Cinemassacres: A Tribute to Forrest J Ackerman

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Cinemassacres: A Tribute to Forrest J Ackerman

© 2015 David Byron. All Rights Reserved.

No part of this book may be reproduced in any form or by any means, electronic, mechanical, digital, photocopying or recording, except for the inclusion in a review, without permission in writing from the publisher.

All interviews and images used by permission.

All interviews are original to this book excepting for:

The Chet Williamson interview first appeared in Horror Prodigies & Legends, © 2010 LOH Press. The Joe R. Lansdale interview first appeared in NVH Magazine, © 2009.

Cover art design by Ghoulish Gary Pullin/Artwork by Gary Pullin. First published in Rue Morgue Magazine #83. © Copyright Marrs Media Inc. Used with permission.

Dr. Mangor photo/artwork by Bethalynne Bajema — based on a photo by Robyn Van Swank.

This version of the book may be slightly abridged from the print version.

Published in the USA by:

BearManor Media

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ISBN 978-1-59393-544-3

eBook construction by Brian Pearce | Red Jacket Press.

Table of Contents

Acknowledgements

Introduction by Ingrid Pitt

Kind Comments

Interviews

Michael McCarty

Frank Dietz

Joe Moe

Michael Mallory

John Dimes

Brian Walker of Brian’s Drive-In Theatre

Robert Leininger

Count Gore Devol

Jim McDermott

Lucy Hell

Ghoulish Gary Pullin

Photo Section

Special Guest Interviews

Courtlandt Hull

Kevin Sean Michaels

Frank Winspur

Dr. Mangor

Pam Keesey

Joe R. Lansdale

Chet Williamson

Don Calfa

Fred Olen Ray

Muse Watson

Jason Paul Collum

John Kenneth Muir

Christopher Golden

Jim O’Rear

Sara Karloff

Iron Dave

John Everson

The Amazing Kreskin

Count Gregula

Jim Wynorski

Echoes

Anonymous Posthumous Cheers from Forry’s Fans…

Afterword

About the Author

Acknowledgements

A big thanks go all of the featured guests, without whom this book wouldn’t exist; thanks to Michael McCarty, for his insight and advice; to Ingrid Pitt, for her heart-felt introduction, to Ben Ohmart of BearManor Media for his patience, and last, but not least, to all of my readers at the former NVF Magazine, for all of their support when the fiction magazine folded. Your patronage will not be forgotten.

Introduction by Ingrid Pitt

First time I met Forry was way back in November 1975 at the Famous Monsters of Filmland Convention in New Year City. I nearly didn’t make it. I was filming in Tres Arroyes, a little town about 200 miles south of Buenos Aires. The film was called El Lobo and was about a virgin and a wolf that was a devil in disguise. Type casting, I thought. Things hadn’t been going so well on the set. Argentina wasn’t exactly the most stable country to be working in and the producer was having a bad time both financially and politically, so when I received a telegram from my agent reminding me that I was due to be at the convention in New York in three days time I sensed he was relieved to get me off his hands for a few days.

When I arrived at the Convention I was given a bodyguard/guide named Jerry Arden. I was told that Jerry was there for me. I soon found that I could hardly set foot outside my room without Jerry being there for me. Flattering at first, but a bit inhibiting. Jerry was guiding me through the hotel on the morning after I arrived when this tall, interestingly dressed man threw himself down on one knee in front of me and pledged undying love and declared he wanted to marry me. I gave him a weak smile and tried to walk around him but he wouldn’t let me pass. I didn’t want to make a scene so I painted on a smile and broke the news that I had married Tonio only a few weeks before. The man claimed he was devastated and would wait for me forever.

Jerry came to the rescue.

How’s the wife, Forry? he asked.

The man climbed to his feet and gave me a broad smile. Well it was worth a try, he said.

Jerry introduced him as Forry Ackerman. It still didn’t press any buttons, but Jerry made a date with him for lunch so I guessed it was all right.

Jerry filled me in on Forry’s background. Forry could rightly claim the title of Mr. Sci-Fi. He loved the genre and spent his entire life surrounded by like-minded fans of alternative worlds and ways of life. His friends were the people who made the genre live. He was the editor of the long running magazine Famous Monsters of Filmland and was still talking about bringing it back to life until his death on December 6, 2008. He was also the owner of the Vampirella comic book franchise. But Forry was much more than a workman in the field of the future: Forry made it happen.

He was born in 1916. At the age of ten he read a magazine that generated his life’s obsession for the remote and unbelievable. The magazine, Amazing Stories, was the slightly dodgy Hugo Gernsback’s vehicle to get his stories published without the inconvenience of having to find an editor who shared his enthusiasm.

As the Sci-Fi genre began to take hold, Forry was there astride the leading rocket. He gathered together others who were enchanted by the fast growing medium and did everything he could to foster their talents. His enthusiasm was so catching that he soon had a coterie of budding writers who were to become the greatest names in the business.

The home-away-from-home of the American Sci-Fi writers of the day was Clifton’s Cafeteria. There you would find the fledgling Robert Heinlein, Henry Kuttner, Leigh Brackett and many other writers discussing other worlds and parallel Universes. Forry was a great life-long fan of Ray Bradbury. When Ray wanted to start a magazine for the futurists called Futuria Fantasy it was Forry who scraped together the funds to get it into print. Before long, Forry had turned his passion into a business and was agent for such luminaries as Isaac Asimov, A.E Van Vogt, Curt Siodmak, L. Ron Hubbard and, of course, Ray Bradbury.

Forry’s house in Lincoln Park in Los Angeles, dubbed Acker Mansion, was a magnet for all fans of a Sci-Fi or Horror persuasion. He had somehow managed to inveigle his way into more than 50 films and had taken home souvenirs from most of them. Friends and grateful fans had donated others. There was hardly an inch of space in the whole house that didn’t tell a story. And Forry was there to tell ‘em. Even the toilet was papered with posters and magazine covers. On most Saturdays he would throw open the door and greet the fans lining up outside. He would then spend the day taking his visitors around the exhibits giving well-honed stories on any of the pieces in which the fans showed an interest. I was invited to visit the Acker Mansion when I was in Los Angeles in 1997 for the Festival to celebrate the hundredth anniversary of the publication of Bram Stoker’s Dracula. Forry picked me up from the hotel and took me to his home. On the way we picked up another Horror icon, Bob Quarry. Bob was America’s answer to Christopher Lee. On the way to Forry’s place he told me that in one of his films, I’ve forgotten which, there is a scene from either Countess Dracula or Vampire Lovers. Unfortunately I can’t even remember the name of the film. Forry was still declaring undying love and promising to marry me but the fun had gone out of it a little. His wife Wendayne was ill and Forry was obviously worried about her. But he gallantly did the tour for me and at the end did me the honor of asking, not for my hand in marriage, but for my signature on the flyleaf of his first addition of the Stoker masterpiece. I really felt privileged to be among such giants of the Horror scene as Bela Lugosi, John Carradine, Christopher Lee, Peter Cushing, Bob Quarry, Elsa Lancaster and many others.

I suppose it was a bit childish carrying on the ‘courtship’ performance for so many years, but we both enjoyed it. I’ll miss him next time I go to America. The last time I saw him was at a convention in Baltimore: approaching his nineties, he retained all the enthusiasm and chutzpah that he had all those years ago in New York. He gave me a copy of his book. Forrest Ackerman’s World of Science Fiction. On the flyleaf he wrote, in various coloured inks:

‘For Ingrid the Rapturous, Captor of the Heart of your Eternal Fan and Friend.

With Ardent Affection — Forry.’

You can’t have it better than that!

Ingrid Pitt

December 2009

Ingrid Pitt.

Kind Comments

"Forry was a hero and inspiration to thousands of genre filmmakers and fans. He certainly inspired me. I grew up on Famous Monsters of Filmland, and I have many cherished memories of meeting the man over the years, both at his home and at conventions. I also enjoyed publishing his words in Fangoria, especially for our 100th issue. Most of all, Forry is partially responsible for where I am today; he bought or helped sell several articles of mine when I was first starting out, for Enterprise Incidents and Monsterland. During his final days, I’m glad that I got to say goodbye to the man in person and tell him how much he meant to me."

Anthony Timpone

Editor, Fangoria

Thanks, Uncle Forry — you caught me just at the right age with FM #5 and set my feet on that dark path forever after. Rest in peace, Mister Monster…

Chet Williamson

"Like any horror fan who grew up in the mid to later half of the 20th century, you knew Forry Ackerman was a legend. Without him and Famous Monsters of Filmland there would have been no Fangoria, Rue Morgue, HorrorHound, Gorezone, Femme Fatales, Cinefantastique, HorrorShow, Alternative Cinema, Scarlet Street, et al. Now in a time where hard copied publications are becoming extinct and horror fans gleam all of their information from the often nameless glow of website screens, it seems there are fewer Uncle Forry’s to look up to…to put upon some minor form of idol worship. Forry made reading fun, brought our favorite movie monsters and those who created them to life in our minds, and fed our all-consuming passions for the genre we love. He is an icon and an original who will be truly missed."

Jason Paul Collum

director of Something to Scream About

"Forrest J. Ackerman was a walking encyclopedia of science fiction and horror. As the well-known editor of Famous Monsters Of Filmland for twenty years (and over 200 issues), he had personally known such legends as Boris Karloff, Bela Lugosi, Lon Chaney Jr., Peter Lorre, Christopher Lee and Vincent Price.

After twenty years and 191 Mr. Ackerman resigned as editor of Famous Monsters — his two-decade tenure had influenced generations of horror fans, including Academy Award-winning director Steven Spielberg and author Stephen King — who sent his first story to the magazine. There was also George Lucas, Rick Baker the monster-maker, John Landis, Joe Dante — all were readers who grew up and made an impression on the world.

If it wasn’t for Forry Ackerman and Famous Monsters Of Filmland, I doubt I would have ended up a speculative fiction writer in the first place.

I started collecting Famous Monsters in 1973. My mom actually bought my first copy of the magazine, issue #107 with West World’s cowboy robot Yul Brynner on the cover. I read the magazine from cover to cover, fascinated with the black-and-white stills of monster movies and the pun-filled humor, courtesy of Mr. Ackerman.

The first time met Forry at a science fiction in Iowa City. Shortly after that, I did an interview with him for my first book called Giants Of The Genre (2003, Wildside Press).

The second time I met Forry was in 2003, at the World Horror Convention. I sat next to him at a signing and we talked and shared plenty of laughs.

Over the years, we exchanged, mail, email, Christmas cards and of course, more interviews. I interviewed him for Modern Mythmakers (McFarland & Company, 2008) and dedicated the book to him and again in Esoteria-Land (BearManor Media, 2009,) again dedicating the book to him.

He was truly a giant and gentleman of the genre and will be sorely missed."

Michael McCarty

Interviews

Michael McCarty

Michael McCarty has been a professional writer since 1983 and is the author of 10 books (fiction and nonfiction) and several hundred articles, short stories, poems, etc. He is the 2008 David R. Collins’ Literary Achievement Award winner from the Midwest Writing Center. In 2005 was a Bram Stoker Finalist for the Nonfiction Book Of The Year with More Giants Of The Genre. He lives in Rock Island, Illinois and was a former stand-up comedian, musician and managing editor of a music magazine and is currently is a staff writer for Science Fiction Weekly the official website of the SCI FI Channel. His novel Monster Behind the Wheel, co-written with Mark McLaughlin (Delirium Books/Corrosion Press) was published in the summer of 2008, the vampire satire Liquid Diet (Black Death/Demonic Clown Books) and the novella Monster Hunter (Skullvines Press) and the science fiction novel Out Of Time, was co-written with Connie Corcoran Wilson (Lachesis Publishing). Mike’s short story collections include Dark Duets (Wildside Press, 2005), All Things Dark and Hideous, co-written with Mark McLaughlin and published in England (Rainfall Books, 2008) and Little Creatures (Sam’s Dot Publishing, 2008). He also co-wrote the poetry collection Attack of the Two-Headed Poetry Monster, with Mark McLaughlin (Skullvines Press, 2008). His nonfiction books include Giants of the Genre (Wildside Press, 2003), Modern Mythmakers (McFarland & Company, 2008) and Ghostly Tales of Route 66, co-written Connie Corcoran Wilson (Quixote Press, 2008).

His websites are: www.myspace.com/monsterbook, www.myspace.com/lovein2025, www.myspace.com/route66ghosts and www.myspace.com/ottochurch.

ID: Greetings and salutations, Mike. Been keeping busy? Or is that an understatement?

MM: Busy, busy and more busy — I’m too busy to schedule a nervous breakdown (laughs). As the saying goes, No rest for the wicked — so I must be extremely wicked.

ID: I have recently finished reading your book with Mark McLaughlin, Monster Behind the Wheel, and I must say, it is a regular horror tour-de-force. Your title character, Jeremy Carmichael, is one of the most memorable characters I’ve ever seen in horror fiction. Where did the idea for Jeremy come from? Or…should I fear to ask?

MM: Thank you for your kind words. Jeremy was a truly organic character that sprang to life quickly. When I was going to college, I had this idea of the Land of the Dead — a Purgatory-type place where the dead wait and wait until their time and fate is decided. I also had the idea of someone speaking to character through car speakers.

When I started Monster Behind the Wheel, I originally wanted the book to be a collaboration with Mark McLaughlin and myself. He looked at my outline and storyline and character development sheets and said, I think this is much too personal of a book for me to be involved in. So I planned on writing the book on my own, after finishing up a different novel, a vampire book called Liquid Diet.

For Monster, I had the idea of an average person taking on the Goliath-like insurance companies and lawyers. I was influenced by Richard Laymon’s everyday-type characters who are thrown into weird situations as in such books as Night in the Lonesome October, Bite and The Traveling Vampire Show.

At that time, I was also working on which would become my first published book, Giants of the Genre — a collection of interviews. What I decided to do was interview my fictional character, Jeremy Carmichael. I asked a series of questions and wrote down his answers. Believe it not, I still have that Q&A in my file cabinet. Anyway, that was the beginning of Monster Behind the Wheel. I showed this to Mark and he read it and said, If you can do the same thing with the villain, Frank Edmondson, than you have the beginnings of a great novel. Good advice!

I integrated some of my own personal experiences into Jeremy’s history — we both were pizza delivery drivers in college (and both went to a community college), we both have been involved in a major automobile accident (his was worse), and we both had to fight insurance companies.

Mark was doing a bit of editing on Liquid Diet, so as we worked together more, he soon changed his mind and agreed to become my co-author for Monster Behind the Wheel. As he became more and more involved in writing the book, he made Jeremy even more likeable. He added a lot of humor to the character (which was sadly missing). Being a former stand-up comedian, I couldn’t let him get all the laughs, so I had to start writing funny passages, too — which is the reason I think the book turned out great. Mark started his work on the end chapters, since I’d already done a lot of work on the beginning, and we sort of met in the middle!

Jeremy’s voice as a character was a voice I really enjoyed writing and eventually Mark and I will write a sequel — or two!

ID: It seems that you — like me — have a genuine love for the horror genre, which, of course, always helps when you write within the same genre. What first prompted your interest in the macabre?

MM: Two events that happened around the same time during my childhood: my mom bought me a copy of Famous Monsters of Filmland Magazine (issue No. 107 with West World on the cover) and I discovered Acri Creature Feature on Saturday nights. I remember the first one I saw, the ‘60s black-and-white thriller, Carnival of Souls.

I had been reading science fiction long before horror. The first horror books I read were by Stephen King and Dean Koontz, both whom I still enjoy reading after all these years.

ID: To me, your book, Modern Mythmakers, is like a template for writing the perfect interview book. It takes a real talent to know how to talk to people the way you do. Who was the first person you interviewed? Were you nervous?

MM: My first interview was in the sixth grade with my fifth grade teacher, Mrs. Stonebraker — I had the biggest crush on her (I mention the crush, and the interview, in Modern Mythmakers). Strangely, I wasn’t nervous, because I had a job to do — the interview for the school newspaper. I had a defined role, so it kept me focused.

My first genre interview was in 1989, right after I graduated from college. I’d moved up to Chicago and, at one point, interviewed science fiction legend Frederik Pohl at his home. I even sat in his office, where he let me hold his one of Hugo Awards in my hands — that was a thrill. I sold the interview to Starlog Magazine and became a nationally published freelance writer overnight.

ID: My first interview was with Herschell Gordon Lewis, and he couldn’t have been a nicer guy; not at all like you would picture someone who (proudly) bears the moniker The Godfather of Gore. You’ve interviewed him, too. What was your first impression of him?

MM: Your first interview was with H.G. Lewis? Cool.

He was the final interview I did for Modern Mythmakers. He is a busy guy and when Mark McLaughlin and I interviewed him, he was in his early nineties. Because he was a former public relations man and in show business for such a long time, it was an easy and fun interview to do, and he’s a nice guy to boot.

ID: How did you meet scream queen Linnea Quigley?

MM: I interviewed Linnea Quigley for my book, More Giants of the Genre. Shortly after that, the Cemetery Dance anthology Midnight Premiere featured short fiction by horror actors and actresses. I’m not a horror performer, but Linnea Quigley is — she has appeared in such films as Return of the Living Dead, Hollywood Chainsaw Hookers, Night of the Demons, Sorority Babes in the Slimeball Bowl-A-Rama, and Silent Night, Deadly Night (I have a warm spot in my heart, or elsewhere, for her Best Impaled-on-Antlers Performance in that film).

I met Linnea while she was filming the movie Unaware in Gelena, Illinois, and hit her up with a story idea. She gave me a lot of innovative input and later we bounced more thoughts back and forth over the phone and emails. The resulting story, The Wizard of Ooze, was published in Midnight Premiere and was also reprinted in Little Creatures. I am interviewing Linnea again for my upcoming book, Masters of Imagination for BearManor Media.

ID: Back to you, now. You are apparently an avid reader — when you can find the time, that is — and I was just curious: what kind of books would I find on your bookshelf? I mean, you never can tell. I write