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In Excess: Sergei Eisenstein's Mexico
In Excess: Sergei Eisenstein's Mexico
In Excess: Sergei Eisenstein's Mexico
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In Excess: Sergei Eisenstein's Mexico

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During the 1920s and ’30s, Mexico attracted an international roster of artists and intellectuals—including Orson Welles, Katherine Anne Porter, and Leon Trotsky—who were drawn to the heady tumult engendered by battling cultural ideologies in an emerging center for the avant-garde. Against the backdrop of this cosmopolitan milieu, In Excess reconstructs the years that the renowned Soviet director Sergei Eisenstein spent in the country to work on his controversial film ¡Que Viva Mexico!

            Illuminating the inextricability of Eisenstein’s oeuvre from the global cultures of modernity and film, Masha Salazkina situates this unfinished project within the twin contexts of postrevolutionary Mexico and the ideas of such contemporaneous thinkers as Walter Benjamin. In doing so, Salazkina explains how Eisenstein’s engagement with Mexican mythology, politics, and art deeply influenced his ideas, particularly about sexuality. She also uncovers the role Eisenstein’s bisexuality played in his creative thinking and identifies his use of the baroque as an important turn toward excess and hybrid forms. Beautifully illustrated with rare photographs, In Excess provides the most complete genealogy available of major shifts in this modern master’s theories and aesthetics.

LanguageEnglish
Release dateAug 1, 2009
ISBN9780226734163
In Excess: Sergei Eisenstein's Mexico

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    Just when the Mexican Revolution had given Mexico an opportunity to reinvent itself, one of the most famous directors of the time, Sergei Einsentein came to this country to create and condensed an image of Mexico that will define its new identity inside and outside the country.

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In Excess - Masha Salazkina

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