The End of the Alphabet: Poems
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About this ebook
Claudia Rankine’s book-length poem about rising racial tensions in America, Citizen: An American Lyric, won numerous prizes, including the The National Book Critic’s Circle Award. Her new collection of poems—intrepid, obsessive, and erotic—tell the story of a woman’s attempt to reconcile herself to her own despair.
Drawing on voices from Jane Eyre to Lady MacBeth, Rankine welds the cerebral and the spiritual, the sensual and the grotesque. Whether writing about intimacy or alienation, what remains long after is her singular voice—its beguiling cadence and vivid physicality. There is an unprotected quality to this writing, as if each word has been pushed out along the precipice, daring us to go with it. Rankine’s power lies in the intoxicating pull of that dare.
From one of contemporary poetry’s most powerful and provocative authors, The End of the Alphabet is a work where “wits at once keen and tenacious match themselves against grief’s genius” (Boston Review).
Claudia Rankine
Award-winning poet, critic and activist Claudia Rankine is the author of five collections of poetry, including Citizen: An American Lyric and she edits the "American Poets in the Twenty-First Century" series. Rankine is the recipient of the fellowships from the National Endowment for the Arts, the MacArthur Foundation, the Academy of American Poets, and the Guggenheim Foundation and more. Her work has garnered attention from media such as The New York Times, The Guardian, The Paris Review, Los Angeles Review of Books, The Boston Globe and the New Yorker. She is the Frederick Iseman Professor of Poetry at Yale University.
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Book preview
The End of the Alphabet - Claudia Rankine
The End of the Alphabet
Overview is a place
*
Difficult to pinpoint
fear of self, uncoiled.
specter unstrung. staggering stampede. Which
sung? left the body open for the moon to break into,
unspooling disadvantage.
Give a thought, Jane: Did filth
begin in conversation? drag
the mood through before escaping the ugliness. Not to
dwell on but overhear footsteps again
approaching: immured,
not immune, then dumdum
bullet templed. rip the mind out. go ahead.
*
Dawn will clear though the night rains so hard. Rain
and Jane mix and mixing up, thinking shore but hugging floor.
What Jane must substitute for this year’s substitute
for a mind intact? fire?
its greediness egged on, flame after flame
uninvolved
but still fueling the shifting onslaught.
Gray Jane
emphasize otherwise, not the eyes
but the cheek to the pillow. Bundle up and sweep
bare the mind. Land its ooze
at some other gate, soften
dead wood. Sea smoke, drizzle, distance. The moment
of elucidation snipped its tongue, its mouth water
dried out—
thought-damaged throat.
*
Remember a future
from another dream
and hold on. open your mouth
close to your ear: fear
in sanity lives. anatomy
as dissonance,
vertebral breaking. In spite
of yourself.
rising, the mercury
reaching out
to fever. fire. all your civilized
sense, Jane. disabled.
*
Assurance collapses naturally
as if each word were a dozen rare birds
flown away. And gone
elsewhere is their guaranteed landing
though the orphaned wish
to be happy was never withdrawn.
Do not face assault uncoiled as loss,
as something turned down: request or sheet. Pray
to the dear earth, Jane, always freshly turned,
pull the covers overhead and give
and take the easier piece.
to piece the mind.
to gather on tiptoe. Having lost
somewhere, without a name to call, help
yourself. all I want.
Elsewhere, things tend
*
Viewed in this way,
… her voice
at any distance cannot be
heavier than her eyes. Listen, among the missing
is what interrupts, stops her short
far from here in ways that break to splinter.
Until the sense that put her here is forced
to look
before remembering the towel that wiped sweat
and wet face and dust from each mirror:
she cleans her glasses with