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The following musical examples are reprinted from Mike Richmonds book Modern Walking Bass Technique, with permission from Ped Xing Music.
Ex. 1
Quarter Note Bass Line
C7 3 2 3 5
E m7 2 3
A7 2
D m7 1 0 2 3 2
G7 0 3 5 2
Ex. 1B
12 Bar Blues in C using Quarter Note Bass Line
C7 3 0 1 2 3 4 0 2 3 2
G m7 0 4
C7 3 2
F7 3 3 1 2 3 3
F #dim 2 4
C7 5 2 3 0
E m7 A 7 3 2 2 1
D m7 0 2 3 2
G7 0 3 5 2
C7 3
A7 1 0 1
D m7 G 7 2 0 5
C7 2 3
Ex. 2
Skips
C7 3
E m7 3 1 0 1 3
A7 0 1 3
D m7 0 1 0 0 4
G7 3 4 0 2
Ex. 2B
12 Bar Blues in C using Skips
C7 3 3 0 3 2
F7 3 1 0 1 2
C7 3 2 3 4
G m7 5 0
C7 4 3 4
F7 3 2 3 4 5 6 7 7 6
C7 5 9 10 8
E m7 A 7 99 87 7 6
D m7 0 2 3 4
G7 5 0 3 0 2
C7
A7 2 4
D m7 G 7 50 2 0
C7 3
3 1 0
43
Ex. 3
Ghost Skips
C7 5 X 2 3 0
E m7 2 0
A7 0 4
D m7 5 X 3 2 5
G7 3 X 2 5 4
Ex. 3B
12 Bar Blues in C using Ghost Skips
C7 2 3 3 X 2
F7 X 7 3
8 7
C7 5 0
3 X 2
G m7 0 X
C7 4 3
F7 0 3 1 X
F #dim 2 5 4 X 4
C7 0 12 10 10
A7 9 7 6
X 8
D m7 6 7 7
G7 6 5 6 X 5 3
C7 5 2 2
D m7 G 7 2 0 5 X 2
C7 3
1 2
Ex. 4
Pull-Off Skips
Ex. 5
1 0 0 4 0 0
Ex. 6
Slurred Skips
Ex. 7
Syncopated Rhythms
Ex. 8
0 3 2 2 0
3 2
2 3 3
4 3 0 1 2
Ex. 8A
12 Bar Blues in C using Pull-Off Skips, Slurred Skips, and Syncopated Rhythms
C7 3 3 2 5 2
F7 3 0 1 2
C7 3 2 3 2 0 0 2 0 0 4
F7 3 3 1 0 0 3 1 0 0
C7 0
E m7 A 7 2 2 1 0 3 1 0
D m7 3 2 5
G7 C7 A7 99 877 6 5 0 2
1 0
D m7 G 7 1 0 0 7 0
C7 5
~~
Ex. 9
12 Bar Blues in C using Triplets
C7 3 2
C #dim 4 5 2
D m7 D #dim E m7 F #dim 2 2 0 3 1 4 2 5 4 4
G m7 0 0 1
C7 0 3 4 3
F7 0 3 0 10 3
F #dim 1 2 0 2
2 1
C7 5 3 3 1
E m7 A 7 3 20 2 2
D m7 2 4 5
G7 3 4 5 6 7 9
C7 A7 9 8 10 7
D m7 7 7 0 8 0
G7 2
C7 3
4 3
C X 7 5 0 3 0 3 0 3
B m7 2 2 10 1 0
A m7 A b7 2 1 X 3
D bm7 G b7 4 4 4 3 2
F7 3 X7 5 7 0 3 X7 8 7 6
C7 5 2
3 0
A 7 D b7 2 1 1 3
D m7 4 5 4 5 2 0 0
G7 0 2
C7 3 2 0
A m7 1 0
D m7 G 7 1 0 0 4 0
C7 5 2 X2 4
F7 5 X 2 5 3 2 0 100 4 3 X 0 3 0 X
F #dim 252 1 4 4
C7 0 0
F7 1 3 3 1
03
2 1
E m7 A 7 2 3 2 X3
D m7 2 4 5 0 2
G7 3 2 5 0 2
C7 3
F7 1 2 53 1 25
C7 5 0
G7 3 4
C7 5
~~
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