The Imprint of the Picturesque on Nineteenth-Century British Fiction
()
About this ebook
"Despite the negative criticism directed at its sentiment, its heartlessness, its superficiality, the picturesque remained in both art and fiction of Victorian England a mode of seeing that even the greatest of the artists and novelists relied upon from time to time so that their viewers and readers could rejoice in the instant recognition of place and character distinctly limned and sometimes subtly enough to elicit sympathy" (Preface).
After briefly tracing the development of the theory of the picturesque in the eighteenth-century writings of William Gilpin, Sir Uvedale Price, and Richard Payne Knight and examining how nineteenth-century novelists accommodated aesthetic theory to the practice of fiction, Ross focuses on the use of the picturesque in the works of Sir Walter Scott, Charlotte Bronte, Charles Dickens, George Eliot, and Thomas Hardy. The persistence of the picturesque through novels ranging from Waverley to Jude the Obscure and in writers like Dickens and Eliot, who had little respect for its conventions, attests to its strength and attraction in nineteenth-century literature.
Alexander M. Ross
Alexander M. Ross was formerly Chairman of the Department of English Language and Literature at the University of Guelph. He graduated from Queen’s University in 1940. After service overseas, he took his M.A. from Queen’s and a Diploma in Education from the University of London. His publications include The College on the Hill, a History of the Ontario Agricultural College and William Henry Bartlett, Artist, Author, and Traveller. Professor Ross is now retired and lives near Portland–on–the–Rideau in eastern Ontario.
Related to The Imprint of the Picturesque on Nineteenth-Century British Fiction
Related ebooks
Shakespeare's Lyric Stage: Myth, Music, and Poetry in the Last Plays Rating: 0 out of 5 stars0 ratingsOptiques: The Science of the Eye and the Birth of Modern French Fiction Rating: 0 out of 5 stars0 ratingsThe Labor of the Mind: Intellect and Gender in Enlightenment Cultures Rating: 0 out of 5 stars0 ratingsBefore Fiction: The Ancien Régime of the Novel Rating: 0 out of 5 stars0 ratingsRiddles at work in the early medieval tradition: Words, ideas, interactions Rating: 0 out of 5 stars0 ratingsThemes in the Historical Geography of France Rating: 0 out of 5 stars0 ratingsThe Invention of Shakespeare, and Other Essays Rating: 0 out of 5 stars0 ratingsNorthern memories and the English Middle Ages Rating: 0 out of 5 stars0 ratingsCompassion's Edge: Fellow-Feeling and Its Limits in Early Modern France Rating: 0 out of 5 stars0 ratingsThe Prosthetic Tongue: Printing Technology and the Rise of the French Language Rating: 0 out of 5 stars0 ratingsFeeling Time: Duration, the Novel, and Eighteenth-Century Sensibility Rating: 0 out of 5 stars0 ratingsThis Distracted Globe: Worldmaking in Early Modern Literature Rating: 0 out of 5 stars0 ratingsThe Pleasure Garden, from Vauxhall to Coney Island Rating: 0 out of 5 stars0 ratingsSovereign Fantasies: Arthurian Romance and the Making of Britain Rating: 0 out of 5 stars0 ratingsBroken Harmony: Shakespeare and the Politics of Music Rating: 0 out of 5 stars0 ratingsStendhal: Fiction and the Themes of Freedom Rating: 0 out of 5 stars0 ratingsConstable Rating: 0 out of 5 stars0 ratingsHenry James Rating: 0 out of 5 stars0 ratingsWomen, Epic, and Transition in British Romanticism Rating: 0 out of 5 stars0 ratingsHostile Humor in Renaissance France Rating: 0 out of 5 stars0 ratingsContemporary French and Scandinavian Crime Fiction: citizenship, gender and ethnicity Rating: 0 out of 5 stars0 ratingsOxford Lectures on Poetry Rating: 0 out of 5 stars0 ratingsBoccaccio: A Critical Guide to the Complete Works Rating: 4 out of 5 stars4/5A Boccaccian Renaissance: Essays on the Early Modern Impact of Giovanni Boccaccio and His Works Rating: 0 out of 5 stars0 ratingsDreamland of Humanists: Warburg, Cassirer, Panofsky, and the Hamburg School Rating: 0 out of 5 stars0 ratingsUnquiet Things: Secularism in the Romantic Age Rating: 5 out of 5 stars5/5J.O. Francis, Realist Drama and Ethics: Culture, Place and Nation Rating: 0 out of 5 stars0 ratingsEarly Modern Visions of Space: France and Beyond Rating: 0 out of 5 stars0 ratingsThe Victorian Eye: A Political History of Light and Vision in Britain, 1800-1910 Rating: 0 out of 5 stars0 ratingsInventiones: Fiction and Referentiality in Twelfth-Century English Historical Writing Rating: 0 out of 5 stars0 ratings
Popular Culture & Media Studies For You
Rage Becomes Her: The Power of Women's Anger Rating: 4 out of 5 stars4/5As You Wish: Inconceivable Tales from the Making of The Princess Bride Rating: 4 out of 5 stars4/5100 Things You're Not Supposed to Know: Secrets, Conspiracies, Cover Ups, and Absurdities Rating: 3 out of 5 stars3/5Pimpology: The 48 Laws of the Game Rating: 5 out of 5 stars5/5Hollywood's Dark History: Silver Screen Scandals Rating: 4 out of 5 stars4/5Communion: The Female Search for Love Rating: 4 out of 5 stars4/5And The Mountains Echoed Rating: 2 out of 5 stars2/5Afrofuturism: The World of Black Sci-Fi and Fantasy Culture Rating: 4 out of 5 stars4/5The Madness of Crowds: Gender, Race and Identity Rating: 4 out of 5 stars4/5The Dream Dictionary from A to Z [Revised edition]: The Ultimate A–Z to Interpret the Secrets of Your Dreams Rating: 5 out of 5 stars5/5The Fifties Rating: 4 out of 5 stars4/5The Beauty Myth: How Images of Beauty Are Used Against Women Rating: 4 out of 5 stars4/5The Psychology of Totalitarianism Rating: 5 out of 5 stars5/5The Element Encyclopedia of 20,000 Dreams: The Ultimate A–Z to Interpret the Secrets of Your Dreams Rating: 4 out of 5 stars4/5The Electric Kool-Aid Acid Test Rating: 4 out of 5 stars4/5Capitalist Realism: Is There No Alternative? Rating: 5 out of 5 stars5/5The Art of Libromancy: On Selling Books and Reading Books in the Twenty-first Century Rating: 5 out of 5 stars5/5Butts: A Backstory Rating: 4 out of 5 stars4/5Confessions of an Heiress: A Tongue-in-Chic Peek Behind the Pose Rating: 3 out of 5 stars3/5The Science of Monsters: The Origins of the Creatures We Love to Fear Rating: 4 out of 5 stars4/5Thick: And Other Essays Rating: 5 out of 5 stars5/5Regarding the Pain of Others Rating: 4 out of 5 stars4/5How to Slowly Kill Yourself and Others in America: Essays Rating: 5 out of 5 stars5/5The Gamer's Bucket List: The 50 Video Games to Play Before You Die Rating: 4 out of 5 stars4/5The Misinformation Age: How False Beliefs Spread Rating: 4 out of 5 stars4/5Laurel Canyon: The Inside Story of Rock-and-Roll's Legendary Neighborhood Rating: 4 out of 5 stars4/5
Reviews for The Imprint of the Picturesque on Nineteenth-Century British Fiction
0 ratings0 reviews