....un punto....todos los puntos....

1 Percussion (line 1) /
q=60 molto rit.

Alexis Perepelycia

brushes

R.H.

mp

<h > 2
ppp

ppp

brushes f

Percussion(line 2)

snares off j

sweep motion from center to edge

mf mp L.H. rotary motion over the head

ppp

8 R J
mf

Soprano Sax

&
5:4

<k>2 J
OK 61

mf

Bass Clarinet in Bb

&

r # mp 8
mf pp

,
mf

mp

Max/MSP

(C1) sample 1.5"

2 q=60
3

rit.
snare stick (wood tip)

Perc.1

snares off
4 5

let the stick bounce freely till it stops

mf

legato timpani mallets

Perc.2 /

pppp

p f

3:2

hit the side of the cymbal w/ neck of the mallet j

sizzle

cymbal

mf

mf

S. Sax.

&

B. Cl.

& /

MSP

j o sfz 6 6) 6 6 # 6 6 3:2 # r r # # e e 8 ' R mp mf 8 p mf '

3:2
F

# # J '
mf

5:4

3
6 Perc.1 /

3''

hot rods

Perc.2

/ &

cymbal

o
n.n.

fff

S. Sax.

pppp

B. Cl.

&

n.n.

j O

sffz sfz p

g.

+ g.

fff

MSP

(C1) playback + TRACK Sax

2 legato mallet 8 ? Perc.1 j w half-mute the head

sffz mf
w/ beater of hand

(q=e.)

q=90
9

pppp

# w
10

hot rod Perc.2

on the rim

#8

#8

ppp

S. Sax.

& &

as forte as possible

#8

10:8

ppp molto vib.

poco vib.

B. Cl.

mp

hum with voice

as piano as possible

~ )

hum this note at a comfortable register!

MSP

auto-threshold

resynthesis (77,78 Hz) (P2) sample 1.5"

(1)

 mute w/ hand ?11 Perc.1 w

turn slightly out of tune

snares off

12

j
mf mp

5:4

. >
p

snare sticks (wood tip)

13

7:4

sffz

Perc.2

/ & #
p

S. Sax.

begin humming

f p 6
# p

# mp

#6 J )

B. Cl.

& / o

# 2 #e
p

66 ) 6 6 6 #6

r #
sfffz

g.

+ g.

(P2) playback

MSP

molto rit.
14

? Perc.1

press and slide super-ball against the head

(obtain buzz noise)

15

16

#w as piano as possible w as piano as possible

w
hit the head near the rim, w/ the finger to get as many harmonics as possible

Perc.2

' sfz J

S. Sax.

&

.
sfz p

3:2

J # . . . . ' .
6:4

# o
+g

sfz

mp

g.

pp

sfz

sffz

B. Cl.

&

vib.

+ vib.

j O sffz

3 ~~~~~~~~~~~~~~~~~~~~~~~

o
pitch-shifter (50 Hz.)

mp

MSP

Perc.1

3 q=60 17 ?
/

med. mallets

brushes pmove the hands

making two concentric circles

18

19

sfz

sfz

sfz

Perc.2

S. Sax.

&

pp

mf

o
j

B. Cl.

&
mp

o PP

mf

sfz

MSP

mf

p pitch-shift (76.33 Hz.) Clarinet

w ? Perc.1
20

q=45 3
(q=h)

accel.

turn slightly out of tune

q=60
(q=e.) 21

sfz

ppp

Perc.2

/ &
sffz p j

fl.

snares off

move gradually from border to centre

as piano as possible

S. Sax.

mf

o
acciacatura begins on the pulse

B. Cl.

&

,# . r r # .
mp p mf

{q}

U # 8 # 8 8 8 8 n # #
ppp

{h }

sfz

MSP

(s3) sample 2.5"

? Perc.1

q=90
( q =q) 22
3

molto rit.

o
vib.
4:3

23

> >
mf

p 24 w

R.H.

mf

mf
L.H.

mf

Perc.2

(mute fastlyw/ free hand)

rimshot

snares on snare sticks

j 6

sfz

r
mf

r
p ppp

S. Sax.

& J

R
p teeth

n
mp

sfz

6 sfz mp p

#
mp

B. Cl.

R &
sfz

teeth on reed

g. 5:4 . . 5:4 3:2 . . . . . . . . . # # . R R # R p mp f p

mp p

g. + fl.

#
fl. p

6:5

MSP

10

25 ? Perc.1

only one hand

26

rimshot 6j

rimshots w/ hotrod

Perc.2

mp

per note

4:3

, o

grace notes w/ snare stick

pp

rimshot

rimshot

mf

S. Sax.

& # o f
ord.
(air) n.n.

# o mf

mp

# J
f

g.

B. Cl.

& ~
p

f MSP

11 q=45

4 Perc.1
/

3''
27

(q=h)

?4

28soft mallets

4 4 4

pppp

29

f
scratch the surface making a circle w/ the tip

kitting needle

Perc.2

S. Sax.

&

4 4

B. Cl.

&

4 4
4 4 o

MSP

(S3) playback + TRACK Perc.

12

? Perc.1
30

6 6
3:2

31

..

turn slightly out of tune (poco gliss.)

Perc.2 / . . . 6 6
mf

if possible avoid playing on snares on centre of gong 6:4

med. mallets

press w/ butt of mallet

sfz

mp

5:4 ,j j r . 6 . 6 6 > 5:4

let bounce

mp

mf f

6:4

S. Sax.

&

f. + air

+ air
gliss.
poco

sfz mp

B. Cl.

&

rall. trill speed

mp

MSP

?32 Perc.1

13

pppp

33

34

stacatto mallet

brushes w Perc.2 /
blend dynamics w/ sax

5:4

w J
pp

apap

mf

S. Sax.

& J

apap

5:4

5:4

mp

g. B. Cl.

&

w p

5:4

pp p

3:2

mf

MSP

14

?35 Perc.1

pppp

press w/ snares off butt of mallet

mp

let ring

36

ringy sound ? 6 Perc.2

mf

mp

5:4

let bounce

mf

R
mf

growl

S. Sax.

& R .
g.

.
p

5:4

. J
sfz p f.

r
mp

5:4

. '

. . . R #

6:4

B. Cl.

&

sfz

6:4

mp

pp

mf

MSP

L.H.

15
kitting needle
scratch the surface making a circle w/ tip

Perc.1

5 ?37
?

3''

38 (q=e)

q=90

gran cassa mallet

p R.H.

39 f w w

Perc.2

S. Sax.

&

B. Cl.

&

6) 6 6 ) #6 6 ord. #w 2 e w
p

ord.

OK 59

growl

mf

MSP

pitch-shift (64.19 Hz.) Clarinet

mp

(s3) sample 2.5"

16

U ? w Perc.1
40

rall. movement

mp

U
41

violin bow
42

poco rit.

p cresc.subito

Perc.2

U ~ U o U

S. Sax.

&

air pass (no note)

mf

air pass (no note)

B. Cl.

&

MSP

sfz

j 8 '

. R J

sfz

8 R
p

j 8
4:3

mp

mf

DLY Clarinet + TRACK

?43 Perc.1 ?

legatto mallets

3:2

mp

44 (q80)

bell of cymbal

snare sticks f snares on

45 1 1 R

17
3:2

rit.

U U U U

R r 6

Perc.2

4:3

j 6
f

S. Sax.

&
mf

mp

B J
mp mf

22
3:2

#
mp f

. U j U U j J # . . U U U

B B R
f

36

B. Cl.

j # # & R
mp mf sfz p

g.

q #
3:2 mp

j 8 '
3:2

teeth

z R

sfz

MSP

(s4) sample 2.5"

18
Perc.1

(q70)
46

rall.

o Bw '

47

? Perc.2 w w & w

ff

sfz

+7

S. Sax.

B. Cl.

&
z

8 #8 #8
f

8 #8 8 8

f subito

mp

n
sfz pp

MSP

5 (S4) playback + TRACK Clarinet

p

19
press and slide supr-ball against the head 49 (obtain buzz noise) press pedals to max.

? Perc.1 ? Perc.2

48

(q60)

vib.

w w

slightly out of tune

50

as piano as possible

w w w

O
p

S. Sax.

&

B. Cl.

& w /

vib.

g. senza vib.

+ air

MSP

as forte as possible

'

'

# ' '

10:8

'

# J n '

mf

# J

(P5) sample 2.5"

20

6 q(=120 q=e) 51 U ? Perc.1

?U U &

8 j

poco rall.

# # #
f
5:4

52

Perc.2

S. Sax.

mf

r 8
mf

' mp

4:3

port.

B. Cl.

U &

mf

mf

MSP

53 ? Perc.1

21

U U

54

? Perc.2

S. Sax.

& J

5:4

mp

J
mp + g.

j ' mf

5:4

mp

R
sfz

B. Cl.

&

5:4

mf p subito

#
f

3:2

j o

# '

sfz

MSP

/ o

pitch-shifter (124.72 Hz.)

(P5) playback + TRACK Clarinet

22

55 ? Perc.1

56

? Perc.2

S. Sax.

& n J J

J n J

tempo libre

B. Cl.

&
mf

+ air

pp

+g.

R
mp

#
p

MSP

(C6) sample 2.5"

SOLO Button

57 ? Perc.1

23

58

Perc.2

S. Sax.

&
J & # subito f mp p

j g.

7:6

B. Cl.

3:2 7:4 j # # R # R # # # # 8 # mf . 5:4

mp

mp

sfz

MSP

24

59 ? Perc.1

60

Perc.2

S. Sax.

&
mf

4:3

B. Cl.

&

mp

mf

# J
sfz

mf

f. f

5:4

MSP

Perc.1

?
61

62

(q80)

25

Perc.2

S. Sax.

&

r
pp

acciacatura begins on the pulse

# # #

. . . . . . .
f

<h >

.
fff

ppp

B. Cl.

&

mf

fff

growl

n
p

mp

MSP

(C6) playback + TRACK Sax

26

63 ? Perc.1

64

U U

6:4 # # . J # . . . .

Perc.2

S. Sax.

&

3:2

j o

g.

3:2 # # # # U # J R ' sfz p o sfzf p f p

sfz

p f

p f

sffz

B. Cl.

&

r r #
6:4

5:4

mf p

subito f

U r # # #

p cresc.subito p

# #
f ppp

MSP

?65 Perc.1
Perc.2

legatto mallets
gliss.

ppp

27

? &

S. Sax.

B. Cl.

&

ppp

growl
gliss.

2
p

MSP

28

Perc.1

7 q=70 violin bow ?66

sfz

67

Perc.2

sfz

? b
g. p

fff

kitting needles

S. Sax.

&

74

w w

7:4

#w w

g.

38

B. Cl.

& 2
p

6) 6 ) 3 ) 6 6 g. 3:2 e 3

gliss.

r '

R
fff

f.

gliss.

f.

fff

MSP

SUS Button

68 ? Perc.1

mf

69

rall.poco a poco

29

scratch the surface making a circle w/ tip

- J

sfz p

Perc.2

? & e #
f
65

S. Sax.

mf

8 #8
sfz

sfz

B. Cl.

&

6 6) 6 6 #6 6 # #e
F

j
g. mp

sfz f

e J

mp

3:2

mf

8 '

3:2

8 '

# #
mp

sfz

sfz f

MSP

(C7) sample 2.5"

(C7) playback + TRACK Percussion o

30

? Perc.1
70

R - sfz p

U U

- sfz p

71

simile

sfz p

Perc.2

scratch the surface making a circle w/ tip

S. Sax.

&

nO

mp

sfz mp

sfz p

j O

# # #

B. Cl.

&

U
mp mf

# #

sfz mp

sfz p

MSP

31
72 ? Perc.1

sfz pp

3:2

sfz pp

sfz pp

sfz pp

73sfz ppp

- sfz ppp
This bar should be played as long as possible with only one breath of both players (sax & clarinet). The rest of the performers should attach to them. The very end should be diminuendo to nothing. The computer will finish the spatialization of sound in a fade out.

w w

Perc.2

S. Sax.

&

3:2

j O
pp

j O

ppp

B. Cl.

&

pp

ppp

MSP

QuadDLY o

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