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El príncipe y el mendigo
El príncipe y el mendigo
El príncipe y el mendigo
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El príncipe y el mendigo

Rating: 3.5 out of 5 stars

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El príncipe y el mendigo, también traducida como Príncipe y mendigo es una novela escrita por Mark Twain. Fue publicada por primera vez en Canadá en 1881 antes de ser publicada en los Estados Unidos en 1882. Es la primera novela histórica del autor. Ambientada en 1547, cuenta la historia de dos ninos de apariencia física idéntica: Tom Canty, un mendigo que vive con su padre cruel en Offal Court, Londres, y el príncipe Eduardo, hijo de Enrique VIII de Inglaterra.

LanguageEspañol
PublisherBooklassic
Release dateJun 29, 2015
ISBN9789635261475
Author

Mark Twain

Mark Twain, born Samuel Langhorne Clemens in 1835, left school at age 12. His career encompassed such varied occupations as printer, Mississippi riverboat pilot, journalist, travel writer, and publisher, which furnished him with a wide knowledge of humanity and the perfect grasp of local customs and speech manifested in his writing. It wasn't until The Adventures of Huckleberry Finn (1885), that he was recognized by the literary establishment as one of the greatest writers America would ever produce. Toward the end of his life, plagued by personal tragedy and financial failure, Twain grew more and more cynical and pessimistic. Though his fame continued to widen--Yale and Oxford awarded him honorary degrees--he spent his last years in gloom and desperation, but he lives on in American letters as "the Lincoln of our literature."

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Rating: 3.6783802378378376 out of 5 stars
3.5/5

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  • Rating: 4 out of 5 stars
    4/5
    Only Mark Twain could have turned this hackneyed old concept into a very readable, enjoyable novel. This Reader’s Digest edition had factual historical notes and a good afterword at the end of the book. First class.
  • Rating: 4 out of 5 stars
    4/5
    I loved the details in this book a lot. I could really see the dirty details of London in that era, from the description.
  • Rating: 5 out of 5 stars
    5/5
    The Prince and the Pauper is one of those books that part of me always thought I had read because I had seen so many movie adaptations of the book. Some were intended as direct adaptations and others took some significant leeway but they all sort of had a similar vibe. I've always enjoyed Twain but in recent years I've re-realized that I haven't read as many of his novels as I feel I should have. So with that background, I sat down with Prince and the Pauper.In case there are any people unfamiliar with the story, the basic idea is that we are in ~1600s London and there is a young prince who happens to meet a pauper who has an uncanny twin-like resemblance to the prince. Through some unintended circumstances, the prince ends up kicked out of his own castle while the pauper is set up as the prince in his place. Each boy tries to acclimate to his new surroundings and deal with the extreme change in social class. Further complications arise when the King dies and it is announced that the prince is to be crowned King of England.The first thing that struck me with this book was the style. Twain has always been one who is noted for his rhetoric and his use of dialect and style in such a way as to portray the era and culture he is trying to represent. As such, he writes this book with a somewhat stilted and formal narration filled with "thy"s and "thou"s and "wherefore"s. I had no problem with the language, I just wasn't expecting it. Whether or not it actually added to the tone and nature of the book, I'm not quite sure. I don't think it painted the scene quite as much as do the dialog of Huck Finn and Tom Sawyer but I was still impressed with his use of vocabulary and style to help convey a certain time period.I also naturally discovered quick differences between the book and the various movie versions. In most of the movie adaptations I've seen, the Prince and Pauper decide to switch places as a sort of game and they are both excited at the idea of swapping roles. In the book, the prince notices their similar appearance and suggests they exchange clothes to see just how similar they might look. The concept of actually exchanging roles never really entered into the discussion and each boy is in fact quite frightened and upset when the exchange occurs.Not being an avid historian, I can't fully speak to Twain's portrayal either of royalty or poverty of the era, but I did feel both a disgust and a compassion upon the poverty stricken of 16th century London. The squalor they were forced to live in was truly unspeakable. What struck me as interesting was the way Twain presented the reality of the situation. Even though the lifestyle was miserable and unhappy, the people had a sense of acceptance and made the best they could out of bad situations. As the prince tried to fit in and adapt to his new circumstances, each time he complained or worried about the filth and poverty he was chided by those around him and they seemed to be accepting and perhaps even unconsciously ignorant of their plight. It's an interesting social idea and seems to push the idea that those who haven't ever known better never really aspire to better or those who see no opportunity for social mobility are content to stay where they are, no matter how awful. I personally think that mindset may be somewhat true but I think more likely is that those living in poverty were frankly just too exhausted and overwhelmed with trying to survive that they seldom had energy to think about was to escape their situation, let alone to devise a method to climb the social ladder.I found myself comparing the life of Twain's prince/pauper in lower class London with Dickens's lower class characters in Oliver Twist or some of his other works. In some ways, I felt like the attitudes of Twain's characters felt a little more realistic but in other instances I felt like Dickens had a better handle on the minds, motivations and actions of the English poor. As I thought about it, I decided that Twain's characters had more "modern" thought processes while Dickens's characters were more likely evocative of a real life citizen of lower class London.The life of the pauper-turned-prince in the palace is interesting but is often treated with much less detail and consideration than our prince-turned-pauper. We see snippets of life in the castle as the pauper tries to understand his new role and become accustomed to being waited on by attendants on all sides. After a variety of worrisome advisement from counselors and even the king, the young pauper finally takes the role upon himself and does his best to pretend at being the prince. Fortunately he has a few trusted advisors. While they don't believe that he is actually a pauper (everyone thinks he's gone mad), they do work to help him carry out his duties with gentle nudges and whispered reminders of proper behavior and etiquette. Once the king dies, the prince is expected to oversee various declarations and judgements and Twain takes this opportunity to provide some "Solomon-like" deliberations in court to showcase the young pauper's compassion as well as his quick thinking and wit.Meanwhile, the prince-turned-pauper finds himself fighting for survival in lower class London and finally making friends with a man who also doesn't believe the change in roles (he also thinks the boy must be crazy) but he pretends to believe and acts to help the prince in a variety of ways. The prince never tries to adapt himself to the world of the lower class. He continually tries to convince everyone of his royal lineage and rights. Naturally this doesn't help his situation get any better and in most cases it results in ridicule or harassment of some type.The high level plot is comical and often used throughout drama and literature. Offhand I can't think how many Shakespearean plays have to do with mistaken or switched identity either with twins or disguise or some other form of subterfuge. Twain uses this oft used trope to bring a lot of light hearted comedy to an investigation of the inequality of social classes and the unbalanced nature of cultural distinctions. The story was very entertaining and had plenty of Twain's quick wit and snarky humor. Beyond the simple humor and the fun, cute story, there is a lot of great material to think about both from social standpoints and from the aspect of literary scholarship. I think it would be entertaining some day to compare Twain's London with Dickens's London or to evaluate Twain's social concerns from this book with any of the various social problems of modern society.I had a lot of fun reading this book and definitely recommend it. The reading, tone and nature of the writing could be very accessible and entertaining to young readers. Some of the language may be harder for elementary school kids but they would likely enjoy having it read to them. Older readers will enjoy the quick wit, nuanced humor and insightful perspectives on social inequality. Overall this is a great book that is definitely overshadowed by Twain's larger works and as such is likely often overlooked. While it may not be quite as rich as Twain's more impactful books, it definitely stands on its own as a solid classic.4.5 out of 5 stars
  • Rating: 4 out of 5 stars
    4/5
    Audiobook - Edward VI, Prince of Wales, meets a poor boy named Tom Canty who looks just like him. They trade clothes for fun, which results in the true prince being kicked out of the castle and Tom being confused for the prince. Edward roams around the city being abused by Tom's father, captured and forced to steal by a band of thieves, and getting arrested twice. He learns the true plight of his poorest subjects, which allows him to eventually become a kind and fair king. Tom learns, um, how to behave at a fancy dinner party?The general plot - a poor person and a rich person look alike and trade lives - is timeless and well-known. The details of the plot are just decent historical fiction. It's an interesting look into 1540s England, but not much more. It would have been nice if Tom had learned some kind of lesson in the end, too, like valuing his mother and sister or something. But nope. The narrator, Steve West, was very good, especially considering the dialogue is all Tudor-era-appropriate.
  • Rating: 4 out of 5 stars
    4/5
    This is my first book by Mark Twain. It's a fictionised story using some real characters like King Henry VIII and his son King Edward VI.Tom Canty, a begger boy, is very keen on seeing the prince Edward who is the same age that he is. One day when he is roaming in the vicinity of the King's palace, he sees the prince. He is invited into the private chambers of the prince and seeing their remarkable resemblance they decide to play a jest. They exchange clothes and try to act each other's part. Things take a wrong turn and the real prince is thrown out on the streets and Tom is considered as the prince. What follows is a merry adventure for both of them.The conversations in the book are in old English which take a bit of time getting used to but overall it's a fun read. 
  • Rating: 4 out of 5 stars
    4/5
    Mark Twain’s The prince and the pauper is the story of two boys, Prince Edward and Tom Canty, who meet by chance and decide to exchange clothes with unexpected results. It is also the story of Miles Hendon, knight errant, who stumbles upon a ragged boy and takes an interest. We are drawn into the high courts of Tudor England as well as the slums and prisons and learn quite a bit about the harsh life in those times. Most criminals were sentenced to death, even for thievery of something as simple as a crust of bread. Both boys were appalled and did what they could to make things better for the aristocracy, the middle classes and the poor.I read this book many years ago along with A Connecticut Yankee in King Arthur’s Court and did not realize the social implications of either. Twain was making a point that life in England was not the rosy picture that many authors painted; he researched his subject and used material written in the 16th century to support his story. (There were some artistic liberties, but then this is a novel.)The dialog was in “Elizabethan” English, which can be hard to understand for some. However, there are some editions that have modernized the language. My copy of the book included endnotes to explain some of the material in the book; reading these gave me a better sense of the story. (However, I could have done without the description of death by boiling in oil!) There was also an afterward by Kenneth Lynn which put the book into perspective in Twain’s literary output, a list of Twain’s major works with original date of publication, and a bibliography of literary criticism current to 1963. Since it is a short novel, The prince and the pauper can be enjoyed by all levels of readers.
  • Rating: 5 out of 5 stars
    5/5
    I found this an exquisitely funny book and it has lived in my memory ever since I read it in 8th grade.
  • Rating: 3 out of 5 stars
    3/5
    The basic story line offered so much potential for compelling social commentary. However, Twain's effort really accomplished little more than a mildly entertaining novel. While an enjoyable read, particularly for its description of 16th century English society, I was disappointed at the lack of sophistication.
  • Rating: 4 out of 5 stars
    4/5
    Book on CD narrated by Steve West.Two boys born on the same day in very different circumstances meet and discover they each envy the other’s experiences. But only when they exchange clothes do they realize how identical they are in looks. So much so that Edward, Prince of Wales, is ejected from the palace as a beggar, while the pauper Tom Canty is accepted as the prince, despite their protests to the contrary.This is a wonderful classic that explores the difference in class in 16th century England, and the ways that appearance effects how one is treated. Both boys learn much from their experience as “the other.” Tom learns that a life of luxury is not all it’s cracked up to be; he chafes against the restrictions on his movements, the requirements for certain study, the constant presence of servants and guardians. Edward learns first-hand of the harsh life of his poorest subjects: their reliance on begging, the unfairness of the legal system, the lack of opportunities to improve their lot. Tom uses his new-found position to change some of the laws of the land. Edward learns the value of compassion and kindness. It’s a wonderful lesson in “walking in the other person’s shoes.”One thing that was a little difficult, though was Twain’s use of 16th-century English: “Dost not know thy father, child?” is one fairly easy example, but much of the dialect used makes it that much more difficult for a reader to appreciate the story. Still, it’s worth the effort to persevere. And I would recommend listening to the audio.There are many editions of this classic available. The hardcover text edition I used to supplement my listening was the Oxford Mark Twain with an introduction by Judith Martin and an afterword by Everett Emerson. It includes nearly 200 illustrations by Beverly R David and Ray Sapirstein. It’s really a physically beautiful book.The audio edition I listened to was narrated by Steve West. He did a fine job. He has good pacing, and enough skill as a voice artist to differentiate the various characters.
  • Rating: 4 out of 5 stars
    4/5
    I remember enjoying this book as a child (although I can't remember what age) and since my son is interested in Mark Twain, we listened to the audiobook on a recent road trip. It was a little bit more complicated than I remembered, and frankly we both had trouble following parts of the story, but perhaps that is a challenge of audiobooks compared with print. The basic story is well-known in which the poor and abused Tom Canty meets Prince Edward and discovering they resemble one another, swap clothing. Through a comedy of errors, they are separated and end up with Tom unwillingly becoming king and the prince having to live life at the very bottom of society. All works out in the end, and Twain is probably too kind on Edward VI's actual legacy as king, but the book delves into some of the gritty realities of impoverished masses and the court intrigues of the elites.
  • Rating: 5 out of 5 stars
    5/5
    Possibly my favorite Twain novel. So many people know the basics of this story that I think few of them ever read the original anymore. The politics and social commentary in this book are some of the best Twain produced. His subtle condemnation of the way society separated the haves and have nots during his day (and still does, if truth be told) is spot on and utterly compelling, all without compromising story or character.
  • Rating: 4 out of 5 stars
    4/5
    The basic story line of The Prince and the Pauper is probably familiar to everyone as it has become a Hollywood staple in a long series of movies: screen adaptations of varying qualities of the book directly, as well as basic plot lifts like "A Change of Place" or "Model Behavior". Twain’s book is more than just the piece of Hollywood froth into which it’s generally made, however. The ironic and amused tone that is present in so many of his works is much reduced; Twain’s reflections on his subject are darker and pointed. There is humor in the book...a fair amount of it...but there is also a very direct criticism of social systems where the ordinary person is at the mercy of authority, reflections on "the grass is always greener...", and the folly of judging someone by their appearances or circumstances.The novel is a bit slower-paced than his more famous works and a modern editor would probably cut a bit of Edward’s continual ranting about his rights when taken for Tom. Nonetheless, as with every Twain novel I’ve tried, this one is worth reading.
  • Rating: 4 out of 5 stars
    4/5
    One day two babies was born. But they are very different lives-one is aprince, the other is a pauper. Ten years later, they change p;aces.I was excited thinking what will happen next.And courage of the prince moved me.But i dont like the end of this story. I was disappointed.
  • Rating: 4 out of 5 stars
    4/5
    this book was really interesting but in some parts of it this book was confusing because you didn't know who was who. The prince and the pauper had many lessons in it that i think where interesting. I liked that the prince got to experience how life was for many people. He realized that his life was pretty great compaired to other people's. I think that elementry or middle school students would like this book better than adults and teens.
  • Rating: 4 out of 5 stars
    4/5
    The well-known story set in 1547, when Crown Prince Edward and the (fictional) neglected, impoverished Tom Canty switch places for fun, as they look surprisingly alike, and find themselves stuck in a role entirely different from anything previously experienced.Written for children but some of the incidents are quite shocking so I'd consider it more suitable for teens (and adults) interested in historical fiction of this era. The author evidently researched well, and the detail feels authentic, though I'm no historian. Some of the descriptions are long-winded, but if one accepts the unlikely premise of the story, it's a believable book, well-written and dramatic. I downloaded mine free from Project Gutenberg, but there are many editions in print and electronic form, as well as various TV/film adaptations of this book.
  • Rating: 4 out of 5 stars
    4/5
    I'm not sure why I love Mark Twain so much, but even this simple, obvious comedy of mistaken identities was a delight. His style is dated, his characters are more often than not cardboard (or archetypes, depending on the benevolence of the reader), his social commentary comes much more often with the mallet than with the scalpel. And still - this was an adventurous romp through the land and society of 16th century England, never in doubt who was the good guys and the villains, and yes, of course I fell in love with Miles Hendon.And I'm not sure, but... this thing was published first in 1881, and of course audience expectations have changed since then, but reading scenes like Tom experiencing for the first time the morning rituals as prince, with the endless ordeals until his clothing finally reaches him, I imagine Mr. Twain sitting at his desk, adding another comma and another element to an already endless list and cackling maniacally while he knows exactly that he's gonna drive his readership insane.And I can't help myself, but I LOVE this attitude in an author.
  • Rating: 3 out of 5 stars
    3/5
    I think the majority of readers know the story,the Prince and Pauper who exchange places because of their uncanny resemblance, but I was surprised at the political undertones that were skillfully woven throughout. Twain has shown the cruelty of the time as well as the naivete of the nobility to the hardship inflicted by unjust laws.I usually have a hard time with Classics, but I liked this one.
  • Rating: 2 out of 5 stars
    2/5
    SO different from the Disney version its amusing. But it was an interesting read. I wonder whose perspective of history is more accurate, Twains because he was closer in time, or ours because we have more research and available information...
  • Rating: 3 out of 5 stars
    3/5
    Although the kids had a hard time following the story (just like with Shakespeare, must be the Old English) this was a really good book. We just paused periodically to make sure that everyone was up to speed. This was not at all what I expected from Mark Twain although it did bear his hallmark humor. It was like a Tom and Huck scheme gone wrong with thees and thous. It was a much more in depth story than what you might suppose if all you had been exposed to is the animated versions. I was pleased and entertained.
  • Rating: 5 out of 5 stars
    5/5
    I could have sword I had read this years ago, but it felt fresh to me when I read it on DailyLit this time. Twain is such a genius! I loved this little story with so much depth and humor. I was also surprised to see how much historical research went into it. This is recommended to everyone.
  • Rating: 4 out of 5 stars
    4/5
    You can't get what you want unless you see it through someone else's eyes first.
  • Rating: 5 out of 5 stars
    5/5
    The prince and the Pauper is a well-known story, a classic written by Mark Twain, a superb 19th century writer. This book starts off in London during the rule of Henry VII. On the streets of London resides the Canty family. With a dead beat, drunken, and heavily abusive dad, and no money to fuel his drinking habits, he resorts to violence and beats his only son, and our main character, Tom Canty. When tom was born he was born with the same features and everything, as the prince, Edward, they were even born on the same day and hour. These two young individuals meet each other in a course of different events and decide that they want to have a perspective of the others life, and that it would be easy because of their visual similarities. They later find that this was not as good of an idea as they though it would be. As they face the hardships of each other’s lives. And what is more of a problem; they can’t get a hold of each other to switch back. In a turn of fate they do however, and all things are reversed back and even improved as Edward becomes King, and tom becomes his right hand man.The Prince and the Pauper is a wonderful classic novel, and many have enjoyed it. It’s meant for anyone and has a good meaning intended to the readers. Mark twain is a wonderful author, and writes books such as this that will keep your face glued to the pages. I’d even suggest reading it more than once just because it is that much of an enjoyable read.
  • Rating: 4 out of 5 stars
    4/5
    Most people are familiar with the basic situation of this classic story, but there is much more to Twain's original version than to its many adaptations. Of course, the crucial fact of these two boys being born in such different circumstances at the same time and identical in appearance and meeting as they do is pretty fabulous, but then, it is intended as a fable. At root, this is a story about the arbitrariness of hereditary nobility in general and monarchy in particular, and in true Twain fashion there are many biting and hilarious scenes. However, Twain fails to be true to his own theme in his resolution, which basically amounts to "...and despite what you would expect from everything that's happened so far, they all lived happily ever after." It would have been much more powerful and memorable had they failed to prove their true identities and the pauper had remained king, and the king a pauper...but I suppose a lot of readers wouldn't have liked that ending (which would have been the point!). But in any case, Twain's story is well worth reading just as it is.
  • Rating: 3 out of 5 stars
    3/5
    The Prince and the Pauper reminded me very much of Adventures of Tom Sawyer or Huck Finn. There were last second rescue, unbelievable circumstance, local dialects (or an estimation of them at least) abusive fathers, faithful companions...the list goes on. Unfortunately, I don't think Twain did as good a job tapping into old England as he did to the Mississippi river area.
  • Rating: 3 out of 5 stars
    3/5
    "The Prince and the Pauper" is a simple read and has a fairly predictable ending; I don't think it will knock anyone's socks off, but it is well written and a bit of a classic. Twain's original concept of switching roles and fortunes is also one that has been often copied (e.g. the movie "Trading Places" with Eddie Murphy and Dan Ackroyd :-).There is an interesting undercurrent in the book, for while Twain mocks royalty overtly in scenes such as one with the attendants passing the king's clothes one by one down to him through a long line like a fire brigade, he also does this more subtly. In putting royalty in the context of the 16th century and its way of life - which included many examples of needless violence and cruel torture, ignorant superstition, and fundamental unfairness - Twain shows it as outmoded as all of those things. It is arbitrary and corruptible, he is pointing out, and hereditary power for the few while many suffer is wrong. It is a novel set in London and Dickensian in style, but it has an American message at its core.Quotes:"...when the office of Taster had its perils, and was not a grandeur to be desired. Why they did not use a dog or a plumber seems strange; but all the ways of royalty are strange.""None believe in me - neither wilt thou. But no matter - within the compass of a month thou shalt be free; and more, the laws that have dishonoured thee, and shamed the English name, shall be swept from the statute books. The world is made wrong; kings should go to school to their own laws, at times, and so learn mercy.""...they stepped upon London Bridge, in the midst of a writhing, struggling jam of howling and hurrahing people, whose beer-jolly faces stood out strongly in the glare from manifold torches - and at that instant the decaying head of some former duke or other grandee tumbled down between them, striking Hendon on the elbow and then bounding off among the hurrying confusion of feet. So evanescent and unstable are men's works, in this world! - the late good king is but three weeks dead and three days in his grave, and already the adornments which he took such pains to select from prominent people for his noble bridge are falling.""Once when his royal "sister", the grimly holy lady Mary, set herself to reason with him against the wisdom of his course in pardoning so many people who would otherwise be jailed or hanged or burned, and reminded him that their august late father's prisons had sometimes contained as high as sixty thousand convicts at one time, and that during his admirable reign he had delivered seventy-two thousand thieves and robbers over to death by the executioner*, the boy was filled with generous indignation, and commanded her to go to her closet and beseech God to take away the stone that was in her breast and give her a human heart."* Hume's England
  • Rating: 3 out of 5 stars
    3/5
    In this book, Prince Edward and a beggar, Tom Canty, switch places accidentally. They have many different adventures based on what kind of people they were with. It's in England, during the reign of King Henry VIII. Most of the characters were fictionally made. Overall, it was an okay book; but unless you don't enjoy the medieval way the characters talk, then i suggest you don't read this book.
  • Rating: 1 out of 5 stars
    1/5
    I did not like this book because it was very hard to understand (at least the version i read). I think that Mark Twain over did the old english a little bit.
  • Rating: 3 out of 5 stars
    3/5
    For Christmas, I ordered an mp3 player (Library of Classics) that was pre-loaded with 100 works of classic literature in an audio format. Each work is in the public domain and is read by amateurs, so the quality of the presentation is hit or miss. The premise of The Prince and The Pauper is ages old; two people from wildly divergent ways of life switch places, with predictable consequences. This is a very simple and short story, the protagonists being Edward VI, first Prince of Wales and then King of England, and a penniless ragamuffin. The Prince thinks the carefree lifestyle of the ragamuffin sounds attractive and the pair change clothes and identities.If you can get past the utterly absurd premise that the two boys were so exactly alike that their mothers and closest friends were unable to detect the switch, there are a few amusing scenarios, but the story soon becomes tiresome and maddeningly repetitive. Instead of using fictional characters,Twain uses the historical Edward VI as his Prince, implying that the time spent among the lower classes of his kingdom served to make him a more caring and empathetic monarch. Of course, this holds little historical water, as Edward died at the age of fifteen and was never more than a puppet for the power hungry factions that surrounded the throne. I’m sure there are any number of metaphors and morals to be gleaned from the story, but as simple entertainment, it falls short.
  • Rating: 5 out of 5 stars
    5/5
    This classic story of mixed identity between the boy King Edward VI and pauper Tom Canty is a heartwarming and easy read. Mark Twain's first historical novel, it follows the tradition of of 19th century historical novels in telling as much about the assumptions of the time it was written (1881) as about the time it is set (1547), e.g. in terms of Royal mercy and concern for the poor. The language is a joy to read and this Kindle edition contains all the many illustrations.
  • Rating: 4 out of 5 stars
    4/5
    After a chance meeting, Edward, Prince of Wales (son of Henry VIII) and poor Tom Canty, curious about what it would feel like to wear the other's clothes, swap clothes. They are both astonished when they look in a mirror and realize their extraordinary likeness. Tom looks like the prince in the prince's clothes, and Edward looks like Tom in Tom's rags. While still wearing Tom's clothes, Prince Edward ends up outside the palace grounds. No one believes him when he says he is the Prince of Wales. No one believes Tom when he says he is not the prince. Their inability to recognize faces and surroundings that should be familiar is blamed on a fit of madness. Then Henry VIII dies, and both boys despair of ever going back to their rightful places.Although I've been familiar with the basic plot for as long as I can remember, this is the first time I've read the story. I had formed an impression that the prince was a fictional character, so I was surprised when he turned out to be Edward VI. (I have no doubt that Tom Canty is fictional, though!) If I had known how much I would enjoy the story, I wouldn't have put it off for so long. Even though the outcome is never in doubt, each boy's adventures in the other's world kept me a captivated listener. The only negative feature worth noting is the overly flowery language, which doesn't seem anywhere close to authentic. While this is a classic of children's literature, the language will probably cause many 21st century young readers to lose interest before the plot takes hold of them.

Book preview

El príncipe y el mendigo - Mark Twain

978-963-526-147-5

Prefacio

Voy a poner por escrito un cuento, tal como me lo contó uno que lo sabía por su padre, el cual lo supo anteriormente por su padre; este último de igual manera lo había sabido por su padre… y así sucesivamente, atrás y más atrás, más de trescientos años, en que los padres se lo transmitían a los hijos y así lo iban conservando. Puede ser historia, puede ser sólo leyenda, tradición. Puede haber sucedido, puede no haber sucedido: pero podría haber sucedido. Es posible que los doctos y los eruditos de antaño lo creyeran; es posible que sólo a los indoctos y a los sencillos les gustara y la creyeran.

Capítulo 1

Nacimiento del príncipe y del mendigo

En la antigua ciudad de Londres, un cierto día de otoño del segundo cuarto del siglo XVI, le nació un niño a una familia pobre, de apellido Canty, que no lo deseaba. El mismo día otro niño inglés le nació a una familia rica, de apellido Tudor, que sí lo deseaba. Toda Inglaterra también lo deseaba. Inglaterra lo había deseado tanto tiempo, y lo había esperado, y había rogado tanto a Dios para que lo enviara, que, ahora que había llegado, el pueblo se volvió casi loco de alegría. Meros conocidos se abrazaban y besaban y lloraban. Todo el mundo se tomó un día de fiesta; encumbrados y humildes, ricos y pobres, festejaron, bailaron, cantaron y se hicieron más cordiales durante días y noches. De día Londres era un espectáculo digno de verse, con sus alegres banderas ondeando en cada balcón y en cada tejado y con vistosos desfiles por las calles. De noche era de nuevo otro espectáculo, con sus grandes fogatas en todas las esquinas y sus grupos de parrandistas alegres alborotando en,torno de ellas. En toda Inglaterra no se hablaba sino del nuevo niño, Eduardo Tudor, Príncipe de Gales, que dormía arropado en sedas y rasos, ignorante, de todo este bullicio, sin saber que lo servían y lo cuidaban grandes lores y excelsas damas, y, sin importarle, además. Pera no se hablaba del otro niño, Tom Canty, envuelto en andrajos, excepto entre la familia de mendigos a quienes justo había venido a importunar con su presencia.

Capítulo 2

La infancia de Tom

Saltemos unos cuantos años. Londres tenía mil quinientos años de edad, y era una gran ciudad… para entonces. Tenía cien mil habitantes algunos piensan que el doble.

Las calles eran muy angostas y sinuosas y sucias, especialmente en la parte en que vivía Tom Canty, no lejos del Puente de Londres. Las casas eran de madera, con el segundo piso proyectándose sobre el primero, y el tercero hincando sus codos más allá del segundo. Cuanto más altas las casas tanto más se ensanchaban. Eran esqueletos de gruesas vigas entrecruzadas, con sólidos materiales intermedios, revestidos de yeso. Las vigas estaban pintadas de rojo, o de azul o de negro, de acuerdo al gusto del dueño, y esto prestaba a las casas un aspecto muy pintoresco. Las ventanas eran chicas, con cristales pequeños en forma de diamante, y se abrían hacia afuera, con bisagras, como puertas.

La casa en que vivía el padre de Tom se alzaba en un inmundo callejón sin salida, llamado Offal Court, mas allá de Pudding Lane. Era pequeña, destartalada y casi ruinosa, pero estaba atestada de familias miserables. La tribu de Canty ocupaba una habitación en el tercer piso. El padre y la madre tenían una especie de cama en un rincón, pero Tom, su abuela y sus dos hermanas, Bet y Nan, eran libres: tenían todo el suelo para ellos y podían dormir donde quisieran. Había restos de una o dos mantas y algunos haces de paja vieja y sucia, que no se podían llamar con propiedad camas, pues no estaban acomodados, y a puntapiés se les mandaba a formar un gran montón, en la mañana, y de ese montón se hacían apartijos para el uso nocturno.

Bet y Nan, gemelas, tenían quince años. Eran niñas de buen corazón, sucias, harapientas y de profunda ignorancia. Su madre era como ellas. Mas el padre y la abuela eran un par de demonios. Se emborrachaban siempre que podían, luego se peleaban entre sí o con cualquiera que se les pusiera delante; maldecían y juraban siempre, ebrios o sobrios. John Canty era ladrón, y su madre pordiosera. Hicieron pordioseros a los niños, mas no lograron hacerlos ladrones. Entre la desgraciada ralea pero sin formar parte de ella que habitaba la casa, había un buen sacerdote viejo, a quien el rey había deudo sin casa ni hogar con sólo una pensión de unas cuantas monedas de cobre, que acostumbraba llamar a los niños y enseñarles secretamente el buen camino. El padre Andrés también enseñó a Tom un poco de latín, y a leer y escribir; y habría hecho otro tanto con las niñas, pero éstas temían las burlas de sus amigas, que no habrían sufrido en ellas una educación tan especial.

Todo Offal Court era una colmena igual que la casa de Canty. Las borracheras, las riñas y los alborotos eran lo normal cada noche, y casi toda la noche. Los descalabros eran tan comunes como el hambre en aquel lugar. Sin embargo, el pequeño Tom no era infeliz. Lo pasaba bastante mal, pero no lo sabía. Le pasaba enteramente lo mismo que todos los muchachos de Offal Court, y por consiguiente suponía que aquella vida era la verdadera y cómoda. Cuando por las noches volvía a casa con las manos vacías, sabía que su padre lo maldeciría y golpearía primero, y que cuando el hubiera terminado, la detestable abuela lo haría de nuevo, mejorado; y que entrada la noche, su famélica madre se deslizaría furtivamente hasta él con cualquier miserable mendrugo de corteza que hubiera podido guardarle, quedándose ella misma con hambre, a despecho de que frecuentemente era sorprendida en aquella especie de traición y golpeada por su marido.

No. La vida de Tom transcurría bastante bien, especialmente en verano. Mendigaba sólo lo necesario para salvarse, pues las leyes contra la mendicidad eran estrictas, y graves las penas, y reservaba buena parte de su tiempo para escuchar los encantadores viejos cuentos y leyendas del buen padre Andrés acerca de gigantes y hadas, enanos, y genios, y castillos encantados y magníficos reyes y príncipes. Llenósele la cabeza de todas estas cosas maravillosas, y más de una noche, cuando yacía en la oscuridad, sobre su mezquina y hedionda paja, cansado, hambriento y dolorido de una paliza, daba rienda suelta a la imaginación y pronto olvidaba sus penas y dolores, representándose deliciosamente la espléndida vida de un mimado príncipe en un palacio real. Con el tiempo un deseo vino a cautivarlo día y noche: ver a un príncipe de verdad, con sus propios ojos. Una vez les habló de ello a sus camaradas de Offal Court; pero se burlaron y escarnecieron tan despiadamente, que después de aquello guardó, gustosamente para sí su sueño.

A menudo leía los viejos libros del sacerdote y le hacía explicárselos y explayarse. Poco a poco, sus sueños y lecturas operaron ciertos cambios en él. Sus personas ensoñadas eran tan refinadas, que él empezó a lamentar sus andrajos y su suciedad, y a desear ser limpio y mejor vestido. De todos modos siguió jugando en el lodo y divirtiéndose con ello, pero en vez de chapotear en el Támesis sólo por diversión, empezó a encontrar un nuevo valor en él por el lavado y la limpieza que le procuraba.

Tom encontraba siempre algún suceso en torno del Mayo de Cheapside y en las ferias, y de cuando en cuando, él y el resto de Londres tenían oportunidad de presenciar una parada militar cuando algún famoso infortunado era llevado prisionero a la Torre, por tierra o en bote. Un día de verano vio quemar en la pira de Smithfield a la pobre Ana Askew y a tres hombres, y oyó a un ex-obispo predicarles un sermón, que no le interesó. Sí, la vida de Tom era variada, y, en conjunto, bastante agradable.

Poco a poco, las lecturas y los sueños de Tom sobre la vida principesca le produjeron un efecto tan fuerte que empezó a hacer el príncipe, inconscientemente. Su discurso y sus modales se volvieron singularmente ceremoniosos y cortesanos, para gran admiración y diversión de sus íntimos. Pero la influencia de Tom entre aquellos muchachos empezó a crecer, ahora, de día en día, y con el tiempo vino a ser mirado por ellos con una especie de temor reverente, como a un ser superior. ¡Parecía saber tanto, y sabía hacer y decir tantas cosas maravillosas, y además era tan profundo y tan sabio!

Las observaciones de Tom y los actos de Tom eran reportados por los niños a sus mayores, y éstos también empezaron a hablar de Tom Canty y a considerarlo como una criatura extraordinaria y de grandes dotes. Gente madura le llevaba sus dudas a Tom para que se las solucionara, y a menudo quedaba pasmada ante el ingenio y la sabiduría de sus decisiones. De hecho se tornó un verdadero héroe para todos cuantos le conocían, excepto para su propia familia; ésta, en realidad, no veía nada en él.

Poco después, privadamente Tom organizó una corte real. Él era el príncipe; sus más cercanos camaradas eran guardas, chambelanes, escuderos, lores, damas de la corte y familia real. A diario el príncipe fingido era recibido con elaborados ceremoniales copiados por Tom de sus lecturas novelescas; a diario, los graves sucesos del imaginario reino se discutían en el consejo real, y a diario Su fingida Alteza promulgaba decretos para sus imaginarios ejércitos, armadas y virreyes. Después de lo cual seguiría adelante con sus andrajos y mendigaría unos cuantos ardites, comería su pobre corteza, recibiría sus acostumbradas golpizas e insultos y luego se tendería en su puñado de sucia paja, y reanudaría en sus sueños sus vanas grandezas.

Y aun su deseo de ver una sola vez a un príncipe de carne y hueso crecía en él día con día, semana con semana, hasta que por fin absorbió todos sus demás deseos y llegó a ser la pasión única de su vida.

Cierto día de enero, en su habitual recorrido de pordiosero, vagaba desalentado por el sitio que rodea Mincing Lane, y Little East Cheap, hora tras hora, descalzo y con frío, mirando los escaparates de los figones y anhelando las formidables empanadas de cerdo y otros inventos letales ahí exhibidos, porque, para él, todas aquellas eran golosinas dignas de ángeles, a juzgar por su olor, ya que nunca había tenido la buena suerte de comer alguna. Caía una fría llovizna, la atmósfera estaba sombría, era un día melancólico. Por la noche llegó Tom a su casa tan mojado, rendido y hambriento, que su padre y su abuela no pudieron observar su desamparo sin sentirse conmovidos –a su estilo–; de ahí que le dieran una bofetada de una vez y lo mandaran a la cama. Largo rato le mantuvieron despierto el dolor y el hambre, y las blasfemias y golpes que continuaban en el edificio; mas al fin sus pensamientos flotaron hacia lejanas tierras imaginarias, y se durmió en compañía de enjoyados y lustrosos príncipes que vivían en grandes palacios y tenían criados zalameros ante ellos o volando para ejecutar sus órdenes. Luego, como de costumbre, soñó que él mismo era príncipe. Durante toda la noche las glorias de su regio estado brillaron sobre él. Se movía entre grandes señores y damas, en una atmósfera de luz, aspirando perfumes, escuchando deliciosa música y respondiendo a las reverentes cortesías de la resplandeciente muchedumbre que se separaba para abrirle paso, aquí con una sonrisa y allá con un movimiento de su principesca cabeza. Y cuando despertó por la mañana y contempló la miseria que le rodeaba, su sueño surtió su efecto habitual: había intensificado mil veces la sordidez de su ambiente. Después vino la amargura, el dolor y las lágrimas.

Capítulo 3

Encuentro de Tom y el príncipe

Tom se levantó hambriento, y hambriento vagó, pero con el pensamiento ocupado en las sombras esplendorosas de sus sueños nocturnos. Anduvo aquí y allá por la ciudad, casi sin saber a dónde iba o lo que sucedía a su alrededor. La gente lo atropellaba y algunos lo injuriaban, pero todo ello era indiferente para el meditabundo muchacho. De pronto se encontró en Temple Bar, lo más lejos de su casa que había llegado nunca en aquella dirección. Detúvose a reflexionar un momento y en seguida volvió a sus imaginaciones y atravesó las murallas de Londres. El Strand había cesado de ser camino real en aquel entonces y se consideraba como calle, aunque de construcción desigual, pues si bien había una hilera bastante compacta de casas a un lado, al otra sólo se veían unos cuantos edificios grandes desperdigados: palacios de ricos nobles con amplios y hermosos parques que se extendían hasta el río; parques que ahora están encajonados por horrendas fincas de ladrillo y piedra.

Tom descubrió Charing Village y descansó ante la hermosa cruz construida allí por un afligido rey de antaño; luego descendió por un camino hermoso y tranquilo, más allá del magnífico palacio del gran cardenal, hacia otro palacio mucho más grande y majestuoso: el de Westminster. Tom miraba azorado la gran mole de mampostería, las extensas alas, los amenazadores bastiones y torrecillas, la gran entrada de piedra con sus verjas doradas y su magnífico arreo de colosales leones de granito, y los otros signos y emblemas de la realeza inglesa. ¿Iba a satisfacer, al, fin, el anhelo de su alma? Aquí estaba, en efecto, el palacio de un rey. ¿No podría ser que viera a un príncipe –a un príncipe de carne y hueso– si lo quería el cielo?

A cada lado de la dorada verja se levantaba una estatua viviente, es decir, un centinela erguido, imponente e inmóvil, cubierto de pies a cabeza con bruñida armadura de acero. A respetuosa distancia estaban muchos hombres del campo y de la ciudad, esperando cualquier destello de realeza que pudiera ofrecerse. Magníficos carruajes, con principalísimas personas dentro, y no menos espléndidos lacayos fuera, llegaban y partían por otras soberbias puertas que daban paso al real recinto. El pobre pequeño Tom, cubierto de andrajos, se acercó con el corazón palpitante y mayores esperanzas empezaba a escurrirse lenta y cautamente por delante de los centinelas, cuando de pronto divisó, – a través de las doradas verjas, un espectáculo que casi lo hizo gritar de alegría. Dentro se hallaba un apuesto muchacho, curtido y moreno por los ejercicios y juegos al aire libre, cuya ropa era toda de seda y raso, resplandeciente de joyas. Al cinto traía espada y daga ornadas de piedras preciosas, en los pies finos zapatos de tacones rojos y en la cabeza una airosa gorra carmesí con plumas sujetas por un cintillo grande y reluciente. Cerca estaban varios caballeros de elegantes trajes, seguramente sus criados. ¡Oh!, era un príncipe –un príncipe, ¡un príncipe de verdad, un príncipe viviente–, sin sombra de duda! ¡Al fin había respondido el cielo a las preces del corazón del niño mendigo!

El aliento se le aceleraba y entrecortaba de entusiasmo, y se le agrandaban los ojos de pasmo y deleite.

Todo en su mente abrió paso al instante a un deseo, el de acercarse al príncipe y echarle una mirada larga y devoradora. Antes de darse cuenta ya estaba con la cara pegada a las barras de la verja. Al momento, uno de los soldados lo arrancó violentamente de allí y lo mandó dando vueltas contra la muchedumbre de campesinos boquiabiertos y de londinenses ociosas. El soldado dijo:

–¡Cuidado con los modales, tú, pordioserillo!

La multitud, se burló y rompió en carcajadas; mas el joven príncipe saltó hacia la verja, con el rostro encendido, sus ojos fulgurando de indignación, y exclamó:

–¡Cómo osas tratar así a un pobre chico! ¡Cómo osas tratar así aun al más humilde vasallo del rey mi padre! ¡Abre las verjas y déjale entrar!

Deberíais de haber visto entonces a aquella veleidosa muchedumbre arrancarse el sombrero de la cabeza. La deberíais de haber oído aplaudir y gritar: ¡Viva el Príncipe de Gales!

Los soldados presentaron armas con sus alabardas, abrieron las verjas y volvieron a presentar armas cuando el pequeño Príncipe de la Pobreza entró con sus andrajos ondulando, a estrechar la mano del Príncipe de la Abundancia Ilimitada.

Eduardo Tudor dijo:

–Parécesete cansado y hambriento. Te han tratado injustamente. Ven conmigo.

Media docena de circunstantes se abalanzaron a –no sé qué—… , –sin duda a interferir. Mas fueron apartados mediante regio ademán, y se quedaron clavados inmóviles donde estaban, como otras tantas estatuas. Eduardo se llevó a Tom a una rica estancia en el palacio, que llamaba su gabinete. A su mandato trajeron una colación como Tom no había encontrado jamás, salvo en los libros. El príncipe, con delicadeza y maneras principescas, despidió a los criados para que su humilde huésped no se sintiera cohibido con su presencia criticona; luego se sentó cerca de Tom a hacer preguntas mientras aquél comía:

–¿Cuál es tu nombre, muchacho? Tom Canty, para serviros, señor.

–Raro es. ¿Dónde vives?

–En la ciudad, señor, para serviros. En Offal Court, más allá de Pudding Lane.

–¡En Offal Court! Raro es también este otro. ¿Tienes padres?

–Padres tengo, señor, y una abuela, además, a la que quiero poco, Dios me perdone si es ofensa decirlo, también hermanas gemelas, Nan y Bet.

–De manera que tu abuela no es muy bondadosa contigo.

–Ni con nadie, para que sea servida Vuestra Merced. Tiene un corazón perverso y maquina siempre la maldad.

–¿Te maltrata?

–Hay veces que detiene la mano, estando dormida o vencida por la bebida; pero en cuanto tiene claro el juicio me lo compensa, con buenas palizas.

Una fiera mirada asomó a los ojos del principito, y exclamó:

–¡Cómo! ¿Palizas?

–Por cierto que sí, si os place, señor.

–¡Palizas! Y tú tan frágil y pequeño. Escucha: al caer la noche tu abuela entrará a la Torre. El rey, mi padre…

–En verdad, señor, olvidáis su baja condición. La Torre es sólo para los grandes.

–Cierto. No había pensado en eso. Consideraré su castigo. ¿Es bueno tu padre para contigo?

–No más que la abuela Canty, señor.

–Tal vez los padres sean parecidos. El mío no tiene dulce temperamento. Golpea con mano pesada pero conmigo se refrena. A decir verdad, no siempre me perdona su lengua. ¿Cómo te trata tu madre?

–Ella es buena, señor, y no me causa amarguras ni sufrimientos de ninguna clase. En eso Nan y Bet son como ella.

¿Qué edad tienen?

–Quince años, que os plazca, señor.

–Lady Isabel, mi hermana, tiene catorce, y lady Juana Grey, mi prima, es de mi misma edad, y gentil y graciosa, además, pero mi hermana lady María, con su semblante triste y… Oye: ¿Prohíben tus hermanas a sus criadas que sonrían para que no destruya sus almas el pecado?

–¿Ellas? ¡Oh! ¿Creéis que ellas tienen criadas?

El pequeño príncipe contempló al pequeño mendigo con gravedad un momento; luego dijo:

–¿Por qué no? ¿Quién las ayuda a desvestirse por la noche? ¿Quién las viste cuando se levantan?

–Nadie, señor. ¿Querrías que se quitaran su vestido y durmieran sin él, como los animales?

–¿Su vestido? ¿Sólo tienen uno?

–¡Oh!, buen señor, ¿qué harían con más? En verdad no tienen dos cuerpos cada una.

–Esa es una idea curiosa y maravillosa. Perdóname, no he tenido intención de reírme. Pero tus buenas Nan y Bet tendrán sin tardar ropas y sirvientes, y ahora mismo. Mi mayordomo cuidará de ello. No, no me lo agradezcas; no es nada. Hablas bien; con gracia natural. ¿Eres instruido?

–No sé si lo soy o no, señor. El buen sacerdote que se llama padre Andrés, me enseñó, bondadosamente, en sus libros.

–¿Sabes el latín?

–Escasamente, señor.

–Apréndelo, muchacho: sólo es difícil al principio. El griego es más difícil, pero ni éstas ni otras lenguas son difíciles, creo, para lady Isabel y para mi prima. ¡Tendrías que oírlo a estas damiselas! Pero cuéntame de tu Offal Court. ¿Es agradable tu vida allí?

–En verdad, sí, señor, salvo cuando uno tiene hambre. Hay títeres y monos –¡oh, qué criaturas tan travieras y qué gallardas van vestidas!–, y hay comedias en que los comediantes gritan y pelean hasta caer muertos todos; es tan agradable de ver, y cuesta sólo una blanca aunque es muy difícil conseguir la blanca.

–Cuéntame más.

–Nosotros, los muchachos de Offal Court, luchamos unos con otros con un garrote, al modo de aprendices, señor.

Los ojos del

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