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Things I Might Have Said
Things I Might Have Said
Things I Might Have Said
Ebook116 pages55 minutes

Things I Might Have Said

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An erudite poetry collection of deep, resplendent, proportions.

PERFECT FOR ANYONE
Documenting half a century of a man’s journey, it urges readers to never give up. Replete with a lifetime of romantic yearnings, political commentary, and quiet thoughts, this book speaks to everyone via the countless parts of the human condition. Most importantly, it’s never afraid to laugh at life.
THE BEST COLLECTION

#TIMHS - Comments + Praise + Reviews - TIMHS#

“I was like most, totally uninterested in poetry. I humbly admit I was wrong. After reading this my mind is completely changed. I now see poetry for what it is - a puzzle of words. Every single word needs to be perfect, seamlessly moving the metaphor while maintaining structure, rhyme, and rhythm. I BEG YOU TO GET THIS BOOK! Even if you have NEVER read a single poem in your entire life, you will be happy. This collection is full of laugh-out-loud, edgy humor (or humour as he would spell it) and deep insights. When at my worst this gave me a boost.
I HIGHLY RECOMMEND!”
—Anonymous Online Reviewer

“I first met John in Ogunquit, Maine. I spent time in England and thought I knew the “Brits” - turns out, I only knew “some”. When he asked me to critique his upcoming book of course I said “YES!” I enjoy criticizing John in general, but, being busy, I kept putting if off. What a mistake - it’s a revelation! Opening the book at random is to have a conversation with John. His turn of phrase is perfect.
Poetry was NEVER like this in school!”
—Kent Bridges, Managing Director of the Ogunquit Playhouse

"This volume by the irrepressible John Brand is a work of love and dedication. Each poem is a well-crafted gem, the rhythms and rhymes honed and polished, the turns of phrase masterfully rendered, the arguments cogent and solid. The messages conveyed — often mischievous and playful, sometimes...even sweetly sentimental — tug at the reader...provoke thought, and invite reflection.”
―Margaret Wong, PhD, Professor of Literature & Composition"

“I’m a believer now in the power of poetry. Brand’s masterful poems are a true force of reckoning! Through his compelling words, he captures the mundane and boring qualities of life and transforms them into a gorgeous emotional symphony. Brand beautifully engages his reader on a deeply personal level.”
—Jane, Online Reviewer

"Brand's poems are humorous and often moving. I very much admire his "argument" for the Augustans not only in its wording but its tone and elegance. His lyrical poems recall [John] Betjeman and [Philip] Larkin, and there are of course echoes of [Tony] Harrison's earthiness. The range of form and tonality works very well, shifting seamlessly from high language to demotic. For a lover of a well-turned line or a surprising rhyme, there are any number of real pleasures here. This is a fine collection, I think.”
—Mark Bates, PhD, Professor of English

@About the Author@
John Brand is professor emeritus of English and an award-winning poet. Growing up in Sheffield (United Kingdom) surrounded by the prejudice of the time and with his strong northern Yorkshire accent, he was unable to attend University and instead completed an engineering apprenticeship. Turning back to college in his late 30s, he completed an English Literature and Linguistics (Honours) degree from the University of Sheffield. Moving to New England (Worcester Massachusetts) he furthered his education at the renowned Clark University and received his Master’s degree in 1996. Retired since 2017, he now spends his time reading, writing, and traveling with his wife.

ISBNs
•ISBN (Print = PaperBack): 978-1-7343017-0-0 (9781734301700)
•ISBN (eBook = PDF): 978-1-7343017-1-7 (9781734301717)
•ISBN (eBook = ePub): 978-1-7343017-5-5 (9781734301755)
•ISBN (eBook = Mobi): 978-1-7343017-3-1 (9781734301731)

LanguageEnglish
PublisherJohn Brand
Release dateNov 17, 2019
ISBN9781734301755
Things I Might Have Said
Author

John Brand

John Brand is professor emeritus of English and an award-winning poet. Growing up in Sheffield (UK) surrounded by the prejudice of the time and with his strong northern Yorkshire accent, he was unable to attend University and instead completed an engineering apprenticeship. Turning back to college in his late 30s, he completed an English Literature and Linguistics (Hons) degree from the University of Sheffield. Moving to New England (Worcester Massachusetts) he furthered his education at the renowned Clark University and received his Master’s degree in 1996. Retired since 2017, he now spends his time reading, writing, and traveling with his wife.

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    Book preview

    Things I Might Have Said - John Brand

    TIMHS-eBook-Cover.png

    Copyright © 2019 - John Brand

    Foreword| Copyright © 2019 - Margaret Wong

    Praise| Copyright © 2019 - Kent Bridges & Mark Bates & Margaret Wong

    First published in 2019 in the USA

    AXOXA

    99 Wall Street #531# New York NY 10005

    ISBN (Print = PaperBack): 978-1-7343017-0-0 (9781734301700)

    ISBN (eBook = PDF): 978-1-7343017-1-7 (9781734301717)

    ISBN (eBook = ePub): 978-1-7343017-5-5 (9781734301755)

    ISBN (eBook = Mobi): 978-1-7343017-3-1 (9781734301731)

    www.johnbrand.online

    BOOK

    1st

    EDITION

    Contents

    Dedication

    Foreword

    Introduction

    A Short View of the Immutability and Propensity of an English Sage

    I Am Not

    Thursday Afternoon

    Fruit of My Loins

    Bowden Wood

    The Four of Us

    April

    Albert McGraw

    Block

    All Hallows’ Eve: For Electa

    The Kids on TV

    AnnaBelle

    The Sheffield City Council Charity Option

    The Terrorist

    You and Minnie and Me

    Evolution

    Questions

    The Magic Pen

    Refectory

    Trivial Pursuit

    Cellular One

    Clive Ponting

    Donkey

    Esprit D’escalier

    Fading Away

    The Poet’s Lament

    Failings

    Block II

    Government Warnings

    Haworth Moor

    Iambic

    Insobriety

    Internal

    Santa Claws

    Boxing Day

    Longford

    Maggie

    Meadow

    Naiveté

    Nostalgia

    Out of Sorts

    Paradox

    Reflections on Wilfred Owen (The Send Off)

    Resistant

    Rochdale Canal

    Schooling

    Sensitivity

    Shell

    Soldier

    Sonnet of Exposure

    Sonnet of Perspective

    Soviet Socialist Republic of South Yorkshire

    The Final Straw (from Consequences)

    The Flight Decked

    Rochdale Canal Revisited

    The Football Fan’s Prayer

    The Royal Wee

    Tunnel Vision: An Alternative Perspective

    Unemployment

    Angie

    Apocalypse When?

    Symphonic

    The Everest

    The Embrace

    Imagery

    Reflections on Lake Windermere

    Pariah

    Just My Luck

    The Triumph of Cynthia

    or The Light at the End of the Tussle

    About the Author

    For Kristina, without whom,

    none of my writing makes any sense.

    Foreword

    by Margaret Wong, PhD

    T

    his poetic volume

    by

    the irrepressible Professor Emeritus John Brand is a work of love and dedication. Each poem is a well-crafted gem, the rhythms and rhymes honed and polished, the turns of phrase masterfully rendered, the arguments cogent and solid. The messages conveyed — often mischievous and playful, sometimes cheeky and needling, bordering on insult, occasionally serious, even sweetly sentimental — tug at the readers’ emotions, provoke thought, and invite reflection.

    Take, for example, The Four of Us. The piece is short, only 16 lines of alternating iambic tetrameter and trimeter. It tells the story of one whose touch causes various body parts of creatures to fall off. First, it is a dog’s ear, then a cat’s tail, and finally a bird’s wing. On the surface, the poem is a joke with the punchline found in the final line directing the reader not to shake the narrator’s hand, lest, presumably, one of his body parts fall off. The meter used (the limerick meter, beloved by salty sailors and children alike) is suggestive of a bawdy ditty especially if considered in the context of Albert McGraw a poem about an 83-year-old and his young bride. Yet, because The Four of Us comes immediately after Bowden Wood a poem about the destruction of nature to serve the progress of Mankind, a more serious message emerges. The Four of Us illustrates the destructiveness of humanity’s interaction with nature’s creatures. The narrator’s touch causes the dog to lose its hearing, the cat to lose its balance, and the bird to lose its flight. Despite these life altering injuries, none responds with surprise or anger. Instead each creature in turn joins the narrator for a drink and a stroll in the park and then proceeds to wander the land with him, all now members of The Four of Us club, steadfast companions in the narrator’s journey through life.

    What The Four of Us captures and presents is the nature and essence of relating and relationship. We harm (transform) those we touch, but they don’t know it or they forgive us and in turn they become an inextricable part of us, making us feel incomplete without them in our lives. This is a theme returned to again and again in this volume. April expresses a litany of examples of incompleteness or loss of wholeness that result from how I am without you. Block II yearns for fate to bring me back to you. And Cellular One spells out the emptiness I feel within my soul / Not seeing you, not feeling really whole. These poems recognize that relationships are never merely casual. They affect us deeply, leaving us feeling bereft and lost when the relationship’s absence is inflicted on us.

    The poem in this collection that perhaps best comprehends this complex insight is

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