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Tarzan of the Apes
Tarzan of the Apes
Tarzan of the Apes
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Tarzan of the Apes

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Tarzan of the Apes is the first story and origin of one of modern fiction’s most enduring and mythic heroes. Raised in the savage jungle, young Lord Greystoke must reckon with brutal beasts and still crueler civilized enemies to understand and claim his human heritage.

Viscount and Lady Greystoke survive a shipwreck on the jungle coast of Africa where their son is born. The couple perishes but the boy is taken in by a mother ape who recently lost her own child. Raised among apes and utterly unfamiliar with his humanity, young Tarzan discovers the cabin his father built and learns something of who he is and why he is so different from his ape companions. Pitted against a steady stream of daunting challenges, Tarzan will rise to rule his tribe of apes and encounter fellow humans at last, when another shipwreck maroons lovely Jane Porter and her comrades on his shore. By couching his extravagant imagination in clear, direct prose the author balances his novel on a razor edge between realistic drama and pure fairy tale. Tarzan remains a unique and indelible character, capable of terrifying acts of bestial violence or noble acts of loyalty and self-sacrifice. Originally serialized in a magazine in 1912, Tarzan of the Apes was issued in book form in 1914, the first volume in what would become a series of 24 books and a pop culture legacy that would encompass film, radio, television, comics and more.

With an eye-catching new cover, and professionally typeset manuscript, this edition of Tarzan of the Apes is both modern and readable.

LanguageEnglish
PublisherMint Editions
Release dateOct 6, 2020
ISBN9781513268088
Author

Edgar Rice Burroughs

American writer Edgar Rice Burroughs (1875 - 1950) worked many odd jobs before professionally writing. Burroughs did not start writing until he was in his late 30s while working at a pencil-sharpener wholesaler. But after following his call to writing, Burroughs created one of America's most enduring adventure heroes: Tarzan. Along with his novels about Tarzan, Burroughs wrote the notable Barsoom series, which follows the Mars adventurer John Carter.

Read more from Edgar Rice Burroughs

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Rating: 3.773180595014955 out of 5 stars
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  • Rating: 5 out of 5 stars
    5/5
    This Librivox recording is fabulous! Mark Smith reads a public domain version of Burroughs's man of the jungle and it all comes to life. It is apparent that Smith, a Librivox volunteer reader, likes his material and that he wants you to enjoy the story and characters. Free for download, and highly recommended.
  • Rating: 3 out of 5 stars
    3/5
    A good read from an antiquated age.
  • Rating: 5 out of 5 stars
    5/5
    Following Clayton as he grows up in the wild is a treat. You cannot go wrong with Burroughs, His characters are awesome.
  • Rating: 4 out of 5 stars
    4/5
    I enjoyed reading this early 1900's book. As expected, some of the material was not politically correct. The writer is skilled as it was not laugh at loud, even though a lot of it was ridiculous / absurd. The only complaint I had was with Jane Potter's father, Archimedes. His dialog and moments I think were supposed to be funny, but failed.1/13/2018; 3,526 members; 3.76 average rating
  • Rating: 5 out of 5 stars
    5/5
    A classic. Burroughs knows how to write action. I had thought it would be trite and unbelievable. I was very wrong. I thoroughly enjoyed the book and lost the sense that I was reading. I strongly recommend Tarzan of the Apes even though it appears archaic.
  • Rating: 4 out of 5 stars
    4/5
    Tarzan is the most famous of Edgar Rice Burroughs' creations. In general, however, I find the character to be less interesting, and less believable than many of his others. This seems odd, since Tarzan ostensibly lives in early twentieth century Earth, while for example, John Carter wanders about the red sands of Barsoom, and Julien is a reincarnating individual fighting invaders from our own moon. The problem is that Tarzan is essentially a cartoon of a character. He is apparently the strongest, most agile, handsomest, and most intelligent individual alive - so much so that he almost resembles a Mary Sue character. Tarzan has superhuman strength - apparently all that is needed for that is living in the wild. Wild living also enhances one's agility to superhuman levels, and enhances one's senses to a level that one can track prey by smell and hear whispers spoken miles away. With nothing more than a small collection of books and no assistance at all, Tarzan is able to teach himself how to read despite the fact that he cannot speak English (or any other language other than "Ape").No real explanation is given for Tarzan's incredible gifts. Most people know the basics of Tarzan's story: a foundling raised by apes in the jungles of Africa who rises to the top of his band of primates and has adventures across the whole of the dark continent. In addition to the couple dozen books featuring him, Tarzan has been the subject of numerous movie adaptations, cementing him onto the cultural landscape like few other characters. As most people have come to know Tarzan through these somewhat watered down movies, the brutality and violence of the Tarzan featured in this book will come as something of a shock to some: Tarzan fights and kills a couple apes in bloody, graphic combat, explicit descriptions of hunting and killing prey are in the book, and for a portion of the book Tarzan essentially terrorizes an African village by abducting and killing residents because he thinks it is "funny". (It is apparently okay though, after all, they are only black cannibals, did I mention that the book has some pronounced racist overtones?)The racism and classism prevalent in the era when the book was written is apparent through the book. All common sailors are presented as little more than criminal rabble kept in line by the firearms carried by their officers. The book gets kind of muddled with respect to Tarzan himself - at turns his brutality is excused as a result of his life in the wild, at others his heritage as the son of an English lord (a lord who is killed when Tarzan is an infant, after which the lord of the apes has no contact with humans until he is an adult) is used to explain his instinctive chivalry and magnanimity. Apparently one's bloodline is what makes you treat women well and rescue wayward French officers from evil cannibalistic natives.The first part of the book is devoted to telling the story of how Tarzan's parents came to be marooned in the wilds of Africa, and how Tarzan came to be adopted by an Ape. The second portion details Tarzan's life among the Apes as he grows from an infant to a superhuman adult. In the third section of the book, Tarzan's world is turned upside down by the arrival of another band of white castaways (including Jane Porter, the Jane from "me Tarzan, you Jane" fame of the movies). The final section concerns the civilizing of Tarzan, as he is taught French by an officer he rescues, and then travels to Paris and the United States.Tarzan is, in the end, an entirely unbelievable character. More so even that characters who tramp about on other planets or inside the bowels of the Earth. He is also a contradictory character, at times excusably savage, at other improbably civilized. On the whole, it seems odd that Tarzan is the one Burroughs' character who has become the one everyone knows about as he is one of the most absurd of all of them, and since Burroughs' books are pure pulp, that's saying a lot. On the other hand, it may be because Tarzan is so over the top that he has become so popular. In any event, while I found this books to be reasonably good, it was not one of my favorite Burroughs' works.
  • Rating: 3 out of 5 stars
    3/5

    The trials and tribulations of Tarzan and his friends are, without doubt, interesting. It's actually surprising the story is as short as it is. I'm debating on reading the others, but then again most books in a series pale in comparison to the first book, so I'm still at a bit of a loss there. The cast of characters is quite wonderful, and diverse, in a way. I love how the author made Tarzan play on the superstitions of the native tribes. I feel as though it added a sort of authenticity to him somehow, though I truly can't explain why I feel this way.

    This was a lovely change from your traditional classic novel; it was short, sweet, & to the point. It was, however, mildly disappointing. I suppose that's because I have this lovely Disney image of the story in my head, but I was really hoping, after all the work he went through, that Tarzan would get the girl.
  • Rating: 4 out of 5 stars
    4/5
    A surprisingly quick read! I found myself enjoying it more than I thought I would, and I feel that this would have been even more sensationally astounding at the beginning of the twentieth century. Tarzan is born on the coast of Africa to two loving English parents who have been dropped off ship by a mutinous crew. His parents die during his infancy and he is raised by Kala, a loving ape who just lost her own child. He is reared in ape fashion and lives as they do become "king of the jungle," when he stumbles upon his parents cabin he begins to teach himself to write in English from the books they left behind. When a ship arrives with a beautiful young girl he is enamoured and tries to woo her with actions and words since he cannot speak. Compelling, and exciting, this adventure story has something for everyone, even though the ending is a little lacking (this is the first in the series).
  • Rating: 4 out of 5 stars
    4/5
    The "true" story of the Lord of the Jungle--Tarzan. Read the story of a young boy, orphaned, then adopted and raised by the apes. Read of his struggles and how he finds his heritage and the woman who changed his life--Jane. The story of Tarzan has been told over and over; read the book for yourself
  • Rating: 5 out of 5 stars
    5/5
    What I love about Tarzan of the Apes is how so very different the book is from all the adaptations that came after it. Because of that, this book is full of wonderful unexpected surprises in plot and character.
  • Rating: 4 out of 5 stars
    4/5
    OK, so it's racist, and terribly old fashioned... but it's also terribly interesting, with its celebration of physicality and fascinating account of how Tarzan learns about language. I read it as a kid and loved it. Now much of the interest is intellectual and historical. Tarzan is such an iconic character... it's great to return to the source to see what was there before all the movies and t.v. shows.
  • Rating: 3 out of 5 stars
    3/5
    Tarzan of the Apes, first published in serial form in 1912, brought its author instant fame. Edgar Rice Burroughs went on to write twenty-four sequels featuring the adventures of his iconic Ape-Man, and today the character is part of our cultural background as the subject of many adaptations in film and comic strips. Interestingly, the famous line "I Tarzan. You Jane" doesn't even appear in the book. And yet it's become one of the most recognizable features of the character. The plot is well known; after his parents die in the jungle of Africa, young Tarzan is raised by a clan of apes, far from the rest of humanity. Though he eventually realizes he is not an ape, Tarzan lives by the jungle code and slowly vanquishes all the dangers of the jungle through his superior human reasoning and intelligence. When a treasure-hunting expedition lands on his secluded shore, Tarzan is drawn to the people of his own race, especially the young woman Jane Porter. But how can a king of the apes ever hope to win the love of a cultured English girl?I admit, I was very drawn into the story and I can see why it has been perennially popular. Burroughs' attempts to make animal life realistic yet intelligible to his readers are generally successful, and we want to see how Tarzan will meet the challenges of his life. At the same time, we are intensely interested in how Tarzan will cope with other humans. A couple criticisms, though: Burroughs is extremely ethnocentric, constantly pointing out Tarzan's mental, moral, intellectual, and physical superiority derived from his having descended from a line of English nobility. The natives don't fare well in this tale, as one might expect given that Burroughs writes from an evolutionary perspective. It's a product of its time, sure, but racism is still wrong. I was able to enjoy the story despite these elements, but they certainly caused me to roll my eyes more than once. I was also disappointed with the story itself. Everything was going well until Tarzan comes to Europe, learns polished manners, comes into money, etc. (all of which is very artificially constructed). Jane Porter's threatened marriage with the moneylender Robert Canler seems tacked on, and it's a little too convenient that she would be caught in a forest fire from which only Tarzan the Muscular can save her. And then her decision at the end! And Tarzan's pathetic acquiescence to it! I shut the book and felt profoundly cheated, even while trying to understand why Burroughs would do this. And yet at the same time I wanted to find the next sequel, Return of Tarzan, and find out what happens next. No wonder Burroughs was able to sell twenty-four more of Tarzan's adventures. There really is something addicting about this character. I enjoyed this story—it certainly kept me reading at a fast pace—and if I ever see any of Burroughs' Tarzan sequels, you can be sure I'll snap them up. But I'm not sure I'll ever revisit this book. It has a great character and initial setting that are sadly compromised by later plot contortions and Tarzan's annoyingly, unnecessarily "heroic" choice at the end.Edit: Never mind. I just read the plot summary of Return of Tarzan on Wikipedia and I think I have had enough of his pulp fiction adventures to last a lifetime. Oy vey.
  • Rating: 4 out of 5 stars
    4/5
    Lord Greystoke and his Lady Greystoke was going to Africa. On the ship they was an old angry captain that hated the crew except for the high ranked me. He would shoot or beat the men if they dare to say no to his order. Lady Greystoke died and then her husband was killed by the king ape leaving their son behind. He was raised by the apes in the jungle. He became known as Tarzan instead of using his name John. He does not know that he is human, yet he felt out of place in the tribe of apes because he was the only one that was hairless. He soon found his parents cabin and in this way he found out that he was a human being. He also wanted to be the leader of the apes and he challenge White Eyes to a fight. Tarzan won the fight and became the leader. He was bought back to England by D'Amot where he met his grandfather and fell in love with a girl name Jane. Jane taught him English, French and how to dance.This book is very adventurous. Tarzan is a great hunter with skills like no other. He is able to fight and teaches himself to read. Tarzan also killed a gorilla who attacked him. He mourned and screamed when his mother ape was killed. It is amazing that he also learn to speak english
  • Rating: 4 out of 5 stars
    4/5
    Really just a very entertaining book. He really wrote it as a cliffhanger so you'd have to read "The Return" quickly. A lot of humor, a good story, reasonably good characters (Jane is a bit insipid) ... just suspend disbelief and go with it!
  • Rating: 5 out of 5 stars
    5/5
    Given all the tarzan films that span out of the books - it makes sense to read the original. Very entertaining
  • Rating: 4 out of 5 stars
    4/5
    The best part of the Tarzan books is Tarzan. Who wouldn't love a man who could do anything? He's like a super hero. Disappointingly, Tarzan doesn't get the girl in this first novel. But I have hopes for the next!
  • Rating: 3 out of 5 stars
    3/5
    The book was recommended by the Murrays for Book Club. It is the first book of the Tarzan series in which Tarzan is born in the jungle to English aristocratic parents. The parents both die and Tarzan is adopted by the apes.Eventually, when Tarzan is a man, a shipwreck brings other white men to his shores and he meets Jane Porter.
  • Rating: 5 out of 5 stars
    5/5
    Definitely a dated classic, but wonderful for all that. I re-read it for The Pulp magazine group I'm in & am glad I did. You really want to read the next book, "The Return of Tarzan" immediately after since we're left with a cliff hanger.Burroughs hasn't aged as well as some authors, mostly because of his handling of PC subjects such as racism & sexism. It is too easy to see the outward signs of both in his books, but careful reading shows that while he may have catered to the views of the day, he didn't seem to really believe in the racism, in this book.For instance, the majority of blacks in this book are degenerate brutes. They're a tribe of barbaric cannibals who killed the 'mother' of our hero, though. They have the misfortune to have a society that Burroughs denigrates at every opportunity. Esmeralda, Jane's servant/confidant/nanny, is also an object of humor, but then so is her father & his secretary/companion. All are caricatures, as is Tarzan himself. When it comes right down to it, Burroughs makes a point that fingerprints from an ape might be simpler, but there was no difference between those of a black & a white. This admission of equality of physical evolution wasn't common in his day. He treats the white pirates the same way as the black tribesman - they're bad guys & so contemptible. The story hinges on coincidence & stupid, heroic restraint consistently & that doesn't do it any favors nor did the cliff hanger ending. Still, it was a fun read & I'd highly recommend it to anyone. Tarzan has been so warped by movies, TV & add-ons that it's nice to see the original.
  • Rating: 4 out of 5 stars
    4/5
    Tarzan is a classic for a reason. Fun, romantic, exciting, adventurous--But its sequels leave much to be desired, in my opinion. It's a great read, and it's good to read the original version of Tarzan before watching the millions of movies that have come out over the years.
  • Rating: 2 out of 5 stars
    2/5
    Enjoyed the story and the character of Tarzan but found the narrative voices’ racism a bit hard to stomach. A product of its time no doubt.
  • Rating: 4 out of 5 stars
    4/5
    When I was a child, long before video games and in fact, before we even had a TV, I was obsessed with comic books and one of my favourites were the Tarzan series of comics. Of course, I also was a big fan of Tarzan movies, especially the ones featuring Johnny Weismuller. How I never came to actually read Edgar Rice Burroughs’ Tarzan of the Apes before now is a mystery to me.I was afraid I would find it dated and/or silly, but in fact I absolutely loved it. And yes, it was dated, especially in the author’s attitude toward black people. and yes, it is rather silly, but still a fantastic adventure melodrama that I really enjoyed. Certainly not great literature but a wonderfully creative story that has stood the test of time and is still capturing imaginations today. I’m sure Edgar Rice Burroughs would be very proud if he knew how influential Tarzan was to become upon popular culture!
  • Rating: 4 out of 5 stars
    4/5
    I was surprised at how much I liked this book. For its genre, the writing is excellent. It is fast-paced, evocative,and dramatic. I was drawn in immediately. I'm actually reading this book to my partner at bedtime each night. Not every book reads well out loud, but this one does. Clearly, the book was written in another era that was unconscious about issues like white supremacy and colonization. While understanding the historical context, it still leaves me uneasy with the realization that this book would be offensive to Black people, who are depicted as "savages", in contrast to Tarzan, who is at the same time the ape-man and also the noble Lord Greystoke. The book is a classic, not because it's high literature, but because it's a rolicking good adventure. It also has had a major cultural impact, particularly, as an earlier reviewer pointed out, on Hollywood. This book is inspiring me to return to some of the other classic adventure stories that I haven't read for decades.
  • Rating: 4 out of 5 stars
    4/5
    Most people hate cliffhangers. I absolutely love them. I love the anticipation(and even slight frustration) they can make you feel.

    But that was a devious, DEVIOUS ending. I guess I'm off to download book two...

    Full review to come.
  • Rating: 4 out of 5 stars
    4/5
    Tarzan of the Apes - Edgar Rice Burrows ****I always knew Tarzan was based on a book, but I didn’t realize just how many were written, I always assumed it was just a one off publication and the films sort of took over. There were 24 original novels which spawned numerous other books after the death of the author.I think nearly everyone knows the story of the boy who is raised by jungle apes following the death of his family, how he rises to become their leader, falls in love with Jane and returns to civilization. But I wonder how many people have actually read the source material? Firstly I think most people may be shocked at the level of violence in the books, things aren’t all nice and the fight scenes are fairly graphic, especially when you consider this was written in 1912. Burroughs certainly wasn’t afraid to hold back and you really get a sense of adventure that can be missing from other books of this type. Of course, with the book being this old you have to view it from the times in which it was written and the outdated view of the world may cause an amount of offense in these times of often misplaced political correctness. If you are able to overlook these themes, swallow the numerous coincidences and unbelievable parts (in particular Tarzan teaching himself to write….) and what you will be left with is a book that is very readable and contains enough content to make probably 3 or 4 full length films. Expect everything that makes a jungle adventure special and different: wild animals, rough terrain, cannibals and desolation. It is easy to see how Tarzan captured the imagination of the times and has remained an iconic figure ever since and is still in print over a century later.I really did enjoy reading the book, but not enough that I think I will actively seek out the next in the series. If it falls into my lap then I may well have a look, but that’s about it. Well worth a read, just to see when the Legend of Greystoke originated.
  • Rating: 3 out of 5 stars
    3/5
    read many years ago; i should re read
  • Rating: 4 out of 5 stars
    4/5
    This is a great story, but everyone knows how it goes. There are a few details not portrayed in the movies, more info on Tarzan's parents and how he came to be adopted by the apes, and his early life among the apes.
  • Rating: 4 out of 5 stars
    4/5
    Enjoyed the details left out of the movies. Very entertaining
  • Rating: 5 out of 5 stars
    5/5
    Why did it take me so long to pick up this classic? This is your typical little adventure from a time when adventure series were very popular. Nothing complicated here, just good fun in the classic way. People who have seen various movie versions might be disappointed in the book because it won't be what they expect, but movies never follow a book exactly and I think most of us are aware of that by now. I have to say in most cases I enjoyed this book much better than the theatrical equivalents.
  • Rating: 3 out of 5 stars
    3/5
    "Do fingerprints show racial characteristics?" he asked. "Could you determine, for example, solely from fingerprints whether the subject was Negro or Caucasian?""I think not," replied the officer, although some claim that those of the Negro are less complex.""Could the finger prints of an ape be detected from those of a man?""Probably, because the ape's would be far simpler than those of the higher organism."Tarzan of the Apes (1912) is a popular work of fiction, available in many cheap and freely downloadable editions. Unfortunately, the source of the text in such editions is not always clear. Although many editions claim to be "complete and unabridged" they may actually be edited or altered. While such editing for political correctness may be an understandable choice for publishers, it is quite unsettling to know and see that the freely downloadable version available from the Project Gutenberg is in fact a censored edition, a fact stated nowhere. Indeed, an overview of the editorial choices strongly suggests that the freely downloadable version of Tarzan of the Apes at the Gutenberg project is in fact not based on an edition in the public domain, but most likely taken from an edition which should still be protected by copyright.The edition of the Shanghai-based publisher World Publishing does not give any information about the origin of the text. However, this edition must be based on a very early text version, which is either very close to the original text, or possibly based on the original text, with some minor editorial changes by the Chinese publisher. A quick survey, using Jerry L. Schneider’s essay “Tarzan the Censored” as a reference, shows the limited extent of censorship in the Chinese edition. Schneider made a concordance or an early, hardback edition by A.L. Burt, circa 1915 and compared it with a censored edition published by Ballantine (1969) and Grosset & Dunlap (1973). Schneider’s research indicates that editions published between 1915 and 1963, appeared unedited, and apart from typological errors, identical to the original version, which editions published after 1969 were edited for political correctness.The Chinese English-language edition follows the censored editions by capitalizing the words “Negro” and “Negress”. Likewise, it follows the censor describing the following scene as ... frightened child the huge woman ran to bury her face on her mistress’ shoulder. (Chapter 13, p. 133) rather than the original ... frightened child the huge black ran to bury her face on her mistress’ shoulder.. (Chapter 13, p. 178).However, the Chinese edition does not follow the censored editions in polishing away the “vernacular” of Esmeralda. Censored editions reproduce Esmeralda’s speech in standard English, as for instance in the following polished and shortened version: ” "Oh, Gaberelle, I want to die! " ... "Let me die, dear Lord, don't let me see that awful face again." (Chapter 18, page 149) versus the longer original ” "O Gaberelle, Ah wants to die! " ... "Lemme die, deah Lawd, but doan lemme see dat awrful face again. Whafer yo' sen de devil 'roun' after po ole Esmeralda? She ain't done nuffin' to nobody, Lawd; hones' she ain't. She's puffickly indecent, Lawd; yas'm, deed she is." (Chapter 18, page 245) and retained in the Chinese edition (Chapter 18, page 186).Schneider’s essay does not refer to the fingerprint passage (in the Chinese edition in Chapter 26, page 277). In the Chinese edition, the answer of the officer is longer, most likely as in the original edition, namely: "Do fingerprints show racial characteristics?" he asked. "Could you determine, for example, solely from fingerprints whether the subject was Negro or Caucasian?""I think not," replied the officer, although some claim that those of the Negro are less complex.", while more recent, censored editions (including the edition on the Gutenberg project), simply reproduce it as follows: "Do fingerprints show racial characteristics?" he asked. "Could you determine, for example, solely from fingerprints whether the subject was Negro or Caucasian?""I think not," replied the officer."Reverberating with colonial sentiment of superiority of the white race, much like in Conrad’s Heart of Darkness, Tarzan of the Apes is much less focused and constitutes a jumble of ideas, including references to Darwinism, Social Darwinism, and the technique of fingerprinting, which was still relatively new at that time. Besides, the plot is fraught with melodramatic events and features, such as treasure hunt, reminiscent of the adventure novels of Stevenson. Besides the allusions to the supremacy of the white man over the natives in the African forest, the rivalry between Robert Canler and Tarzan over Jane Porter resembles the fight of the great apes over a mate more than anything else.Tarzan of the Apes is remarkably readable, and quite enjoyable for a light superficial read, the story familiar to most. A reading is still attractive, to purge all cultural constructs built overhead by media and film. Descriptions are very beautiful, and the familiarity with the story makes for a very quick read. Nonetheless, some story elements are still quite surprising, such as Tarzan’s long acquaintance with d’Arnot, and his mastering the French language, before and over English.
  • Rating: 3 out of 5 stars
    3/5
    Well, this is a simple childhood story, I don't really need to review it as we all are probably familiar with it. My generation grew up watching TV movies about the ape man. I liked them a lot back then. My granddaughters have sat in front of the TV watching Disney DVDs. Tarzan is the orphan child of Lord and Lady Graystoke who were put ashore after a mutiny on a ship they were sailing. Lady Greystoke dies when Tarzan is a baby and Lord Greystoke is killed by an ape leaving the infant boy in the crib. The female ape who's baby is dead exchanges it for Tarzan and thus Tarzan is raised as an ape. He teaches himself to read English. The story is one of survival, adventure, combat with nature and romance. It is surprising that the book has lasted because it also can be described as racist and sexist. On another level, the book idealizes man's relationship with nature verses civilization. You have the contrast of Tarzan and Clayton. Tarzan who ate by the laws of nature and Clayton who ate with the manners of society.

Book preview

Tarzan of the Apes - Edgar Rice Burroughs

Chapter I

OUT TO SEA

I had this story from one who had no business to tell it to me, or to any other. I may credit the seductive influence of an old vintage upon the narrator for the beginning of it, and my own skeptical incredulity during the days that followed for the balance of the strange tale.

When my convivial host discovered that he had told me so much, and that I was prone to doubtfulness, his foolish pride assumed the task the old vintage had commenced, and so he unearthed written evidence in the form of musty manuscript, and dry official records of the British Colonial Office to support many of the salient features of his remarkable narrative.

I do not say the story is true, for I did not witness the happenings which it portrays, but the fact that in the telling of it to you I have taken fictitious names for the principal characters quite sufficiently evidences the sincerity of my own belief that it may be true.

The yellow, mildewed pages of the diary of a man long dead, and the records of the Colonial Office dovetail perfectly with the narrative of my convivial host, and so I give you the story as I painstakingly pieced it out from these several various agencies.

If you do not find it credible you will at least be as one with me in acknowledging that it is unique, remarkable, and interesting.

From the records of the Colonial Office and from the dead man’s diary we learn that a certain young English nobleman, whom we shall call John Clayton, Lord Greystoke, was commissioned to make a peculiarly delicate investigation of conditions in a British West Coast African Colony from whose simple native inhabitants another European power was known to be recruiting soldiers for its native army, which it used solely for the forcible collection of rubber and ivory from the savage tribes along the Congo and the Aruwimi. The natives of the British Colony complained that many of their young men were enticed away through the medium of fair and glowing promises, but that few if any ever returned to their families.

The Englishmen in Africa went even further, saying that these poor blacks were held in virtual slavery, since after their terms of enlistment expired their ignorance was imposed upon by their white officers, and they were told that they had yet several years to serve.

And so the Colonial Office appointed John Clayton to a new post in British West Africa, but his confidential instructions centered on a thorough investigation of the unfair treatment of black British subjects by the officers of a friendly European power. Why he was sent, is, however, of little moment to this story, for he never made an investigation, nor, in fact, did he ever reach his destination.

Clayton was the type of Englishman that one likes best to associate with the noblest monuments of historic achievement upon a thousand victorious battlefields—a strong, virile man—mentally, morally, and physically.

In stature he was above the average height; his eyes were gray, his features regular and strong; his carriage that of perfect, robust health influenced by his years of army training.

Political ambition had caused him to seek transference from the army to the Colonial Office and so we find him, still young, entrusted with a delicate and important commission in the service of the Queen.

When he received this appointment he was both elated and appalled. The preferment seemed to him in the nature of a well-merited reward for painstaking and intelligent service, and as a stepping stone to posts of greater importance and responsibility; but, on the other hand, he had been married to the Hon. Alice Rutherford for scarce a three months, and it was the thought of taking this fair young girl into the dangers and isolation of tropical Africa that appalled him.

For her sake he would have refused the appointment, but she would not have it so. Instead she insisted that he accept, and, indeed, take her with him.

There were mothers and brothers and sisters, and aunts and cousins to express various opinions on the subject, but as to what they severally advised history is silent.

We know only that on a bright May morning in 1888, John, Lord Greystoke, and Lady Alice sailed from Dover on their way to Africa.

A month later they arrived at Freetown where they chartered a small sailing vessel, the Fuwalda, which was to bear them to their final destination.

And here John, Lord Greystoke, and Lady Alice, his wife, vanished from the eyes and from the knowledge of men.

Two months after they weighed anchor and cleared from the port of Freetown a half dozen British war vessels were scouring the south Atlantic for trace of them or their little vessel, and it was almost immediately that the wreckage was found upon the shores of St. Helena which convinced the world that the Fuwalda had gone down with all on board, and hence the search was stopped ere it had scarce begun; though hope lingered in longing hearts for many years.

The Fuwalda, a barkentine of about one hundred tons, was a vessel of the type often seen in coastwise trade in the far southern Atlantic, their crews composed of the offscourings of the sea—unhanged murderers and cutthroats of every race and every nation.

The Fuwalda was no exception to the rule. Her officers were swarthy bullies, hating and hated by their crew. The captain, while a competent seaman, was a brute in his treatment of his men. He knew, or at least he used, but two arguments in his dealings with them—a belaying pin and a revolver—nor is it likely that the motley aggregation he signed would have understood aught else.

So it was that from the second day out from Freetown John Clayton and his young wife witnessed scenes upon the deck of the Fuwalda such as they had believed were never enacted outside the covers of printed stories of the sea.

It was on the morning of the second day that the first link was forged in what was destined to form a chain of circumstances ending in a life for one then unborn such as has never been paralleled in the history of man.

Two sailors were washing down the decks of the Fuwalda, the first mate was on duty, and the captain had stopped to speak with John Clayton and Lady Alice.

The men were working backwards toward the little party who were facing away from the sailors. Closer and closer they came, until one of them was directly behind the captain. In another moment he would have passed by and this strange narrative would never have been recorded.

But just that instant the officer turned to leave Lord and Lady Greystoke, and, as he did so, tripped against the sailor and sprawled headlong upon the deck, overturning the water-pail so that he was drenched in its dirty contents.

For an instant the scene was ludicrous; but only for an instant. With a volley of awful oaths, his face suffused with the scarlet of mortification and rage, the captain regained his feet, and with a terrific blow felled the sailor to the deck.

The man was small and rather old, so that the brutality of the act was thus accentuated. The other seaman, however, was neither old nor small—a huge bear of a man, with fierce black mustachios, and a great bull neck set between massive shoulders.

As he saw his mate go down he crouched, and, with a low snarl, sprang upon the captain crushing him to his knees with a single mighty blow.

From scarlet the officer’s face went white, for this was mutiny; and mutiny he had met and subdued before in his brutal career. Without waiting to rise he whipped a revolver from his pocket, firing point blank at the great mountain of muscle towering before him; but, quick as he was, John Clayton was almost as quick, so that the bullet which was intended for the sailor’s heart lodged in the sailor’s leg instead, for Lord Greystoke had struck down the captain’s arm as he had seen the weapon flash in the sun.

Words passed between Clayton and the captain, the former making it plain that he was disgusted with the brutality displayed toward the crew, nor would he countenance anything further of the kind while he and Lady Greystoke remained passengers.

The captain was on the point of making an angry reply, but, thinking better of it, turned on his heel and black and scowling, strode aft.

He did not care to antagonize an English official, for the Queen’s mighty arm wielded a punitive instrument which he could appreciate, and which he feared—England’s far-reaching navy.

The two sailors picked themselves up, the older man assisting his wounded comrade to rise. The big fellow, who was known among his mates as Black Michael, tried his leg gingerly, and, finding that it bore his weight, turned to Clayton with a word of gruff thanks.

Though the fellow’s tone was surly, his words were evidently well meant. Ere he had scarce finished his little speech he had turned and was limping off toward the forecastle with the very apparent intention of forestalling any further conversation.

They did not see him again for several days, nor did the captain accord them more than the surliest of grunts when he was forced to speak to them.

They took their meals in his cabin, as they had before the unfortunate occurrence; but the captain was careful to see that his duties never permitted him to eat at the same time.

The other officers were coarse, illiterate fellows, but little above the villainous crew they bullied, and were only too glad to avoid social intercourse with the polished English noble and his lady, so that the Claytons were left very much to themselves.

This in itself accorded perfectly with their desires, but it also rather isolated them from the life of the little ship so that they were unable to keep in touch with the daily happenings which were to culminate so soon in bloody tragedy.

There was in the whole atmosphere of the craft that undefinable something which presages disaster. Outwardly, to the knowledge of the Claytons, all went on as before upon the little vessel; but that there was an undertow leading them toward some unknown danger both felt, though they did not speak of it to each other.

On the second day after the wounding of Black Michael, Clayton came on deck just in time to see the limp body of one of the crew being carried below by four of his fellows while the first mate, a heavy belaying pin in his hand, stood glowering at the little party of sullen sailors.

Clayton asked no questions—he did not need to—and the following day, as the great lines of a British battleship grew out of the distant horizon, he half determined to demand that he and Lady Alice be put aboard her, for his fears were steadily increasing that nothing but harm could result from remaining on the lowering, sullen Fuwalda.

Toward noon they were within speaking distance of the British vessel, but when Clayton had nearly decided to ask the captain to put them aboard her, the obvious ridiculousness of such a request became suddenly apparent. What reason could he give the officer commanding her majesty’s ship for desiring to go back in the direction from which he had just come!

What if he told them that two insubordinate seamen had been roughly handled by their officers? They would but laugh in their sleeves and attribute his reason for wishing to leave the ship to but one thing—cowardice.

John Clayton, Lord Greystoke, did not ask to be transferred to the British man-of-war. Late in the afternoon he saw her upper works fade below the far horizon, but not before he learned that which confirmed his greatest fears, and caused him to curse the false pride which had restrained him from seeking safety for his young wife a few short hours before, when safety was within reach—a safety which was now gone forever.

It was mid-afternoon that brought the little old sailor, who had been felled by the captain a few days before, to where Clayton and his wife stood by the ship’s side watching the ever diminishing outlines of the great battleship. The old fellow was polishing brasses, and as he came edging along until close to Clayton he said, in an undertone:

’Ell’s to pay, sir, on this ’ere craft, an’ mark my word for it, sir. ’Ell’s to pay.

What do you mean, my good fellow? asked Clayton.

"Wy, hasn’t ye seen wats goin’ on? Hasn’t ye ’eard that devil’s spawn of a capting an’ is mates knockin’ the bloomin’ lights outen ’arf the crew?

Two busted ’eads yeste’day, an’ three to-day. Black Michael’s as good as new agin an’ ’e’s not the bully to stand fer it, not ’e; an’ mark my word for it, sir.

You mean, my man, that the crew contemplates mutiny? asked Clayton.

Mutiny! exclaimed the old fellow. Mutiny! They means murder, sir, an’ mark my word for it, sir.

When?

"Hit’s comin’, sir; hit’s comin’ but I’m not a-sayin’ wen, an’ I’ve said too damned much now, but ye was a good sort t’other day an’ I thought it no more’n right to warn ye. But keep a still tongue in yer ’ead an’ when ye ’ear shootin’ git below an’ stay there.

That’s all, only keep a still tongue in yer ’ead, or they’ll put a pill between yer ribs, an’ mark my word for it, sir, and the old fellow went on with his polishing, which carried him away from where the Claytons were standing.

Deuced cheerful outlook, Alice, said Clayton.

You should warn the captain at once, John. Possibly the trouble may yet be averted, she said.

I suppose I should, but yet from purely selfish motives I am almost prompted to ‘keep a still tongue in my ’ead.’ Whatever they do now they will spare us in recognition of my stand for this fellow Black Michael, but should they find that I had betrayed them there would be no mercy shown us, Alice.

You have but one duty, John, and that lies in the interest of vested authority. If you do not warn the captain you are as much a party to whatever follows as though you had helped to plot and carry it out with your own head and hands.

You do not understand, dear, replied Clayton. "It is of you I am thinking—there lies my first duty. The captain has brought this condition upon himself, so why then should I risk subjecting my wife to unthinkable horrors in a probably futile attempt to save him from his own brutal folly? You have no conception, dear, of what would follow were this pack of cutthroats to gain control of the Fuwalda."

Duty is duty, John, and no amount of sophistries may change it. I would be a poor wife for an English lord were I to be responsible for his shirking a plain duty. I realize the danger which must follow, but I can face it with you.

Have it as you will then, Alice, he answered, smiling. "Maybe we are borrowing trouble. While I do not like the looks of things on board this ship, they may not be so bad after all, for it is possible that the ‘Ancient Mariner’ was but voicing the desires of his wicked old heart rather than speaking of real facts.

"Mutiny on the high sea may have been common a hundred years ago, but in this good year 1888 it is the least likely of happenings.

But there goes the captain to his cabin now. If I am going to warn him I might as well get the beastly job over for I have little stomach to talk with the brute at all.

So saying he strolled carelessly in the direction of the companionway through which the captain had passed, and a moment later was knocking at his door.

Come in, growled the deep tones of that surly officer.

And when Clayton had entered, and closed the door behind him:

Well?

I have come to report the gist of a conversation I heard to-day, because I feel that, while there may be nothing to it, it is as well that you be forearmed. In short, the men contemplate mutiny and murder.

It’s a lie! roared the captain. And if you have been interfering again with the discipline of this ship, or meddling in affairs that don’t concern you you can take the consequences, and be damned. I don’t care whether you are an English lord or not. I’m captain of this here ship, and from now on you keep your meddling nose out of my business.

The captain had worked himself up to such a frenzy of rage that he was fairly purple of face, and he shrieked the last words at the top of his voice, emphasizing his remarks by a loud thumping of the table with one huge fist, and shaking the other in Clayton’s face.

Greystoke never turned a hair, but stood eying the excited man with level gaze.

Captain Billings, he drawled finally, if you will pardon my candor, I might remark that you are something of an ass.

Whereupon he turned and left the captain with the same indifferent ease that was habitual with him, and which was more surely calculated to raise the ire of a man of Billings’ class than a torrent of invective.

So, whereas the captain might easily have been brought to regret his hasty speech had Clayton attempted to conciliate him, his temper was now irrevocably set in the mold in which Clayton had left it, and the last chance of their working together for their common good was gone.

Well, Alice, said Clayton, as he rejoined his wife, "I might have saved my breath. The fellow proved most ungrateful. Fairly jumped at me like a mad dog.

He and his blasted old ship may hang, for aught I care; and until we are safely off the thing I shall spend my energies in looking after our own welfare. And I rather fancy the first step to that end should be to go to our cabin and look over my revolvers. I am sorry now that we packed the larger guns and the ammunition with the stuff below.

They found their quarters in a bad state of disorder. Clothing from their open boxes and bags strewed the little apartment, and even their beds had been torn to pieces.

Evidently someone was more anxious about our belongings than we, said Clayton. Let’s have a look around, Alice, and see what’s missing.

A thorough search revealed the fact that nothing had been taken but Clayton’s two revolvers and the small supply of ammunition he had saved out for them.

Those are the very things I most wish they had left us, said Clayton, and the fact that they wished for them and them alone is most sinister.

What are we to do, John? asked his wife. "Perhaps you were right in that our best chance lies in maintaining a neutral position.

If the officers are able to prevent a mutiny, we have nothing to fear, while if the mutineers are victorious our one slim hope lies in not having attempted to thwart or antagonize them.

Right you are, Alice. We’ll keep in the middle of the road.

As they started to straighten up their cabin, Clayton and his wife simultaneously noticed the corner of a piece of paper protruding from beneath the door of their quarters. As Clayton stooped to reach for it he was amazed to see it move further into the room, and then he realized that it was being pushed inward by someone from without.

Quickly and silently he stepped toward the door, but, as he reached for the knob to throw it open, his wife’s hand fell upon his wrist.

No, John, she whispered. They do not wish to be seen, and so we cannot afford to see them. Do not forget that we are keeping to the middle of the road.

Clayton smiled and dropped his hand to his side. Thus they stood watching the little bit of white paper until it finally remained at rest upon the floor just inside the door.

Then Clayton stooped and picked it up. It was a bit of grimy, white paper roughly folded into a ragged square. Opening it they found a crude message printed almost illegibly, and with many evidences of an unaccustomed task.

Translated, it was a warning to the Claytons to refrain from reporting the loss of the revolvers, or from repeating what the old sailor had told them—to refrain on pain of death.

I rather imagine we’ll be good, said Clayton with a rueful smile. About all we can do is to sit tight and wait for whatever may come.

Chapter II

THE SAVAGE HOME

Nor did they have long to wait, for the next morning as Clayton was emerging on deck for his accustomed walk before breakfast, a shot rang out, and then another, and another.

The sight which met his eyes confirmed his worst fears. Facing the little knot of officers was the entire motley crew of the Fuwalda, and at their head stood Black Michael.

At the first volley from the officers the men ran for shelter, and from points of vantage behind masts, wheel-house and cabin they returned the fire of the five men who represented the hated authority of the ship.

Two of their number had gone down before the captain’s revolver. They lay where they had fallen between the combatants. But then the first mate lunged forward upon his face, and at a cry of command from Black Michael the mutineers charged the remaining four. The crew had been able to muster but six firearms, so most of them were armed with boat hooks, axes, hatchets and crowbars.

The captain had emptied his revolver and was reloading as the charge was made. The second mate’s gun had jammed, and so there were but two weapons opposed to the mutineers as they bore down upon the officers, who now started to give back before the infuriated rush of their men.

Both sides were cursing and swearing in a frightful manner, which, together with the reports of the firearms and the screams and groans of the wounded, turned the deck of the Fuwalda to the likeness of a madhouse.

Before the officers had taken a dozen backward steps the men were upon them. An ax in the hands of a burly Negro cleft the captain from forehead to chin, and an instant later the others were down: dead or wounded from dozens of blows and bullet wounds.

Short and grisly had been the work of the mutineers of the Fuwalda, and through it all John Clayton had stood leaning carelessly beside the companionway puffing meditatively upon his pipe as though he had been but watching an indifferent cricket match.

As the last officer went down he thought it was time that he returned to his wife lest some members of the crew find her alone below.

Though outwardly calm and indifferent, Clayton was inwardly apprehensive and wrought up, for he feared for his wife’s safety at the hands of these ignorant, half-brutes into whose hands fate had so remorselessly thrown them.

As he turned to descend the ladder he was surprised to see his wife standing on the steps almost at his side.

How long have you been here, Alice?

Since the beginning, she replied. How awful, John. Oh, how awful! What can we hope for at the hands of such as those?

Breakfast, I hope, he answered, smiling bravely in an attempt to allay her fears.

At least, he added, I’m going to ask them. Come with me, Alice. We must not let them think we expect any but courteous treatment.

The men had by this time surrounded the dead and wounded officers, and without either partiality or compassion proceeded to throw both living and dead over the sides of the vessel. With equal heartlessness they disposed of their own dead and dying.

Presently one of the crew spied the approaching Claytons, and with a cry of: Here’s two more for the fishes, rushed toward them with uplifted ax.

But Black Michael was even quicker, so that the fellow went down with a bullet in his back before he had taken a half dozen steps.

With a loud roar, Black Michael attracted the attention of the others, and, pointing to Lord and Lady Greystoke, cried:

"These here are my friends, and they are to be left alone. D’ye understand?

I’m captain of this ship now, an’ what I says goes, he added, turning to Clayton. Just keep to yourselves, and nobody’ll harm ye, and he looked threateningly on his fellows.

The Claytons heeded Black Michael’s instructions so well that they saw but little of the crew and knew nothing of the plans the men were making.

Occasionally they heard faint echoes of brawls and quarreling among the mutineers, and on two occasions the vicious bark of firearms rang out on the still air. But Black Michael was a fit leader for this band of cutthroats, and, withal held them in fair subjection to his rule.

On the fifth day following

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