I think a good painting is, like a carnival, a combination of beauty, danger and invention.

It has nothing to do with the logical progression of fact. My paintings are about transitions, the delicate, inherently dangerous spaces between solid or definable time and matter.

I regard a painting as an invitation to the viewer to accompany the creator toward such a discovery of feeling.

Catherine Arnold

By Placement In The Lavish Haze

A Hurt Too Delicate To Shrug

All The Urgent Bickerings Of Flesh

Danny

Foggy Amythystine Light

Grazing Upon The New Soft_Fallen Mask

Grit Sifted Pink

Grit Sifted Pink

Heat Of The Summer Road

Hummed By The Witching Rain

Just Beneath The Lighted Territory

Malmsley Hall Chequered Driveway

Malmsley Hall House In Center

Malmsley Hall House On The Left

Memory In Corners

New Blue_Hushed Fingers Struggle

Reminding Me Of Crystal Pears

Skowhegan Maine Landscape Purple Tones

Ucross Wyoming Small Landscape

Vineyard In July

Vineyard Storm Approaching