most cameras cannot. But they are rarely discreet,
and typically unsuitable for all-day use. Now, a new breed of
wearable cameras has come to market, designed to ensure you
never miss another shot. Here are a few of the latest models:
1.2
MBps
transfer rate of its 8X CompactFlash
cards, released in 1999
transfer rate of Lexars new
3333X CFast 2.0 cards
HIGH
SPEED
16 POPULAR PHOTOGRAPHY MARCH 2014
NEXT
*
ROUNDUP
EYE WEAR
BACK-UP STORY
Photos taken with
the Narrative are
automatically stored
on company servers.
Access is free for the
first year.
www.tamron-usa.com
One step beyond
SP 150-600mm
F/5-6.3 Di VC USD
Capture clear, sharp images all the way to 600mm. With advanced optical
technology, Ultrasonic Silent Drive autofocusing and Vibration Compensation,
our stylish new zoom can take you closer to the extraordinary.
Model A011
For Canon, Nikon and Sony* mounts
*Sony mount without VC
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Focal Length: 600mm; 1/100 sec.; F/9; ISO 800
The Sony Imaging Edge Food and Photography
workshop held from November 15-17, 2013 in
Charleston, South Carolina, was denitely an
experience you could sink your teeth into. Popular
Photography and Saveur magazine created a 3-day
food and photography event that combined the joys
of ne and casual dining, one-of-a-kind Chefs Table
cooking demonstrations, and personalized hands-on
photography instruction.
The event began with presentations by Sony Artisan
of Imagery photographer Andy Katz and noted Saveur
food photographer Ariana Lindquist. The workshop
commenced with a photographic walking tour using
the Sony NEX-3N to capture Charlestons famed Historic
District. A meet and greet followed and dinner was
held at the acclaimed High Cotton Restaurant where
everyone took mouth-watering shots of the exquisitely
presented food before enjoying it.
The next day, the group headed for Charleston
Farmers Market to select and photograph fresh
ingredients to create their Snapper Crudo Salad.
Local Chef Robert Berry provided hands-on
instruction at Le Creuset Kitchen. After lunch there
was a review session with workshop photographers
who gave feedback on images. Later that evening,
a Low Country inuenced dinner was prepared
with Chef Craig Deihl, executive chef of Cypress
Restaurant. After preparing the meal everyone used
their Sony NEX-3N to capture the perfect shot of
the dinner.
The last day of the workshop included a visit to
the historic Magnolia Plantation to photograph the
impeccably landscaped gardens and plantation.
The workshop concluded with a delicious brunch
at The Grocery Restaurant before everyone said
goodbye to this unique and delectable city.
A LOOK BACK AT A DELICIOUS PHOTO EXCURSION
In partnership with
- April Taylor, Philadelphia, PA or, P or, P
I have been on a number of
photography tours and work-
shops and I would rank
this one as one of the very best.
The weekend exceeded all of
my expectations gourmet food,
one of a kind Chefs Table
cooking demonstrations, and
personalized photography
instruction! The culinary
experiences, photography
excursions, and all
arrangements were expertly
arranged and trouble-free.
MJ Green
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www.imagingedge.com/workshops
CHARLESTON, SOUTH CAROLINA
PROMOTION
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BESTIAL HUMAN PORTRAITS
GOOGLES STREET VIEW WIZARD
YOUR BEST NATURE SHOTS
MARCH 2014 POPULAR PHOTOGRAPHY 19 POPPHOTO.COM
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CONVERSATION, INSPIRATION, CONTESTS, AND YOUR QUESTIONS ANSWERED
ALL
SMILES
An uncle captures his familys
winning expressions
PHOTO CHALLENGE
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JUN ROJAS wanted a group portrait
of his nieces and nephews but was
looking for a new angle. I didnt
want to photograph them in a stu-
dio where they would look posed,
he says. It should look natural. So
the 46-year-old operations man-
ager from Iloilo City, Philippines,
took a different perspective.
Rojas made
minor
adjustments
to his scanned
original
in Adobe
Photoshop
CS5 and
Lightroom 3.
away, he attached a Speedlite
380EX II to his Canon EOS Elan II
to fll in the afternoon shadows.
He called out, the kids looked up,
and the exposure (1/125 sec at
f/5.6 on Fujiflm Superia 100 flm)
met our challenge for great group
portraits. Matthew Ismael Ruiz
Rojas set the children up on
the lawn at his sisters house,
plying them with burgers and
spaghetti as he took his camera
up to the veranda for a birds
eye vantage point. Zooming his
2880mm f/3.55.6 II Canon EF
lens wide as the kids munched
In You Can Do It (Tree Topper page 44), Scott Markewitz captures a mountain biker
against an elegant background. Show us your action shots with beautiful backgrounds
by March 31you could win $100, and your photo here. Rules: PopPhoto.com/contests.
Animal Instinct
Miguel Vallinas
is based in
Medina del
Campo, Spain.
See more
work at www.
miguelvallinas.
com.
AFTER COMPLETING Skins, a
portrait series of people in their
work attire, advertising and
industrial photographer Miguel
Vallinas pondered ways to
capture the different sides of
human nature. One day, hanging
out with his dog Leo, Vallinas
had the idea to capture his pets
human side by compositing it
with a self-portrait, giving birth to
his next series, Second Skins.
The idea is, If you were a
rabbit, what would you wear?
How would you pose? posits
Vallinas. Forty or so composites
later, he had created personalities
ranging from the average pigeon
to exotic beasts.
The Spanish photographers
initial subjects included both
live animals, scouted and
photographed from farms
in the local countryside, and
taxidermied animal heads
belonging to private owners or
Cross-species dressing
in composite images
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20 POPULAR PHOTOGRAPHY MARCH 2014
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MY PROJECT
the University of Vallodalids
collection. After photographing
these on location, Vallinas would
go back to the studio and choose
a suitable outfit for each animal.
He photographed either his wife
Leticia or a friend wearing the
clothes, then composited the two
images together.
To get an accurate composite,
all of the technical details of the
two photos had to match, which
took a lot of trial-and-error. He
photographed both the animals
and the humans with a Canon
EOS 5D and 24105mm f/4L
Canon EF lens. He used sunlight
on farms and a single side light
and reflector to soften shadows
when shooting taxidermied
subjects indoors.
Vallinas also kept the lighting
simple in the studio, using only
a single strobe and reflector.
Positioning these and his tripod-
mounted camera proved trickier,
and he always had to refer to the
initial animal photo. Finding the
angle and distance is the hardest
part, he says. First hed set the
correct tripod height, then adjust
placement of the equipment. The
models pose also needed to suit
the angle of the animals head.
The photographer also did a lot
of finessing in Adobe Photoshop
CS6, mainly to line up the animal
and the neckline. Reproducing
the shadows between the clothing
and the animal skin is the most
delicate part, Vallinas says.
He is happy with the results: It
shows possible personalities not
available to us humans.
Lori Fredrickson
Vallinas
created the
more than
40 images
that make up
Second Skins
between the
summer of
2012 and
spring of 2013.
POPPHOTO.COM POPULAR PHOTOGRAPHY 21
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its all ingested. The computer
uses machine learning to
automatically detect what needs
to be blurred for privacy. We help
it along by doing some image
enhancements like HDR and
noise reduction. Whats difficult
is compensating for differences in
exposure between the cameras.
How do you stitch all the
images together? We have
the luxury of a fairly fixed
configuration. The lenses are
fixed focus, adjusted individually,
and locked in place. We make
sure to orient the lenses precisely
so we only have one step of
calibration. We measure the
precise angle of all the cameras
in relation to each other. The
full rosette is then calibrated for
camera-to-camera positioning,
camera image space overlap,
and color, so you can take your
resulting rectangular image
and paste the pixels from the
different cameras into the right
spot. And that's very simple.
Right, simple. How do you add
navigation to the images? We
have petabytes of dataevery
block or so equates to around 10
megabytes after compression. We
complete 3D from laser data and
sometimes, from the imagery,
add the arrows and other things
youll see around the image. We
run optimizers for the GPS data
as well as all the sensors, such as
the accelerometer data and the
speed of the car.
Is there room for human
photographers in Street View?
We train trusted photographers
for a project called Google
Business Photos. They market
their services and shoot Street
View-like pictures inside small
businesses, which get published
in Google Maps, Street View-style.
Interview by Elbert Chu
SHARE
*
I, PHOTOGRAPHER
POPPHOTO.COM 22 POPULAR PHOTOGRAPHY MARCH 2014
How did you get involved in the
Google Street View project?
I was originally part of Googles
optical character recognition
efforts because of my machine
learning and computer vision
background. I joined an early-
stage project to capture large
amounts of street-level imagery.
We launched Street View in 2007,
and now Im an engineering
director in charge of the project.
What are your cameras like,
and who operates them? Our
camera captures 75 megapixels
actually shot by 15 cameras that
are 5MP each, equipped with
5.1mm lenses with fixed f/2
apertures. Thats roughly 65MP
after we remove overlap regions.
We secure the camera rig on small
cars by racks usually used for
bicycles or skis, outfitted with a
custom baseplate. We source local
drivers who know the streets well.
There are simple instructions
you know, avoid drive-throughs.
We lost a few cameras like that.
How do you obscure the
addresses and faces? The
drivers ship the hard drives of
images to data centers where
Luc Vincent
is an
engineering
director
at Google,
based in its
Mountain
View, CA,
office. You
see the
result of his
teams work
whenever
you use the
Street View
function of
Google Maps
at maps.
google.com.
Googles Eye
Luc Vincent leads the Street View team,
with its robot and human photographers
Extra Wide
The Right Ratio (Tech Talk, February 2014)
and Did You Know [in Februarys HOW
section] covered a lot of ground on aspect
ratios. One Ive used, the cinematic aspect
ratio of 2.39:1, can do some interesting things
for a landscape photo. Give it a try!
Wayne Woodruff
Chalfont, PA
IT IS ALWAYS interesting to see
new and unusual ways to create
images. However, Light Show
(You Can Do It, February) presents
one significant issue: even though
you did say to keep the body cap
in place when not shooting, I still
question leaving a sensor exposed
to the dust in the air when making
exposures that can be more than
10 seconds long. I have spent
enough time and money keeping
my sensors clean, and the thought
of leaving it unprotected for more
than a few seconds gives me
nightmares. William Ruting
Lyons, IL
I JUST RECEIVED my February
issue in the mailgreat stuff,
as always.The Showcase image
of the upper stages of the
Saturn V rocket caught my eye
immediately. I was impressed
with the clarity and depth of field
that the Nikon D5300 captured in
such a relatively low-light setting,
and the exposure data1/250 sec
at f/13, ISO 6400seemed about
right for a spot-lit subject in an
otherwise darkened museum
space. I was interested to see the
D5300 review later in the issue.
Imagine my surprise when I got
to the test results and saw that
the cameras noise rating at ISO
6400 was Unacceptable. Im left
to conclude that either the rocket
shot was subjected to a lot of noise
reduction in postprocessing or
that theres a serious disconnect
between the lab test results criteria
and the real world. Still, its a really
nice picture. Mike McKeller
Fircrest, WA
EDITORS NOTE: For our print edition,
we convert images to CMYK and run
them at lower res than you would see
at the full image size. This reduces
the appearance of noise. Also, our
Unacceptable rating is tough, and the
D5300 barely exceeded it at ISO 6400.
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199
can perform another useful
function. The club owners who
hire me want the venues to look
busy and crowded. To do that,
I have to minimize any empty
space between people, he says.
Because each stroboscopic pop
produces a separate exposure,
For more
of Joyces
club photos,
visit www.luke
joycephoto
graphy.com.
STROBOSCOPIC FLASH lighting
has lots of great uses, not the
least of which is stoking your
creative juices. Its most often
used to capture movement, as in
the classic multi-pop renderings
of golf swings or pirouetting
dancers. As Luke Joyce, a music
performance shooter from
Belfast, Ireland, knows, when
shooting events that draw
crowds, stroboscopic lighting L
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When it comes to crowds, think stroboscopic
38 POPULAR PHOTOGRAPHY MARCH 2014
*
LIGHTING HOW
RAVE LIGHTING
Using the
clubs
strobes as
a main light
source, Joyce
handheld this
exposure for
0.8 sec at ISO
500 (aperture
unrecorded).
individuals can appear two or
three times in a single image, if
only as a blur. These multiple
images can fill any empty space,
exaggerating both the size and
energy of a crowd.
Joyce will sometimes produce
his stroboscopic lighting with an
on-camera flash. For this shot,
though, that wasn't necessary.
Being a regular at this club, I
know the lighting technician
well. These guys can really help
you if youre struggling with the
lighting, says Joyce. At this event,
the technician indicated whenever
the rooms numerous strobe lights
would fire. It gave Joyce time to
position himself, open the shutter,
and wait for the strobe blasts.
Using the clubs strobes made
for a larger and more even light
source than my on-camera flash
could have produced, says Joyce.
Other tips for stroboscopic flash:
photogenic.com
PHOTOGENIC
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Make remote shots as convenient as
studio work with the new Photogenic ION...
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NIKON DF
LAB
*
DSLR TEST
price point, with these capabilities,
two slots would make more sense.
The Bottom Line
If you have a stash of older Nikon
glass, especially non-AI lenses,
the Df is pretty much your only
DSLR option without having your
lenses modified. If you dont have
old glass, you may be better served
by the D610, which will save you
enough money for another lens. Of
course, that means youll miss out
on the Dfs unique stylebut only
you can decide how much that
matters to you. Suffice it to say
that this still imaging machine
has all the flair and prowess
most advanced enthusiasts could
ever want. Philip Ryan
Don't like
compressed
JPEGs but
don't want
to mess
with RAW
conversion?
The Df
lets you
shoot TIFFs
instead.
change DSLR settings, it took a little
practice before using the Dfs many
dials became second nature. Then
we recalled what we love about
dials: You can adjust them without
having to turn the camera on, and
check all your settings when the
camera is off. Dials also make it
easier to change settings without
lookinga few click-stops around
will get you any setting you want.
Its pretty easy to use older lenses
on the Df. Nikons Automatic
Maximum Aperture Indexing (AI)
system, introduced in 1977, uses a
ridge on the rear of the lens barrel
to engage a coupling lever on an
AI camera. On early AI bodies, this
lever was retractable, but not on
later ones, causing damage with
non-AI lenses. But on the Df the
coupling lever retracts, letting us
use our non-AI 50mm f/1.4.
For a correct meter reading
with such a lens, you set your
aperture using the front command
dial and turn the aperture ring
on the lens. This adds a step in
shooting, but it opens up lots
of fun lens options for the Df.
Indeed, with any lens without
electronics (a.k.a. non-CPU lenses),
youll also have to give the Df
some information so the meter
functions properly: In the setup
menu, select Non-CPU Lens
Data and input the focal length,
maximum aperture, and whether
its an AI or non-AI lens. It stores
info on up to nine such lenses.
After focusing manually with
our old lens, we yearned for a split-
image focusing screenalas, there
is no such option for the Df.
Switching back to a current lens,
we enjoyed the Dfs 3D tracking
autofocus, which kept up well
with the cameras 5.5-fps burst
speed. You can shoot up to 25
uncompressed 14-bit RAW frames,
21 full-size TIFFs, or more than 100
JPEGs per burst before the buffer
fills. Too bad the Df has only one
SD card slot. For a camera at this
POPPHOTO.COM POPULAR PHOTOGRAPHY 71
FULJIFILM X-E2
LAB
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WHATS HOT
FUJIFILM X-E2
Extremely High image quality
No remote camera control with Wi-Fi
Mid-level mirrorless shooters.
WHATS NOT
WHO ITS FOR
IF ANY CAMERA maker can be
credited with making the retro
rangefnder style so popular in
recent years, its Fujiflm. Ever
since the company created the
X100, the frst model in the X sys-
tem, the company has been at the
center of this style revolution.
The latest such camera, the
X-E2, is an update to the X-E1. It
has the same pixel count, 16.3MP,
but uses the X-Trans CMOS II sen-
sor found in the X100s in place of
the frst-generation X-Trans chip
of its predecessor. Fujiflm also
made some subtle but helpful
changes to the cameras controls
and added Wi-Fi image sharing.
We subjected the X-E2 ($999,
street, body only; $1,399 with
1855mm f/2.84 Fujinon XF R LM
OIS lens) to our rigorous analysis
in the Popular Photography Test
Lab and hands-on feld use to see
how the camera stacks up.
In the Test Lab
With more accurate color repro-
duction than its predecessor and
slightly more resolving power,
the X-E2 earned an overall image
quality rating of Extremely High
from its lowest sensitivity of ISO
100 through ISO 400, missing an
Excellent rating due to resolution
numbers just shy of 2500 lines.
As was the case in both the X-E1
and X100s, the X-E2 wont let you
shoot RAW images at ISO 100,
12,800, or 25,600. At those settings,
its JPEG or nothing. We therefore
conducted our tests on JPEGs
FUJIFILM KEEPS THE
LOOKS AND BOOSTS
THE IMAGING
X Upgrade
72 POPULAR PHOTOGRAPHY MARCH 2014
SHOWN WITHOUT LENS
TEST RESULTS
IMAGE QUALITY ISO 100400
POOR EXCELLENT
EXTREMELY HIGH
RESOLUTION ISO 200
POOR EXCELLENT
1500 2000 2500 3000 3500 4000
EXTREMELY HIGH 2475
COLOR ACCURACY
HIGH EXCELLENT
EXCELLENT 6.2
HIGHLIGHT/SHADOW DETAIL
LOW EXTREMELY HIGH
VERY HIGH
CONTRAST
LOW EXTREMELY HIGH
HIGH
UNACCEPTABLE EXTREMELY LOW
3.0 2.5 2.0 1.5 1.0 0.5
NOISE AT ISO
EXTREMELY LOW 0.7
VERY LOW 1.3
LOW 1.9
1600
3200
eUNACCEPTABLE 6.4
eUNACCEPTABLE 4.9
eUNACCEPTABLE 3.6
eUNACCEPTABLE 3.5
eUNACCEPTABLE 4.3
6400
12,800*
25,600*
100*
200
400
800
for those settings, and used our
normal method of testing RAW
images converted (in the supplied
software) to uncompressed TIFFs
for ISO 200 through ISO 6400.
Despite their equal number of
pixels, the X-E2 beat the X-E1 in
our resolution test, providing 2475
lines per picture height at ISO
200, about 100 lines more than its
predecessor. So the X-E2 gets an
Extremely High rating here and
remained in this ratings band
through ISO 6400, where it turned
in 2300 lines. At ISO 12,800, JPEGs
yielded 2175 lines, while JPEGs at
ISO 25,600 turned in 2075.
In our noise test, the X-E2 kept
to a Low or better rating up to
ISO 400. From there, noise rose
quickly to a Moderate rating at
ISO 800 and then Unacceptable
at ISO 160025,600. This is very
similar to what we saw in our test
of the X-E1, though that camera
fared a little better at ISO 1600
and a little worse at ISO 400.
From the test results, it seems
the X-E2 applies more noise
reduction to the JPEGs than the
RAW converters default noise-
reduction settings apply to the
RAW images. To Fujiflms credit,
though, its programmers varied
the defaults, notching up the
noise reduction on images at ISO
16006400. Of course, you can
decide how much NR to apply to
your fles during RAW conversion.
Mimicking the X100s, the X-E2
reproduced color very accurately.
It earned an Excellent rating with
an average Delta E of 6.2.
In the Field
The X-E2 retains its predecessors
solid-feeling metal body and,
while some buttons functions
have changed, the layout has not.
The camera still has a nice,
understated, rubberized grip on
the front. It wont give you as
secure of a hold as a big DSLR,
but this is not meant to be a big
DSLR, and it never felt as if it
would fall out of our hands dur-
ing feld testing. The indentation
on the front of the grip and the
plastic ridge on the back for your
thumb provide all the leverage
you need to angle the camera
when using any of the X-series
lenses or most wide or normal
primes you might mount using
an adapter. Large teles would
likely feel ungainly.
Of the relocated controls,
we were happiest with the
autofocus button moving to the
right side of the camera back,
just below the Menu/OK but-
ton; you no longer have to take
your left hand away from the
lens when changing AF points.
Since the standard manual-focus
assist zooms in on the currently
selected AF point, this came in
very handy when we mounted a
Canon 50mm f/1.2 Leica screw-
mount lens via an adapter: We
kept one hand on the lens, did
everything else we needed with
the right hand, and got a shot
quickly, painlessly, and in focus.
X-series cameras arent actu-
ally rangefnders, though the
newer ones, including the X-E2,
include a nifty digital split-image
manual-focusing aid. This func-
tioned just as well as it did in the
X100s, proving very helpful. Focus
peaking is also on hand, and can
be set to High or Low sensitivity.
(High-contrast lenses might work
best at the Low setting; older
glass from other systems, like our
50mm Canon, might need High.)
Fujiflm replaced the X-E1s
View Mode button with the quick
menu button and flled the lat-
ters space with the autoexposure
lock buttonnow separate from
the autofocus lock button, which
is helpful for anyone who doesnt
want to have to choose between
the two. ISO still doesnt techni-
cally have a dedicated button, but
the default for the assignable Fn
button next to the shutter release
is ISO, and we left it that way for
the majority of our feld testing.
Video from the X-E2 was pleas-
ing but exhibited more moir
than weve seen from some other
cameras that similarly lack anti-
aliasing flters. But we still think
casual video shooters will be
pleased with the footage.
Burst shooting tops out at 3
The X-E2 can
capture
high-
definition
video, but
access to
the movie
mode is
hidden away
in the Drive
Mode menu.
*BASED ON JPEG OUTPUT FROM THE CAMERA
POPPHOTO.COM POPULAR PHOTOGRAPHY 73
MODERATE 2.7
a 56mm f/1.2 lens with a feld of
view roughly equivalent to an
85mm lens on full frameideal
for portraits. Meanwhile, Zeiss
has also announced a 50mm f/2.8
macro for the X mount to accom-
pany its other Touit lenses.
For shooters looking for a
rangefnder-like experience
without shelling out the GDP of
a small island nation for a Leica,
the Fujiflm X-E2 is a great place
to start. Philip Ryan
Because the
flange back
distance of
the Fujifilm
X system is
so short,
many
rangefinder
lenses that
can't be
adapted for
SLRs can be
adapted for
use on the
X-E2.
IMAGING: 16.3MP effective, APS-C-sized
X-Trans CMOS II sensor captures images
at 4896x3264 pixels with 14 bits/color in
RAW mode
STORAGE: SD, SDHC, SDXC slot stores
JPEG, RAF RAW, RAW + JPEG files
BURST RATE: Full-sized JPEGs (Fine
mode): 3 fps up to card capacity; RAW:
3 fps up to 8 shots; RAW + JPEG: 3 fps
up to 8 shots when using a Class 10 or
higher memory card
AF: TTL contrast and phase detection
with 49 selectable focus areas; single-
shot and continuous AF with face
detection and subject tracking
VIEWFINDER: Eye-level 2,360,000-dot
0.5-inch OLED
SHUTTER SPEEDS: 1/4000 to 30 sec,
plus B (in 1/3-EV increments); shutter life
not rated
METERING: TTL metering with 256-zone
Multi (evaluative), centerweighted, spot
(approximately 2% of the frame at center)
ISO RANGE: ISO 2006400
(in 1/3-EV increments); ISO 100, ISO
12,800, and ISO 25,600 JPEG only
VIDEO: Records at up to 1920x1080p60
in H.264 format; built-in stereo
microphone; 2.5mm stereo mic input;
maximum clip length 14 minutes at
1920x1080 or 27 minutes at 1280x720
FLASH: Built-in pop-up; GN 23 (feet, ISO
200); flash sync to 1/180 sec; wireless
flash control with Fujifilm external flashes
MONITOR: Fixed 3-inch TFT LCD with
1,040,000-dot resolution; 11-step
brightness adjustment
BATTERY: Rechargeable NP-W126 Li-ion,
CIPA rating 350 shots
SIZE/WEIGHT: 5.1x2.9x1.5 in., 0.8 lb
with a card and battery
STREET PRICE: $999, body only; $1,399
with 1855mm f/2.84 R LM OIS lens
INFO: www.fujifilmusa.com
SPECIFICATIONS
frames per second with full AF
and metering between each shot.
Thats not super fast, but given
that rangefnder-style cameras
generally arent designed for
action, we werent expecting very
fast bursts. Plus, you can amp
that up to a speedy 7 fps if you
ditch AF between shots.
The X-E2 improved on the
X-E1s focusing speed, thanks
perhaps to the embedded phase-
detection points on the new
sensor. Still, its about average for
a mirrorless camera. We never
felt particularly hampered by
this, but we also werent trying to
shoot action-packed sports. Fuji-
flms own lenses provided faster
AF than the Zeiss Touit primes we
also used on the camera.
We found the X-E2s Wi-Fi
capability limited, though simple
to use. You can very easily and
quickly transfer an image from
the camera to your phone, but
you cant control the camera
remotely. Given how prevalent
this capability has become in
Wi-Fi-capable cameras, we think
Fujiflm should add remote
control. (Its likely something that
can be added with an update to
the app, and possibly a frmware
update to the camera.)
The Bottom Line
We defnitely appreciate the
improvements Fujiflm made over
the X-E1, but depending on your
style of shooting, they might not
compel X-E1 owners to run out
and replace their cameras. Shoot-
ers looking for a new alternative
to a DSLR should be pleased,
though. Fujiflm continues to add
appealing lenses to its cadre of
glass. Most recently, it unveiled
74 POPULAR PHOTOGRAPHY MARCH 2014
FULJIFILM X-E2
LAB
*
ILC TEST
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THE ZEISS Otus APO Distagon T*
55mm f/1.4 ZF (Nikon) and ZE
(Canon) large-aperture, full-frame
normal lenses are the largest
and among the most expensive
lenses in its class. While the
$3,999 street price induces sticker
shock, it calmed us to recall that
it still costs several hundred
dollars less than the comparable
(but much smaller) Leica 50mm
f/1.4 Summilux-M. Justifying
its expense, the Zeiss offers
an aspheric element for edge
sharpness and expensive low-
dispersion glass used to control
color fringing.
In the hands, this all-metal,
manual-focus lens is positively
massive. It weighs more than
twice the average for a full-frame
50mm f/1.4, heavier even than
some tele primes. Whereas most
50mm f/1.4s take 58mm filters, its
threading is for 77mm filters. The
finish is a silky matte black.
In field tests, we liked the very
long manual-focus turning radius
for its precise (if not speedy)
focusing. Like all f/1.4 glass,
because its depth of field is so
shallow, it can be difficult to get
(and keep illuminated) a cameras
focus-confirmation alert. Its
smooth, rubberized manual-focus
ring turns easily and evenly, and
its subject distance scales are
bright yellow and large enough to
read from across the room.
On our optical bench, the Otus
offered the highest SQF numbers
of any of the six recently tested
Zeiss manual-focus primes.
Similarly, it outdid all comparable
recently tested autofocus lens
except the Sigma 50mm f/1.4 EX
DG, which edged its way past the
Otus to the top of the sharpness
hill for normal lenses. The
manual-focus Leica 50mm f/0.95
Noctilux-M similarly edged the
Otus slightly in SQF, but youll pay
$10,000 for one of those puppies.
In DxO Anaylzer 5.0 tests of
distortion control, however,
this Zeiss reigned supreme.
It topped the Canon, Nikon,
Noctilux-M, Sigma, Sony, and
other Zeiss 50mm f/1.4s by a level
of magnitude. The Otuss barrel
distortion numbers fell in our top
Imperceptible range; all the others
produced Slight-range distortion.
Vignetting to f/2.5, the lens also
outperformed all other (tested)
50mm f/1.4s in edge falloff, with
the exception of the Zeiss Planar
T* 50mm f/1.4, which showed
vignetting only to f/2.
Obviously designed for superior
sharpness and contrast, without
regard to size, weight, or price, this
lens is among the most impressive
glass ever mounted on Popular
Photographys optical bench. The
Zeiss Otus 55mm f/1.4 is a rare
bird; one that even without
autofocuscould attract and
then faithfully serve any Canon or
Nikon photographer. Julia Silber
With its
Otus 55mm
f/1.4, Zeiss
continues
its recent
practice of
giving its
lenses avian
appelations.
The APS-C
Touits are
named for
a parrot,
and otus is
a genus of
owls.
Big Bird
SPECIFICATIONS
55MM (54.48mm tested), f/1.4 (1.47
tested), 12 elements in 10 groups. Focus
ring turns 240 degrees
DIAGONAL VIEW ANGLE: 43 degrees
WEIGHT: 2.32 lbs FILTER SIZE: 77mm
MOUNTS: Canon AF, Nikon AF
INCLUDED: Lenshood
STREET PRICE: $3,999
WEBSITE: zeiss.com
TEST RESULTS
DISTORTION: 0.09% (Imperceptible) barrel
LIGHT FALLOFF: Gone by f/2.5
CLOSE-FOCUSING
DISTANCE: 19.5 inches
MAXIMUM MAGNIFICATION
RATIO: 1:6.34
Size 5x7 8x10 11x14 16x20 20x24
1.4 97.2 96.4 94.3 89.9 84.3
2.0 97.3 96.5 94.5 90.3 85.0
2.8 97.7 97.0 95.3 91.8 87.5
4.0 98.0 97.4 96.0 93.2 89.7
5.6 98.1 97.5 96.1 93.4 90.2
8.0 97.9 97.2 95.7 92.7 88.9
11.0 97.4 96.6 94.7 90.9 86.2
16.0 96.7 95.7 93.3 88.3 81.9
A+ A B+ B C+ C D F
KEY
55
MM
NEW ZEISS NORMAL
IS ABNORMALLY LARGE
WHATS HOT
ZEISS OTUS APO DISTAGON T* 55MM F/1.4 ZF
Optically exceptional
Heavy, expensive
WHATS NOT
WHO ITS FOR
Canon & Nikon shooters who value
optical excellence above all else.
4
.
7
3
i
n
.
3.63 in.
ZEISS OTUS APO DISTAGON T* 55MM F/1.4 ZF
LAB
*
LENS TEST
AMATEUR PRO
76 POPULAR PHOTOGRAPHY MARCH 2014 POPPHOTO.COM
1.26 in.
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THE ROKINON 16mm f/2 ED AS
UMC CS for APS-C bodiesthe CS
stands for cropped sensoris
made by the South Korean firm
Samyang, which manufactures
lenses under several different
brand names. This high-speed
ultrawide is available in 10 (!)
different mounts, with street
pricing that ranges from $449 to
$499, depending on the mount.
It joins a growing line of nearly
a dozen Rokinon high-speed,
manual-focus primes that
include additional ultrawides,
fisheyes, standard-range teles,
tilt/shift, and cine lenses.
Although it has no autofocus
motor, the Nikon-mount
Rokinon 16mm f/2 we tested
is by far the largest lens of
tested digital-only ultrawides,
including the Fujifilm 14mm
f/2.8, Pentax 14mm f/2.8, and
Zeiss Touit 12mm f/2.8, all
autofocus lenses. At about 3.4
inches, the Rokinon is about an
inch longer than the Fujifilm
and Zeiss, and a full pound
heavier. Instead of the 58mm or
67mm filters of the Fujifilm and
Zeiss lenses (respectively), the
larger and faster Rokinon 16mm
f/2 takes 77mm filters, more like
a full-frame ultrawide. As you
would guess, the Rokinon is
big enough to cast a shadow at
closer focusing distances when
used with an on-board flash.
Cosmetically, the lens boasts
a nice, matte-black, stippled
surface. It handles well, with
a perfectly damped turning
action for the large manual-
focus collar of ribbed rubber.
The collars long turning
radius allows for precise, if not
rapid, focusing, and its body
markings, including an unusually
complete (f/4 to f/22) depth-of-field
scale, are bold and easy to read.
For our test lens, we would have
liked a minimum-aperture lock on
its aperture ring and a moisture-
resistant O-ring on the metal
lensmount.
In the Popular Photography Test
Lab, the lens produced Excellent
SQF numbers in the low-90th
percentile. The performance
is similar to the other lenses
mentioned here. In DxO Anaylzer
version 5.0 tests, we found
Visible barrel distortion (0.34%)
similar to the Pentax, but not in
the same league with the Fujifilm
or Zeiss Touit, which showed
0.02% and 0.04% Imperceptible
pincushion, respectively.
A clearly well-made lens
that provides a useful wide
angle of view and high speed,
this ultrawide is sure to
please anyone willing to forgo
autofocus. While it lacks the
stellar distortion control of
lenses like the Fujifilm 14mm
f/2.8 or Zeiss Touit 12mm
f/2.8, its also nearly $400 less
expensive than either of those
superstars. Julia Silber
An aperture
ring lock on
the Nikon
version of
this lens was
especailly
missed
because our
test camera,
the Nikon
D5300,
required
the lens
minimum
aperture be
set for all
exposure
modes,
including
manual.
Wide Win
SPECIFICATIONS
16MM (16.61mm tested), f/2 (2.04 tested),
13 elements in 11 groups. Focus ring turns
170 degrees.
DIAGONAL VIEW ANGLE: 83 degrees
WEIGHT: 1.45 lbs FILTER SIZE: 77mm
MOUNTS: Canon, Canon M, Four Thirds,
Fujifilm X, Micro Four Thirds, Nikon, Pentax,
Samsung NX, Sony Alpha, Sony E
INCLUDED: Lenshood, pouch
STREET PRICE: $499 (as tested)
WEBSITE: rokinon.com
TEST RESULTS
DISTORTION: 0.34% (Visible) barrel
LIGHT FALLOFF: Gone by f/4
CLOSE-FOCUSING
DISTANCE: 7.62 inches
MAXIMUM MAGNIFICATION
RATIO: 1:5.16
KEY
16
MM
ROKINONS NEWEST
MANUAL-FOCUS
ULTRAWIDE
WHATS HOT
ROKINON 16MM F/2 ED AS UMC CS
Fast, sharp, and favorably priced
Manual focus only
WHATS NOT
WHO ITS FOR
APS-C and ILC shooters who need a
wide view and high speed
3
.
4
1
i
n
.
3.25 in.
ROKINON 16MM F/2 ED AS UMC CS
LAB
*
LENS TEST
AMATEUR PRO
78 POPULAR PHOTOGRAPHY MARCH 2014 POPPHOTO.COM
1.13 in.
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CyberShot DSC-RX100 II
8.0" T||||| /||a |||e |CO Bu|||-|| w||e|e
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10.1-8/.4rr |/1.8-4.9 (8brr e(u|..
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The AC Series of aluminum legs and ball heads combines light weight,
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Model
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AC-1321 BA-106 6.6 lb 57.5" 23.4" 2.9 lb # OBAC1321106 $99.95
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AC-1341 BA-111 11 lb 61.8" 24.8" 3.3 lb # OBAC1341111 $139.95
AC-1351 BA-113 13.2 lb 65.3" 27" 4.1 lb # OBAC1351113 $159.95
AC-1361 BA-117 17.6 lb 67.5" 27.3" 4.35 lb # OBAC1361117 $169.95
AC-1421 BA-106 6.6 lb 57.6" 20.6" 2.9 lb # OBAC1421106 $99.95
AC-1431 BA-108 8.8 lb 59.5" 21" 3.25 lb # OBAC1431108 $119.95
AC-1441 BA-111 11 lb 61.6" 21.3" 3.3 lb # OBAC1441111 $139.95
AC-1451 BA-113 13.2 lb 65.9" 23.1" 4.1 lb # OBAC1451113 $169.95
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Coolpix S6500
Bu|||-|| w|-|| |u|| HO 1080p V|dec
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Black, Orange, Red or Silver
#NICPS6500* .........................169.95 16
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Powershot Elph 530HS
12/ 0p||:a| Zccr 4/ O|||a| Zccr
4-48rr |/8.4-b.G (8brr e(u|..
28-88Grr, 8.2" Tcu:| S:|ee| |CO
r|:|cSO, r|:|cSOHC Ca|d S|c|
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Bu|||-|| w|-|| G O|||e|e|| |S |cde
Black or Silver #CAPSE530* 10
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Powershot G16
8.0" |CO |u|| HO 1080/G0p V|dec
b/ 0p||:a| Zccr 4/ O|||a| Zccr
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28-140rr, SO/SOHC/SO/C Ca|d S|c|
E||a|:ed w|-|| Capao|||||e
Cc||||ucu S|cc||| a| 9.8 |p
#CAPSG16 .................... 549.99 12
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SD HC Secure Digital High Capacity
Delkin Kingston Sandisk
Pro Std Micro Std Micro
Class
10
Class
4
Class 4
Mobility
Class
4
Class
4
4GB 8.40 5.95 6.95
8GB 10.08 6.54 8.69 7.95 7.95
16GB 14.95 12.95 10.95 13.95
32GB 26.00 19.95 22.95 18.95 21.95
CF Compact Flash
Delkin Kingston Lexar Sandisk
500x 700x 1000x 1050x Std
Ultimate
266x
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600x
800x 1000x
Ultra
50MBs
Extreme
60MBs
Extreme Pro
120MBs 160MBs
8GB 18.40 12.95 26.95 29.95 28.95
16GB 29.95 37.95 59.95 22.50 35.69 47.00 79.95 49.95 50.95 74.95
32GB 48.95 63.50 104.99 114.95 36.50 59.95 82.95 147.95 94.99 84.95 130.95
64GB 89.95 124.00 229.95 234.95 66.74 148.95 357.95 159.95 299.95
128GB 229.95 349.95 499.95 283.50 726.50 289.95 643.50
XQD High-Speed for Nikon D4
Lexar Sony
1100X
155MBs
N Series
125MBs
S Series
180MBs
32GB 228.50 99.95 199.95
64GB 388.00 199.95 319.00
SDXC-UHS-1 Extended Capacity
Delkin Kingston Lexar Sandisk Sony
400x 600x 633x
Class 10 Class 10 Class 10 Micro
80MBs
Class 10 Class 4
233x Elite 200x 400x 600x 30MBs 80MBs 95MBs 40MBs 94MBs Micro Backup
64GB 65.95 79.95 104.95 59.50 48.19 59.50 84.50 124.95 62.95 98.95 119.95 89.95 53.95 79.95 54.95 59.99
128GB 149.95 179.95 179.95 237.95 199.95
256GB 594.80 Note: Not all devices support SDXC cards
SDHC-UHS-1 Ultra High Speed
Delkin Kingston Lexar Sandisk Sony
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Class 10 Class 10 Ultra
30MBs
Extreme
80MBs
Extrm Pro
95MBs
Micro
80MBs
Class 10 Class 4
233x Elite 200x 400x 600x 40MBs 94MBs Micro Backup
8GB 18.95 20.35 10.19 13.89 19.89 24.99 9.95 16.95 9.95
16GB 22.95 39.99 17.95 15.95 17.00 22.50 34.95 27.95 37.97 27.50 15.95 27.50 15.95 19.95
32GB 38.95 66.95 30.69 28.95 29.95 39.95 61.95 37.95 49.95 60.95 45.95 26.50 44.95 26.50 34.99
256GB
Extreme Pro CF Card
0p||r|/ed |c| 4| V|dec Re:c|d||
Up |c 1G0|B/
Read Speed
Up |c 1b0|B/
w|||e Speed
#SAEPCF256GB .............. $999.95
Page 3
The Professionals Source
800-947-9980
212-444-6666
Fax:
212-239-7770
Store & Mail Order Hours:
Sunday 10-5 t Mon.-Thurs.9-7
Friday 9-1 EST/9-2 DST
Saturday Closed
032014
Over 300,000 products,
at your leisure
www.BandH.com
We Buy, Sell and Trade
When in New York,
Visit our SuperStore
420 Ninth Ave.
Corner of 34th Street
New York, N.Y. 10001
March 16 ................... Closed
50mm f/2 Macro ED Zuiko
D||ta||e|
t %FTJHOFE FYDMVTJWFMZ GPS %JHJUBM 4-3T
|dea| |c| ra:|c p|c|c|ap|]
a|d a|c a a pc|||a|| |e|
|a|||:a||c| 1.2
EO |a e|ere||
|||. |c:u. 9.4b"
b2rr |||e|
d|are|e|
we|||. 10.O c/
HVL-F58AM
S|ce-|cu|| O|||a| ||a|
Zccr Head (24-10brr,
Bcu|:e & SW|.e| Head
u|de \c. 190'
TT| Oed|:a||c|
Va||-PcWe|
H||-Speed S]|:
Au|c wB Ad(u|re||
w||e|e
Ra||c Cc|||c|
we|||. 1b.O c/
16-80mm f/3.5-4.5
Carl Zeiss T* DTD||ta||e|
t %FTJHOFE FYDMVTJWFMZ GPS %JHJUBM 4-3T
|dea| |c| |ap|c|,
pc|||a||, |||e||c|,
c| cu|dcc| :e|e|]
8brr e(u|..
24-120rr
|||. |c:u. 18.8"
O2rr |||e|
d|are|e|
we|||. 1b.b c/
18-135mm f/3.5-5.6 ED AL (IF)
DC WR D||ta||e|
t %FTJHOFE FYDMVTJWFMZ GPS %JHJUBM 4-3T
SP Cca||| Repe| Ou|,
wa|e|, & |eae
wea||e| |e||a||
0u|:L-S||||
|c:u S]|er
|||. |c:u. 1.8'
O2rr |||e| d|are|e|
we|||. 14.8 c/
Flash System
||-800R ||a| ...................................................... 169.95
||-O00R ||a| ...................................................... 299.95
||-b0R ||a| ........................................................ 499.95
R|-11 R|| ||a| .................................................. 249.95
SR|-11 R|| ||a| Se| .......................................... 559.95
T|-22 TW|| ||a| .................................................. 449.95
ST|-22 TW|| ||a| Se|........................................... 739.95
Zuiko 4/3 System Digital Lenses
8/8.b |||-e]e EO ................................................. 799.99
8b/8.b |a:|c EO (b2c, ......................................... 229.95
b0/2.0 |a:|c EO (//c, ......................................... 499.95
1b0/2.0 EO (82c, ................................................ 2499.95
800/2.8 EO ........................................................ 6999.95
/-14/4.0 EO (/2c, .............................................. 1799.95
11-22/2.8-8.b EO (/2c, ........................................ 799.95
12-O0/2.8-4 EO SwO (/2c, ................................... 999.95
14-42/8.b-b.O EO (b8c, ........................................ 249.95
18-180/8.b-O.8 EO (O2c, ...................................... 499.95
8b-100/2.0 EO (//c, .......................................... 2499.99
40-1b0/4-b.O EO (b8c, ......................................... 279.95
b0-200/2.8-8.2 EO SwO (O/c, ............................ 1199.95
90-2b0/2.8 EO (10bc, ........................................ 5999.95
EC-14 1.4/ Te|e:c|.e||e| ...................................... 439.95
EC-20 2/ Te|e:c|.e||e| ......................................... 479.95
||-1 0| |e| Adap|e| ........................................... 83.95
AF Flash System
A|-8O0|Z .....................................................................
A|-b40|Z .....................................................................
DA Digital AF Lenses
14/2.8 EO || (//c, ...........................................................
1b/4.0 EO A| HO ||r||ed (49c, .........................................
8b/2.8 |a:. HO ||r||ed (49c, ..........................................
bb/1.4 ||r||ed (b8c, ........................................................
21/8.2 A| ||r||ed iPa|:aLe' (49c, ...................................
40/2.8 ||r||ed iPa|:aLe' (49c, ........................................
/0/2.4 HO ||r||ed (49c, ...................................................
200/2.8 EO || ..................................................................
800/4.0 EO || SO| (//c, .................................................
10-1//8.b-4.b EO || (//c, ...............................................
12-24/4 EO A| || (//c, ....................................................
1O-b0/2.8 EO A| || SO| (//c, .........................................
1/-/0/4.0 A| || SO| (O/c, ..............................................
b0-18b/2.8 EO || SO| (O/c, ............................................
b0-200/4-b.O EO wR (b2c, ..............................................
bb-800/4-b.8 EO (b8c, ....................................................
O0-2b0/4.0 EO || SO| (O/c, ............................................
AF Lenses for 35mm & Digital SLRs
81/1.8 ||r||ed (b8c, ........................................................
b0/1.4 (49c, ....................................................................
48/1.9 ||r||ed iPa|:aLe' (49c, ........................................
b0/2.8 |a:|c (b2c, W||| Cae ..........................................
///1.8 ||r||ed (49c, ........................................................
100/2.8 O |A Aw |a:|c (49c, ..........................................
Compatible with Maxxum DSLRs
Flash System
HV|-|20| ............................................................ 149.99
HV|-|20S............................................................. 149.99
HV|-|48| ............................................................ 398.00
HV|-|O0| ............................................................ 548.00
Digital Lenses
1O/2.8 |||-e]e .................................................... 999.99
20/2.8 (/2c, ......................................................... 749.99
24/2 Ca|| Ze| (/2c, .......................................... 1399.99
8b/1.4 (bbc,.................................................... 1499.99
b0/1.4 (bbc, ......................................................... 449.99
b0/2.8 |a:|c (bbc,............................................... 599.99
8b/1.4 Ca|| Ze| (/2c, ....................................... 1699.99
100/2.8 |a:|c (bbc,............................................. 799.99
18b/1.8 Ca|| Ze| (//c, ..................................... 1799.99
18b/2.8 ST| (/2c, .............................................. 1399.99
800/2.8 AP0 || ................................................ 7498.99
11-18/4.b-b.O OT (//c, ........................................ 799.99
1O-8b/2.8 ZA SS| Ca|| Ze| (//c, ..................... 1999.99
1O-80/8.b-4.b OT Ca|| Ze| (O2c, ........................ 999.99
1O-10b/8.b-b.O OT (O2c, ...................................... 699.99
18-2b0/8.b-O.8 OT (O2c, ...................................... 649.99
24-/0/2.8 Ca|| Ze| (//c, .................................. 1999.99
/0-200/2.8 AP0 (//c, ..................................... 1999.99
/0-800/4.b-b.O (O2c, ........................................ 999.99
/b-800/4.b-b.O (bbc, ........................................... 249.99
1.4/ Te|e:c|.e||e| ................................................. 549.99
2/ Te|e:c|.e||e| .................................................... 549.99
Alpha SLT-A58 DS|R
T|a||u:e|| ||||c| Te:||c|c]
2./" T||||| |CO |c|||c|
Sc|] A-rcu|| |e|
|cu|| (1.b/ |a:|c|,
|S P|c Ouc, |S PR0 H-Ouc,
SO, SOHC, SO/C Ca|d S|c|
|u|| HO 1080|/p V|dec
a| O0 c| 24|p
S|ead]S|c| |\S|OE
|rae S|ao|||/a||c|
Kit with 18-55mm SAM II Lens ........... #SOSLTA58K 20
Mega
Pixels
Alpha NEX-6 ||||c||e S]|er Care|a
|a| H]o||d A| W|||
P|ae-Oe|e:||c| A|
8.0" |CO
Ue Sc|] E-rcu|| |e|e
/A 0|EO T|u-|||de| EV|
Cap|u|e 1080 HO V|dec
SO/SOHC/SO/C & |S P|c Ouc/
P|c H-Ouc Ca|d S|c|
w|-|| Capao|e
|a| 10|p Bu|| S|cc|||
P|a]|erc||e Care|a App
with 16-50mm Lens .............................#SONEX6L* 16
Mega
Pixels
Alpha A7 DS|R
|u|| ||are E/rc| C|0S Se|c|
SO/SOHC/SO/C, |S P|c Ouc/
P|c H-Ouc Ca|d S|c|
O||e:| Ccrpa||o||||]
W||| E-rcu|| |e|e
8.0" T|||ao|e T|T |CO
Bu|||-|| w|-|| a|d \|C
O||e:| A::e |||e||a:e
|u|| 1080/O0p W|||
U|:crp|eed 0u|pu|
Bcd] 0||] #SOA7B
||| W||| 28-/0rr |e| #SOA7KB 24
Mega
Pixels
Lumix DMC-GH3 ||||c||e S]|er Care|a
|a|e|ur A||c],
wea||e|-Sea|ed Bcd]
|u|| HO 1080p V|dec a| O0|p
8.0" ||ee-A||e |CO
||:|c |cu| T|||d S]|er
SO/SOHC/SO/C Ca|d S|c|
||.e V|eW |||de|
20|p Cc||||ucu S|cc|||
|u||-A|ea Au|c |c:u S]|er, P||pc||| A|
Bu|||-|| w|-|| |c |||L |c Sra|| Oe.|:e
Body Only........................................... #PADMCGH3B 16
Mega
Pixels
OM-D E-M1 ||||c||e S]|er Care|a
8.0" T||||| |CO Tcu:|:|ee|
T|ueP|: V|| |rae P|c:ec|
||:|c |cu| T|||d S]|er
SO/SOHC/SO/C Ca|d S|c|
|u|| HO 1080p V|dec
|AST Oua| P|ae- &
Cc|||a|-Oe|e:||c| A|
Bu|||-|| w||e|e Cc||e:||.||]
10 |p a|d 1/8000 e:. Tcp S|u||e| Speed
Ou|/Sp|a|/||ee/ep|cc| |a|e|ur A||c] Bcd]
#OLEM1* 16
Mega
Pixels
Alpha NEX-3N ||||c||e S]|er Care|a
8.0" 180 T||||| |CO
Ue Sc|] E-rcu|| |e|e
|S P|c Ouc, |S PR0 H-Ouc,
SO/SOHC/SO/C Ca|d S|c|
|S0 100-1O000
|||e|||e|| A| S]|er
|u|| HO 1080|/p V|dec a| O0 |p
Au|c 0o(e:| ||ar||
P|c|c C|ea||.||] |ea|u|e |c| E||e:|
A.a||ao|e || B|a:L c| S||.e|
Kit with 16-50mm PZ Lens................. #SONEX3NL* 16
Mega
Pixels
Page 4
When in New York,
Visit our SuperStore
420 Ninth Ave.
Corner of 34th Street
New York, N.Y. 10001
Over 70,000 square feet
of the latest gear
The most knowledgeable
Sales Professionals
Hands-on demos
Convenient free parking
available
The Professionals Source
BandH.com/catalog
212-444-6633
www.BandH.com
EOS Flash System
270EXII............................................................................ 169.99
320EX..........................................................................................
430EXII............................................................................ 299.99
600EX-RT.......................................................................... 549.99
MR-14EXR||||ht........................................................................
MT-24EXTw||F|ah........................................................... 829.99
EF-S Digital Lenses
(Nct:crpat|o|ew|th|u||||are:are|a)
60/2.8USMMa:|c(52c).................................................... 469.99
10-22/3.5-4.5USM(77c).................................................. 649.99
15-85/3.5-5.6ISUSM(72c).............................................. 799.99
17-55/2.8ISUSM(67c)..................................................... 879.99
17-85/4-5.6ISUSM(67c)............................................................
18-55/3.5-5.6IS(58c)...................................................... 199.99
18-135/3.5-5.6IS(67c).................................................... 499.99
18-200/3.5-5.6IS(72c).................................................... 699.99
55-250/4-5.6ISUSM(58c)............................................... 299.99
55-250/4-5.6ISSTM(58c)................................................ 349.00
EF Lenses
20/2.8USM(72c).............................................................. 539.99
24/2.8ISUSM(58c).......................................................... 599.99
28/1.8USM(58c).............................................................. 509.99
28/2.8ISUSM(58c).......................................................... 549.99
35/2(52c)....................................................................................
35/2ISUSM(67c)............................................................. 599.99
40/2.8STMPa|:a|e(52c)................................................. 199.99
50/1.8II(52c)................................................................... 125.99
50/2.5Ma:|c(52c)............................................................ 299.99
50/1.4USM(58c).............................................................. 399.99
MP-E65/2.81/-5/Ma:|c(58c)....................................... 1049.00
85/1.8USM(58c).............................................................. 419.99
100/2USM(58c)............................................................... 499.00
100/2.8USMMa:|c(58c).................................................. 599.99
28-135/3.5-5.6ISUSM(72c)............................................ 479.99
70-300/4-5.6ISUSM(58c)............................................... 649.99
70-300/4.5-5.6DOISUSM(58c)..................................................
75-300/4.0-5.6III(58c)..................................................... 199.99
75-300/4.0-5.6IIIUSM(58c)........................................................
TS-E "L" MF Lenses
17/4.0|.......................................................................... 2499.00
24/3.5|II....................................................................... 2199.00
45/2.8............................................................................ 1399.00
90/2.8............................................................................ 1399.00
EF "L" Lenses
14/2.8USMII.................................................................. 2359.00
24/1.4II(77c)................................................................. 1749.00
35/1.4USM(72c)............................................................ 1479.00
50/1.2USM(72c)............................................................ 1619.00
85/1.2USMII(72c)......................................................... 2199.00
100/2.8ISUSMMa:|c(67c)............................................ 1049.00
135/2.0USM(72c).......................................................... 1089.00
180/3.5USMMa:|c(72c)................................................ 1579.00
200/2.8USMII(72c)......................................................... 819.99
200/2.0ISUSM(52c)...................................................................
300/4.0ISUSM(77c)...................................................... 1449.00
300/2.8ISUSMII(52c|ea|)..........................................................
400/5.6USM(77c).......................................................... 1339.00
400/2.8ISII(52c|ea|)..................................................................
500/4ISUSMII(52c|ea|).............................................................
600/4.0ISII(52c|ea|)..................................................................
8-15/4.0F|h-e]eUSM.................................................... 1499.00
16-35/2.8USMII(82c).................................................... 1699.00
17-40/4.0USM(77c)........................................................ 839.99
24-70/4.0ISUSM(77c)................................................... 1499.00
24-70/2.8IIUSM(82c).................................................... 2299.00
24-105/4ISUSM(77c).................................................... 1149.00
28-300/3.5-5.6ISUSM(77c).......................................................
70-200/4.0USM(67c)...................................................... 709.99
70-200/4.0ISUSM(77c)................................................. 1349.00
70-200/2.8USM(77c).................................................... 1449.00
70-200/2.8ISIIUSM(77c).............................................. 2499.00
70-300/4.0-5.6ISUSM(67c).......................................... 1599.00
100-400/4.5-5.6ISUSM(77c)........................................ 1699.00
EF "L" Teleconverters
1.4/III............................................................................... 499.99
2/III.................................................................................. 499.99
EOS-6D DS|R
|u||-||are C|0S Se|c| 8.0" |CO
O||C b+ |rae P|c:ec|
Ue Ca|c| E| |e|e
SO/SOHC/SO/C Ca|d S|c|
Bu|||-|| w|-|| a|d PS Cc||e:||.||]
|u|| HO 1080p W||| |a|ua| Cc|||c|
E/|e|ded |S0 Ra|e c| b0-102400
Up |c 4.b |u|| Rec|u||c| |PS
Bu|||-|| HOR & |u|||p|e E/pcu|e |cde
Bcd] 0||] #CAE6D .................................................1899.00
K|tw|th24-105rr|/4| #CAE6D24105 .................2499.00
20
Mega
Pixels
EOS-5D Mark III DS|R
8.2" C|ea| V|eW H|| Rec|u||c| |CO
O||C b+ |rae P|c:ec|
O1-Pc||| H|| Oe|||] A|
Ue Ca|c| E| |e|e
Oua| C|, SO Ca|d S|c|
|u|| HO 1080/80p a|d
720/60pFc|rat
E/|e|ded |S0 Ra|e (b0-102400,
Bu|||-|| HOR & |u|||p|e E/pcu|e |cde
Bcd] 0||] #CAE5D3* ..............................................3399.00
K|tw|th24-105rr|IS #CAE5D324105 ................ 3999.00
22
Mega
Pixels
Digital Rebel T5i DS|R
8.0" Va||-A||e Tcu:|:|ee| |CO
Ue Ca|c| E| |e|e (1.O/ |a:|c|,
SO/SOHC/SO/C Ca|d S|c|
ST| |e| Suppc|| |c|
0u|e| A| || |c.|e
|u|| HO 1080 V|dec W||| Cc||||ucu A|
|S0 100-12800, E/pa|dao|e |c 2bO00
Rebates Expire 2-1-14 Price Rebate Final Cost
Bcd] 0||] #CAEDRT5I............................ 699.99......$50......... 649.99
K|tw|th18-55rrISSTM #CAEDRT5IK. 849.99......$50......... 799.99
T3 Kit w|th18-55rrIS #CAEDRT3K.... 449.99.........................
T3i Kit w|th18-55rrIS #CAEDRT3IK.. 599.99.........................
EOS-1Dx DS|R
Oua| O||C b+ |rae P|c:ec|
|a|e|ur A||c] Bcd]
E]e-|e.e| Pe||ap||r V|eW|||de|
8.2" |CO |c|||c|
Ue Ca|c| E| |e|e
Oua| C| :a|d |c|
1920 / 1080 HO V|dec Cap|u|e
||.e V|eW S|||| a|d V|dec Re:c|d||
O1-Pc||| H|| Oe|||] Au|c |c:u
Body Only #CAE1DX* ..........................................................6799.00 18
Mega
Pixels
SLR Lenses and Flashes
EOS-70D DS|R
Oua| P|/e| C|0S A| W||| ||.e V|eW
O||C b+ |rae P|c:ec|
SO/SOHC/SO/C Ca|d S|c|
Ue Ca|c| E| & E|-S |e|e
8.0" Va||-A||e Tcu:|:|ee|
/ |p Cc||||ucu S|cc|||
Bu|||-|| w||e|e Cc||e:||.||]
|u|| HO 1080p V|dec
Rebates Expire 2-1-14 Price Rebate Final Cost
Bcd] 0||] #CAE70D ................................................ 1199.00..........................
K|tw|th18-55rrSTM #CAE70D1855 ................... 1349.00..........................
EOS 60D Bcd] 0||] #CAE60D ..................................899.99 ........$200 ....... 699.99
EOS 60D Kit w|th18-135rrIS #CAE60D18135 .... 1199.00 ........$200 .......999.00
20
Mega
Pixels
Call for Available Rebates & Promotions
18
Mega
Pixels
$50
REBATE!
EOS-7D DS|R
Re:c|d HO V|dec 8" |CO
Ue Ca|c| E| |e|e
Ou| a|d wea||e| Re||a||
C| Ca|d S|c| Se|e:|ao|e V|dec
E/pcu|e a|d ||are Ra|e
|S0 100-O400 (e/pa|dao|e |c
12800, 8 |p Bu|| |cde
19-Pc|||, A|| C|c-T]pe A| S]|er
Bcd] 0||] #CAE7D ..................................................1499.00
K|tw|th18-135rrIS #CAE7D18135 ......................1799.00
K|tw|th28-135rrIS #CAE7D28135 ......................1699.00 18
Mega
Pixels
Page 5
The Professionals Source
800-947-9980
212-444-6666
Fax:
212-239-7770
Store & Mail Order Hours:
Sunday 10-5 t Mon.-Thurs.9-7
Friday 9-1 EST/9-2 DST
Saturday Closed
032014
Over 300,000 products,
at your leisure
www.BandH.com
We Buy, Sell and Trade
When in New York,
Visit our SuperStore
420 Ninth Ave.
Corner of 34th Street
New York, N.Y. 10001
March 16 ................... Closed
SLR Lenses and Flashes
D4 DS|R
RAw, T|||, JPE, RAw+JPE |||e
|/-|c|ra| (|u||-||are, C|0S Se|c|
1080p HO B|cad:a| 0ua|||] V|dec
E/PEEO8 |rae P|c:ec|
8.2" |CO S:|ee| W||| ||.e V|eW
Ccrpa||o|e W||| |c| \|LLc| 0p||:
|a|||/, Ce||e|-we|||ed,
Spc| |e|e||| 100-12800 |S0
C| T]pe 1 & /0O Ccrpa||o|e
\|Lc| ||:. ||r||ed Wa||a||] ||:|uded
Body Only #NID4 .......................................5996.95 16
Mega
Pixels
Instant Savings on Lenses & Speedlites with purchase of any Nikon DSLR
AF Flashes Price Rebate Final
SB-800 ....................................................14O.9b.. ..............................
SB-/00 ....................................................82O.9b.. $30
..........296.95
SB-910 ....................................................b4O.9b.. $50
..........496.95
R1 w||e|e TW|| ||a| ........................................... ..............................
R1C1 w||e|e TW|| ||a| S]|er ........................... ..............................
DX ED-IF Lenses for Digital Only Price Rebate Final
10.b/2.8 |||-E]e .................................................. ..............................
8b/1.8 A|-S (b2c, .................................19O.9b.. ..............................
40/2.8 A|-S ||:|c (b2c, ........................2/O.9b.. ..............................
8b/8.b EO VR ||:|c ...............................b2O.9b.. $100
........426.95
10-24/8.b-4.b A|-S (//c, ................................... ..............................
12-24/4 A|-S (//c, ............................................ ..............................
1O-8b/8.b-b.O A|-S VR (O/c, .............................. ..............................
1/-bb/2.8 A|-S (//c, ......................................... ..............................
18-bb/8.b-b.O A|-S || (b2c, ................................ ..............................
18-bb/8.b-b.O A|-S VR (b2c, .................19O.9b.. ..............................
18-10b/8.b-b.O A|-S VR * .....................89O.9b.. $200
...... 196.95*
18-140/8.b-b.O A|-S VR ** ...................b9O.9b.. $300
.... 296.95**
18-200/8.b-b.O A|-S VR || .....................84O.9b.. $250
........596.95
18-800/8.b-b.O A|-S EO VR (//c, ..........99O.9b.. ..............................
bb-200/4-b.O A|-S (b2c, .................................... ..............................
bb-200/4-b.O A|-S VR ..........................24O.9b.. $100
........146.95
bb-800/4.b-b.O A|-S VR .......................89O.9b.. $150
........246.95
D-Type AF Lenses Price Rebate Final
14/2.8 O EO .......................................................... ..............................
1O/2.8 O (89c, W||| Hccd ....................................... ..............................
20/2.8 O (O2c,....................................................... ..............................
24/2.8 O (b2c,....................................................... ..............................
24/1.4 A|-S EO (//c, ......................................... ..............................
24/8.b O EO PC-E (//c, ......................................... ..............................
28/1.8 A|-S (O/c, .................................O9O.9b.. ..............................
28/2.8 O (b2c,....................................................... ..............................
8b/2.0 O (b2c,....................................................... ..............................
8b/1.4 A|-S EO (O/c, ......................................... ..............................
4b/2.8 O EO PC-E ||:|c (//c, ................................ ..............................
b0/1.8 O (b2c,....................................................... ..............................
b0/1.8 A|-S (b8c, .................................21O.9b.. ..............................
b0/1.4 O (b2c,....................................................... ..............................
D-Type AF Lenses Price Rebate Final
b0/1.4 A|-S (b8c, .............................................. ..............................
b8/1.4 A|-S (/2c, ...............................1O9O.9b.. ..............................
O0/2.8 O ||:|c (O2c, (1.1, ..................................... ..............................
O0/2.8 A|-S EO ||:|c (O2c, ................................ ..............................
8b/1.8 O (O2c, W||| Hccd ....................................... ..............................
8b/1.8 A|-S (O/c, .................................49O.9b.. ..............................
8b/1.4 O || (//c, ................................................... ..............................
8b/1.4 A|-S (//c, .............................................. ..............................
8b/2.8 PC-E ||:|c (//c, ........................................ ..............................
10b/2.8 A|-S EO-|| VR ||:|c (O2c, ..................... ..............................
10b/2.0 OC O W||| Hccd (/2c, ............................... ..............................
180/2.8 O EO-|| (/2c,............................................ ..............................
200/4 O EO-|| ||:|c W||| Cae (O2c, ...................... ..............................
200/2 A|-S EO-|| VR || (b2c, ............................... ..............................
800/4.0 O A|-S EO-|| (//c, ................................... ..............................
800/2.8 A|-S VR (b2c-R, .................................... ..............................
400/2.8 A|-S VR EO (b2c,................................... ..............................
b00/4.0 A|-S VR EO (b2c,................................... ..............................
14-24/2.8 A|-S EO-|| ..........................199O.9b.. ..............................
1O-8b/4.0 A|-S EO VR (//c, ................12bO.9b.. ..............................
1/-8b/2.8 O A|-S EO-|| (//c, ................................ ..............................
18-8b/8.b-4.b A|-S EO (//c, ................./4O.9b.. ..............................
24-/0/2.8 A|-S EO-|| (//c, .................188O.9b.. ..............................
24-8b/2.8-4.0 O || (/2c, ....................................... ..............................
24-8b/8.b-4.b A|-S EO VR *** ..............b9O.9b.. $100
.......496.95
24-120/4.0 A|-S EO VR (//c, ..............129O.9b.. ..............................
28-800/8.b-b.O A|-S EO VR ................104O.9b.. $150
........896.95
/0-200/4.0 A|-S EO VR (O/c, ..............189O.9b.. ..............................
/0-200/2.8 A|-S EO-|| VR || (//c, ........289O.9b.. ..............................
/0-800/4.0-b.O (O2c, ......................................... ..............................
/0-800/4.b-b.O -A|S VR ........................b8O.9b.. $200
........386.95
80-200/2.8 O W||| Cc||a| (//c, ............................... ..............................
80-400/4.b-b.O O VR (//c, .................................... ..............................
80-400/4.b-b.O A|-S EO VR (//c, ........2O9O.9b.. ..............................
200-400/4 A|-S EO VR || (b2c, ............................ ..............................
TC-14E || (1.4/, Te|e:c|.e||e| ................................. ..............................
TC-1/E || (1.//, Te|e:c|.e||e| ................................. ..............................
TC-20E ||| (2/, Te|e:c|.e||e| ................................... ..............................
* Instant Savings ONLY when purchased with a D7100 body.
** When purchased with a D3100/3200/5200/5300/7100 body.
Instant Savings Expire 2-1-14
1 J3 ||||c||e O|||a| Care|a
E/PEEO 8A |rae P|c:ec| 8.0" |CO
|||e|:|a|eao|e 1 \|||0R |e| S]|er
|c||c| S|ap|c| a|d ||.e |rae Cc|||c|
SO/SOHC/SO/C Ca|d S|c|
|u|| HO 1920 / 1080/O0| V|dec
S|ru||a|ecu HO |c.|e a|d S|||| Cap|u|e
1b|p Cc||||ucu S|cc||| W||| Au|c|c:u
\|Lc| ||:. ||r||ed Wa||a||] ||:|uded
A.a||ao|e || B|a:L, Be|e, Red c| w|||e
||| W||| 10-80rr VR #NI1J31030* .............................399.95
||| W||| 10-80 & 80-110rr VR #NI1J32LK* ................649.95
||| W||| 10-100rr VR #NI1J310100* ..........................849.95 14
Mega
Pixels
D610 DS|R
|/-|c|ra| (|u||-||are, C|0S Se|c|
Ue \|Lc| A| |e|e 8.2" |CO
E/PEEO 8 |rae P|c:ec|
SO/SOHC/SO/C Ca|d S|c|
O |p Cc||||ucu S|cc|||
E/pa|dao|e Se||||.||] |c |S0 2bO00
|u|| HO 1080p V|dec Re:c|d|| a| 80 |p
|u|||-CA| 4800 A| Se|c| W||| 89 Pc|||
\|Lc| ||:. ||r||ed Wa||a||] ||:|uded
Rebates Expire 2-1-14 Price Rebate Final Cost
Bcd] 0||] #NID610 .................................................... 199O.9b ....... ................
||| W||| 24-8brr VR |e| #NID6102485 .................2b9O.9b .... $100 .....2496.95
24
Mega
Pixels
$100
REBATE!
D800 DS|R
8b.9/24rr C|0S |/ |c|ra| Se|c|
8.2" |CO |c|||c|
0p||:a| |cW-Pa ||||e|
C| & SO Oua| Ca|d S|c|
\|Lc| | |cu|| |e| |cu||
E]e-|e.e| Pe||ap||r V|eW|||de|
1920 / 1080/80/2b/24p HO V|dec
|a|||//Ce||e|-we|||ed/Spc| |e|e|||
\|Lc| ||:. ||r||ed Wa||a||] ||:|uded
Rebates Expire 2-1-14 Price Rebate Final Cost
Bcd] 0||] #NID800 ...................................................299O.9b .... $200 .....2796.95
D800E Bcd] 0||] #NID800E ...................................829O.9b .... $300 .....2996.95
36
Mega
Pixels
$200
REBATE!
D7100 DS|R
|a|e|ur A||c] Bcd]
|c||u|e Re||a||
E/PEEO 8 |rae P|c:ec|
1080p |u|| HO V|dec Cap|u|e
A::ep| \|Lc| A| |e|e
(1.b/ |a:|c|, 8.2" |CO
Oua| SO/SOHC/SO/C Ca|d S|c|
Bu|||-|| ||a| W||| Ccrra|de| |u|:||c|
\|Lc| ||:. ||r||ed Wa||a||] ||:|uded
Price Rebate Final Cost
Bcd] 0||] #NID7100 ............................................... 1199.9b ..... $50 ......... 1149.95
||| W||| 18-10brr VR #NID710018105 .................. 1b99.9b .... $150 ........ 1449.95
D7000 ||| W||| 18-10brr VR #NID700018105 .....99O.9b ......... ..........................
Valid Through 2-1-14
24
Mega
Pixels
P
r
o
m
o
t
i
o
n
!
Up to $150
REBATE!
D5200 DS|R
E/PEEO ||| |rae P|c:ec|
|u|| HO V|dec W||| |u||-T|re Se|.c A|
8.0" Va||-A||e |CO ||.e V|eW
Ue \|Lc| A| |e|e (1.b/ |a:|c|,
SO/SOHC/SO/C Ca|d S|c|
89-Pc||| A| S]|er W||| 9 C|c-T]pe
\|Lc| ||:. ||r||ed Wa||a||] ||:|uded
Rebates Expire 2-1-14
D5200 is available in Black, Bronze or Red Price Rebate Final Cost
||| W||| 18-bbrr VR #NID52001855* ........................89O.9b .... $150 ....... 746.95
D3200 ||| B|a:L W/18-bbrr VR #NID32001855* .... b99.9b ..... $70 ........ 529.95
D3100 ||| W||| 18-bbrr VR #NID31001855 ............ 429.9b ....... ................
24
Mega
Pixels
P
r
o
m
o
t
i
o
n
!
$150
REBATE!
Page 6
When in New York,
Visit our SuperStore
420 Ninth Ave.
Corner of 34th Street
New York, N.Y. 10001
Over 70,000 square feet
of the latest gear
The most knowledgeable
Sales Professionals
Hands-on demos
Convenient free parking
available
The Professionals Source
BandH.com/catalog
212-444-6633
www.BandH.com
AF LENSES
Di |c| oc|| d|||a| a|d ||r S|R :are|a Di-II |c| O|||a| S|R 0||] Di III|c|r|||c|-|e:are|aO||]
C = Canon N = Nikon P = Pentax SM = Sony/Minolta SE = Sony E Mount ** Price After Rebate Expires 3-31-14
SKU # Available for Rebate Price
Di-II 60rr|/2.0|DIFMa:|c(55c) #TA602DI* C,N,SM 524.00
Di 90rr|/2.8Ma:|c(55c) #TA9028M* C,N,P,SM 499.00
Di 90rr|/2.8SPMa:|cVCUSD(58c) #TA9028VC* C,N,SM 749.00
Di 180rr|/3.5|DIFMa:|c(72c) #TA18035* C,N,SM 739.00
Di-II 10-24rr|/3.5-4.5(77c) #TA102435* C,N,P,SM 499.00
Di-II 17-50rr|/2.8XR|DIFAphe||:a|(67c) #TA175028* C,N,P,SM 499.00
Di-II 17-50rr|/2.8XRVC|DIFAph.(67c) #TA175028*Q C,N 649.00
Di-II 18-200rr|/3.5-6.3(62 c) #TA1820035* C,N,P,SM $20 179.00**
Di-III 18-200rr|/3.5-6.3VC(62c)B|a:|c|S||.e| #TA1820035S* SE 739.00
Di-II 18-270rr|/3.5-6.3VCPZD(62c) #TA18270* C,N,SM $50 399.00**
Di 24-70rr|/2.8VCUSD(82c) #TA247028* C,N,SM 1299.00
Di 28-75rr|/2.8XR(67c) #TA287528* C,N,P,SM 499.00
Di 28-300rr|/3.5-6.3XR|D(62c) #TA2830035XD* C,P,SM 419.00
Di 28-300rr|/3.5-6.3XRVC(62c) #TA2830035* C,N 629.00
Di 70-200rr|/2.8SPVCUSD(77c) #TA7020028* C,N,SM 1499.00
Di 70-300rr|/4.0-5.6VCUSD(62c) #TA70300* C,N,SM $100 349.00**
Di 200-500rr|/5-6.3|DIF(86Cc) #TA2005005* C,N,SM 949.00
1.4/SPAFP|cTe|e:c|.e|te| #TA14XP* C,N 224.00
2/SPAFP|cTe|e:c|.e|te| #TA2XP* C,N 254.00
AF LENSES & FLASHES
DC o |c| O|||a| S|R 0||] DGOpt|r|/ed|c|D||ta|S|R
H HSM Model with Canon, Nikon, Sigma
R Rear Slip-in Gelatin Filter Slot
Canon Nikon Pentax Sigma Sony Rebate Price
DC 4.5rr|/2.8EXC||:u|a|F|he]eHSM
R
#SI4528EXDCC #SI4528EXDCN #SI4528EXDCP #SI4528EXDCSI #SI4528EXDSO 899.00
DG 8rr|/3.5EXC||:u|a|F|he]e
R
#SI835CA #SI835NA #SI835SI #SI835SO 899.00
DC 10rr|/2.8EXF|he]eHSM
R
#SI1028EXDCC #SI1028EXDCN #SI1028EXDCP #SI1028EXDCSI #SI1028EXDCSO 649.00
DG 15rr|/2.8EXD|ac|a|F|he]e
R
#SI1528DGCAF #SI1528DGNAF #SI1528DGPAF #SI1528DGSA #SI1528DGMAF 609.00
DG 20rr|/1.8EXDFRFAphe||:a|(82c) #SI2018CAF #SI2018NAF #SI2018PAF #SI2018SA #SI2018MAF 629.00
DG 24rr|/1.8EXDFAphe||:a|Ma:|c(77c) #SI2418MCAF #SI2418MNAF #SI2418MPAF #SI2418MSA #SI2418MMAF 549.00
DG 28rr|/1.8EXDFAphe||:a|Ma:|c(77c) #SI2818MCAF #SI2818MNAF #SI2818MPAF #SI2818MSA #SI2818MMAF 449.00
DC 30rr|/1.4HSM(62c) #SI3014DCHSMC #SI3014DCHSMN #SI3014DCHSMS 499.00
DG 35rr|/1.4HSM(67c) #SI3514C #SI3514N #SI3514P #SI3514SI #SI3514S 899.00
DG 50rr|/1.4EX(77c)
H
#SI5014C #SI5014N #SI5014PE #SI5014SI #SI5014SOM $100 399.00**
DG 50rr|/2.8EXMa:|c(55c) #SI5028MDGCAF #SI5028MDGNAF #SI5028MDGPAF #SI5028MDGSA #SI5028MDGMAF 369.00
DG 70rr|/2.8EXMa:|c(62c) #SI7028MDGCA #SI7028MDGNA #SI7028MDGPA #SI7028MDGSA #SI7028MDGSAQ 499.00
DG 85rr|/1.4EXHSM(77c) #SI8514C #SI8514N #SI8514P #SI8514SI #SI8514S $75 894.00**
DG 105rr|/2.8EXMa:|cOSHSM(62c) #SI10528MDGCE #SI10528MDGNQ #SI10528MDGS #SI10528MDGSM $300 669.00**
DG 150rr|/2.8EXAPOMa:|cOSHSM(72c) #SI15028AMOC #SI15028AMON #SI15028AMOSI #SI15028AMOS 1,099.00
DG 180rr|/2.8EXAPOMa:|cOSHSM(86c) #SI18028AMEOC #SI18028AMEON #SI18028AMEOQ #SI18028AMEOS $150 1549.00**
DG 300rr|/2.8APOEXHSM(46cRea|) #SI30028DGCAF #SI30028DGNAF #SI30028DGPAF #SI30028DGSA #SI30028DGMAF 3,399.00
DG 500rr|/4.5APOEXHSM(46cRea|) #SI50045DGCAF #SI50045DGNAF #SI50045DGPAF #SI50045DGSA 4,999.00
DC 8-16rr|/4.5-5.6HSM #SI8164556CA #SI8164556NI #SI8164556PE #SI8164556SI #SI8164556SO 699.00
DC 10-20rr|/4-5.6EXHSM(77c) #SI102045DCAF #SI102045DNAF #SI102045DPAF #SI102045DSA #SI102045DMAF $50 429.00**
DC 10-20rr|/3.5EXHSM(82c) #SI102035C #SI102035SN #SI102035P #SI102035SG #SI102035S 649.00
DG 12-24rr|/4.5-5.6EXAphe||:a|HSMII #SI122445C #SI122445N #SI122445SI #SI122445S 949.00
DC 17-50rr|/2.8EXOSHSM(77c) #SI175028CA #SI175028NI #SI175028PE #SI175028SI #SI175028SO $100 569.00**
DC 17-70rr|/2.8-4.0OSMa:|cHSMTSC(72c) #SI1770284DCC #SI1770284DCN #SI1770284DCP #SI1770284SI #SI1770284DCS $50 449.00**
DC 18-35rr|/1.8HSM(72c) #SI183518DCC #SI183518DCN #SI183518DCP #SI183518DCS #SI183518DCSO 799.00
DC 18-200rr|/3.5-6.3OSIIHSM(72c) #SI1820035CQ #SI1820035NQ #SI1820035P #SI1820035SAQ #SI1820035SQ 499.00
DC 18-250rr|/3.5-6.3OSMa:|cHSM(62c) #SI1825035MC #SI1825035MN #SI1825035MP #SI1825035MS #SI1825035MSO $200 349.00**
DG 24-70rr|/2.8EXIFHSM(82c) #SI247028C #SI247028NF #SI247028PS #SI247028S #SI247028SM 899.00
DG 24-105rr|/4.0OSHSM(82c) #SI24105C #SI24105N #SI24105SI #SI24105SO 899.00
DC 50-150rr|/2.8EXAPOOSHSM(77c) #SI5015028CA #SI5015028NA #SI5015028SAF $150 949.00**
DG 50-500rr|/4.5-6.3APOOSHSM(95c) #SI505004563C #SI505004563N #SI505004563P #SI505004563 #SI505004563S $150 1509.00**
DG 70-200rr|/2.8EXAPOOSHSM(77c) #SI7020028CQ #SI7020028NI #SI7020028P SI7020028SIQ #SI7020028SOQ $150 1249.00**
DG 70-300rr|/4-5.6Ma:|c(58c) #SI703004SCAF #SI70300456N #SI703004PAF #SI703004SA #SI703004MAF $25 144.00**
DG 70-300rr|/4-5.6APOMa:|c(58c) #SI703004DGCA #SI70300456AN #SI703004DGPA #SI703004DGSA #SI703004DGMA 189.00
DG 70-300rr|/4-5.6OS(62c) #SI7030045C #SI7030045N #SI7030045P 359.00
DG 120-300rr|/2.8OSHSM(105c) #SI120300C #SI120300N #SI120300SIQ 3599.00
DG 120-400rr|/4.5-5.6APOOSHSM(77cRea|) #SI120400C #SI120400N #SI120400P #SI120400S #SI120400SQ 999.00
DG 150-500rr|/5-6.3APOOSHSM(86c) #SI150500C #SI150500N #SI150500P #SI150500S #SI150500M $150 919.00**
DG 1.4/EXAPOTe|e-Cc|.e|te| #SI1.4XDGCAF #SI1.4XDGNAF #SI1.4XDGSA #SI1.4XDGMAF 249.00
DG 2/EXAPOTe|e-Cc|.e|te| #SI2XDGCAF #SI2XDGNAF #SI2XDGSA #SI2XDGMAF $50 249.00**
DG EF-610ST #SIEF610STC #SIEF610STN #SIEF610STP #SIEF610STSI $30 135.00**
DG EF-610Supe|F|ah #SIEF610C #SIEF610N #SIEF610P #SIEF610S $30 225.00**
DG EM-140TT|R||||ht #SIEM140DGC #SIEM140DGN #SIEM140DGP #SIEM140DGS #SIEM140DGM 379.00
28CS-2D||ta|S|a.eShceMcu|tF|ah................ 139.99
36AF-5D||ta|..................................................... 129.99
44AF-1D||ta|ShceMcu|tF|ah.......................... 199.99
52AF-1TT|Tcu:h:|ee|...................................... 300.00
58AF-2TT|D||ta|ShceMcu|tF|ah................... 399.99
45C|-4TT|D||ta|Ha|d|eMcu|tF|ah................ 519.99
45C|-4TT|D||ta|Ha|d|eMcu|tF|ahK|t............ 699.99
76MZ-5TT|D||ta|Ha|d|eMcu|tF|ah.............. 1039.99
Q-1ahTRIO......................................................... 875.00
Q-1ahT5D-R...................................................... 706.00
Q-1ahT5D-Rw|thTu|ocSCBatte|]&Cha|e|.... 1172.00
Q-1ahT5D-Rw|thTu|oc3Batte|]K|t................. 1330.00
Batteries
Batte|]1............... 224.00
Tu|ocSC............... 466.00
Tu|ocB|ade........... 466.00
Tu|oc3................. 624.00
E-F|ahF|atPa|e|K|t#SUFP38............................... 58.95
PF20XDD||ta|S|a.eShceMcu|tF|ah................... 44.95
RD-2000ShceMcu|tF|ah.................................... 64.95
DF3000D||ta||c|Ca|c|,N||c|,Sc|]..................... 69.95
PZ-4000AFTT|ShceMcu|t.................................. 84.95
PZ-40/IIAFTT|ShceMcu|t|/N||c|(S||.e|)............ 69.95
PZ-42/AFTT|ShceMcu|t|c|Ca|c|,N||c|......... 139.00
622Supe|P|cTT|Ha|d|eMcu|tF|ah................. 179.95
285HVP|c|e|c|a|Autc......................................... 85.00
Pea|tc|eSB-4ACAdapte||c|285HV#PESB4........ 14.95
FLASHES
18-200mm f/3.5-6.3 DC II
OS HSM D||ta||e|
t %FTJHOFE FYDMVTJWFMZ
GPS %JHJUBM 4-3T
|c:u 1.b'
tcI||||t]
|a. |a||c.
1.8.8
/2rr |||e|
d|arete|
we|||. 1/.8 c/
70-200mm f/2.8 EX APO
OS HSM DG |e|
t %FTJSBCMF GPS
%JHJUBM 4-3T
||||rur
|c:u. 4.b9'
84-12.8
a||ec|.|ew
//rr |||e|
d|arete|
T||pcd :c||a|
we|||. b0.4 c/
17-50mm f/2.8 XR VC
LD-IF Di II D||ta||e|
t %FTJHOFE FYDMVTJWFMZ
GPS %JHJUBM 4-3T
|c:u 11.4"
tcI||||t]
|a. |a||c.
1.4.8
/2rr |||e|
d|arete|
we|||. 1.2b |o
11-16mm f/2.8 Pro DX AT-X II
Wide-Angle D||ta||e|
t %FTJHOFE FYDMVTJWFMZ
GPS %JHJUBM 4-3T
wR (wa|e|
Repe||e|t)
:cat||
||||rur
|c:u 1'
|a|||:a||c|
|a||c 1.11.G
we||| 1.2 |o
Expires 3-31-14
** Price After Rebate
$150
REBATE!
Six-Year Warranty
Manual Focus Lenses
In Stock Call for Prices
AF LENSES
DX |c|D||ta|S|RO||] FX De||ed|c||u||||areDS|R
Canon EOS Nikon AF Price
FX 100rr|/2.8P|cDMa:|c(52c) #TO10028PCAF #TO10028PNAF 489.00
DX 10-17rr|/3.5-4.5ATXF|he]e #TO101735CAF #TO101735NAF 669.00
DX 11-16rr|/2.8P|cII(77c) #TO111628PCII #TO111628PNII 599.00
DX 12-24rr|/4.0P|cII(77c) #TO12244DXC 399.00
DX 12-28rr|/4.0P|c(77c) #TO12284DXC #TO12284DXN 549.00
FX 16-28rr|/2.8P|c #TO1628FXC #TO1628FXN 699.00
FX 17-35rr|/4P|c(82c) #TO1735F4FXC #TO1735F4FXN 549.00
Page 7
The Professionals Source
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Sunday 10-5 t Mon.-Thurs. 9-7
Friday 9-1 EST/9-2 DST
Saturday Closed
032014
Over 300,000 products,
at your leisure
www.BandH.com
We Buy, Sell and Trade
When in New York,
Visit our SuperStore
420 Ninth Ave.
Corner of 34th Street
New York, N.Y. 10001
March 16 ................... Closed
55mm 58mm 62mm 67mm 72mm 77mm
UV Haze SC 18.50 24.95 28.99 31.95 34.00 39.99
UV Haze MRC 010M 35.50 31.50 36.30 42.90 49.89 71.75
Circular Polarizer SC 83.95 85.95 83.50 80.00 73.95 99.00
Circular Polarizer MRC 78.00 87.53 82.50 109.99 89.99 119.99
Circular Polarizer Slim 56.95 49.99 68.00 69.99 59.99 80.00
Skylight KR1.5 (1A) 24.50 25.95 31.95 38.95 42.00 53.95
Digital Pro UV MC 41.95 41.95 44.00
Graduated (N.D. & Colors) 99.95 106.95 99.50 109.50 142.50 152.95
Neutral Density 106 56.00 60.95 97.95 105.95 121.95 137.95
Close-Up Lenses 1, 2, 3, 4, 5 25.95 25.95 31.95 38.95 45.95 53.95
52mm 58mm 67mm 72mm 77mm
UV, Skylight (1B) HMC 16.50 21.50 27.50 29.95 36.20
UV, Skylight (1B) Super HMC 27.89 26.49 33.00 52.95 44.99
Linear Polarizer 16.99 25.00 38.85 36.85 44.90
Circular Polarizer 23.95 29.95 34.95 42.95 38.90
Circular Polarizer HMC 39.95 49.00 55.90 69.00 104.90
Moose Warm Circular Polarizer 35.75 39.55 53.90 55.65 91.50
K2 Yel, X0 Yel/Grn, Grn X1, Or G, Red 25A HMC 23.95 28.35 41.95 46.35 60.90
Close Up Set (+1, +2, +4) 39.99 47.35 53.00 63.00 68.00
Close-Up Set HMC (+1, +2, +4) 52.68 64.88 73.00 100.68 145.35
Intensifer Blue, Green Field, Enhancement (Red) 34.68 39.95 55.08 60.00 71.50
Neutral Density 2x, 4x, 8x HMC 23.88 19.95 36.95 30.99 34.80
Star 6, Star 8 16.89 22.50 43.35 49.90 46.68
Made exclusively with glass from Schott (Zeiss)
the worlds fnest optical glass supplier.
55mm 58mm 67mm 72mm 77mm
Skylight (1B), UV 39.99 41.99 62.99 77.99 89.99
Skylight (1B), UV SH-PMC 72.99 78.99 103.99 131.99 157.99
Circular Polarizer, Slim Circular Polarizer 115.99 121.99 151.99 180.99 195.99
Circular Polarizer SH-PMC, Slim Circ. Pol. SH-PMC 161.99 171.99 214.99 242.99 275.99
#5, #8, #11, #13, #15, #22, 81A, 81B, 81C 49.99 51.99 78.99 96.99 108.99
Digital Filter 176.99 180.99 222.99 261.99 301.99
FILTERS
B&H SPECIAL! Buy 3 or more Hoya Filters & Get 10% Off.
B&H SPECIAL! Buy 3 or more
B+W Filters & Get 5% Off.
in stock
PHOTOGRAPHY ACCESSORIES
Accepts 2 lltblum-lon batterles
to ehectlvely oouble tbe
camera's battery ll|e
(8atterles not lncluoeo)
Tbe lncluoeo AA battery
boloer allows you to use
6 AA batterles |or aooeo
convenlence (ecept 8G-N3)
Alternate sbutter release
button, maln ano sub
commano olals, ano an
AL-L/AF-L button are
provloeo to |acllltate
sbootlng ln a vertlcal
orlentatlon
8ATTLPY
GP|PS
LiteTrek 4.0 (LT) Series
Whether it's fashion, wedding or portrait
photography, the best way to achieve
professional-looking results in the feld
is by adding fash to the ambient light.
The Impact Mini LiteTrek Battery Pack
provides DC juice to your Impact
LiteTrek 4.0 portable fash or select
Nikon & Canon fashes with optional
power cords as well as Quantum
fashes without adaptation.
LiteTrek 4.0 DC Monolight
Flash Head #IMLTFH ..$499.95
LiteTrek 4.0 DC Monolight Kits
with Mini LiteTrek Battery Pack
1-Light Kit #IMMLTBK ................... $799.95 Instant Rebate -$150 $649.95
2-Light Kit #IMMLTBK2 ............. $1199.90 Instant Rebate -$150 $1049.90
Mini LiteTrek (LT) Battery #IMMLTB ...................................................................... $199.95
Mini LiteTrek (LT) Battery Pack #IMMLTPBP ....................................................... $399.95
Mini LiteTrek (LT) Pack & Charger Kit with CKE Nikon Cable #IMMLTPBPK1 ... $439.95
Mini LiteTrek (LT) Pack & Charger Kit with CZ Canon Cable #IMMLTPBPK2 ..... $439.95
LiteTrek Accessories
Charger for Mini LiteTrek #IMCBP ...$49.95
IM-CZ Canon Flash Cable #IMCZ.....$42.95
IM-CKE Nikon Flash Cable #IMCKE .$42.95
LiteTrek 4.0 Flash Tube #IMFTFH .....$79.95
Refector Adapter (Bowens Adapter) #IMBAFH ........................................................... $24.95
lighting equipment and accessories
Instant Savings on LiteTrek 4.0
Monolight Kits (Expires 1-31-14)
|or Canon 5D Mark ||| .................. 8G-C9 ;vL8GC9 ........ $99.95
|or Canon 5D Mark || ................... 8G-C2 ;vL8GC22 ..... $69.95
|or Canon 6D .................................. 8G-C8 ;vL8GC8 ........ $74.95
|or Canon 7D .................................. 8G-C4 ;vL8GC4 ........ $64.95
|or Canon 60D ............................... 8G-C6 ;vL8GC6 ........ $69.95
|or Canon T5l, T4l, T3l, T2l .....8G-C5.2 ;vL8GC52 ..... $72.00
|or Canon T3 .................................. 8G-C7 ;vL8GC7 ........ $59.95
|or Nlkon D7000 ............................8G-N4 ;vL8GN4 ....... $69.95
|or Nlkon D7100 ......................... 8G-N11 ;vL8GN11 ..... $89.95
|or Nlkon D5200, D5100 .............8G-N6 ;vL8GN6 ....... $59.95
|or Nlkon D3100, D3200 .............8G-N9 ;vL8GN9 ....... $64.95
Digital Essentials Kits
In Stock
DIGITAL HT FILTERS
52mm 58mm 62mm 72mm 77mm
812 Warming 48.95 74.95 99.95 109.95 129.95
Grad ND 0.6 74.95 63.95 82.90 119.95 139.95
Circular Polarizer 74.10 89.95 119.90 129.95 199.99
Ultra Clear 34.95 38.95 45.95 54.95 54.95
Haze 86 38.95 47.95 56.90 64.95 99.95
ND 1.2 41.50 56.95 74.90 109.95 129.95
ND 0.6 48.95 50.95 69.95 99.95 119.95
Soft FX3 56.95 63.95 82.90 119.95 139.95
Star 4 pt 2 64.95 56.95 74.90 109.95 129.95
Ten -Year Warranty
Made in USA
Multicoated Filter
Technology
FILM B&W AND COLOR
COLOR PRINT
Superia
CA 200 135-24 ..........1.99
CA 200 135-36 ..........3.50
CH 400 135-24 ..........2.25
CZ 800 135-24 ..........3.49
Pro
400H 135-36 .............8.99
400H 120 Roll ............7.95
Gold Max
GC 400 135-24 ..........2.09
GC 400 135-36 ..........2.49
Ektar
100 135-36 ...............5.50
100 120 Roll ..............4.70
Portra
160 135-36 ...............6.99
160 120 Roll ..............5.19
160 220 Roll ............14.70
160 220 PP (5) .........73.50
400 135-36 ...............7.99
400 120 Roll ..............5.85
400 220 Roll ............15.19
400 220 PP (5) .........75.95
800 135-36 ...............9.99
800 120 Roll ..............8.98
COLOR SLIDE
Provia
RDP 100F 135-36 ...10.99
RDP 100F 120 Roll ....7.19
RXP III 400X 135-36 .. 16.09
Velvia RVP
Pro 50 135-36 .........11.59
Pro 50 120 Roll ..........8.55
100 135-36 .............10.64
100 120 Roll ..............7.69
PROCESSING MAILERS
Slide
36 Exposures
(35mm) ....................8.99
Print C41 35mm ......13.49
Print C41 120 Roll ...15.49
Print C41 220 Roll ...30.95
BLACK & WHITE PRINT
Pan F+ 50 135-36 .....6.50
Pan F+ 50 120 Roll ....4.99
FP4+ 125 135-36 ......6.25
FP4+ 125 120 Roll .....4.39
HP5+ 400 135-36 .....4.75
HP5+ 400 120 Roll ....4.09
Delta Pro
100 135-36 ...............6.25
100 120 Roll ..............4.50
400 135-36 ...............6.29
400 120 Roll ..............4.95
3200 135-36 .............7.99
3200 120 Roll ............5.99
XP-2 Super
400 135-36 ...............6.49
400 120 Roll ..............4.75
Infrared
SFX 200 135-36 ........7.99
SFX 200 120 Roll .......7.50
Acros 100 135-36 .....6.59
Acros 100 120 Roll ....4.62
Neopan 400 135-36 ..5.79
Tri-X 400 135-36 ......4.49
Tri-X 400 120 Roll .....4.95
TMX 100 135-36 .......4.95
TMX 100 120 Roll ......4.90
TMY 400 135-36 .......6.95
TMY 400 120 Roll ......4.59
BW 400CN 135-36 ....6.50
REPAIR SERVICE!
TOP QUALITY EXPERIENCED
AT DISCOUNT PRICES! Send your equipment for a
FREE repair estimate to: Cambridge World
60-18 Fresh Poind Rd., Mespeth, New York 11378
Nothing is too Small or too Large Anything Photographic !!!!!
Estate Sales Welcome!!! You can mail your gear or we can pick your gear up.
You can trade-in your gear or we will pay you with a check or with Paypal.
CALL 1-800-221-2253 and ask for Simon Or Email us at
sales@cambridgeworld.com. Send your equipment for a FREE evaluation to:
Cambridge World 60-18 Fresh Pond Rd, Maspeth, NY 11378
TOP DOLLAR$$$
WE PAY FOR YOUR RETIRED GEAR!
ASK
IF YOU DO NOT SEE
IT, IT DOESNT MEAN
WE DO NOT HAVE IT,
1-800-221-2253
LARGE SELECTION
OF PROJECTION
BULBS...CALL ALEX
1-800-221-2253
CALL
B+W, HELIOPAN, CANON, CAMBRON, COKIN,
HOYA, KENKO, LECIA, NIKON,
SINGH-RAY,TIFFEN, ZEISS, ETC
WE HAVE MORE THAN 10,000 FILTERS
IN STOCK. CALL ADAM 1-800-221-2253
Top Quality screw in optical Glass Filters
19-37mm19.95 67-82mm..19.95
40-49mm..9.95 86-95mm..59.95
52-62mm.14.95 105-122mm129.95
Sun Shade Lens Hoods
19-37mm...9.95 67-82mm..19.95
40-49mm...6.95 86-95mm..69.95
52-62mm...9.95 105-122mm..99.95
3 Lens Close-up Macro Lens Sets
19-37mm..29.95 52-62mm.29.95
40-49mm..19.95 67-82mm.39.95
SIGMA
4.5mm F2.8..........838.95
8mm F3.5.............828.95
10mm F2.8...........598.95
15mm F2.8...........568.95
20mm F1.8...........588.95
24mm F1.8...........498.95
28mm F1.8...........308.95
30mm F1.4...........278.95
800mm F5.6.......6698.95
10-20mm F4-5.6....478.95
12-24mm F4.5-5.6..748.95
17-70mm F2.8-4.5...458.95
18-200mmF3.5-5.6..238.95
24-70mm F2.8.....798.95
28-70mm F2.8-4....88.95
28-200mmF3.5-5.6...174.95
28-300mmF3.5-6.3...234.95
35-135mm F4-5.6...99.95
50-150mm F2.8....698.95
50-500mm F4-6.3...948.95
55-200mm F4-5.6...124.95
70-300 F4-5.6......138.95
70-300F4-5.6APO...188.95
100-300mm F4-5.6...99.95
100-300mm F4....1098.95
120-300mm F2.8...2698.95
120-400 F4.5-5.6...938.95
150-500mmF5-6.3...948.95
200-500mm F2.8 APO EX DG...................25998.95
300-800mm F5.6 EX BE HSM.....................7698.95
1.4X APO............218.95 2X APO...............278.95
8-16mmF4.5-5.6 DC...618.95
17-50mm F2.8
EX DCOS HSM..548.95
60mm F2.8...........278.95
10-20mm F3.5........548.95
18-250mm F3.5-5.6.358.95
70-300mmDGOS.248.95
70-200mm F2.8....888.95
50-200mm F4-5.6.148.95
85mm F1.4...........848.95
400mm F5.6.299.95
19mm F2.8...........178.95
30 mm F2.8174.95
35mm F1.4.848.95
500mm F4.5.......4598.95
50-150mm F2.8968.95
70-200/2.8OS..1148.95
105mm F2.8........458.95
150mm F2.8.......688.95
180mm F2.8.......1488.95
300mm F2.8.......2998.95
70mm F2.8..........468.95
50mm F2.8..........234.95
50mm F1.4..........358.95
28-70mm F2.8.....318.95
10-20mm F4.398.95
18-35mm F1.8.748.95
18-50mmF2.8-4........188.95
18-50mmF2.8............375.95
TOKINA
10-17mm F3.5-4.5...444.95
28-200mm F3.5-5.6....99.95 11-16mm F2.8......564.95
12-24mm F4.........424.95
16-50mm F2.8......594.95 80-400mmF4.5-5.6....638.95
50-135mm F2.8....674.95
100mm F2.8.........384.95
16-28mm F2.8 .....748.00
17-35mm F4........719.00
300mm F6.3.299.95
12-28mm F4598.95
TAMRON
14mm F2.8...........989.99 90mm F2.8..........348.95
28mm F2.5.............99.99 180mm F3.5........628.95
24mm F2.5.............79.95 500mm F8...........198.95
11-18mm F4.5-5.6...434.95
17-50mm F2.8.....334.94
18-200mmF3.5-6.3...158.95
18-250mmF3.5-6.3...414.95
18-270mm............398.95
19-35mmF3.5=4.5...159.95
20-40mm F2.7-3.5...298.95
24-135mmF3.5-5.6...398.95
28-105mm F2.8....298.95
28-200mmF3.8-5.6...118.95
24-70mm F3.3-5.6...89.95
28-75mm F2.8.......348.95
28-80mm F3.5-5.6...68.95
28-300mmF3.8-5.6...294.95
28-300mmF3.8-5.6VC....584.95
200-400mmF5.6......298.95
55-200mm F4-5.6...128.95
70-200mm F2.8...664.95
60mmF2 Macro........399.95
1.4X Converter....124.95 2X Tele Converter.....138.95
1.4X SP Converter...178.95 2X SP Converter...208.95
24-70mm F2.8......1195.00
75-300mm F4-5.6...128.95
200-500mm F5-6.3..758.95
10-24mmF3.5-4.5....458.99
10-24mm F3.5-4.5...429.95
70-300mm F4-5.6 329.95
50/2.8 HMSuper Angulon.........................................3498.99
90/4.0 HMMakro-Symmar.......................................3198.99
120/5.6 HMAspheric Apo-Digitar...........................4698.99
NEW SCHNEIDER PC TS LENSES
KENKO TELECONVERTER
1.4x..99.95 1.5x..84.95 2X..129.95 3X..219.95
LENSES FOR MOST MANUAL
& AUTOFOCUS AF CAMERAS
24mm F2.8.............79.95 135mm F3.5..........29.95
28mm F2.8.............49.95 135mm F2.8..........49.95
35mm F2.8.............39.95 200mm F3.5..........79.95
50mm F1.8.............69.95 300mm F5.6..........99.95
50mm F1.4...........189.95 400mm F6.3..........99.95
100mm F3.5.........119.95
500mm F8.............99.95
500mm 1000mm combination.........................129.95
19-35mmF3.5-4.5....149.95 28-80mm F3.5-5.6...79.95
28-105mm Zoom...99.95 28-210mmF3.5-5.6...99.95
28-300mm F4-6.3..169.95 35-105mmZoom.....119.95
70-210mm Zoom...79.95 75-150mm F3.5.......49.95
100-300mmF5.6-6.7....99.95 100-500mmF5.6-8...395.95
1000-4000mm zoom.........................................349.95
1.4X Teleconverter..............................................99.95
2X Teleconverter......29.95 3X Converter...69.95
1.5X Teleconverter...69.95 1.7X.Converter..99.95
75-300mm F4.5 Macro Zoom Lens..................89.95
8mm F3.5.............279.95 14mm F2.5..........398.95
85mm F1.4...........308.95
500mm F6.3........124.95
800mm F8............219.95 1000mm F11.......799.95
650-1300mm F8 Long Zoom Lens...................249.95
0.42X Fisheye Lens............................................39.95
0.45X Wide Angle Lens.....................................39.95
We Offer MORE THAN 1,000 DIFFERENT
LENSES at LOW DISCOUNT PRICES!!!
Canon, Cosi na, Ni kon, Pent ax, Ol ympus, Lei ca, Sony, Mi nol t a,
Vi vi t ar, Schnei der, Mami ya, Hassel bl ad, Rodenst ock, Zei ss, et c.
LENSES
SAMYANG/ROKINON/BOWER
500mm F8...99.99
7.5mm F3.5...299.00
85mm F1.4299.00 35mm F1.4499.00
14mm F2.8399.00 8mm F3.5299.00
500mm mirror..119.99 500mm F6.3..159.99 800mm F8...219.99
650-1300mm f8-16 Zoom Lens....279.99
24mm F1.4...$699.00 24mm F3.5 Tilt and Shift..999.00
FILTERS
CINE LENSES
8mm T3.8...329.00 14mm...T3.1...449.00 24mm T1.5 749.00
3.5mm T1.5...549.00 85mm...T1.5...349.00
* Large selsctions of new
and used Rollei and Rolleiflex
cameras,lenses and accessories
at discount prices!!!!!
CALL William 1-800-221-2253
Rollei & Rolleiflex
Headquaters
Special Prices on
Rollei 6000 Series
New IPro 3 Lens Set for
Apple iPhone 4, 4s, 5 & 5S
All for $229
2X Telephoto Lens
Macro Lens
Wide Angle Lens
High Resolution
Top Quality Lenese
NEW POLAROID INSTANT
DIGITAL CAMERA
Print your pictures 148.99
Large selections of NEW &
USED LEICA cameras, lenses,
filters and accessories at low discount
prices ASK for Joseph
LEICA HEADQUARTERS!!!
VIVITAR
NEW SERIES 1 LENSES
7mm F3. 5. . 324. 95 13mm F2. 8409. 95
35mm F1. 4499. 95
85mm F1. 4324. 95
500mm F8. 107. 95 500mm F6. 3. . 169. 95
650-1300 F8-16...299.95
800mm F8...239.00
NEW FLASHES
16M19. 95 DF 183 AF. 44. 95
DF 283 AF89. 95 285HV. . . 87. 00
DF 293 AF89. 95 DF 383 AF124. 95
385 HV. . . . . . . . . 149. 95 DF 483 AF159. 95
LARGE SELECTIONS OF NEW AND USED
CLASSIC CAMERAS
LENSES AND ACCESSORIES IN STOCK AT LOW DISCOUNT PRICES!
Agfa, Alpa, Ansco, Arca-Swiss, Bolex, Bronica, Canon, Contax, Contarex, Edixa,
Exa, Exakta, Fuji, Fujica, Gami, Hasselblad, Kodak, Konica, Kowa, Leica, Leitz, Linhof,
Mamiya, Mercury, Minolta, Minox, Miranda, Nikon, Nikonos, Olympus, Pentacon, Pentax,
Petri, Plaubel, Polaroid, Praktica, Praktina, Retina, Revere, Ricoh, Robot, Rollei, Rolleiflex,
Sea & Sea, Stereo Realist, Tessina, Topcon, Toyo, Voigtlander, Wollensak, Yashica, Zeiss, Etc.
EXPOSURE LIGHT METERS
Cambron, Gossen, Kenko, Sekonic, Minolta, Pentax,
Polaris, Shepard, Soligor, Spectra, Wein, Etc. - CALL
FLASHES
Ansmann, BRNO, Canon, Cambron, Elinchrome, Gary Fong,
Novatron, Olympus, Pentax, Photogenic, Quantum,
Sunpak, Sony, Vivitar, Etc. CALL
Sigma, Stroboframe,Stratos, Smithvictor,
Metz, Minolta, Multiblitz, Nikon, Novacon, Norman,
PROJECTORS & VIEWERS
Braun, Canon, Epson, GEPE, Kodak Carousel and
Ektagraphic,Kaiser, Panasonic, Optoma, Sanyo, Sharp, Telex,
Da-Lite Screens, Slide Mounts,Vue-all Etc.
CALL
DARKROOM / ENLARGERS
Beseler, Durst, Fujimoto, KAISER, LPL, Omega, Etc.
Enlarging Lenses & Darkroom Accessories.
Large selection of papers available
(Kodak, Ilford, Fuji, Forte, Etc.) - CALL
LARGE & MEDIUM FORMAT
Alpa, Arca Swiss, Bronica, Contax, Fuji, Cambron, Hasselblad,
Linhof, Kiev, Mamiya, Pentax 645D Digital Camera,
Rollei, Rolleiflex, Toyo, Wista,
Yashica, Etc. CALL
TRIPODS
Arca Swiss, Bogen, Cambron, Cullman, Berlebach, Giottos,
Davis & Sanford, Gitzo, Impact, Linhof,
Manfrotto, Slik, Sunpak, Tiltall, Vanguard, Velbon, Etc. -
CALL
FILM (ALL SIZES)
Kodak, Ilford, Fuji, Polaroid, AGFA, Etc. CALL
PANORAMA
Fuji, Hasselblad XPAN, Horizon, Horseman,
Linhof, Noblex, Silvestri, Widelux, Etc. CALL
CASES & GADGET BAGS
Billingham, BobLBee, Domke, Lowepro, Pelican, Rimowa,
Tamrac, Tenba, Zero Halliburton
CALL
NOVOFLEX
Adapters Lenses
Accessories..................CALL
NEW DIGITAL & FILM CAMERAS
LENSES, FLASHES, SCREENS
PAPER AND ACCESSORIES
Canon, Casio, Fuji, Hasselblad, Kodak, Leica, Mamiya, Nikon, Olympus,
Panasonic, Pentax, Polaroid, Samsung, Sanyo, Sigma, Sony, Vivitar, Etc -
Delkin, Kington, Lexar, SanDisk, Nikon
Fuji, Olympus, Sony, Panasonic, Etc............CALL
Memory Cards
Large selection of BATTERIES available at discount prices....CALL
Canon rebel 2000......89.99
Canon rebel XT.....299.99
Kodak Retina IIIc...99.95
Maxxum 7000.........49.95
Maxxum 9000.........69.95
Nikon N90..............99.99
Nikonos V.............179.99
Topcon super RE249.99
Voigtlander Bessa...599.99
Voigtlander Bessamatic...129.99
Yashica FX3............69.99
Exakta VX..............99.99
Hasselblad 500C..149.99
Bronica S2A, EC...... Call
Bronica ETR...........99.95
Minolta XTi............59.95
Maxxum 5D..........199.95
Canon F1...............119.99
Contax G2.............699.99
Contax RTS III........699.99
Mamiya RB67.......199.99
Leica IF.................499.99
Nikon F3...............129.99
Nikon F5...............349.99
Nikon D200..........499.99
Olympus OM1........99.99
Pentax K1000..........99.99
Pentax 645.............249.99
Rolleicord V..........149.99
Zeiss Contarex.........299.99
Fuji S5 digital.......599.95
Canon A2E .............79.99
Canon Elan 7E .......49.99
Leica IIIF...............299.99
Leica R3................199.99
Nikkormat FTN.......99.95
Nikon F...................99.99
Nikon FA..............169.99
Canon 5D.....999.00
Canon 40D.299.00
Contax Aria299.95
Exakta 66....999.99
Leica M6.....999.99
Minolta SRT 101..69.95
Bronica GSI...............399.50
Bronica SQ camera.....199.99
Canon VT....................299.99
Contax N1...........349.99
Exakta RTL................149.99
Exakta VX 1000......129.50
Hasselblad 503CW.....499.95
Leica M3.....................499.99
Minolta X700................99.99
Maxxum HTsi...........69.99
Maxxum 7D................299.99
Nikon FM10...............129.99
Nikon D40..................199.99
Nikon N55....................66.99
Olympus OM4............179.99
Pentax LX...................299.99
Rollei 35M..................119.99
Rolleiflex F3.5............499.99
Zeiss Icarex................149.99
Canon Elan....................69.99
Maxxum 5000...............39.95
Maxxum 700I.............119.95
Nikon N8008................79.95
Nikonos II.....................79.95
Topcon UNI..................79.95
Vitomatic II..................99.95
Yashica FR1..................69.95
Vittesa......................99.95
Canon XTi .................399.99
Retina Reflex ................99.99
Canon 1V....................499.99
Canon 1X......................69.99
Fuji Digital S3....299.95
Leica IIIG....................699.99
Nikkormat FT2...........119.94
Leica R8......................749.99
Nikon F2.....................119.99
Nikon F100.................199.99
Nikon 35TI.....369.50
Nikon FM 3A.399.00
Nikon F4.299.00
Nikon D300........699.00
Nikon D200....499.00
Olympus E-520..249.00
Mamiya 110mm RZ lens...229.99
Pentax 120mm 645macro..399.99
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Minolta160.......69.99
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Canon105.........49.99
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ContaxT2.........199.99
YashicaT4.........99.99
Nikonlitetouch...49.99
Konica120.........49.99
NikonosII.........99.99
Olympus140........49.99
Pentax115.........59.99
MinoxGT...........199.99
Rollei 35..........129.99
Canonrebel X.......49.99
Minota7000.........39.99
Petri V.............79.99
Exa.................69.99
PrakticaTL.........69.99
RicohXRP...........99.99
Canoncanonet.......49.99
Canondial..........49.99
CanonP............239.99
Hasselbladx-pan...999.99
Mamiya500DTL......79.99
Leicac-lux.........299.99
LeicaC1........... 199.99
Mamiya7............699.99
Mamiya645E.........199.99
MamiyaC220..........99.99
Yashicamat..........129.99
Minolta70...........59.99
Minolta9Xi..........149.99
KodakC800............49.99
Samsung170...........69.99
Pentaxauto110.......69.99
NikonF100............169.99
OlympusIS.............79.99
MirandaFV.............99.99
PentaxPZ1.............109.99
ContaxIIa.............139.99
Contarex...............249.99
Nikon35Ti.............299.50
Nikon28Ti.............349.95
Canon 24mm F1.4 ........989.00
Canon 50mm F1.4 ..........79.50
Canon 85mm F1.2 .....1,299.00
Canon 300mm F2.8 ...2,199.00
Canon 16-35mm F2.8 ...889.00
Canon 24-105mm F4 ....789.00
Canon 28-300mm F3.5 ...1,299
Canon 70-200mm F2.8 ...1,199
Canon100-400mmF4.5 ....1,199
Canon 430EX ...............129.00
Canon 580EX................269.00
Canon 24-70mm F2.8 ...899.95
50mm F1.4 Zeiss Planar...209.00
80-200mm F4 sonnar.....199.00
Hasselblad 150mm F4 ..299.00
Leica35mmF2SummicronM...899
Leica50mmF2SummicronM...399
Leica135mmF4.5Hektor Screw..129
Leica50mmF2SummicronR..349.50
Mamiya 55mm F2.8 ........99.00
Mamiya 180mm F4.5....149.00
Minolta 50mm F1.7.........19.00
Minolta 80-200mm F4.5..69.00
Minolta 5400HS...............79.00
Maxxum 50mm F1.7 .......69.95
Nikon 50mm F1.4............69.00
Nikon 18-200mm F3.5..349.00
Nikon 80-200mm F2.8 ......399
Nikon SB600 ................269.00
Nikon SB900 ................349.00
Olympus50mmF1.8Zuiko...39.00
Olympus70-210mmF4.5.......99.00
Olympus 50mm F1.4.......99.95
Panasonic14-50mmF2.8....479.00
Pentax 28-80mm F3.5.....39.00
Pentax 35-80mm F4........44.00
Sigma 70mm F2.8.........379.00
Sony 16-80mm F3.5......499.00
Sony 55-200mm F4.........99.00
Vivitar 500mm F8 ..........69.00
Vivitar 283Flash..................29.95
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WINNING PHOTOS
will be published in the
November 2014 issue of
Photographers Forum
Magazine.
All contest finalists will be
published in the hardcover book,
Best of Photography 2014.
FEES, DEADLINES
Early Entry fee is $4.95 per
photo entered (postmarked or
uploaded by April 14, 2014).
Regular Entry fee is $5.95 per
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uploaded by May 12, 2014).
Photographers Forum magazine and SIGMA present the
34th ANNUAL
SPRING PHOTOGRAPHY CONTEST
Over $250,000 Cash Prizes
Awarded Since 1980!
E N T R Y F O R M
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motionless during the lengthy
exposure required to record her
charms for posterity. Tastes and
techniques may have changed
since Grandpas day, but the
appeal of a well-formed figure
remains fundamental.
Bouncing Speedlight
Photographer Erich Hartman
described the technique of
bouncing your electronic flash to
provide more flattering lighting
for portraits. This approach
combines the action-stopping
power of electronic flash with
softer, less-contrasty lighting.
The Secret Camera
This 4x5 Busch press camera may
be one of the least-known ever.
Claimed in ads to be designed to
military specifications, it was
an obvious effort to replace the
militarys traditional 4x5 Speed
Graphic. Features included a
focal-plane shutter with speeds to
1/1250 sec, customized shutter-
speed settings, and easier-to-use
simplified controls. Unfortunately,
it doesnt seem like this camera
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Harold Martin
90 POPULAR PHOTOGRAPHY MARCH 2014
TIME EXPOSURE
*
MARCH 1954
Something for the Boys
A survey of photography circa 1880
by Don Nibbelink included this
image of a remarkably nonchalant
young Victorian lady remaining
60
YEARS
AGO
We analyzed
Henri Cartier-
Bressons
approach to
portraiture.
Lady in Red
This months sassy cover was
shot by Hal Reiff, who used a
dark background to dramatize
his model in her red leotard.
Reiff used an 8x10 Calumet
view camera with an 8-inch
Kodak Commercial Ektar
lens. A bank of 18 500-watt
floodlights (3200K) provided
the lighting. The exposure on
Ektachrome Type B film was
1/5 sec at f/11.
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EVOLUTION is a project between
art and science. [Co-author] Jean
Bapiste De Panafeu did the sci-
entifc view; I did the artistic view.
There are about 250 skeletons in
the book; it took me almost six
months of working every day. Some
of the pictures are full-scale and
some of them show details, like this
one of Humboldts woolly monkey.
We did a lot of work in the
Musum National dHistoire
Naturelle in Paris. Its like a cabinet
of curiositiesthere are hundreds
and hundreds of skeletons. I photo-
graphed them as if they were sculp-
tures. Between the bones, there is
wiring, nails, screws. We removed
all of that digitally.
When you say you did a book
with skeletons, people look at you
in a weird way. But were not talking
about death. Death happened a long
time ago. As told to Julie Leibach P
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94 POPULAR PHOTOGRAPHY MARCH 2014 POPPHOTO.COM
BACKSTORY
Art, Evolved
Patrick Gries captures verterbate evolution
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