Orientalist Aesthetics: Art, Colonialism, and French North Africa, 1880-1930
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The painter-critic Eugène Fromentin tackled the unfamiliar atmospheric conditions of the desert, Etienne Dinet sought a more truthful mode of ethnographic painting by converting to Islam, and Mohammed Racim melded the Persian miniature with Western perspective. Benjamin considers armchair Orientalists concocting dreams from studio bric-à-brac, naturalists who spent years living in the oases of the Sahara, and Fauve and Cubist travelers who transposed the discoveries of the Parisian Salons to create decors of indigenous figures and tropical plants. The network that linked these artists with writers and museum curators was influenced by a complex web of tourism, rapid travel across the Mediterranean, and the march of modernity into a colonized culture. Orientalist Aesthetics shows how colonial policy affected aesthetics, how Europeans visualized cultural difference, and how indigenous artists in turn manipulated Western visual languages.
Roger Benjamin
Roger Benjamin has been appointed Power Professor of Art History and Visual Culture and Director of the Power Institute at the University of Sydney. He is author of Orientalism: Delacroix to Klee (1997), Matisse's "Notes of a Painter": Criticism, Theory, and Context (1987), the forthcoming title, Renoir and Algeria, and winner of the Arthur Kingsley Porter Prize of the CAA for his article "The Decorative Landscape, Fauvism, and the Arabesque of Observation" (1993).
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