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P01-4 P02-1 P02-2 P02-3 P02-4 P03-1 P03-2 P03-3 P03-4 P04-1 P04-2 P04-3 P04-4 P05-1 P05-2 P05-3 P05-4 P06-1 P06-2 P06-3 P06-4 P07-1 P07-2 P07-3 P07-4 P08-1 P08-2 P08-3 P08-4 P09-1
NATURAL CLEAN POWER DRIVE CRUNCH LEAD STACK CRUNCH TWEED CLEAN SINGLE COILROCK BG LEAD ROLLING TONE MixSLICE & ACCEL ZEE ZEE POP HARMONY LEADinAm VINTAGE OVERDRV COMP PedalWAH MODERN METAL OD-1 +STACK
COMBO CRUNCH DIV CH SELECT POWER DRIVE DIV CH SELECT, DELAY DIV CH SELECT, CHORUS DIV CH SELECT, DELAY DIV CH SELECT DIV CH SELECT DIV CH SELECT
S/H S/H S/H H H S S/H H H S/H S/H H H S/H H H S/H S S/H S/H S/H S/H S/H H S/H H S/H H S/H S/H
COMBO CRUNCH COMBO CRUNCH STACK CRUNCH TWEED STACK CRUNCH BG LEAD NATURAL CLEAN FULL RANGE POWER DRIVE NATURAL CLEAN JC-120 NATURAL CLEAN EXTREME LEAD STACK CRUNCH STACK CRUNCH TWEED STACK CRUNCH BG LEAD
Switch between stack crunch sounds with different gain for backing SINGLE: and solo. Ch. A Use the CTL pedal to switch between a tweed amps clean tone and a mid-boost lead tone. A hard crunch sound, ideal for punchy rhythm playing. The CTL pedal boosts the GAIN and MID. A tube amp sound typical of the late 70s through the 80s. The CTL pedal switches to a lead tone with chorus applied. A sound with a touch of crunch, ideal for rhythm. The CTL pedal boosts the GAIN and MID. Clean sound with the addition of a pitch shifter and slicer. The ACCEL pedal raises the overall pitch. Rhythm tone for classic rock. The CTL pedal increases the gain and volume. Sustaining harmony tone, ideal for fusion solos. Vintage OD-1 sound. The CTL pedal selects a sound appropriate for solos. Pedal wah sound with compression. The CTL pedal switches to a lead sound. An extremely heavy metal sound, usable for anything from rhythm to lead. A hard rock sound with phaser and OD-1 applied before the distortion. SINGLE: Ch. A SINGLE: Ch. A SINGLE: Ch. A SINGLE: Ch. A DUAL SINGLE: Ch. A SINGLE: Ch. A SINGLE: Ch. B SINGLE: Ch. A SINGLE: Ch. A SINGLE: Ch. A SINGLE: Ch. A SINGLE: Ch. A SINGLE: Ch. A SINGLE: Ch. A SINGLE: Ch. A SINGLE: Ch. A SINGLE: Ch. A SINGLE: Ch. A SINGLE: Ch. A SINGLE: Ch. A SINGLE: Ch. A SINGLE: Ch. A SINGLE: Ch. A SINGLE: Ch. A SINGLE: Ch. A
COMBO CRUNCH DIV CH SELECT NATURAL CLEAN POWER DRIVE ACCEL (S-BEND) DIV CH SELECT, DELAY
COMBO CRUNCH FX2 (HARMONIST) NATURAL CLEAN OD/DS SOLO, COMP, DELAY
COMBO CRUNCH DIV CH SELECT EXTREME LEAD MS1959 I DIV CH SELECT, DELAY FX1 (PHASER)
PedalWAH CRUNCH Crunch sound with pedal wah. TIGHT CLEAN 70s US HARDROCK CHORUS LEAD Extremely hard clean tone, ideal for rhythmic muted chording. The CTL pedal applies phaser and chorus. A retro hard rock sound from the 70s. Metal sound with chorus, usable for either backing or lead.
COMBO CRUNCH COMBO CRUNCH DIV CH SELECT NATURAL CLEAN STACK CRUNCH NATURAL CLEAN NATURAL CLEAN STACK CRUNCH NATURAL CLEAN R-FIER VINTAGE VO LEAD NATURAL CLEAN HiGAIN STACK NATURAL CLEAN POWER DRIVE NATURAL CLEAN STACK CRUNCH STACK CRUNCH JC-120 R-FIER VINTAGE DIV CH SELECT DIV CH SELECT, DELAY DIV CH SELECT, OD/DS DIV CH SELECT, DELAY DIV CH SELECT DIV CH SELECT DIV CH SELECT
JONNY'S BEEN BAD Classic rocknroll tone. The CTL pedal switches to a lead tone. CLEAN STACK DS <-> MTL ZONE R-FIER LEAD BEE BEE THRILL CLEAN SUSTAIN POWER CHORD! COMBO LEAD JAZZ FIELD E.GTR-> AcGUITAR METAL MONEY The sound of an amp stack. The CTL pedal switches between clean and crunch. Use the CTL pedal to switch between distortion and Metal Zone. Hard distortion sound, ideal for metal riffs. The CTL pedal switches to a lead sound. Combo amp sound suitable for blues leads. A clean sound with good sustain. The CTL pedal switches to a stack crunch sound. A drive sound, simple yet with presence. A combo amp lead sound. You can use the ACCEL pedal for feedback performance. An aggressive jazz tone. The CTL pedal switches to a sound for soloing. Transforms the sound of an electric guitar to the sound of an acoustic guitar. The metal sound of the 90s.
COMBO CRUNCH DIV CH SELECT STACK CRUNCH HiGAIN STACK DIV CH SELECT DIV CH SELECT, DELAY ACCEL (FEEDBACKER) DIV CH SELECT, COMP, DELAY, REVERB LEVEL DIV CH SELECT, FX1 (GUITAR SIM) DIV CH SELECT
COMBO CRUNCH COMBO CRUNCH BG LEAD FULL RANGE CORE METAL BG LEAD NATURAL CLEAN CORE METAL
P10-1* STEREO STACK P10-2 P10-3 P10-4 P11-1 P11-2 P11-3 P11-4 FINGER LEAD TWEED BLUES SUPER CLEAN WALL OF DIST WAH LEAD >CRUNCH DIAMOND ECHO SAFARI USA
P12-1* STEREO HardRiff P12-2 P12-3 P12-4 P13-1 P13-2 P13-3 P13-4 P14-1 P14-2 P14-3 P14-4 P15-1 P15-2 P15-3 P15-4 P16-1 P16-2 P16-3 P16-4 P17-1 P17-2 P17-3 TUESDAYS LEAD MidRANGE CRUNCH MILD PHASER DIRTY DS&TR CLN SQUARE LEAD DUAL MTL/ CRUNCH COMP CHORUS
COMBO CRUNCH DELUXE CRUNCH DIV CH SELECT FULL RANGE COMBO CRUNCH ACCEL (S-BEND)
COMBO CRUNCH CORE METAL NATURAL CLEAN STACK CRUNCH 5150 DRIVE POWER DRIVE MS1959 I T-AMP LEAD
FX1 (PITCH SHIFTER), H OD/DS, DELAY DIV CH SELECT REVERB DIV CH SELECT S/H H H H S/H S/H H H S H H H H S/H S/H S
AMBIENT DIRTY OD Drive sound with added room ambience. SMOOTH LEAD ATTACKY CRUNCH CLEAN ROTARY METAL FLANGER MATCH LEAD LIMITED CRUNCH FAT COMP CLEAN Hi:BG LD Lo:1959 FUSION 335 80s JAZZ FUSION MILD JAZZTONE BOSSTONE DRV-SOLO Classic lead tone for rock, also ideal for sweep-picking. A crunch sound with a sense of attack. The CTL pedal applies mid boost. A clean sound with a rotary effect applied. The CTL pedal switches between fast and slow. Metal sound with flanger applied. An extremely smooth lead tone. Ideal for fusion solos. A crunch tone that will sound smooth and refined when playing chords. A clean sound with boosted mid-range and compressor applied. The CTL pedal applies chorus. With both an edgy low range as well as good sustain in the mid and high ranges, this sound can be used for riffing and lead without switching. A lead tone of 70s fusion. The CTL pedal boosts the gain and volume. A fusion lead tone using stereo chorus.
COMBO CRUNCH COMBO CRUNCH OD/DS, DELAY NATURAL CLEAN NATURAL CLEAN MATCH DRIVE NATURAL CLEAN NATURAL CLEAN MATCH DRIVE DIV CH SELECT, FX2 (ROTARY) SPEED SELECT DIV CH SELECT, DELAY DIV CH SELECT DIV CH SELECT CHORUS OD/DS, DELAY
COMBO CRUNCH MATCH DRIVE JC-120 BG LEAD NATURAL CLEAN NATURAL CLEAN NATURAL CLEAN NATURAL CLEAN MS1959 I
DELUXE CRUNCH DIV CH SELECT JC-120 NATURAL CLEAN NATURAL CLEAN OD/DS DIV CH SELECT DIV CH SELECT DELAY OD/DS
Used with humbuckers, this produces a mild jazz tone. Also suitable SINGLE: for finger-picking. Ch. A One of the rock sounds of the late 70s. The CTL pedal switches to a sound for soloing. SINGLE: Ch. A SINGLE: Ch. A SINGLE: Ch. A
MidBOOST COMBO The crunch sound of a mid-boosted combo amp. COUNTRY PICKIN' A classic country rock sound.
COMBO CRUNCH A/B SOLO MS1959 I+II DIV CH SELECT, DELAY OD/DS CHORUS, COMP DIV CH SELECT DIV CH SELECT OD/DS DIV CH SELECT, DELAY, CHORUS DELAY DIV CH SELECT DIV CH SELECT DIV CH SELECT A&B SOLO DIV CH SELECT
DELUXE CRUNCH NATURAL CLEAN JC-120 NATURAL CLEAN CLEAN TWIN FULL RANGE JC-120 POWER DRIVE SLDN NATURAL CLEAN MS1959 I NATURAL CLEAN NATURAL CLEAN CORE METAL CORE METAL NATURAL CLEAN HiGAIN STACK POWER DRIVE SLDN NATURAL CLEAN MS1959 I JC-120
NORWEGIN GROVE Sound that adds the distinctive buzz drone of a sitar. Hi:JC120 Lo:STACK FRANKLY SWEEPING FUSIONY NATURAL JAZZTONE DUAL MIC StereoMS MELLOW LEAD BASIC BLUES DEEP CS StCHORUS The low range is assigned to a high-gain stack, and the mid and high ranges to a JC-120. The fusion rhythm tone of the 90s. The CTL pedal boosts the gain and volume for soloing. Fusion lead tone with pan delay. Sweet and tight jazz sound. Stereo sound produced by a two-mic setup. Bluesy sound with warm overdrive. Crunch sound with compressor, ideal for blues or classic rock. A rich sound that uses a combination of several modulation-type effects. Stereo high-gain sound produced by two amps. Lead tone using a long stereo delay. Tweed amp sound notable for its mellow tube distortion. Clean sound of the 70s with a soft phaser. Crisp and bold drive sound. British lead tone of the 70s and 80s. A tight combo crunch sound. The sound of 70s funk. The CTL pedal boosts the gain. A sound that combines metal and acoustic. Pressing the ACCEL pedal allows you to perform feedback with the sound of a high-gain tube amp. An early British stack tone thats ideal for leads. Clean tone with beautiful stereo panning. The CTL pedal adds a touch of crunch. 70s rock sound with phaser. The CTL pedal makes the sound suitable for leads and also turns on a delay. A high-gain lead with auto wah applied. The ACCEL pedal produces a unique sound using S.Bend. Crunch sound based on MS1959. Crystal-clean sound. Ideal for rhythm in styles such as country. Slash metal sound of the 80s. Ideal for riffing. Psychedelic rock sound of the 1969 Woodstock festival. Intense distortion produced using fuzz. American crunch sound with chorus and delay applied. Also suitable for country styles.
COMBO CRUNCH COMBO CRUNCH DIV CH SELECT NATURAL CLEAN T-AMP LEAD R-FIER MODERN TWEED NATURAL CLEAN MS1959 I+II VO LEAD HiGAIN STACK R-FIER VINTAGE DIV CH SELECT CHORUS
P22-1* DUAL ST Hi GAIN P22-2 P22-3 P22-4 P23-1 P23-2 P23-3 P23-4 P24-1 P24-2 P24-3 P24-4 P25-1 P25-2 P25-3 P25-4 P26-1 P26-2 P26-3 OUT DELAY T-SCREAM TWEED ELCTRIC PIANO FAT DRY MIX MS ROYAL LEAD TIGHT CRUNCH REGGIE METAL ACOUSTIC FEEDBACK CONTROL 70s BRITROCK CHORDS SO SWEET BARK TONE LEAD DREAMER 1959 CRUNCH CLEAN MACHINE REIGN IN THRASH 1969 XPERIENC CRUNCH DELAY
COMBO CRUNCH FX2 (SUB DELAY) STACK CRUNCH FX1 (SUB OD/DS), DELAY FX2 (PAN) A&B SOLO
COMBO CRUNCH DELAY DIV CH SELECT, DELAY, CHORUS DIV CH SELECT CHORUS, DELAY ACCEL (FEEDBACKER)
COMBO CRUNCH COMBO CRUNCH NATURAL CLEAN FULL RANGE SLDN PRO CRUNCH NATURAL CLEAN CORE METAL 5150 DRIVE MS1959 I JC-120 SLDN TWEED NATURAL CLEAN CORE METAL EXTREME LEAD
COMBO CRUNCH DIV CH SELECT HiGAIN STACK CORE METAL DIV CH SELECT DIV CH SELECT, DELAY ACCEL (S-BEND) OD/DS, DELAY
COMBO CRUNCH DIV CH SELECT SLDN EXTREME LEAD DIV CH SELECT, DELAY ACCEL (S-BEND)
DELUXE CRUNCH EXTREME LEAD 5150 DRIVE TWEED PRO CRUNCH CLEAN TWIN CLEAN TWIN POWER DRIVE 5150 DRIVE EXTREME LEAD STACK CRUNCH CLEAN TWIN CLEAN TWIN EXTREME LEAD
DELUXE CRUNCH NATURAL CLEAN NATURAL CLEAN HiGAIN STACK POWER DRIVE CLEAN TWIN R-FIER MODERN MS1959 I TWEED NATURAL CLEAN POWER DRIVE STACK CRUNCH TWEED TWEED BG DRIVE TWEED NATURAL CLEAN R-FIER MODERN BG LEAD
COMBO CRUNCH DIV CH SELECT NATURAL CLEAN 5150 DRIVE R-FIER VINTAGE DIV CH SELECT DIV CH SELECT ACCEL (S-BEND), DELAY LEVEL
P29-3* ROUGH'N' DIRTY P29-4 P30-1 P30-2 P30-3 P30-4 P31-1 P31-2 P31-3 P31-4 P32-1 P32-2 P32-3 P32-4 P33-1 P33-2 P33-3 CLN TWIN SOUTHERN METAL CORN CREAMY SET T.WAH TWEED COMP CLEAN STACK LEAD 70s T.WAH LD DirtyOle TWEED MinneapolisFNK TWEED BLUES 2 NY LEAD MODULATE
DELUXE CRUNCH DIV CH SELECT CORE METAL STACK CRUNCH TWEED DIV CH SELECT OD/DS DIV CH SELECT
COMBO CRUNCH DIV CH SELECT EXTREME LEAD MS1959 I PRO CRUNCH NATURAL CLEAN JC-120 CLEAN TWIN JC-120 DIV CH SELECT, DELAY FX1 (T. WAH) ACCEL (S-BEND) CHORUS OD/DS DIV CH SELECT, OD/DS OD/DS FX1 (T. WAH) OD/DS
A lead sound with a strongly modulated flanger. Also usable for cool SINGLE: jazz fusion. Ch. A SINGLE: Ch. B SINGLE: Ch. A SINGLE: Ch. A SINGLE: Ch. A SINGLE: Ch. A DUAL SINGLE: Ch. A SINGLE: Ch. A SINGLE: Ch. A DUAL SINGLE: Ch. A SINGLE: Ch. A SINGLE: Ch. A
SQUEEZE BLUES GT A bluesy sound with ambience included. TOUCH WAH CLN BLADE METAL PROGRESS SmoothLD CRUNCH FLANGER Strongly modulated chorus and touch-wah. Good for arpeggios. An extremely sharp metal tone. Use the CTL pedal to switch between a lead tone with a soft attack and a clean tone with a gorgeous chorus. A cool flanger sound suitable for arpeggios. A clean sound for guitar instrumentals of the 80s. A hard rock tone used in the 80s and 90s. Ideal sound for playing slide guitar with single coil pickups. Standard rotary sound for rock. Light American crunch sound of the late 50s. Ideal modern metal sound for humbucking pickups. Ideal sound for playing slide guitar with humbucking pickups. The drive sound produced by a small amp of the 70s.
COMBO CRUNCH DIV CH SELECT DIV CH SELECT ACCEL (S-BEND) DIV CH SELECT DIV CH SELECT LED ON/OFF, FX2 (ROTARY) SPEED SELECT CHORUS DIV CH SELECT DIV CH SELECT
COMBO CRUNCH NATURAL CLEAN BG DRIVE MS1959 I TWEED STACK CRUNCH PRO CRUNCH T-AMP LEAD PRO CRUNCH NATURAL CLEAN HiGAIN STACK TWEED TWEED EXTREME LEAD PRO CRUNCH
P33-4* JS SIG. CLEAN P34-1 P34-2 P34-3 P34-4 P35-1 P35-2 P35-3 GREAT ROCK SLIDE FOR ST ROTARY CRUNCH FULLERTN DRIVE DRAGON METAL SLIDE FOR LP 70sSMALL AMP
COMBO CRUNCH CHORUS COMBO CRUNCH HiGAIN STACK VO LEAD R-FIER MODERN POWER DRIVE ACCEL (S-BEND), DELAY LED ON/OFF, FX1 (VIBRATO) TRIGGER CHORUS ACCEL (S-BEND) DIV CH SELECT, DELAY A/B SOLO DIV CH SELECT DIV CH SELECT DIV CH SELECT, DELAY
P37-3* STEREO RIFF P37-4* GREAT WideOpen P38-1 P38-2 P38-3 P38-4 P39-1 P39-2 P39-3 P39-4 P40-1 P40-2 P40-3 P40-4 RECTOSARIUS Hi GAIN LEAD 2 COLLEGE ROCK TheULTRA CLEAN UFOBJECT HARMONY LEADinEm AG +CRUNCH SUPER MODULATE RIPPIN' OCTAFUZZ LEAD TapDELAY STEREO PH FOR RHYTHM
A smooth high-gain lead sound. Fat distortion can be obtained even SINGLE: with single coil pickups. Ch. A Crunch sound suitable for chordal riffs. English clean tone with chorus and deep reverb. Appropriate for 80s pop. The classic sound of 70s hard rock. Sound appropriate for melodious metal leads. Sound appropriate for melodious metal leads. Clean sound with modulation applied. Also effective when used in the intro. Fantasy-like sound with deep delay. The ACCEL pedal applies ring modulator. A fuzz sound with a unique character. Also useable even if the volume of your guitar is lowered. Stereo pan delay. You can tap the CTL pedal to set the delay time. A light phaser sound thats ideal for muted chords. The hard rock sound of the late 70s. Phaser and delay are applied to a fat British overdrive. A sound that combines a high-gain amp and a combo amp. A deeply distorted combo amp sound, suitable for playing chords. A pleasant echo sound using Slow Gear. The CTL pedal applies distortion. Reproduces the combination of a late 60s fuzz and distorted amp. The sound of a mid-boosted stack amp. The ACCEL pedal allows feedback performance. Produces a sharp sound when used with single coil pickups. Produces a sound reminiscent of a fretless guitar. Suitable for playing single notes. American sound of the 70s with compressor and phaser. A big fat lead sound. Reproduces the sound of the 50s with a tape echo and spring reverb. A clean phaser sound with the resonance turned up. A fuzz sound with a rich overtone structure. Ideal for backing or for solos. Produces a unison sound with one octave below. Ideal for riffs or single notes. Drive sound ideal for rocknroll. The CTL pedal switches to a dry sound. SINGLE: Ch. A SINGLE: Ch. A SINGLE: Ch. A SINGLE: Ch. A DUAL DUAL SINGLE: Ch. A SINGLE: Ch. A SINGLE: Ch. A SINGLE: Ch. A DUAL DUAL SINGLE: Ch. A DUAL SINGLE: Ch. A SINGLE: Ch. A SINGLE: Ch. A SINGLE: Ch. A SINGLE: Ch. A DUAL SINGLE: Ch. A SINGLE: Ch. A SINGLE: Ch. A DUAL SINGLE: Ch. A
COMBO CRUNCH MATCH DRIVE FULL RANGE MS1959 I+II NATURAL CLEAN FULL RANGE NATURAL CLEAN EXTREME LEAD CLEAN TWIN JC-120 HiGAIN STACK
LED ON/OFF, S PREAMP B MIC LEVEL OD/DS ACCEL (RING MOD) H H S S S S/H H H S/H S S/H S S S S/H S S H S/H S
COMBO CRUNCH FX2 (UNI-V) DELAY TAP FX2 (PAN), CHORUS ACCEL (S-BEND) DELAY
COMBO CRUNCH NATURAL CLEAN CLEAN TWIN STACK CRUNCH PRO CRUNCH HiGAIN STACK
P41-1* PASADENA PLEXI P41-2 P41-3 P41-4 P42-1 P42-2 P42-3 P42-4 P43-1 P43-2 P43-3 P43-4 P44-1 P44-2 P44-3 Hi GAIN +CRUNCH UK COMBO ForCHORD SLOWGEAR ECHO 60s FUZZ LEGEND MidBOOST STACK 70s PUB ROCK DEEP DEFRETER CALIFORNIA! JP LEAD SCOTTISH ROCKABIL50s ECHO RESO PH CLEAN SHRED FZ JP METAL UNISON NATURAL OVER-DRV
COMBO CRUNCH EXTREME LEAD VO LEAD NATURAL CLEAN STACK CRUNCH MS1959 I
DELUXE CRUNCH COMBO CRUNCH DIV CH SELECT NATURAL CLEAN JC-120 FX2 (SUB DELAY) DIV CH SELECT ACCEL (S-BEND)
COMBO CRUNCH COMBO CRUNCH DIV CH SELECT NATURAL CLEAN JC-120 FX1 (PAN) DELAY ACCEL (S-BEND)
P45-1* LA TR RIFF P45-2 P45-3 P45-4 P46-1 P46-2 P46-3 P46-4 P47-1 P47-2 P47-3 P47-4 P48-1 P48-2 P48-3 P48-4 PedalBND LEAD
COMBO CRUNCH COMBO CRUNCH CHORUS POWER DRIVE VO DRIVE CLEAN TWIN BG LEAD NATURAL CLEAN COMBO CRUNCH ACCEL (S-BEND) VO LEAD NATURAL CLEAN BG DRIVE COMBO CRUNCH DIV CH SELECT CHORUS A/B SOLO, DELAY FX1 (SLOW GEAR), FX2 (SUB DELAY) FX2 (PAN) RATE DIV CH SELECT OD/DS
MODERN VO DRIVE Play chords to get sparkling crunch sound. NEW OLESFUNK 80s HARDROCK SLOWGEAR LEAD SLOW AUTO PAN UK COMBO CLEAN 80s NEW WAVE WAVE SYNTH CRNCH 4 RHYTHM PIEZO-> AcGUITAR LATIN ROCK REVERSE HARMONY D'CLEAN DIRT E SITAR SIMULATE Ideal for funky muted chording of the American South. Rock sound of the 80s using a stereo chorus. A smooth lead sound using Slow Gear. Also effective on soundeffect phrases. Produces a slow auto-pan effect. The CTL pedal continuously changes the rate. The clean sound of a combo amp. The CTL pedal switches to a lead sound. 80s sound that combines a doubling delay with a chorus. Transforms a guitar sound into a synth sound. Use with single notes. Crunch sound for funky rock. Suitable for use with the rear single coil pickup. Transforms sound from a piezo pickup into acoustic sound.
COMBO CRUNCH ACCEL (S-BEND) FX1 (T. WAH) CHORUS, FX1 (GUITAR SIM) DIV CH SELECT ACCEL (S-BEND) ACCEL (S-BEND)
COMBO CRUNCH MS1959 I FULL RANGE BG DRIVE EXTREME LEAD STACK CRUNCH NATURAL CLEAN R-FIER MODERN NATURAL CLEAN NATURAL CLEAN STACK CRUNCH EXTREME LEAD JC-120
Combines a sweet lead sound using stereo delay with a rotary clean SINGLE: sound. Ch. A Distorted lead sound with harmony added by effective use of reverse delay. DUAL
Sound that combines clean and overdrive. A nice fit with alternative DUAL rock. A sound reminiscent of an electric sitar. Usable with single notes or chords. A high-gain stereo sound suitable for low-pitched riffing. Press the ACCEL pedal to produce a metallic sound. A lightly phased crunch sound is combined with intense distortion. Press the ACCEL pedal to produce a fantasy-like sound. SINGLE: Ch. A DUAL SINGLE: Ch. A SINGLE: Ch. A SINGLE: Ch. A DUAL SINGLE: Ch. A SINGLE: Ch. A SINGLE: Ch. A
COMBO CRUNCH DELAY R-FIER VINTAGE DELAY ACCEL (RING MOD), DELAY LEVEL, REVERB LEVEL DIV CH SELECT ACCEL (TWIST), REVERB LEVEL
P49-1* STEREO R-FIER P49-2 P49-3 P49-4 P50-1 P50-2 P50-3 P50-4 ACCEL RING MOD PH CRNCH>DS CHOD ACCEL TWIST
COMBO CRUNCH STACK CRUNCH NATURAL CLEAN CORE METAL BG LEAD MATCH DRIVE NATURAL CLEAN BG LEAD
METAL GtwithBASS Core metal sound that adds a suitable bass tone to your riffs. ACCEL LSR BEAM MATCH CRUNCH ACCEL WARP Press the ACCEL pedal to generate a sound reminiscent of a laser beam. Crunch sound ideal for use with the rear single coil pickup. Press the ACCEL pedal to produce a fantasy-like sound.
DELAY, COMP LEVEL, S/H PREAMP A SOLO ACCEL (LASER BEAM), DELAY LEVEL, S/H REVERB LEVEL S S/H
COMBO CRUNCH OD/DS, EQ, DELAY ACCEL (WARP), REVERB LEVEL, DELAY LEVEL
* Patches with an * following the patch number have their mixer mode set to PAN L/R. For other patches, the mode is set to STEREO. * DIVIDER = Divider setting SINGLE: Ch. A = Divider MODE is SINGLE and CH SELECT is CH. A SINGLE: Ch. B = Divider MODE is SINGLE and CH SELECT is CH. B DUAL = Divider MODE is DUAL * PU=Pickup S=This patch is good for single-coil pickups. H=This patch is good for humbucking pickups. P=This patch is good for piezo pickups.
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2PS