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Obit
Obit
Obit
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Obit

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The New York Times 100 Notable Books of 2020

Time Magazine's 100 Must-Read Books of 2020

NPR's Best Books of 2020

National Book Award in Poetry, Longlist

Frank Sanchez Book Award

After her mother died, poet Victoria Chang refused to write elegies. Rather, she distilled her grief during a feverish two weeks by writing scores of poetic obituaries for all she lost in the world. In Obit, Chang writes of “the way memory gets up after someone has died and starts walking.” These poems reinvent the form of newspaper obituary to both name what has died (“civility,” “language,” “the future,” “Mother’s blue dress”) and the cultural impact of death on the living. Whereas elegy attempts to immortalize the dead, an obituary expresses loss, and the love for the dead becomes a conduit for self-expression. In this unflinching and lyrical book, Chang meets her grief and creates a powerful testament for the living.

"When you lose someone you love, the world doesn’t stop to let you mourn. Nor does it allow you to linger as you learn to live with a gaping hole in your heart. Indeed, this daily indifference to being left behind epitomizes the unique pain of grieving. Victoria Chang captures this visceral, heart-stopping ache in Obit, the book of poetry she wrote after the death of her mother. Although Chang initially balked at writing an obituary, she soon found herself writing eulogies for the small losses that preceded and followed her mother’s death, each one an ode to her mother’s life and influence. Chang also thoughtfully examines how she will be remembered by her own children in time."—Time Magazine

LanguageEnglish
Release dateApr 7, 2020
ISBN9781619322189
Obit

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Rating: 4.08750005 out of 5 stars
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  • Rating: 4 out of 5 stars
    4/5
    your fans will really enjoy this book. ... If you have some great stories like this one, you can publish it on Novel Star, just submit your story to hardy@novelstar.top or joye@novelstar.top
  • Rating: 5 out of 5 stars
    5/5
    I have never felt so small and so insignificant in a very long time

    1 person found this helpful

  • Rating: 4 out of 5 stars
    4/5
    This book was recommended to me by Book Riot's Tailored Book Recommendation service. It was an excellent if uncomfortable read. A collection of obituaries to all the big and little losses after the author's mother dies, and her father experiences a series of strokes. Such a complicated rendering of grief.
  • Rating: 4 out of 5 stars
    4/5
    I don't read much modern poetry, but I picked up this collection because I was intrigued by its premise. Poet Victoria Chang writes about the deaths of her parents in many poems that take on the formal attributes of old-fashioned newspaper obituaries. I found the "obit" poems the most accessible and moving. Other poems focus on words and phrases connected only by spaces. These didn't work as well for me, perhaps because I was unsure how to interpret them. All in all, this is a noteworthy collection that touches upon dementia, loss, and grief.
  • Rating: 5 out of 5 stars
    5/5
    National Book Award for Poetry 2020 longlistThe best book about grief I have read. After the death of her mother, Chang began writing "obits" of different aspects of her mothers--and then her father's--lives. Her mother suffered from and died of lung disease, her father of stroke complications. Optimism, caretakers, language, memory, the priest, the car, she herself--all receive obituaries (some multiples) written in this style.It is clever, but it is also very real and very sad.

Book preview

Obit - Victoria Chang

Obit

VICTORIA CHANG

Note to the Reader

Please take the time to adjust the size of the text on your device so that the line of characters below appears on one line, if possible.

Lorem ipsum dolor sit amet, consectetur adipiscing elit. Pellentesque euismod.

When this text appears on one line on your device, the resulting settings will most accurately reproduce the layout of the text on the page and the line length intended by the author. Viewing the title at a higher than optimal text size or on a device too small to accommodate the lines in the text will cause the reading experience to be altered considerably; single lines of some poems will be displayed as multiple lines of text. If this occurs, the turn of the line will be marked with a shallow indent.

Thank you. We hope you enjoy these poems.

This e-book edition was created through a special grant provided by the Paul G. Allen Family Foundation.

For my mother and my children.

Contents

Title Page

Note to Reader

I

My Father’s Frontal Lobe

My Mother

Victoria Chang

Victoria Chang

Voice Mail

Language

My children, children

Each time I write hope

Language

Victoria Chang

The Future

Civility

My Mother’s Lungs

Privacy

My Mother’s Teeth

I tell my children

I tell my children

Friendships

Gait

Logic

Optimism

Ambition

Chair

Do you smell my cries?

I tell my children

Tears

Memory

Language

Tomas Tranströmer

Approval

Sometimes all I have

You don’t need a thing

Secrets

Music

Appetite

Appetite

Form

Optimism

I can’t say with faith

To love anyone

Hands

Oxygen

Reason

Home

Memory

II

I Am a Miner. The Light Burns Blue.

III

Friendships

Caretakers

Subject Matter

Sadness

Empathy

The Obituary Writer

Do you see the tree?

My children, children

The Doctors

Yesterday

Grief

Doctors

Blame

Time

Today I show you

My children, children

Form

Control

The Situation

Memory

Doctors

Obsession

My children, children

My children don’t have

The Clock

Hope

The Head

The Blue Dress

Hindsight

The Priest

I put on a shirt

Where do they find hope?

The Car

My Mother’s Favorite Potted Tree

Similes

Affection

Home

When a mother dies

My children, children

The Bees

Victoria Chang

Clothes

Guilt

The Ocean

The Face

My children say no

Have you ever looked

IV

America

I am ready to

My children, children

Notes

About the Author

Also by Victoria Chang

Acknowledgements

Copyright

Special Thanks

OBIT

I

Give sorrow words; the grief that does not speak

wispers the o’er-fraught heart, and bids it break.

—William Shakespeare, Macbeth

My Father’s Frontal Lobe—died unpeacefully of a stroke on June 24, 2009 at Scripps Memorial Hospital in San Diego, California. Born January 20, 1940, the frontal lobe enjoyed a good life. The frontal lobe loved being the boss. It tried to talk again but someone put a bag over it. When the frontal lobe died, it sucked in its lips like a window pulled shut. At the funeral for his words, my father wouldn’t stop talking and his love passed through me, fell onto the ground that wasn’t there. I could hear someone stomping their feet. The body is as confusing as language—was the frontal lobe having a tantrum or dancing? When I took my father’s phone away, his words died in the plastic coffin. At the funeral for his words, we argued about my miscarriage. It’s not really a baby, he said. I ran out of words, stomped out to shake the dead baby awake. I thought of the tech who put the wand down, quietly left the room when she couldn’t find the heartbeat. I understood then that darkness is falling without an end. That darkness is not the absorption of color but the absorption of language.

My Mother—died unpeacefully on August 3, 2015 in her room at Walnut Village Assisted Living in Anaheim, California of pulmonary fibrosis. The room was born on July 3, 2012. The Village wasn’t really a village. No walnut trees. Just cut flowers. Days before, the hospice nurse silently slid the stethoscope on top of my mother’s lung and

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