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If the pieces are learned and practiced in the correct order: 12, 14, 23, 19, 8, 17, 4,
11 - and played with the correct fingering, it will be immediately apparent to an
advanced player that these new fingerings are consistent and important. The full
song circle of Etudes can be memorized and played easily once the player gains
awareness of this new technique.
Note a hint to the secret and a helpful memonic detail: the 8 Caprices in Book 1 in
their proper order begin with alternating bow strokes – downbow on 12, upbow on
14, downbow 23, upbow 19, etc. Each group of 8 Caprices has a different pattern,
and there are exactly half that begin upbow and half that begin downbow!
I want to emphasize that it’s important to practice ONLY in this order: 12, 14, 23,
19, 8, 17, 4, 11. You don’t have to play them all, but do not finish 19 and then
return to 12, but rather take a break before playing the series again. This way the
technique will be imprinted into your mind.
Are you a beginner, or are you a teacher with beginning students?
It is important that a student learn good technique from the beginning. Simply choose a
portion of each Caprice to learn – even a few bars. It will more fun to listen to and play
than “Twinkle, Twinkle, Little Star”!
When Paganini was a young boy, he hated to practice. He showed
great promise at a young age, even the most famous musicians
recognized his talent. But his father, understanding that raw potential
was insufficient, forced his son through beatings
and starvation, to master musical exercises.
As Paganini grew into his late teenage years, he
realized there would have to be a different way to
play challenging pieces by memory with less
practice.
With this goal, the lazy boy was encouraged to
great works:
The 24 Paganini Caprices!
While the original Caprices had no fingerings indicated, the Paganini Technique fingering
formulas are very specific, and very consistent. They work every time!
Less important in the new technique are the bowing and dynamics; the bowing follows
naturally from the proper fingerings, the dynamics are a matter style. This allows for
artistic flexibility and personal choice in performance.
Here’s another tip: in the first position always use the open string when transferring
from one string to another.